Todd Rundgren Announces "The Individualist" World Tour Presented By SiriusXM

PHOTO: © 2018 Lynn Goldsmith

Tickets On Sale December 10, 2018 at 10AM Local Time

Citi Presale Begins December 04, 2018 at 10AM Local Time

Los Angeles - Current Rock & Roll Hall of Fame nominee Todd Rundgren will be embarking on the world’s first hybrid concert/book tour this spring, highlighting both his hits as well as “deep tracks” spanning his 50-year career.

Produced by Live Nation and presented by SiriusXM, the North American leg of the tour starts in Atlanta, GA and hits major markets before wrapping in San Francisco, CA. The North American dates will be preceded by dates in Europe/UK and followed by dates in Japan. Full itinerary is below.

Rundgren’s long-awaited autobiography, The Individualist: digressions, dreams and dissertations, is being released by Cleopatra Press on December 21, documenting his life through his 50th birthday. The concert set list will mirror that time period, consisting of song selections from the inception of his musical career through 1996, with intros & stories behind the songs and Rundgren’s impressive career.

He will be playing back-to-back shows in the ten North American markets in order to be available for books signings and local TV and radio appearances on the second show day in each city. Tickets go on sale Monday, December 10 at 10AM Local Time. Two-day ticket packages, along with single-day tickets, will be available in each North American market.

Citi is the official presale credit card of the Todd Rundgren – The Individualist Tour. As such, Citi cardmembers will have access to purchase presale tickets beginning Tuesday, December 4th at 10AM local time until Sunday, December 9th at 10PM local time through Citi’s Private Pass program. For complete presale details, visit www.citiprivatepass.com.

FOR INTERVIEW REQUESTS CONTACT: Paul Maloney, Panacea Entertainment paul@panacea-ent.com



The Individualist: digressions, dreams and dissertations is available now for pre-order at: 
Amazon.Com: Pre-order Todd: https://www.amazon.com/Individualist-Digressions-Dreams-Dissertations/dp/0997205652

Europe: https://www.amazon.co.uk/Individualist-Digressions-Dreams-Dissertations/dp/0997205652

TODD RUNDGREN “THE INDIVIDUALIST TOUR”

April 1 - Theater am Mareintor - Duisburg, Germany
April 2 - Laeiszhalle - Hamburg, Germany
April 3 - Paradiso - Amsterdam, Netherlands
April 6 - Eventim Apollo - London, UK
April 10 - Buckhead Theatre - Atlanta, GA
April 11 - Buckhead Theatre - Atlanta, GA
April 13 - State Theatre - Washington, DC
April 14 - State Theatre - Washington, DC
April 16 - Town Hall - New York, NY
April 17 - Town Hall - New York, NY
April 19 - Berklee Performance Center - Boston, MA
April 20 - Berklee Performance Center - Boston, MA
April 23 - Athenaeum Theatre - Chicago, IL
April 24 - Athenaeum Theatre - Chicago, IL
April 27 - Danforth Music Hall - Toronto, ON
April 28 - Danforth Music Hall - Toronto, ON
May 01 - Fillmore - Philadelphia, PA
May 02 - Fillmore - Philadelphia, PA
May 05 - Ohio Theatre at Playhouse Square - Cleveland, OH
May 06 - Ohio Theatre at Playhouse Square - Cleveland, OH
May 09 - The Wiltern - Los Angeles, CA
May 10 - The Wiltern - Los Angeles, CA
May 12 - Palace of Fine Arts - San Francisco, CA
May 13 - Palace of Fine Arts - San Francisco, CA
May 22 - Sumida Triphony Hall - Tokyo, Japan
May 23 - NHK Hall - Osaka, Japan

TODD RUNDGREN

A Wizard, A True Star. The title of Todd Rundgren's 1973 solo album aptly sums up the contributions of this multi-faceted artist to state-of-the-art music. As a songwriter, video pioneer, producer, recording artist, computer software developer, conceptualist, and interactive artist (re-designated TR-i), Rundgren has made a lasting impact on both the form and content of popular music.

Born and raised in Philadelphia, Rundgren began playing guitar as a teenager, going on to found and front The Nazz, the quintessential `60's psychedelic group. In 1969, he left the band to pursue a solo career, recording his debut offering, the legendary Runt. But it was 1972's seminal Something/Anything?, on which he played all the instruments, sang all the vocal parts, and acted as his own producer, that catapulted Todd into the superstar limelight, prompting the press to unanimously dub him 'Rock's New Wunderkind'. It was followed by such landmark LPs as The Hermit of Mink Hollow and the above mentioned A Wizard, A True Star, as well as such hit singles as “I Saw The Light,” “Hello It's Me,” “Can We Still Be Friends,” and “Bang The Drum.”

