Two Full Length Unreleased Live Recordings From Krautrock Pioneer Joel Vandroogenbroeck & Brainticket Finally See The Light Of Day!

Los Angeles, CA - In 1980, Belgian-born multi-instrumentalist and songwriter Joel Vandroogenbroeck revived his early ‘70s avant-garde electronic act Brainticket alongside longtime member Willy Seefeldt, jazz musician Hans Deyssenroth, and Swiss jazz & electronic aficionado Bruno Spoerri. Three years later the quartet would perform their very first show in a landmark performance at the “Computer und Musik” symposium in Zürich, Switzerland. Though long a part of Brainticket lore, this concert has never before been released on a commercial format, that is, until now! Purple Pyramid records is proud to release this incredible live performance, matched with an equally historic performance in 1984 at the Théatre de Beaulieu in Lausanne, Switzerland of Vandroogenbroek and Spoerri plus Peter Fürst. Both of these full-length concert recordings contain improvisations and compositions not found anywhere else! Zürich/Lausanne is available as both a 2CD set as well as on all digital retailers!

Track List:
DISC 1: Live in Zürich - February 4, 1983
1. Flight In The Rings Of Saturn
2. Seventh Dance To Relativities / For Papa
3. Dark Star

DISC 2: Live In Lausanne - October 20, 1984
1. Bali Loop
2. Matter Matters
3. Markus' Interlude
4. DoubLinn
5. Black Sand

Buy the CD: https://cleorecs.com/store/shop/brainticket-zurich-lausanne-cd/
Buy the digital version: https://geo.itunes.apple.com/us/album/z%C3%BCrich-lausanne-live/1331302439?app=itunes&at=1000lt9k

Press inquiries: 
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com

PURPLE PYRAMID RECORDS,
A division of CLEOPATRA RECORDS, Inc.
11041 Santa Monica Blvd #703
Los Angeles CA 90025
www.CleopatraRecords.com

PURPLE PYRAMID RECORDS
Facebook @PurplePyramidRecords
https://www.facebook.com/PurplePyramidRecords/
Instagram @Purple.pyramid
https://www.instagram.com/purple.pyramid/
Twitter @PurplePyramid1
https://twitter.com/PurplePyramid1
Youtube @ Purple Pyramid
https://www.youtube.com/channel/UCwiCec6bS6mX3c7dpitfYRQ
Purple Pyramid Store @
https://cleorecs.com/store/product-category/record-label/purple-pyramid/

Scholar and Drum Legend Bill Bruford Authors New Book, "Uncharted: Creativity and the Expert Drummer"

Pre-order in hardback, softback or e-book

Scholar and Rock & Roll Hall of Fame inductee Bill Bruford, best known for his work with Yes, King Crimson, Genesis and his prolific solo career, has authored a new book, to be Published by the University of Michigan Press on January 28th.  Pre-orders are now being taken.

What’s it about?

The book is an exploration of the creativity involved in the way drummers make things work, make things matter, and make sense of both. It draws on interviews with nine top drummers and Bruford’s own experience to improve understanding in collaborative popular music performance. What do expert drummers do? Why do they do it? Is there anything creative about it? If so, how might that creativity inform their practice and that of others in related artistic spheres? Applying ideas from cultural psychology to findings from original research into the creative behaviors of a specific subset of popular music instrumentalists, Bruford demonstrates the ways in which expert drummers experience creativity in performance and offers fresh insights into in-the-moment interactional processes in music.

Why buy?

“If you’re an instrumentalist” recommends Bill, “give it to the nearest drummer, so he or she knows what drummers are for. If you’re a drummer give it to the other people in your band, so they know what drummers are for. And get a copy for yourself, so you know what drummers are for!”

