Italian Prog Legends Syndone To Release New Concept Album “DirtyThirty”

Sit down, make yourself comfortable. This is the story of an artistic journey, a 30-year parable.

Listen. Immerse yourself. Eliminate all distractions; let the music speak to you, like it used to do. “DirtyThirty” is the culmination of a class struggle, of the utopian ideal of those who stubbornly cling to a model of the world that still embraces thought, wonder and the courage of art. Syndone is a vision, a nine-album journey, the desire to make a mark in the world. Syndone is a shapeshifter, a band that’s changed its skin and its musicians without ever changing its soul: swimming against the tide, defying fashion and the decline (not only musical) of an era in which you can be successful only if it pleases the powers that be.

Yet there was a time when record albums were capable of transporting us, starting with the artistry of the album covers, of breaking the rules, crossing boundaries, with a whole set of atmospheres, sounds, and thoughtful, refined, stylistic constructions. Those were the days of progressive rock; at the time it was simply called ‘pop’, because it was popular. Today there’s very little left that’s progressive: there’s no thrill of discovery, we’re no longer open to wonder and amazement, we don’t deviate from the idea of an increasingly standardized and replaceable human being.

Nik Comoglio, the musical heart and soul of this story, has never surrendered to that reality; flanked by the vocal and conceptual talents of Riccardo Ruggeri, the Turin-based keyboardist and composer has truly succeeded in making his mark. Syndone, with their erudite, impeccable rock, as violent and energetic as they are melancholic and orchestral, are a dare, a counterpoint, a raised middle finger to the devious strategy of collective narcosis slyly dropped from above in the Kali Yuga of Western civilization. They’re an antidote.

“DirtyThirty” is their crowning achievement, the (perhaps) final chapter. Enjoy it like fine wine, in small sips, and remember to stay human.

Track list:

1. DirtyThirty - the end of my love - (Comoglio/Ruggeri)  [5’06”]
2. Fight Club (Comoglio/Rubinato/Ruggeri) [3’08”]
3. The Angel (Comoglio/Rubinato/Ruggeri) - quoting the track “Il fiele e il limite” from the album “La bella è la bestia”, 2012 [4’19”]
4. Valdrada’s Screen (Comoglio/Ruggeri) - restyling the track “Spleen” from the album “Spleen”,1992  [3’46”]
5. I spit on my virtue (Comoglio/Rubinato/Ruggeri) [4’40”]
6. I only ask for a super glue (Comoglio/Ruggeri) - quoting the track “Eros & Thanatos” from the album “Odysséas”, 2014 [5’02”]
7. Mary Ann (Comoglio/Ruggeri) - restyling the track “Marianne” from the album “Spleen”,1992   [5’57”]
8. René (Comoglio/Ruggeri) - restyling the track “Magritte” from the album “Melapesante”, 2010   [4’25”]
9. God’s will (Comoglio/Ruggeri) - restyling track “Inca” from the album “Inca”, 1993  [5’30”]
10. Thousand times I cried (Comoglio/Ruggeri) - restyling the track “Proverbi” from the album “Inca”, 1993  [2’11”]
11. Evelyn Japanese version (Comoglio Ruggeri) translation of the track “Evelyn” from the album “Mysoginia”, 2018   [4’21”]
12. So long everybody - the time has come and I must leave you - (Comoglio) - restyling the track “Penelope” for full orchestra from the album “Odysséas”, 2014   [4’46”]

Bonus track
Evelyn Japanese version (Comoglio Ruggeri) translation of the track “Evelyn” from the album “Mysoginia”, 2018 [4’21”]

Total time running 48’03”

SYNDONE Line up:

Nik Comoglio - composition, orchestration, hammond, juno dist. moog, mellotron, keyboards
Riccardo Ruggeri – composition, vocals, lyrics
Marta Caldara – vibraphone, marimba, keyboards
Gigi Rivetti – ac. piano, el. pianos, hammond, moog, accordion
Simone Rubinato – bass, fretless bass, el. baritone guitar Ciro Iavarone - drums, percussions