In 1974, Todd formed Todd Rundgren’s Utopia (renamed and reconfigured in 1976 as Utopia), an entirely new approach to the concept of interactive musicianship, and embarked on an extensive round of touring and recording. Standout Utopia offerings included Oops! Wrong Planet, Adventures in Utopia, and Oblivion. Along the way, Todd Rundgren’s Utopia combined technical virtuosity and creative passion to create music that initially, for millions, defined the term "progressive rock”, and subsequently, as Utopia, the term “powerpop.”

Rundgren's myriad production projects include albums by Patti Smith, Cheap Trick, Psychedelic Furs, Meat Loaf, XTC, Grand Funk Railroad, and Hall And Oates. Rounding out his reputation as rock's Renaissance Man, Rundgren composed all the music and lyrics for Joe Papp's 1989 Off-Broadway production of Joe Orton's Up Against It  (the screenplay commissioned by The Beatles for what was meant to have been their third motion picture). He also has composed the music for the hit film Dumb and Dumber, as well as a number of television series, including Pee Wee’s Playhouse and Crime Story.

In 2012 Rundgren performed his iconic 1973 album A Wizard A True Star in concert in its entirety for the first time ever, and several years later did the same with a double bill: Todd & Healing. He has toured with Ringo Starr as an erstwhile member of the All-Starr Band since 1989, and continues to perform with symphony orchestras both domestically and internationally. His latest studio album, White Knight, was released last May, and this past spring he toured North America with original Utopians Kasim Sulton and Willie Wilcox for the first time in 33 years. His long-awaited autobiography The Individualist, will be in stores December 21. He embarks on the world’s first hybrid concert/book tour this coming April/May, highlighting music across his 50-year career.

Last year on successive weekends he was awarded honorary doctorates from both the Berklee School of Music and DePauw University.

In 1998 Todd debuted his new PatroNet technology which for the first time allowed fans of a musical artist to subscribe directly to the artist’s musical output via the Internet. This caps a long history of groundbreaking early multimedia "firsts", including:

• 1978: The first interactive television concert, broadcast live over the Warner/QUBE system in Columbus, Ohio (the home audience chose each song in real time during the concert by voting via QUBE’s 2-way operating system).
• 1978: The first live nationally broadcast stereo radio rock concert (by microwave), linking 40 cities around the country.
• 1979: The opening of Utopia Video Studios, a multi-million dollar state-of-the-art facility. The first project produced by Todd there is Gustav Holst’s The Planets, commissioned by RCA Selecta Vision as the first demonstration software for their new videodisc format.
• 1980: Creation of the first color graphics tablet, which was licensed to Apple and commercially released as The Utopia Graphics Tablet.
• 1981: “Time Heals,” the first music video to utilize state-of-the-art compositing of live action and computer graphics (produced and directed by Todd), becomes the eighth video to be played during the launch of MTV on August 1, 1981.
• 1982: The first live national cablecast of a rock concert (on the USA Network), simulcast in stereo to over 120 radio stations.
• 1982: The first two commercially released music videos, one of which was nominated for the first-ever Grammy awarded for “Best Short Form Video” in 1983.
• 1992: The first commercially available music downloads via CompuServe.
• 1993: The release of No World Order, the world’s first interactive record album on CD-i.
• 1994: The release of The Individualist, the world’s first full-length Enhanced CD.
• 1994: The world’s first interactive concert tour.
• 1998: Launches PatroNet, the world’s first direct artist subscription service -- predicts that someday "music will be sold by the pound".
• 2016: The production of the world's first full length concert shot with multiple Virtual Reality 360º cameras.

CONTACT: Paul@panacea-ent.com, PH: 805-491-9400

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

New Biography on The Cars Singer/Bassist Benjamin Orr by Vermont Writer Joe Milliken to be Published November 2018!

Bellows Falls, VT – Veteran music journalist Joe Milliken recently announced a publishing deal with the Lanham, Maryland-based publisher Rowman & Littlefield Publishers to produce his first book, a biography about the late Benjamin Orr. Orr was the co-founder, co-lead singer, and bassist for the platinum-selling rock band The Cars. Titled Let’s Go! Benjamin Orr and The Cars, a release date is set for November 15, 2018. 