Early praise for ‘Uncharted’

 “… an intelligent, thought-provoking treatise on the notion of creativity in Western popular music. Over the course of a number of interviews and case studies involving expert drummers, Bill Bruford examines how such practitioners approach and understand creativity. In the process, he crafts a relational processual model for understanding creativity and the creative process for real-time interactive performing arts (theatre, dance, music). The result is a fascinating and rewarding read that will surely affect players and listeners alike as they think about the concept of finding ‘creative meaning in making it work and making it matter.’”
—Rob Bowman, Grammy Award Winning Professor of Music

“After forty years of creating professional music, pretty much all of it to his taste (passing rare), Bill Bruford has laid down the torches — and tried to capture their flame in words. Begin by running your eyes down the list of Bill’s collaborators. The expert performers and teachers will attract any reader with more than a passing affection for music. Simply put, it is a lights-out masterpiece of useful insight and passionate, reflective wisdom.”
—Neil Peart, drummer Rush

“The contributions of the wide-ranging active percussionists Bruford surveyed will make this an important primary document for future researchers examining the role of drummers in group improvisation, the recording process, and more.”
—Kevin Holm-Hudson, University of Kentucky

“The book lives up to its expectations. Drawing on his own insider’s knowledge and extensive interviews with an impressive roster of expert drummers about the nature of creativity and what it means to them, Bruford has produced a brilliant ethnography of professional drummers and drumming culture in the rock era.”
—Mark Spicer, Hunter College and the CUNY Graduate Center

“It is no surprise to find Dr. Bruford so eloquently putting into language that which springs from such a non-linguistic source. Bill’s scholarly insights matched with a career’s-worth of personal experience shed an authoritative light on the creative role of the drummer. In today’s world of computer-generated rhythmic music, how wonderful to tap into this most organic and visceral element in music’s heritage, and deepen our appreciation of this immense creativity, past and present.”
—Tim Garland, saxophonist, composer

“The author cites relevant scholarly work, his roster of drum experts is beyond question (including himself), but most importantly, the insights he synthesizes from his source material are both original and valuable.”
—Shaugn O’Donnell, The City College, CUNY

How to order  

Bill Bruford's “Uncharted: Creativity and the Expert Drummer”:

University of Michigan Press: https://www.press.umich.edu/9562155/uncharted ;

Amazon US: https://www.amazon.com/Uncharted-Creativity-Expert-Drummer-Tracking/dp/0472053787 ;

Amazon UK: https://www.amazon.co.uk/Uncharted-Creativity-Expert-Drummer-Tracking/dp/0472073788 ;

Eurospan UK: https://www.eurospanbookstore.com/uncharted.html

Bill Bruford's official website: http://www.billbruford.com/
Facebook: https://www.facebook.com/billbruford/

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (US), glassonyonpr@gmail.com

Gong Expresso's New Album "Decadence" Available For Pre-Order!

Featuring Gong Alumni Francois Causse, Benoit Moerlen and Hansford Rowe!

Montreal - Gong Expesso featuring Gong alumni Francois Causse, Benoit Moerlen and Hansford Rowe with guitarist Julien Sandiford's new album titled “Decadence” is now available for pre-order!

Says Hansford, “ 'Decadence' is the title tune on the new Gong Expresso album. Here the word means 'falling away.' I hope this tune and all the music on the album somehow addresses this in an unadorned, direct way. When I play with these 3 musicians I am convinced there is something special happening, a coming together. Benoit Moerlen (vibes, marimba) and Francois Causse (drums, perc) and I began playing together in early 1977 in PM's Gong and our rapport is of the kind only long term relationships can provide. On the other hand Julien who is 25 has been alive less time than I have been playing with the others. Yet our musical relationship feels infinitely long. We are recording in two cities, Paris and Montreal. Francois' studio in Paris is a tuned percussion church and Piccolo Studios in Montreal is owned by Denis Savage who is co-producing with the band. He is known for his work with Celine Dion.”