Guests

Tony de Gruttola – electric guitar & ac. guitar (on “DirtyThirty”)
Andrea Carbone – electric guitar (on “Mary Ann”)
Pino Russo – classic guitar (on “René”)
Gianluca Cagnani – pipe organ (on “Valdrada’s screen”)
Kaori Tsutsui – clarinet in Bb (on “Evelyn”)
Rebecca Onyeji - backing vocals
Charlie Poma - backing vocals

String Trio (on “I spit on my virtue”) – Valerio Iaccio (violin), Roberto D’Auria (violin), Michelangiolo Mafucci (cello)

Budapest Scoring Symphonic Orchestra conducted by M° Francesco Zago

Fabrizio Argiolas - sound engineer
Valentina Fornacca – artwork cover: “folli eroi e sognatori” (oil on canvas)
Eugenia Brini - layout and booklet project

To purchase: http://store.maracash.com/product_info.php?products_id=799&osCsid=n5r7g884nhrv8lm38p12vncf6p

For more information:
www.syndone.it
www.facebook.com/syndone

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Irish Prog Ensemble M-Opus Featuring Jonathan Casey of The David Cross Band To Release New Concept Album “At The Mercy Of Manannán”

M-Opus are a 4-piece prog rock band from Ireland, with an unusual twist. Fronted by TV/Film composer Jonathan Casey (David Cross Band), the group releases concept albums from specific years in music history, creating an imagined, stylistic discography. They have released a 1975 album, a 1978 album and next, they unveil their 1972 album, “At The Mercy Of Manannán.”

The album follows a crew of mariners, who set sail on a hazardous mission and encounter ancient Celtic gods on their journey. In Irish mythology, Manannán was a King Of The Otherworld and sea god. “At The Mercy Of Manannán” was written and recorded during lockdown and served as an imagined adventure for lyricist Casey; an escape inside. One song, “Na Brúidaí,” is entirely in the Irish language of Gaeilge.

Says Jonathan, “It was an unusual process for me. I was introduced to the guitarist PJ just before COVID, but it was an online introduction, so we didn’t actually get to meet in person for a very long time. While isolated in lockdown, we wrote most of the album, together but apart, emailing each other files. At one point, Mark caught COVID and he had to be isolated from his family. So, he took shelter in his studio and recorded the drums on the album right then and there!”

M-Opus are Mark Grist (drums), PJ O'Connell (guitars), Colin Sullivan (guitars) and Jonathan Casey (Vocals, Keys, Bass). James Dunne has just joined the band on bass, so the ensemble will get to perform live very soon.

In support of their new release, the band has completed a video for “Valley Of Elah.” They are currently rehearsing for M-Opus gigs and Jonathan is also rehearsing with David Cross to perform “Larks Tongues In Aspic” live this year. He is on guitar and vocal duties in the David Cross band.

Here’s what the press has said about M-Opus:

“M-Opus is at the top of their game here... a real tour-de-force

An avalanche of creativity... a pinnacle achievement, an album to be savoured.” - Rocking Charts

“‘Origins’ is quite breathtaking and the more I listen to it the more remarkable it becomes.” – Sea of Tranquility

“A stunning collection of songs.... Simply unforgettable.” - Progarchy

“Elegant and emotional...sublime in its execution” – Uber Rock

“Brilliantly constructed” - Rockmuzine

“Their last album was in my top ten of the year.... and the music is magnificent again.” - Proggen

“Wow. Just Wow... deserves to stand shoulder to shoulder with the best.” - Dancing About Architecture

M-Opus “At The Mercy Of Manannán” Release date Monday 3rd April

To purchase:
https://burningshed.com/
https://m-opus.bandcamp.com/

For more information:
m-opus.com
https://m-opus.bandcamp.com/releases
https://www.facebook.com/mopusbandonline
https://twitter.com/mopusonline

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com

Unquiet Music Ltd New Concept Album “MEMEmusic” Feat. Members of King Crimson, Lifesigns, Stick Men, Earthdiver, Yang and Others Now Available For Pre-order

To be released on 3 February 2023 - Pre-order from 18 January 2023

Unquiet Music Ltd releases a new concept album titled “MEMEmusic” and features Jon Poole of Lifesigns, Tony Levin and Pat Mastelotto of King Crimson, Markus Reuter of Stick Men, Adrian Benavides of Earthdiver, Frédéric L’Epée of Yang among others.