Often considered the band’s heartthrob, Orr possessed an incredible voice, diverse musical talent and rare stage presence, all balanced by a magnetic, yet enigmatic personality, striking good looks, and a relentless determination to reach rock stardom. Born Benjamin Orzechowski (aka “Benny Eleven Letters”) and raised in the Cleveland suburb of Parma Heights, Orr was, prior to becoming a world-famous rock star with The Cars, a “teen star” as a house band musician for the nationally syndicated television show Upbeat.

A few years later Ben met his musical partner and future Cars' bandleader, Ric Ocasek, and by 1976 their quest for the perfect blend of songs, bandmates, and musical landscape finally materialized as The Cars. They would go on to sell over 30 million albums worldwide resulting in 15 “Top 40” hits.

From his early success in Cleveland through his stardom with The Cars, to his solo band efforts and eventual rebirth with the emerging supergroup Big People, this definitive account of Orr’s rock-and-roll life is not a backstage ‘tell all,’ but the story of a charismatic musician with a vision, a sense of adventure, and unwavering perseverance. Orr passed away much too young at 53, but he achieved his dream through hard work and determination, a long road that began in Cleveland and culminated with The Cars coming back to his hometown to be inducted into the Rock & Roll Hall of Fame in April of 2018.

This first-ever biography about Orr spans 11 years in the making, as Milliken draws together interviews with over 120 family members, friends, bandmates, and music associates from Orr’s life, as well as many unpublished and never before seen photos from private collections, to reveal an intimate portrait of one of classic rock’s great talents.



About the Author: Joe Milliken has been a music journalist, editor and website publisher for two decades. A die-hard music fan with a degree in visual arts, Joe turned to writing as his creative outlet, first as a local reporter, then a sports/arts & entertainment editor and freelancer. In 2014, he launched Standing Room Only, a website dedicated to promoting music and the arts on a local (New England) and national level. Originally from Boston, Milliken now resides in southern Vermont with his wife, Kelly, and his children, Nate and Erin. 

Learn more about upcoming book-related announcements, events, discounts, and author interviews at www.facebook.com/BenOrrBook, by email at benorrbook@gmail.com or follow @benorrbook on Twitter. 

Joe Milliken: Author, Website Publisher
Donna Neale: Public Relations Assistant: benorrbook@gmail.com

Let’s Go is available for presale: 
Rowman & Littlefield’s website: https://rowman.com/ISBN/9781538118658
Amazon: https://www.amazon.com/Lets-Go-Benjamin-Orr-Cars/dp/1538118653/ref=sr_1_1

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

Scholar and Drum Legend Bill Bruford Authors New Book, "Uncharted: Creativity and the Expert Drummer"

Pre-order in hardback, softback or e-book

Scholar and Rock & Roll Hall of Fame inductee Bill Bruford, best known for his work with Yes, King Crimson, Genesis and his prolific solo career, has authored a new book, to be Published by the University of Michigan Press on January 28th.  Pre-orders are now being taken.

What’s it about?

The book is an exploration of the creativity involved in the way drummers make things work, make things matter, and make sense of both. It draws on interviews with nine top drummers and Bruford’s own experience to improve understanding in collaborative popular music performance. What do expert drummers do? Why do they do it? Is there anything creative about it? If so, how might that creativity inform their practice and that of others in related artistic spheres? Applying ideas from cultural psychology to findings from original research into the creative behaviors of a specific subset of popular music instrumentalists, Bruford demonstrates the ways in which expert drummers experience creativity in performance and offers fresh insights into in-the-moment interactional processes in music.

Why buy?

“If you’re an instrumentalist” recommends Bill, “give it to the nearest drummer, so he or she knows what drummers are for. If you’re a drummer give it to the other people in your band, so they know what drummers are for. And get a copy for yourself, so you know what drummers are for!”