Featuring:
Francois Causse - drums, percussion
Julien Sandiford - guitar
Benoit Moerlen - vibes, marimba
Hansford Rowe - bass



PM's Gong was a major branch of the massive Gong tree. In the mid 1970's drummer Pierre Moerlen separated from Daevid Allen marking an end to the Flying Teapot period and a powerful jazz/rock unit was formed and signed to Virgin Records. Pierre's brother Benoit Moerlen, Hansford Rowe, Francois Causse, Allan Holdsworth were core members. Many major guests joined them both on albums and touring. Mick Taylor, Mike Oldfield, and French violinist Didier Lockwood were key participants. Mike Oldfield occasionally used the PMG rhythm section for touring also calling on members for albums such as “Ommadawn”, “Incantations”, “Exposed” and “Platinum.” Pierre Moerlen sadly passed away on May 5th, 2005.

In concert Gong Expresso mines their huge repertoire and has exceptional guests joining them regularly. Along with the release of their new album, the band will be releasing a new video soon.

Gong Expresso's “Decadence” will be distributed digitally worldwide through The Orchard on Feb 20, 2018.

To pre-order Gong Expresso's “Decadence”: https://www.gongexpresso.com/store

For more information: https://www.gongexpresso.com
Facebook: https://www.facebook.com/GongExpresso
YouTube Channel: https://www.youtube.com/channel/UCDb7pRK9A-fBjZTbp3vbd_w

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

Magma Concert 1971 Brussels DBL CD Remastered

Recorded at Theater 140 in Brussels on November 12, 1971, this double CD is an exceptional document in that it represents the only record of live MAGMA of that time. Featuring the musicians on the album MAGMA 2, the training interprets topics borrowed from KOBAIA and 1001° CENTIGRADES, the first two releases by the group. The album also presents - and this is the most interesting aspect of this recording - two titles then in the making: “SOWILOI,” where Teddy LASRY demonstrates his great talent as a flutist, and “MEKANIK KOMMANDOH,” played for the first time in public, in a version much more developed than that engraved, three months earlier, on the compilation POWER 13 + 2.

Featuring
Klaus BLASQUIZ - singing, percussion
Louis TOESCA - trumpet
Teddy LASRY - soprano sax, flute
Jeff SEFFER - tenor sax
François CAHEN - piano
Francis MOZE - bass
Christian VANDER - drums, various voices

Tracks
1 - STOAH
2 - KOBAIA
3 - AINA
4 - RIAH SAHILTAAHK
5 - “ISS” LANSEI DOIA
6 - KI IAHL O LIAHK
7 - SOWILOI (SOI SOI)
8 - MEKANIK KOMMANDOH

To purchase Magma's Concert 1971 Brussels DBL CD: http://www.seventhrecords.com/en/magma-19/magma-bruxelles-1971-84.html

Magma's official website: http://www.magmamusic.org

Magma press inquiries: Glass Onyon PR, PH: 828-350-8158 (US), glassonyonpr@gmail.com

Rick Wakeman's The Real Lisztomania Limited Edition Box Set Now Available For Pre-Order!

The Real Lisztomania to be released as Rick Wakeman always wanted - available CD/DVD & Deluxe Box Set!

London – Keyboard legend Rick Wakeman's The Real Lisztomania Limited Edition Box Set is now available for pre-order! This is an extremely rare find as the master tapes were long since considered destroyed. Back in 1975 Rick was asked to oversee and compose a lot of the music for the film Lisztomania, which was directed by Ken Russell. Rick was also given a part in the film in which he played the god Thor.

A soundtrack album was later produced by Rick, which was subsequently turned down by A&M Records, much to Rick's disgust. There were huge disputes going on at the time and they basically hated everything he produced even though he was selling albums for them in multi-millions. It is not commonly known that they actually turned down Journey To The Centre Of The Earth initially and it was only by forcing the contract that Rick had signed with them, that it was ever released. They also initially didn't want to release The Six Wives Of Henry VIII until some vocals were put on it!

After rejecting Rick's soundtrack master, A&M then produced a soundtrack of their own which had very little of Rick on it and yet they still thoughtfully put his name on the front cover along with that of Roger Daltrey! Rick was furious to say the least and hated the soundtrack album vehemently and told the press accordingly! It sold accordingly well! However, the film went on to become one of the cult films of all time and to find this original soundtrack is quite unbelievable as there was only one master ever in existence and yet somehow it has managed to survive more than 25 years in a box amongst some old football shorts! It was originally released as part of Rick's fabled, Treasure Chest box set of a limited edition of 500 on the Voiceprint label, copies of going for over £500 on eBay. Now back by popular demand, in its rightful place with the film it is the soundtrack of.