“A pretty ‘out there’ album I played bass on earlier this year.” – Jon Poole

“Things that manage to reconcile my need to hear new things without losing my deepest roots” – Mixed by Stefano Castagna

“Warning: Save your psyche and stay away from this highly disorienting sequence of nerve-rewiring pieces.” - Trey Gunn (King Crimson, David Sylvian) 

On February 3, 2023, ambitious multi-form music project Unquiet Music Ltd issues its second official album “MEMEmusic” on CD and download (via Bandcamp). The album is composed by JP Rossi, and produced by Markus Reuter (Stick Men, Reuter/Motzer/Grohowski, Anchor & Burden), crossing multiple boundaries between the electronic and the acoustic, between complexity and simplicity, between deep contemporary classical structures and textures and punchy art rock drive.

The first Unquiet Music Ltd album, 2020’s “In the Name of... (A Prayer for Our Times)” was an exploration of verticality and the arrow of time throughout a man’s life, or through mankind’s history. While in some respects “MEMEMusic” does act as a continuation of its predecessor, both in ideas and concept, it features a different approach and theme. Whereas “In the Name of...” was vertical, “MEMEmusic” is, in comparison, rather horizontal; and deals predominantly with communication and the notion of the individual. Reflecting on human interaction, and on how this has changed due to significant global changes and challenges over the past three years, it is firmly music for its time. The musical journey is divided in two parts, with the first half of the album being more industrial and electronic while the second turns towards live acoustic performances and to romantic and entertaining songs.

The central theme of “MEMEmusic” is the re-discovery of language - not the only tool with which we can connect to other people, but obviously one of the best - and to realize we are unique individuals precisely because differences exist. At the same time this profound but simple idea is delivered predominantly via music, which allows the listener to wander into their own universe without the weight of any message if they so wish. The cover and booklet also reflect the welcoming of diversity with their collaged images from photographs and paintings, plus AI techniques generated by Swiss multi-media artist Tobias Reber and comic book drawings and characters created by Denis Rodier (Marvel, DC, Milestone Media).

More accessible and reflective than “In the Name of…”, much of MEMEmusic is a conceptual effort based around instrumentals and some striking one-man choral composition. However, the album also diversifies from previous work in containing several stand-alone songs. These blend Rossi’s complex contemporary classical inspirations (fiercely building on and developing inspirations from Dmitri Shostakovich, Steve Reich and Philip Glass, and incorporating large-form ambient pieces and mediaeval-esque hocketing work) with influences from the boundary-crossing, thought-provoking art rock of David Bowie, King Crimson, David Sylvian and Stick Men. Also drifting through the mix are Cuban strings and trumpet, plus frequent and loving references to the languages and expression of the jazz tradition, with the spirits of Billie Holliday, George Gershwin, Ella Fitzgerald and Nelson Riddle finding their way into the string arrangements and some of the vocals. (See if you can also spot visitations from certain beloved jazz standards, adding their presence to the stew...)

While based around Rossi’s own vocal, keyboard and electronics work, “MEMEmusic” benefits from the participation of many talented international musicians. Continuing their work with the project alongside Rossi and Reuter are Frédéric L’Épée (Yang, Shylock, Philharmonie), Samira Brahmia, Raphaël Terreau, Khliff Miziallaoua, while the new album also welcomes fresh Unquiet Music contributors Tony Levin (Peter Gabriel, King Crimson), Pat Mastelotto (King Crimson, Stick Men), Jon Poole (Cardiacs, Lifesigns, The Dowling Poole and The Wildhearts), Adrian Benavides (Earthdiver), Troy Jones and Thommy Lowry.

