Showing posts with label Classical Music. Show all posts
Showing posts with label Classical Music. Show all posts

Wednesday, April 27, 2022

Book Review: Emerson, Lake and Palmer-ELP

Publisher ‏ : ‎ Rocket88 (November 12, 2021
Language ‏ : ‎ English
Hardcover ‏ : ‎ 272 pages
ISBN-10 ‏ : ‎ 1910978647
ISBN-13 ‏ : ‎ 978-1910978641
Reading age ‏ : ‎ 14 years and up
Dimensions ‏ : ‎ 9.69 x 1.18 x 11.26 inches
Website

ELP and I go way back to the '70s. I recall being introduced to the band by an excellent friend. I also remember making sure we watched the California Jam and the now legendary footage of Emerson spinning in the air playing his piano. Things like that you can never forget. What it was like being a music fan so long ago is what shaped the listening tastes that I have arrived at later in life.

Keith Emerson (keyboards), Greg Lake (vocals, bass, guitar), and Carl Palmer (drums and percussion) were three extraordinary musicians that came together to create some of the most groundbreaking music in the progressive genre. While leading entirely separate lives with no friendships conceived outside the studios or stages, they could make magic happen where it counted the most.

I have had a great interest in the music of ELP and found all of the remastered catalog to be excellent. I did not know all the details about the men of this band or what made them so successful. This book, titled Emerson, Lake and Palmer - ELP, tells the tails of a run of success for several years that led them to exhaustion and the end of the band for many years.

The book is hardbound and quite beautiful, serving as a detailed remembrance of what it was like being a rock star in the 70s that produced unique music in rock. Today the only surviving member is Carl Palmer, who continues to bring the legacy of ELP to fans around the world. There are great pictures to enjoy while taking in this very personal account of a famous band. Nothing is sugar-coated. It is all based on reality and the words of each member of the band. I found that refreshing and intimate without any needed embellishments or cover-ups of good or bad feelings about the members.

The book is extensive and a tell-it-like-it-is account of an eight-year continuous recording and touring run. Brain Salad Surgery was the high watermark of their career, and they never reached those heights again. What I found interesting was reading about how they got that point of creativity. The music contained in their recordings and subsequent tours and adding an orchestra and going on tour changed the face of music forever. Progressive music took a giant leap forward thanks to ELP, and this fantastic account of that story is in this book's pages.

Of course, this is a highly recommended resource for any prog rock or ELP fan, and music fans in general, I believe would find a lot of enjoyment from reading the text and flipping through all the photos. Books about bands do not get much better than this! The 70s was a great time for rock music, and if you were there to experience it all, that says it all. If you were not there, this will give you a glimpse of what it was like and never will be again. It serves as either a remarkable memory or a lot of newfound facts and realizations that are well worth your time to experience.


Keith “MuzikMan” Hannaleck-Progressive Music Reviews Founder


April 24, 2022

Monday, March 7, 2022

Guitar Virtuoso Harvey Valdes’ Novare: J.S. Bach Lute Works on Electric Guitar Breaks New Ground with a Fresh, Ear-Opening Interpretation of Music for the Ages

Harvey Valdes is a fantastic guitarist” - Andy Summers

Guitar Virtuoso Harvey Valdes’ Novare: J.S. Bach Lute Works on Electric Guitar – to be released by Destiny Records on April 8, 2022 – features sublime scores long performed by the world’s greatest lutenists and classical guitarists, but these pieces sound more timeless than ever in the hands of Valdes on steel-string electric guitar.

Harvey Valdes is a fantastic guitarist – musical to the nth degree and with chops to spare, as anyone knows who has heard the way he handles standards and ballads with astonishing contrapuntal virtuosity. Now, with this new album, the special logic in his playing of Bach is wonderfully revealed.” - ANDY SUMMERS of The Police

Like the art of Shakespeare or Van Gogh, the music of Johann Sebastian Bach has been recognized the world over as universal and timeless – sounding as moving and miraculous now as the day these Baroque scores were written, some three hundred years ago. The lute works that J.S. Bach composed have been recorded by the world’s greatest lutenists and guitarists across the past century, from Segovia to Julian Bream to John Williams to Hopkinson Smith, among a myriad of others. It would take a stroke of something approaching genius to enable us to hear these pieces truly anew. But that is just what Harvey Valdes has accomplished with Novare: J.S. Bach Lute Works on Electric Guitar.