The tapes have been carefully re-mastered and all concerned believe that this is truly something special. Rick's idea was always to try and produce a completely different type of soundtrack and he produced this one by making it into a form of story with intermittent hilarious narration that runs throughout spoken by Paul Nicholas.

Guest vocalists include Roger Daltrey, Paul Nicholas & Linda Lewis. It may be more than 40 years since these altercations, but as they say, “Better late than never!” It's certainly a very different soundtrack to any that have ever been produced in the world of film music. It's very funny too, which is perhaps what we have come to expect from Rick with humour and music in one.

The box set, as well as other items, available will be shipped from UK for early April 2018



Pre-Order Now: https://www.pledgemusic.com/projects/rick-wakeman-lisztomania

Rick Wakeman's official website: http://www.rwcc.com/

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (US), glassonyonpr@gmail.com

Melodic Rock Band Odin's Court Releases Sixth Studio Album Turtles All The Way Down: Vol II

Progressive Rock and Metal for fans of Pink Floyd, Dream Theater, Devin Townsend, Porcupine Tree, HIM, Iron Maiden, Journey, and Queen

Baltimore, MD, USA based progressive rock and metal band Odin’s Court are excited to announce Turtles All the Way Down: Vol. II is available as of 2018 January 5 through Melodic Revolution Records!

Turtles All the Way Down: Vol II is a continuation of Odin’s Court’s 2013 concept album Turtles All the Way Down. Turtles All the Way Down explores deep issues about mankind’s understanding of the universe, the individual, and how each new discovery may challenge what we think we understand about our surroundings.

Brookins comments on the latest release: “This album takes it up a notch from where Dimetrius, Rick, and I left off with the previous album. I think Turtles II has our best material and production yet. I know artists often say these types of things when talking about a new release, but I think Gary Raub’s drum style adds a nice vibe to the sound we previously established. We also went for some ‘epic’ sounding choruses on this one with layered choirs, which are nicely supplemented by the beautiful voice of Michelle Loose Schrotz (of mid-Atlantic based band Brave). I think this album also has a big, ambient, and dense sound, but even with that big sound, we still maintain focus on ‘the song’ because that’s what it’s all about – the messages and emotions that music attempts to deliver.”

The new album features 8 tracks of melodic hard rock, prog, and metal, including an epic piece that is over 20 minutes long with full orchestration.

Track Listing:
 1. A Brief History of Time
 2. Will I See you Again?
 3. Unmoved Mover
 4. Killing Curiosity
 5. Event Horizon
 6. Infinite Regression
 7. The Burning Tides of Time
 8. My Final Journey

To purchase Odin's Court Turtles All the Way Down: Vol II:
CD Baby: bit.ly/2CMoady
MRR Bandcamp: bit.ly/2kcgskr
Odin’s Court Bandcamp: bit.ly/2zF9NSE
iTunes: apple.co/2CYC9d0
Amazon USA: amzn.to/2Axzzb6
Amazon Japan: amzn.to/2CJJlgt
Amazon UK: amzn.to/2CFKTY5

Odin's Court:
Matt Brookins – Guitar, Vocals, Keyboard, and (Studio) Bass
Rick Pierpont – Guitar & Backing Vocals
Dimetrius LaFavors – Vocals
Gary Raub – Drums, Percussion, and Backing Vocals
Jason Pierpont – (Live) Bass Guitar

Official Sites:
Facebook: www.facebook.com/odinscourtband
YouTube: www.youtube.com/odinscourt
MRR Artist Profile: http://mrrmusic.com/odins-court/

Press inquiries: 
Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com
Melodic Revolution Records, Info@melodicrevolutionrecords.com

Classic Rock/Progressive Rock Review: Styx-Pieces of Eight-SACD Ltd. Numbered Ed.