Video presentation of the album here: https://youtu.be/6pPNB1JEqoE

Album tracks:

1. Meme 09:16
Words: JP Rossi, Georges Bataille. Music & Arrangements: JP Rossi
Voices: JP Rossi, Raphaël Terreau. Bass Key, Organ Synth, Soundscapes: JP Rossi. Voice & Bass Processing: Adrian Benavides
Music video: https://youtu.be/grzVu50Bla4
Song presentation video: https://youtu.be/ucam0GgdDpA

2. I Succumb 07:24
Words, Music: JP Rossi. Arrangements: JP Rossi, Adrian Benavides
Voices, Keys & Electronics: JP Rossi. Guitars: Adrian Benavides. U8 Touch Guitars ®: Markus Reuter. Electronic Drums, Traps & Buttons: Pat Mastelotto
Music video: https://youtu.be/9AtiO8iBi-E
Song presentation video: https://youtu.be/_z7vQOAOxo4

3. Towards The Edge 09:37
Words, Music & Arrangements: JP Rossi
Voices: JP Rossi, Raphaël Terreau, Khliff Miziallaoua. Keys & Electronics, Handclaps: JP Rossi. Guitars: Khliff Miziallaoua. U8 Touch Guitars ®: Markus Reuter. Bass: Jon Poole. Drums: Troy Jones
Song presentation video: https://youtu.be/_6suGPuNiwo

4. Lament 09:35
Music & Arrangements: JP Rossi
Voices (Diphonic): Raphaël Terreau. Voices Looping: JP Rossi.
Song presentation video: https://youtu.be/_6suGPuNiwo

5. Commuting Communion 08:56
Words, Music & Arrangements: JP Rossi
Voices: JP Rossi, Samira Brahmia. Guitars: Frédéric L’Épée. Keys & Electronics: JP Rossi. U8 Touch Guitars ®: Markus Reuter. Bass: Jon Poole. Drums: Troy Jones
Song presentation video: https://youtu.be/mR4ZfgnDqiU

6. Sometimes Love 09:52
Words, Music & Arrangements: JP Rossi. Strings Direction: Thommy Lowry
Voice, Keys, Soundscapes: JP Rossi. Violin: Amelia Febles Díaz, Lisbet Sevilla Brizuela, Camila Martel Pérez. Viola: Lizbet Sevilla Brizuela. Cello: Annette Antunez Guevara. Double Bass: Lino Piquero Bueno
Song presentation video: https://youtu.be/Gy8GErfR4bA

7. I Do Remember The Feeling 09:41
Words, Music & Arrangements: JP Rossi
Voices : JP Rossi, Samira Brahmia, Raphaël Terreau, Khliff Miziallaoua. Trumpets: Thommy Lowry. Violin: Amelia Febles Díaz, Lisbet Sevilla Brizuela. Viola: Lizbet Sevilla Brizuela. Cello: Annette Antunez Guevara. Double Bass: Lino Piquero Bueno. Keys & Electronics: JP Rossi. Bass: Jon Poole. Drums: Troy Jones
Music video: https://youtu.be/ypFlcHNo5-w

8. Nemo Point 06:22
Words, Music & Arrangements: JP Rossi
Voices : Samira Brahmia, JP Rossi, Raphaël Terreau. Keys, Electronics, Soundscapes: JP Rossi. Stick, Upright Electric Bass: Tony Levin. Drums: Troy Jones
Song presentation video: https://youtu.be/wKUxQUA34fE

9. Music (Is The Way Out) 03:35
Words, Music & Arrangements: JP Rossi
Voices : JP Rossi, Raphaël Terreau, Khliff Miziallaoua, Samira Brahmia. Fretless Bass: Jon Poole. Organ Synth: JP Rossi.
Song presentation video: https://youtu.be/HPwwOYwzbyM

Recorded at La Maison Rouge and musicians’ studios 2020-2022
Strings on “Sometimes Love”, “Strings Of Love”, “I Do Remember The Feeling”, and Trumpet on “I Do Remember The Feeling” recorded at studios DBega, La Havana, Cuba

Mixed at Studio Ritmo & Blu, Italy, by Stefano Castagna *
* Except “I Succumb” mixed in Austin, Texas, by Adrian Benavides
“I Succumb” stems mixing by Stefano Castagna
Strings of “Sometimes Love” pre-mixed by Khliff Miziallaoua