Early praise for ‘Uncharted’

 “… an intelligent, thought-provoking treatise on the notion of creativity in Western popular music. Over the course of a number of interviews and case studies involving expert drummers, Bill Bruford examines how such practitioners approach and understand creativity. In the process, he crafts a relational processual model for understanding creativity and the creative process for real-time interactive performing arts (theatre, dance, music). The result is a fascinating and rewarding read that will surely affect players and listeners alike as they think about the concept of finding ‘creative meaning in making it work and making it matter.’”
—Rob Bowman, Grammy Award Winning Professor of Music

“After forty years of creating professional music, pretty much all of it to his taste (passing rare), Bill Bruford has laid down the torches — and tried to capture their flame in words. Begin by running your eyes down the list of Bill’s collaborators. The expert performers and teachers will attract any reader with more than a passing affection for music. Simply put, it is a lights-out masterpiece of useful insight and passionate, reflective wisdom.”
—Neil Peart, drummer Rush

“The contributions of the wide-ranging active percussionists Bruford surveyed will make this an important primary document for future researchers examining the role of drummers in group improvisation, the recording process, and more.”
—Kevin Holm-Hudson, University of Kentucky

“The book lives up to its expectations. Drawing on his own insider’s knowledge and extensive interviews with an impressive roster of expert drummers about the nature of creativity and what it means to them, Bruford has produced a brilliant ethnography of professional drummers and drumming culture in the rock era.”
—Mark Spicer, Hunter College and the CUNY Graduate Center

“It is no surprise to find Dr. Bruford so eloquently putting into language that which springs from such a non-linguistic source. Bill’s scholarly insights matched with a career’s-worth of personal experience shed an authoritative light on the creative role of the drummer. In today’s world of computer-generated rhythmic music, how wonderful to tap into this most organic and visceral element in music’s heritage, and deepen our appreciation of this immense creativity, past and present.”
—Tim Garland, saxophonist, composer

“The author cites relevant scholarly work, his roster of drum experts is beyond question (including himself), but most importantly, the insights he synthesizes from his source material are both original and valuable.”
—Shaugn O’Donnell, The City College, CUNY

How to order  

Bill Bruford's “Uncharted: Creativity and the Expert Drummer”:

University of Michigan Press: https://www.press.umich.edu/9562155/uncharted ;

Amazon US: https://www.amazon.com/Uncharted-Creativity-Expert-Drummer-Tracking/dp/0472053787 ;

Amazon UK: https://www.amazon.co.uk/Uncharted-Creativity-Expert-Drummer-Tracking/dp/0472073788 ;

Eurospan UK: https://www.eurospanbookstore.com/uncharted.html

Bill Bruford's official website: http://www.billbruford.com/
Facebook: https://www.facebook.com/billbruford/

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (US), glassonyonpr@gmail.com

"The Who and I" by Tony Klinger Box Set, Book and Memorabilia Now Available For Pre-Order

Pre-order Limited Edition Box Set Signed & Numbered by Tony Klinger at https://www.pledgemusic.com/projects/the-who-and-i

London - Tony Klinger, renowned producer of The Who's “The Kids Are Alright” film, has started a PledgeMusic campaign for “The Who and I” Box Set, Book and Memorabilia. The Box Set contains Tony's new book “The Who and I,” an audio book / CD, reproduced memorabilia, and a reproduction of “The Kids Are Alright” press kit and photos!

“Angry management, crazy people, women jumping naked out of giant cakes, fireworks going off in your hand, trips to the Pleasure Chest, run ins with Steve McQueen, afternoon teas with Ringo Starr, drunken sessions with Rick Danko of The Band, hotels demanding money up front before we checked in, travelling, constantly travelling, all the while trying to juggle schedules, money and egos, that's what I remember from my time with the Who when I was making a film, 'The Kids Are Alright' with, for and about them.

“The packaging of 'The Who and I' project accurately and faithfully represents the flavour of our project and the time we originally created the film, 'The Kids Are Alright,' and that forms the central themes of this project.

“I want to tell this story because there are so many of us, you and me included, who love rock music and film, who should know what really goes on, and this book tells it like it is. 'The Who' are the icons of both the sight and sound of My Generation. They sounded and looked angry and it wasn't an act. 'The Who' were among those who invented Mod England, which forced the world look up and pay attention. Their energy demanded your focus, whether it was Townshend's duck walk borrowed with love from Chuck Berry, his skinny whirling arms bashing out the chords, or Roger Daltrey swinging his microphone, more a weapon as he marched to the beat punched out by the bass played with metronomic intensity by the Ox, John Entwistle or the only drummer I ever saw who could lead a melody line, the maniacal Keith Moon.

“And then when you got past the image there was the music, that brilliant, original and fantastic music. How could such sounds spring out of such chaos? The answer is that it's the chaos that creates those sounds, that environment which enables a different view, a special sideways on look at our world that is so dynamic, true and genuine that we all have to take notice.

“'The Who,' maybe more than any other group epitomise that special rock lifestyle of danger mixed with brilliance to create a bubble of such power that we all want to see and listen and share.