Release Date: September 29, 2017

Label: Audio Fidelity

Website

Styx has always been one of my favorite bands, they still are and always will be. So, what is it like to be a lifetime fan of a band and you are still listening to their music? It holds some meaning for folks like myself. The music never sounds old or outdated and you are not expecting anything different…well sometimes it does happen. 

Consider this point, what is like for a music fan to hear the music they have been listening to for the last 30 to 40 years and suddenly it all sounds crisper, brighter, and clearer than ever before? Well, I can tell you it can be a revelatory experience to hear this music in the SACD format. 

The SACD release by Audio Fidelity last September of Pieces of Eight rocks and I heard things I have never heard before. This is what this format is intended to accomplish. I am here to tell you the job was well done (again) by Audio Fidelity. I am little late to the party but nevertheless I am reporting in to all of the respective lifetime rockers and audiophiles.

Pieces of Eight was a multiplatinum release and with good reason. The music offered radio friendly rock at the time and it was also a nod to the progressive elements of the band. The prog sounds came through loud and clear for this listener, however when I first heard it as a teenager I thought it just rocked. Which it did and still does, I just became older and more educated somewhere along the way.

Pieces of Eight is a very strong release right up there with the high echelon of prog rock releases like Grand Illusion but it rocked a bit harder. So, dare I say more metal this time around? It is there, all of it in its raging glory - rock, metal and prog. Anyone that liked to crank up the tunes can appreciate all of those genres coming together in an explosion of sound. 

That felt good to get all that off my chest and let y’all know how I really feel about this music. So, get yourself a copy before they run out again, even if you have all the other formats, you need to hear this SACD!

5/5 Stars

Keith “MuzikMan” Hannaleck

January 11, 2018

Founder of:

MuzikMan Productions

MuzikMan Reviews

Write A Music Review

Prog Rock Music Talk

New Age Music Reviews

Rate The Tracks

Review Provided By Prog Rock Music Talk

Tracks: 
01. Great White Hope
02. I'm O.K.
03. Sing for the Day
04. The Message
05. Lords of the Ring
06. Blue Collar Man (Long Nights)
07. Queen of Spades
08. Renegade
09. Pieces of Eight
10. Aku-Aku

Prog Ensemble Tautologic Releases Re:Psychle An Album of Songs About Chicago

Chicago, IL - Tautologic will release Re:Psychle, a CD of songs inspired by real-life Chicagoans. Beginning in early 2018, Re:Psychle will be available through the band's own label - Turtle Down Music (http://www.turtledown.com) - and at Tautologic's live performances. The album will also be available as a download from Bandcamp, CDBaby, iTunes, and Amazon.

Based in the Hyde Park neighborhood of Chicago, Tautologic bandleader Ethan Sellers is an alumni of the University of Chicago. Written within blocks of the University and the Obama mansion, Sellers' songs for Re:Psychle document people he has met around the Chicago area.

Addiction and mental illness color many of their stories, and the lyrics open up windows on a host of topics - veterans' issues, tension between religious belief and a secular society, addiction, conspiracy theories, materialism, mental health, celebrity culture, and the need for re-connection with nature.

Says Ethan, “Re:Psychle is a multi-layered title. It's obviously a pun on 'recycle,' which is sort of a cheeky reference to the fact that the album took so long to come out that it might seem like we were recycling old material. 'Re:' also means 'about' - and it's about 'psychle,' which is a portmanteau of 'Psych' (from the Greek for breath, spirit, or soul, with modern connotations from the field of psychology) and cycle, both in the sense of things that repeat and the mode of transportation. Indeed, two songs on the album revolve around bicycles, including 'The Choirboy,' about an acquaintance who was convicted of robbing 10 banks in 7 states, using only a bicycle as his getaway vehicle.

“In the end, 'Re:Psychle' is about problems of the spirit that keep coming back.

“My goal with these songs was not to present a parade of local oddities, but to use real people's struggles to highlight issues with wider resonance.”