Mastered by Lee Fletcher
Produced by Markus Reuter for Unquiet Music Ltd

Digital collages based on images by Tobias Reber, Denis Rodier, JP Rossi

“I Succumb” and “Sometimes Love” use samples from freetousesounds
https://www.freetousesounds.com/

“Commuting Communion” and “Sometimes Love” use samples from “Flinch” by TUNER – with kind permission
https://multitrack.bandcamp.com/album/flinch-multitrack-session

Links:

Facebook: https://www.facebook.com/UnquietMusicLtd/
Youtube: https://www.youtube.com/@unquietmusicltd8294/videos
Instagram @Unquietmusicltd
Bandcamp: https://unquietmusicltd.bandcamp.com/album/mememusic

Press inquiries: Glass Onyon PR, PH: +1 828-350-8158, glassonyonpr@gmail.com

Legendary Violinist Darryl Way To Release Unique Concept Album & Novel “The Rock Artist's Progress” on Sept. 23, 2022

Features guest vocal performance from Steve Hogarth of Marillion!

“The Rock Artist's Progress” is a unique concept and project created by legendary violinist Darryl Way that consists of an album and novel that are intrinsically linked together and sold as a bundle. The novel will also include musical illustrations created by Darryl, that can be clicked on and listened to, whilst reading. Both album and novel are due for release on September 23rd, on Spirit of Unicorn Music, Cherry Red Records, iTunes and Amazon.

The novel, written by Charles Shorwell, is set against the backdrop of the musical revolution that started with the Beatles and begins in 1968, a year after ‘The Summer of Love’ and follows the story of Daniel Luckham, a young classical pianist studying at the Royal College of Music. Seduced by the rock music scene and vibrant counter culture in London at that time, he contrives to leave college and pursue a career in ‘Rock’. But some bad decisions lead him down a dark and dangerous alley, populated by drug dealers, unscrupulous managers and femme fatales. On his journey to fulfil his dreams, Daniel finds his integrity challenged, and the innocence of youth cruelly stripped away.

The connection between the album and novel, unfortunately has to remain a secret, as to divulge that information would give away a key plot line in the novel. All that can be said is that the album represents a body of work recorded in the late 60s. Created by Darryl Way, the album features a guest vocal performance from Steve Hogarth of Marillion, on the track “Morpheus”.

Watch the promotional video: https://youtu.be/U1VAx4Sbixk

“A playful and intimate account of one young man's experiences of London's vibrant music scene, in the late 60s”.

Available for preorders at www.cherryred.co.uk from 5th August

For more information:
https://www.darrylway.com/
https://www.charlesshorwell.co.uk

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Unquiet Music LTD Releases New Concept Album “In The Name Of... (A Prayer For Our Times)” Featuring Trey Gunn of King Crimson

“Everything in this work sounds like it could have come from another planet.” – Trey Gunn

Unquiet Music LTD has released a new concept album titled “In The Name Of... (A Prayer For Our Times)” and features Trey Gunn of King Crimson, Markus Reuter of Stick Men and Frédéric L’Epée of Yang among others.

The overall spirit behind this album is rock ‘n’ roll - keeping a popular access to an uncompromised way of approaching things. However, it also has the ambition of providing something different for adventurous ears.

So the styles of music used are diverse, and influences can be traced from concrete music, minimalism, ambient, electronic, progressive rock, contemporary classical… A few names can be cited as inspirators: Olivier Messiaen, Steve Reich, Arvo Pärt, Brian Eno, Robert Fripp, Peter Gabriel, John Zorn…

Watch the video teaser:
YouTube: 

Facebook: https://www.facebook.com/1255145625/videos/10224431680360304/

Watch the video for “In The Name Of The Son (Atomisation)”: 

Download the free single (It is a FREE DOWNLOAD and it comes together with a previously unreleased track (a choir work): https://unquietmusicltd.bandcamp.com/album/in-the-name-of-the-son-single-free-download

Unquiet Music Ltd is both a concept and a company funded in 2019  by  JP Rossi. JP grew up in the late 70’s and 80’s, and founded different bands by the end of the 80’s, early 90’s, inspired by both British epic and dark rock and French ‘chanson’, bands such as Genesis, Simple Minds, Joy Division, and in France Alain Bashung, Alain Souchon etc… He had a notable act in the 90’s called “L’Air de Rien” with the drummer Karim Ziad, and guitarist Khliff Miziallaoua, from the then ‘rai’ scene (Cheb Khaled, Cheb Mami) who contributed to the album as well. In the mid 90’s the band split and it was only 20 years later that JP returned to the music, with a wealth of musical education and worldwide experiences.