To be released digitally and on CD by Destiny Records on April 8, 2022, the album presents Valdes playing 10 of Bach’s pieces not on the age-old lute or the nylon-string classical guitar but on the modern steel-string electric guitar. The result is ear-opening; the notes are the same ones Bach put to paper in the 18th century, but Valdes performs them with a tone and texture that sounds extraordinarily fresh and of the moment, without ever trying to unduly “modernize” the music. Over the past few years, Valdes has attracted famous fans among iconic guitarists, including Andy Summers of The Police, ECM luminary David Torn and avant-garde notable Elliott Sharp, who says: “With Novare, Harvey brings Bach’s works into the 21st century with a sensuous tone and an articulation that is simultaneously precise and dynamic, even at breakneck tempi. His playing reveals the contrapuntal lines in all their permutational glory.”

But it isn’t just world-renowned guitarists who have been impressed by Novare. Classical pianist Simone Dinnerstein, celebrated for her playing of Bach on the modern grand piano, says: “Harvey Valdes brings an improviser’s sensibility to this music, which is in so many ways the most authentic approach to Bach. There is an understated quality to his interpretations that allows a listener to hear the architecture of the music, and there is a rhythmic malleability that gives breath and presence. The Prelude and Fugue in D-flat stands out in the way that Valdes enjoys the sustained possibilities of the electric guitar. It’s a beautiful new take on old gems.”

Why Bach on electric guitar? Says Harvey, “Why not?! The electric guitar has a capacity for tone, color and dynamics that moves beyond what the acoustic classical guitar can do. There have been some past recordings of electric guitarists who have played Bach or works by Mozart, Beethoven, etc. These often feature the instrument using high gain and distorted sounds with fast virtuosic playing. I respect this approach, but it’s not the one I wanted to take. I was interested in honoring some of the delicate classical guitar approaches and while also taking advantage of the sonic dimensions of the electric guitar.

“For listeners who are guitar players, I want to share with them how it’s possible to play Bach’s lute works on an electric guitar. You can bring a classical guitar approach to the electric guitar that expands the sonic landscape for this historical music and gives it a space to live in the present. As for everyone else, enjoy! I hope it can soothe a listener’s life. Making it certainly brought some peace into my life during a challenging time that has affected us all.”


More about Harvey Valdes

A guitarist of searching, sophisticated musicality, Harvey Valdes can traverse styles from avant- jazz and Middle Eastern/Balkan music to improvised film scores and the compositions of Bach. Harvey has an intrepid curiosity about the guitar’s sonic and expressive range; he is also a trained player of the Arabic oud, as well as the Turkish cümbüş. To date, he has released three albums as a soloist/leader: “Solitude Intones Its Echo” (Destiny, 2019), a set of concise, engaging solo improvisations praised by the likes of Guitar Moderne as “18 lyrical solo performances of compositions that hook you”; “Roundabout” (2015), his solo debut featuring lyrically inventive takes on jazz standards; and “PointCounterPoint” (2015), a bristling, Mahavishnu-meets-math-rock trio album with violinist Sana Nagano and drummer Joe Hertenstein. All About Jazz hailed “Pointcounterpoint” as “cosmic,” while the Free Jazz Collective described Roundabout as “sublimely beautiful.” In April 2022, Destiny Records will present Harvey’s newest album: “Novare: J.S. Bach Lute Works on Electric Guitar.” Underscoring his achievements, Harvey’s venturesome work in the studio and on stage has attracted fans among iconic guitarists, including Andy Summers of The Police, ECM luminary David Torn and avant-garde notable Elliott Sharp.