“'The Who and I' was originally known as 'Twilight of the Gods.' So I am qualified by dint of knowledge about the group. More especially I know the men who make up the band and the originals who no longer get to go on stage because they're playing bass and drums with the celestial choir.

“Like most of you I am a fan, I remained a fan despite sometimes wanting to wring their collective necks! It’s well known and I documented the fact that we didn’t always agree with each other, in fact it would be more accurate to report that we hardly ever did so.” - Tony Klinger

To pre-order Tony Klinger's “The Who and I”  Box Set, Book and Memorabilia: https://www.pledgemusic.com/projects/the-who-and-i

Also available “The Kids Are Alright” Film Screening and a one off original Tour Jacket!

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (US), glassonyonpr@gmail.com

New Book "Reinventing Pink Floyd: From Syd Barrett to the Dark Side of the Moon" By Bill Kopp To Be Released February 15, 2018!

Asheville, NC - Available February 15, 2017 from Rowman & Littlefield Publishing: Bill Kopp's new book “Reinventing Pink Floyd: From Syd Barrett to the Dark Side of the Moon.” In celebration of the 45th anniversary of The Dark Side of the Moon, Bill Kopp explores ingenuity with which Pink Floyd rebranded themselves following the 1968 departure of Syd Barrett. Not only did the band survive Barrett's departure, but it went on to release landmark albums that continue to influence generations of musicians and fans.

“Reinventing Pink Floyd” follows the path taken by the remaining band members to establish a musical identity, develop a songwriting style, and create a new template for the manner in which albums are made and even enjoyed by listeners. As veteran music journalist Bill Kopp illustrates, that path was filled with failed experiments, creative blind alleys, one-off musical excursions, abortive collaborations, a general restlessness and—most importantly—a dedicated search for a distinctive musical personality.

“Knowledgeable, well-informed, conscientious, and sensitive. Bill has written about what really matters. Bill's book is a great read, and well worth the price of admission.”— Jerry Shirley, drummer for Humble Pie

This exciting volume guides readers through the works of 1968 through 1973, highlighting key innovations and musical breakthroughs of lasting influence. Kopp places Pink Floyd into their historical, cultural, and musical contexts while celebrating the test of fire that took the band from the brink of demise to enduring superstardom.

“Bill Kopp's excellent analysis of Pink Floyd's post-Syd, pre-arenas era performs a valuable service to the Floyd canon.”— Joel McIver, bestselling rock author

The book draws on archival interviews and reviews as well as many new and exclusive interviews with Peter Jenner, Ron Geesin, Steve Howe, Jerry Shirley, Davy O'List, Willie Wilson, Robyn Hitchcock and many others.

“Combining research into their classic albums and a wealth of little-known and unofficial recordings with astute and entertaining analysis, Kopp generates fresh insight into Pink Floyd's formative years. Even longtime fans of the band will be surprised and enlightened.”— Richie Unterberger, author of “Unknown Legends of Rock 'n' Roll”

Bill Kopp is a lifelong music enthusiast, musician, collector, and music journalist. His writing has been featured in music magazines including Bass Guitar, Record Collector, Prog and Shindig! (all in Great Britain), as well as Billboard, Electronic Musician, Goldmine, Trouser Press, Ugly Things and more than a dozen alternative weekly newspapers. He is the Jazz Desk Editor and Prog Editor at BLURT online, and has written liner note essays for 20 albums, including titles by Julian “Cannonball” Adderley, Larry Coryell, Edgar Winter, Rick Wakeman, The Ventures, Dave Mason and Iron Butterfly. He has interviewed several hundred musicians and music industry figures of note, and his musoscribe.com blog has features thousands of music reviews, essays, interviews and features.

“Reinventing Pink Floyd” will be available February 15 from independent bookstores and Amazon, but pre-ordering direct from the publisher saves 30%.

Author Bill Kopp is available now for interviews, and will be scheduling readings and book store appearances around the publishing date.

More information: 
http://www.reinventingpinkfloyd.com
https://rowman.com/ISBN/9781538108284

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (US), glassonyonpr@gmail.com

Essential Modern Progressive Rock Albums: Images and Words Behind Prog's Most Celebrated Albums 1990-2016 Available For Pre-order Now

Earlier this summer, a new book dedicated to the resurgence of one of music's most enduring and underrated genres was announced from The Prog Report. Essential Modern Progressive Rock Albums: Images and Words Behind Prog’s Most Celebrated Albums 1990-2016, authored by Prog Report editor Roie Avin, is the first book to shine a light exclusively on the important albums of the modern progressive rock era. This new book showcases more than 50 albums from the last quarter century of prog, with each chapter dedicated to one album.