U.S. and European reviewers have compared Tautologic's songs to Genesis, Gentle Giant, Beatles, and Fairport Convention - and Re:Psychle will no doubt expand upon that impressive list of comparisons. In addition to Tautologic's potent 6-piece lineup, Sellers's arrangements for strings and woodwinds add musical color. Special guests include members of Grammy award-winning chamber group Eighth Blackbird and Grammy-nominated acid jazz band Liquid Soul.

Sellers engineered the recording at his own studio space in Hyde Park (Chicago, IL), with additional tracking taking place at Rax Trax Recording in the Lakeview neighborhood of Chicago. The album was mixed in 2006 by Grammy-nominated producer Rick Barnes at Rax Trax and mastered in 2017 by Grammy-nominated engineer Randy LeRoy at Airshow Mastering. For the 11 years in between, Sellers postponed the album's release while starting a family and weathering the Recession as a professional musician, but the band continued to perform.

Jim DeRogatis of NPR's Sound Opinions radio show calls Tautologic's music “an impressively ambitious example of virtuosic musicianship and deft arrangements navigating myriad sounds and styles without ever losing that essential melodic thread or propulsive rock drive.”

In support of the band's new release, Tautologic will play several shows before heading back into the studio. They have a follow-up that's about 80% recorded.

Sellers concludes, “We seem to be at a turning point - politically, socially, economically, culturally, and economically. The price of repeating the same mistakes (recycling them, as it were) is getting very high. People who struggle at the margins are often 'canaries in the coal mine' - they can tell us how the everyday toxicity of modern life hurts the most sensitive of us. It's up to us as a society to listen to their stories - not simply dismiss them for their foibles - and work to make a liveable world for everyone.”

Purchase direct from Turtle Down Music: http://turtledown.com
Band site: http://www.tautologic.com
Album info, lyrics, credits, back-story, videos, etc.: http://repsychle.tautologic.com
Facebook: https://www.facebook.com/tautologic
YouTube: https://www.youtube.com/user/tautologic/playlists

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

Innovative Guitarist Jon Durant Releases Solo Guitar Album "Parting Is"

Boston, MA - Following three acclaimed CDs with his group Burnt Belief, Jon Durant has returned with his first solo album since 2011's “Dance of the Shadow Planets.” Unlike his previous solo albums, however, “Parting Is” is a completely solo guitar album.

A deeply emotional and personal record, “Parting Is” takes the idea of a solo guitar album and transforms it into a stunning sonic landscape of texture and color. Many of the sounds on the album bear no relationship with traditional guitar, but there are no synthesizers employed at all. Everything is played by Jon Durant on guitars (with Durant also playing fretless bass on four pieces).

Durant commented: “In recent years, I have been spending a lot of time away from people and places I love very much. My two boys are out of the house, one graduated college and the other is a senior in college this year. We have a wonderful time when I get to see them, but then they go away and there is a bit of a pang as we part. Also, we have a second home on the other side of the country (Portland, OR) where I spend a fair bit of time, and is also where much of this album began. Frequently my wife will join me for a long weekend, and I will stay on for another week or so, and of course there's the sadness when we part. What is reflected in this music is the sweet sorrow that comes from this parting - recognizing that it's temporary but still longing for more time together.”

About the music, Durant stated: “On most days, one of the first things I do is grab a cup of tea or coffee, and begin to experiment with my guitar. The music that comes out is not done with any intention of becoming a composition, or a recording, but is rather more of a meditation. However, a friend heard a brief recording of one such piece and asked why I didn't record more of them. When I began to do so, I felt a pattern was emerging that might be worth exploring.

“Many pieces begin as loops that I would play a melodic lead over. I recorded several of these, then began to deconstruct the loops and record the various parts as separate components which could become less loop like and more dynamic and flowing. The track, 'Open Window' is a perfect example of how that played out.”

That track, “Open Window” also provides an opportunity to explore the unusual sound and textures that Durant creates. The primary guitar which began as a loop is an electric 12 string. From there, multiple electric 12 string parts were layered in a minimalistic way. The melodic guitar is a fretless electric guitar, and the low tones (which sound a bit like the old Moog Bass Pedals) are generated from the fretless guitar. Also, swirling around in the background are Jon's unique cloud guitar sounds, notes which hang in the air like clouds with no discernable beginnings or endings.