Based in Brooklyn, NY Harvey earned a BFA degree from The New School for Jazz & Contemporary Music. He has worked with artists from Butch Morris, Karl Berger and Rhys Chatham to Daniel Carter, and the Middle Eastern/Balkan ensemble Anistar, among many others. His score for Utopians, which premiered at the 2011 Berlin Film Festival, constituted “one of the longest-lasting guitar improvisations since (Neil Young’s score for) Dead Man.” The Valdes composition “Listen” was chosen as an Editor’s Pick by Guitar Player magazine. Harvey has also performed extensively in New York theater. He held the guitar/oud chair as an onstage musician and cast member for the Tony Award-winning Broadway musical The Band’s Visit, having originated the role Off Broadway at The Atlantic Theater before moving with the ensemble for the hit run at Broadway’s Barrymore Theater. He played on the show’s 2019 Grammy Award-winning cast album, and he received a daytime Emmy Award for his broadcast performance with the ensemble, along with participating in the 10 Tony wins as a cast member. Harvey has also worked with renowned downtown theater ensemble The Wooster Group, including its presentation of Cavalli’s 1640 opera “La Didone”; for that production, which toured the U.S. and Europe, he provided a modern interpretation of the Baroque lute, playing electric guitar and guitar synth within an ensemble that also included harpsichord, theorbo and accordion.

Harvey has played on stages from Radio City Music Hall, Lincoln Center, the Brooklyn Academy of Music and St. Ann’s Warehouse to the New Jersey Performing Arts Center, Chicago Cultural Center, CalArts’ Redcat Theater in Los Angeles, Scotland’s Royal Lyceum Theatre, the United Nations. Harvey has also featured in broadcast performances for The Tonight Show with Jimmy Fallon, NPR’s Tiny Desk Concert, The Today Show and WNYC-FM, as well as the 72nd annual Tony Awards. Additional collaborators over the years have included Noël Akchoté, Gerry Hemingway, Lukas Ligeti, Killick Hinds, Jamshied Sharifi, Sean Sonderegger, Henri Scars Struck and Bern Nix. Harvey has recently featured on multiple compilation albums, including the fifth in Elliott Sharp’s anthology series “Never Meta Guitar,” and “Walk My Way,” a five volume 577 Records set featuring 49 guitarists of 32 different nationalities from six continents and virtually every sort of musical background. He also played on Eight Hands, One Mind by the Dom Minasi Guitar Quartet with Briggan Krauss and Hans Tanmen, as well as recorded the duo album Nueva Guitarra with avant-metal guitarist Alvaro Domene.

About the imaginative virtuosity of Valdes, guitarist extraordinaire David Torn says: “When I first heard Harvey, I thought: ‘Well, here’s another badass mother on the scene – wow.’”

Harvey Valdes record release show at Barbes in Brooklyn, NY on April 9th 2022

For more information:
harveyvaldes.net
destinyrecordsmusic.com
instagram.com/harveyvaldes
facebook.com/harveyvaldesmusic

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Thursday, May 3, 2018

Curved Air Founding Member & Legendary Violinist Darryl Way to Release First Ever Rock Version of Vivaldi's Four Seasons - Out Now!


Almost 50 years after the creation of his classic rock anthem Vivaldi, Curved Air's trail blazing violinist Darryl Way, has arranged and recorded the whole of Vivaldi's masterpiece The Four Seasons and given it the same 'rock' treatment.

Way said of the project: “You cannot improve upon perfection, which the Four Seasons undoubtedly is, but I felt that the Four Seasons, a piece that has been a seminal influence in my life, would be fertile ground for a reinterpretation. Having said that, I have not changed any of the notes, except in some of the slow movements, where it is generally accepted that the written notes can be embellished. I have just added to the mix, rock instrumentation and rhythms, synth textures and in the slow movements, some chill out beats.”

The album is entitled Vivaldi's Four Seasons in Rock and is released on the 4th of May 2018 via Cherry Red Records.

“I already had a good idea that a rock arrangement could work with Vivaldi's music, from my work on the Curved Air track 'Vivaldi'. The challenge was, to maintain Vivaldi's original concept of the piece and tell the same story. Whether I have risen to that challenge is not for me to say, but if you were a fan of my Curved Air track 'Vivaldi', there's a good chance you're going to like this as well.”  

To purchase Darryl Way's Vivaldi's Four Seasons in Rock:
Amazon CD: http://geni.us/Vivaldi
iTunes: http://geni.us/VivaldiDig

Official website: www.darrylway.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (US), glassonyonpr@gmail.com