Featuring full color images of the artists live, original press photos and brilliant album cover art, this 280+ page, soft cover coffee table book will be one every prog fan will want to display proudly as a badge of their fandom.

The book, out in late November, is now available for preorder only at: http://progreport.com/essential-modern-prog-rock-albums/

Preorders come with a download of a chapter from the book on Transatlantic’s The Whirlwind.

Highlighted in the book are prolific and pioneering artists such as Dream Theater, Porcupine Tree, Opeth, Spock’s Beard, Marillion, The Flower Kings, Enchant, Fates Warning, Queensryche, and Big Big Train, along with more recent bands like Haken, Karnivool, Riverside, Between the Buried and Me, and The Dear Hunter, among the more than 30 bands included. Drawing on original interviews with band members such as Mike Portnoy, Neal Morse, Steven Wilson, John Petrucci, Mikael Åkerfeldt, Roine Stolt, Pete Trewavas, Ross Jennings, and dozens more, the book offers an in-depth look at the stories behind the albums that shaped the next wave of progressive rock. This book focuses solely on bands that carried the mantle of the genre's initial '70s explosion, artists that expanded the genre further, incorporating new sounds and elements to reach new audiences worldwide.

“The last 25+ years have been an incredibly fruitful period for progressive music, as this books indicates. The albums chosen here represent some of the most exciting music created in the modern progressive period, and it's only right that they claim their moment in the spotlight.” - Jerry Ewing, Prog Magazine

“There certainly was a period when the majority of bands of the New Prog generation, whilst more than competent, sounded just a bit too derivative of the their first generation idols. But Roie Avin's book goes some way to establish the credentials of the more recent Neo-Prog bands as having a far more individual and original voice whether it be the virtuosity of Dream Theater, the creativity and appeal of Big Big Train, or the highly impressive path carved out by Steven Wilson firstly with Porcupine Tree and latterly, in his own right.” - Anthony Phillips, Genesis founding member and guitarist

“This looks to be an amazing book and a MUST HAVE for Prog fans!” - Mike Portnoy

Teaser video that was released in July: https://www.youtube.com/watch?v=CuamlgOsIOI

To purchase: http://progreport.com/essential-modern-prog-rock-albums/

For more information: contact@progreport.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

King Crimson's "THRAK - The Complete Scores" Full Band Transcriptions Book Now Available!

King Crimson's “THRAK – The Complete Scores” is now available! For the first time ever, full band transcriptions of this classic from the King Crimson double-trio era. Six musicians: two guitar players, two bassists and two drummers.

All parts transcribed and most of the essential bits tabbed for the various instruments and tunings: Adrian Belew's guitar in standard tuning, Robert Fripp's guitar in new standard tuning, Tony Levin's fretted and fretless basses, Trey Gunn's Chapman Stick and Bill Bruford and Pat Mastelotto’s acoustic and electronic drum transcriptions.

Transcriptions by Gabriel Riccio
Editing and tabs by Trey Gunn

Produced on high-quality paper in 9"x12" format, spiral bound for lay-flat-open reading.

Official release date: September 24, 2017

Track listing:
VROOOM
Coda: Marine 475
Dinosaur
Walking on Air
B'Boom
THRAK
Inner Garden I & II
People
One Time
Sex Sleep Eat Drink Dream
VROOOM VROOOM
VROOOM VROOOM: Coda
and a bonus track from the “VROOOM EP”: Cage

To purchase: King Crimson “THRAK – The Complete Scores”: http://tinyurl.com/THRAKSCORES



From Trey Gunn:

A book of King Crimson transcriptions is a built-in contradiction – Crimson rarely steps in the same puddle twice.

This is a band known for stretching beyond even its own limits, meaning most of the arrangements are given freedom to grow and change as the spirit moves. My own experience in the group was that about every one to two weeks some part of the compositions had significantly morphed into something else. For example, in the VROOOM coda, the Sex Sleep Eat Drink Dream “Spider Fingers Freakout” and THRAK every night saw the musicians heading into unexplored territory. As a result, any book of transcriptions can only reflect a slice in time of what this particular Crimson was doing on this particular day during this particular performance.

The approach Gabriel Riccio and I have taken with these THRAK recordings was to adhere strictly to what is on this record. While we’ve referred to the 2015 re-mixes and various live versions of the pieces, we have generally stayed with notating what is in the 1995 original mixes and performances. 