There are three solo cloud guitar pieces (“Clouds in Advance”, “Before the Rain Falls” and “Willamette Fog”) and two pieces which remained as a loop with lead guitar over the top. “The Room Where She Waits” is a loop of electric 12 String and the lead is fretless guitar. On “Evolve in Place”, the loop is an electric guitar with fretless guitar over the top.

Guitarist Jon Durant brings a unique sense of texture and melody to his instrument. His distinctive “cloud guitar” soundscapes and engaging lead work have graced numerous CD recordings and film soundtracks. As executive producer of Alchemy Records, he produces recordings for internationally acclaimed artists in his small home studio. Alongside Durant's six solo albums and three Burnt Belief records (with Colin Edwin of Porcupine Tree), Alchemy has also released albums by artists Michael Manring, Gary Willis, Leni Stern/Wayne Krantz and others.

To Purchase Jon Durant's “Parting Is”:
https://www.amazon.com/Parting-Jon-Durant/dp/B077319LXV
https://burningshed.com

Video for Burnt Belief, “Ghosts Aquatic”:

Video for Burnt Belief, “Dissemble”:

Video for Burnt Belief, “Semazen”:

Jon Durant's official website: http://www.jondurant.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (US), glassonyonpr@gmail.com

"The Who and I" by Tony Klinger Box Set, Book and Memorabilia Now Available For Pre-Order

Pre-order Limited Edition Box Set Signed & Numbered by Tony Klinger at https://www.pledgemusic.com/projects/the-who-and-i

London - Tony Klinger, renowned producer of The Who's “The Kids Are Alright” film, has started a PledgeMusic campaign for “The Who and I” Box Set, Book and Memorabilia. The Box Set contains Tony's new book “The Who and I,” an audio book / CD, reproduced memorabilia, and a reproduction of “The Kids Are Alright” press kit and photos!

“Angry management, crazy people, women jumping naked out of giant cakes, fireworks going off in your hand, trips to the Pleasure Chest, run ins with Steve McQueen, afternoon teas with Ringo Starr, drunken sessions with Rick Danko of The Band, hotels demanding money up front before we checked in, travelling, constantly travelling, all the while trying to juggle schedules, money and egos, that's what I remember from my time with the Who when I was making a film, 'The Kids Are Alright' with, for and about them.

“The packaging of 'The Who and I' project accurately and faithfully represents the flavour of our project and the time we originally created the film, 'The Kids Are Alright,' and that forms the central themes of this project.

“I want to tell this story because there are so many of us, you and me included, who love rock music and film, who should know what really goes on, and this book tells it like it is. 'The Who' are the icons of both the sight and sound of My Generation. They sounded and looked angry and it wasn't an act. 'The Who' were among those who invented Mod England, which forced the world look up and pay attention. Their energy demanded your focus, whether it was Townshend's duck walk borrowed with love from Chuck Berry, his skinny whirling arms bashing out the chords, or Roger Daltrey swinging his microphone, more a weapon as he marched to the beat punched out by the bass played with metronomic intensity by the Ox, John Entwistle or the only drummer I ever saw who could lead a melody line, the maniacal Keith Moon.

“And then when you got past the image there was the music, that brilliant, original and fantastic music. How could such sounds spring out of such chaos? The answer is that it's the chaos that creates those sounds, that environment which enables a different view, a special sideways on look at our world that is so dynamic, true and genuine that we all have to take notice.

“'The Who,' maybe more than any other group epitomise that special rock lifestyle of danger mixed with brilliance to create a bubble of such power that we all want to see and listen and share.

“'The Who and I' was originally known as 'Twilight of the Gods.' So I am qualified by dint of knowledge about the group. More especially I know the men who make up the band and the originals who no longer get to go on stage because they're playing bass and drums with the celestial choir.