These particular recordings, made at Peter Gabriel’s Real World Studios in the UK, were live performances. In my memory, we played each piece as a group once or twice through, picked a take and then quickly added overdubs accordingly. In most cases the overdubbing was very minimal. The record was largely completed in two weeks time, including all of the vocals.

Gabriel Riccio on some of the challenges of this score book:

THRAK has been one of the most challenging records to transcribe thanks to the dense 6-player arrangements. This often made it difficult to tell who is producing each sound. The title track is perhaps the most exciting piece to see on paper, as many of the band's greatest tricks are on display – hocketed polymeters, symmetrical scales, and fiery improvisation.

The hardest part was figuring out how to write down the electronic drum parts. Bill Bruford provided some valuable input on that front, breaking down his sounds into four main categories which I used as labels throughout. The drums in the 'Sex Sleep Eat Drink Dream' freakout are a great example of the complexity of this music - Bruford plays sextuplets phrased in 5s against Mastelotto's 4/4 groove.


For more information: 
www.treygunn.com
www.7dmedia.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

ELP Legend Greg Lake's Eagerly Awaited Autobiography "Lucky Man" Now Available In The UK!

London - Greg Lake first won acclaim as lead vocalist, bass guitarist and producer when, together with Robert Fripp, he formed King Crimson. Their first album, the landmark In the Court of the Crimson King, co-produced by Greg, featured the iconic song “21st Century Schizoid Man.” King Crimson pioneered progressive rock and paved the way for many famous bands that followed, from Yes and Genesis to the Red Hot Chili Peppers.

In December 1969 Greg met fellow legend Keith Emerson at the Fillmore in San Francisco during a North American tour; the two shared common bonds: European musical influences and a desire to reinterpret classical works while creating a new musical genre. After being introduced to drummer Carl Palmer, they formed the first progressive rock supergroup Emerson, Lake and Palmer.

To date ELP has sold over 50 million records. Lake produced “Emerson, Lake & Palmer,” “Tarkus,” “Pictures at an Exhibition,” “Trilogy,” “Brain Salad Surgery,” “Works Vol. 1 & 2,” and two different live albums. All went platinum and featured a series of hit singles, most written and all sung by Lake. The three created a unique live theatrical performance which featured Emerson attacking his keyboards with knives, Palmer playing a 2.5 ton stainless steel kit and Lake performing on a £6,000 Persian rug which had its own roadie. One of their very first performances was at the historic Isle of Wight Festival in 1970 and they went on to headline California Jam, one of the biggest concerts of the 1970s, attended by 350,000 people.

Probably the voice of his generation, Greg fronted the greatest rock supergroup of the 1970s but never held with the “progressive” tag that attached itself to both the music and the excess. “Lucky Man” not only charts the highs and lows of a career in rock music but also reflects on the death of Keith Emerson last year, living with terminal cancer and the end of life. Greg can best be summed up by his now-famous line: “Material wealth is a very fleeting pleasure ... when you can buy anything you want and do anything you want, you soon discover that you actually don't want any of it.”

To purchase Greg Lake's “Lucky Man” autobiography: http://amzn.to/2t8BwZy

Watch the promotional video: https://www.facebook.com/GregLakeOfficial/videos/1691998314174403/

For more information:
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Music Legend Frank Zappa's Brother Bob Zappa To Release Second Book “Frankie & Bobby: The Rest of Our Story”

NYC - Following his critically acclaimed book “Frankie & Bobby: Growing Up Zappa,” music legend Frank Zappa's younger brother Charles Robert “Bob” Zappa is releasing a second book titled “Frankie & Bobby: The Rest of Our Story.”

Bob's first book, “Frankie & Bobby: Growing Up Zappa,” is poignant and insightful perspective on the life of one of the twentieth century's most provocative and intriguing musicians. This “coming of age” memoir provided readers with never before told stories about events that helped shape Frank's political, social, intellectual and creative development. The book begins with the brother's time in Maryland from the late 1940's until the summer of 1967 in New York City before Frank and the Mothers went on their first of many European tours. This fascinating account describes how the two brothers lived through, and handled, a series of events ranging from amusing to life threatening. It is a must-read for anybody interested in Frank's amazing life that only his closest confidant and brother, Bobby, can tell.