“Like most of you I am a fan, I remained a fan despite sometimes wanting to wring their collective necks! It’s well known and I documented the fact that we didn’t always agree with each other, in fact it would be more accurate to report that we hardly ever did so.” - Tony Klinger

To pre-order Tony Klinger's “The Who and I”  Box Set, Book and Memorabilia: https://www.pledgemusic.com/projects/the-who-and-i

Also available “The Kids Are Alright” Film Screening and a one off original Tour Jacket!

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (US), glassonyonpr@gmail.com

Gleb Kolyadin, The Virtuoso Iamthemorning Pianist, Releases His Debut Self-Titled Solo Album and Premieres First Track "The Best of Days" Feat. Steve Hogarth of Marillion

Debut features guest performers – Steve Hogarth, Gavin Harrison, Nick Beggs, Mick Moss, Jordan Rudess

Following the success of two highly-praised albums with Iamthemorning, Russian virtuoso pianist Gleb Kolyadin affirms his musical authority with his debut, self-titled album on Kscope, on 23rd February 2018.

The record features a staggering who's-who of performers, including: Gavin Harrison (King Crimson / Porcupine Tree) on drums; Nick Beggs (Steven Wilson) on bass; Theo Travis (Robert Fripp / Porcupine Tree / Steven Wilson) on flute and saxophone; the unmistakable voice and lyrics of Steve Hogarth (Marillion) alongside Mick Moss (Antimatter); and Jordan Rudess (Dream Theater) on additional keys.

“Gleb is an extremely rare talent as a pianist and as a composer. His compositions are very inspiring as he breaks new ground on the instrument.” - Gavin Harrison (King Crimson / Porcupine Tree)

The first track to be revealed entitled “The Best Of Days” features the instantly recognizable vocals from Marillion's Steve Hogarth. On the collaboration Steve comments, “Gleb is a beautiful pianist and a great musician. I was invited to collaborate on his new solo album and my mind was made up as soon as I heard the music.”

Watch the lyric video for “The Best of Days” Featuring Steve Hogarth:

Gleb Kolyadin, Album of the Year winner with Iamthemorning for “Lighthouse” at the Progressive Music Awards 2016

“Gleb Kolyadin” is an emotive exploration of self-identity; a story of two parts with interweaving leitmotifs. The album's central concept weaves through an elaborate tonal and thematic structure, built around the extraordinary rhythm section of Gavin Harrison and Nick Beggs, which is accented at its focal points by guest appearances from Steve Hogarth, Jordan Rudess, Mick Moss and Theo Travis.

“The single greatest pianist I've ever met in my life.” - Daniel Cavanagh (Anathema)

The album is a collaborative piece with each musician recording their own parts separately, starting with Gleb recording himself on grand piano in Moscow Winter-Spring 2017 at the famed Mosfilm studio. The album was mixed and engineered by Vlad Avy, who also previously worked on the two Iamthemorning records. Gleb Kolyadin will be released on CD / LP and digitally and is now available to pre-order: http://smarturl.it/GLEB_KOLYADIN_ALBUM

“Gleb Kolyadin is a rare talent. A virtuoso classical pianist with tremendous compositional skills… believe you will find the listening experience quite breath taking.” - Nick Beggs (Steven Wilson)

“Gleb Kolyadin” Tracklisting
1 Insight [04:12]
2 Astral Architecture (featuring Mick Moss) [06:30]
3 White Dawn [02:33]
4 Kaleidoscope[05:52]
5 Eidolon [02:12]
6 Into The Void [01:46]
7 The Room [04:13]
8 Confluence (featuring Steve Hogarth) [10:22]
9 Constellation / The Bell[03:23]
10 Echo / Sigh / Strand [02:29]
11 Penrose Stairs[05:04]
12 Storyteller (featuring Jordan Rudess) [03:20]
13 The Best Of Days (featuring Steve Hogarth) [03:24]

Follow Gleb Kolyadin: https://www.facebook.com/iamthemorningpage/ ;

Kscope: 1st floor, 52 Lisson Street, London, UK NW1 5DF

Press inquiries (North America): Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com