Bob's new book “Frankie & Bobby: The Rest of Our Story” picks up where the first volume leaves off... Says Bob, “For those of you who read my first book, 'Frankie & Bobby: Growing Up Zappa', thank you. I hope you enjoyed it and found that the information about Frank added to your understanding his complex and brilliant mind and his early development. This book tells the next chapter in our story. It's about how my brother and I continued on our separate but intertwined paths after his successful long running show, 'Absolutely Free' (sic), at the Garrick Theater in New York in the summer of 1967.

“When I decided to write the sequel to 'Frankie and Bobby: Growing Up Zappa,' I wanted to provide readers with more personal stories that would fill in gaps on how our lives intersected over the last decades of Frank's life. I also wanted to describe more about life in America during the Vietnam era and up to the present day to help set the stage for events that fans have wondered about for a long time. This time I added more about my own life's journey. I wanted to depict how Frank and I maintained our relationship because to me he was a 'regular guy,' except for his extraordinary life in the public eye. He was my older brother and best friend regardless of his talents, celebrity or public image. I think fans will find this aspect interesting and should help add a more human dimension to his image.

“There are also the episodes about Frank's own family - especially his wife, Gail - that try to explain their curious relationship and how she interacted with me and her own children. Of interest are how our mother, sister, and brother, and especially me, were kept from Frank's and his children's lives. The reasons for that are still unclear to my niece Moon and nephew, Dweezil.

“But I do end on a positive note by describing my reunion with Moon and Dweezil following Gail's death, after more than four decades of estrangement. 'Frankie and Bobby: The Rest of Our Story' provides new material that will help Frank's fans add some much needed pieces to the puzzle that is Frank Zappa.”

While there have been several books and documentaries about Frank Zappa, most have forgotten to mention that Frank often referred to himself as “a regular guy.” And that is one of the “driving forces” behind Bob's new book.

Says Co de Kloet, well-known radio personality and music producer in Amsterdam, “By sharing personal, sometimes extremely personal stories about his relationship with Frank, Bob gives us a clear view of that 'regular-guyness' quality, leaving the importance and impact of his brother intact. By not just focusing on Frank and giving us information about other relations and some of his own experiences, he puts Frank in a new and sincere perspective. I had a great time reading it and I hope it will do well. Over the years I had a friendship with Herbie Cohen, Frank's manager and business partner. He was at my farmhouse a few times and once when he was reading something in a book about Zappa, he smiled and said, 'It is always fun to read what people THINK really happened (in Frank's life) but they haven't got a clue.' Bob Zappa has! And that is what makes this book a must have.”

The book is also one of rejection, reconciliation and closure... As James Cohen: Zappanale Master of Ceremonies explains, “A memoir is more than recollection, it exposes a continuum of related events: Bob Zappa's 'Frankie & Bobby - The Rest of Our Story' is wisdom gained over time. Picking up where his first book left off, it focuses on Bob's adventures in the US and elsewhere - a Swedish university course in Deviant Behavior or a close brush with Soviet espionage. Bob's ultimate purpose of understanding how his alienation from his brother Frank's world developed, or was created, overshadows these episodes. Climaxing with a series of rejections relating to the passing of their mother Rose Marie and finally of Frank himself, Bob celebrates his subsequent reconciliation with Dweezil and Moon and a new life rooted deep in his past…A great read, and for the Zappa faithful, optimistic closure.”

Distinguished Teaching Professor Joseph Klein, Dmus concludes, “Perhaps most poignant are the episodes relating to Frank's own family- in particular his wife, Gail…during the final years of Frank's life…and (sheds) light on a matter that has baffled and frustrated the Zappa fan community for decades…'Frankie and Bobby: The Rest of Our Story' is essential reading for any Zappologist curious for answers regarding some of the more enigmatic aspects of Frank's life.”

Bob Zappa's “Frankie & Bobby: The Rest of Our Story” is a must-read for all fans of Frank Zappa!

To purchase “Frankie & Bobby: The Rest of Our Story”: 
https://www.createspace.com/6991665 (United States)
http://www.amazon.com/dp/1544258798 (United States)
http://www.amazon.ca/dp/1544258798 (Canada - Book not currently available in Canada)
http://www.amazon.co.uk/dp/1544258798 (United Kingdom)
http://www.amazon.de/dp/1544258798 (Germany)
http://www.amazon.es/dp/1544258798 (Spain)
http://www.amazon.fr/dp/1544258798 (France)
http://www.amazon.it/dp/1544258798 (Italy)

To purchase “Frankie & Bobby: Growing Up Zappa”:

https://www.amazon.com/Frankie-Bobby-Growing-Up-Zappa/dp/099647790X

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com