Unquiet Music Ltd is meant to be self-explanatory:
… Since we are living in unquiet times…

… Since we need to pass through commercial paths to reach each other and the world…

Says JP, “The idea is to create an uncompromising sound, basically something that would not be heard anywhere else – at least as such, since we all only recycle…The form is a musical mandala in 4 pieces, based on the traditional prayer “In the name of the father etc”… The music should really be considered as a single piece, a prayer, a vessel to be embarked in a travel through our modest but also ambitious condition.”

The music was elaborated as a tentative transcription of aural dreams. The process developed over a couple of years, and was only possible through the patient collection of the dreams remnants into a digital audio workstation. Some of the themes needed live performances, and musicians gradually integrated the project. An important step was passed when Markus Reuter joined for the production by the end of 2018.

There is a full length video to support the music. It is not a ‘contemplative’ work in any way, it rather aims at creating a story in parallel with the music. It should add a different and hopefully interesting dimension to the experience. There are also close to 2 hours of demo work, some quite advanced, some quite different, that Unquiet Music Ltd intends to release gradually, including bonuses for fans.

This is an Unquiet Music Ltd release

Recorded at various locations between 2017 and 2020.
The drums were recorded at Khliff’s place, Ollainville (10 September 2018)
The strings were recorded at NoJoke Studio, Paris by Dominique Sablier (19 September 2019)

Musicians:
Khliff Miziallaoua: Percussion (The father), Acoustic Guitars (The father), Electric Guitar (The son), Bass Voice  (Amen)
Frédéric L’Epée: Gibson Les Paul Custom & Parker Fly Guitars Guitars (The father’s quartet) Cédric Theys: Touch Guitars® AU8 (The father, The son)
Samira Brahmia: Voice (The son, The holy spirit, Amen)
Trey Gunn: Warr Guitars® (The father, The son, The holy spirit)
Markus Reuter: Touch Guitars® AU8 (The holy spirit)
Karim Ziad: Acoustic Drums (The son)
Gauthier Dymon: Voice (The son, Amen)
Elea Barta: Soprano Voice (Amen)
Raphaël Terreau: Tenor Voice (Amen)
Brice Modard: Bass Voice (Amen)
Alyssa Ait Hammou: Violin (The father)
Caroline Berry: Viola (The father)
Christophe Jeannin: Cello (The father)
Lukas Carillo: Double Bass (The father)

Groove design on "The son" by Karim Ziad
Lullaby improvisation on "The holy spirit" by Markus Reuter
Solo improvisation on "The holy spirit" by Trey Gunn
“The father”, “The holy spirit, “Amen” mixed by Markus Reuter
“The son” mixed by Benjamin Schäfer
Produced by Markus Reuter for Unquiet Music Ltd
Mastered by Lee Fletcher
Cover painting by Gérard Rossi
Graphic design by Bernhard Wöstheinrich
Text review by Dann Chinn

“I’m glad that I live in a world where music and sound art like this are a reality. So much detail, a lifetime of creativity incorporated into an insane long-form opus. This is the musical place where ideas and idealism meet. You all should treat it with respect” - Markus Reuter

“A crazy and extraterrestrial music! Check it out!” - Frédéric L’Epée

“For folks who are into stretching their ears beyond where they have ever gone before, you really need to check out this recording from Unquiet Music Ltd. It is strikingly strange, imaginative and superbly executed. Electronica meets Messiaen meets...Gentle Giant? Magma? Stockhausen? Borge? Lynch? Cortazar? Everything in this work sounds like it could have come from another planet. This is an extra-terrestrial composition/work.” - Trey Gunn

To purchase:
Bandcamp: https://unquietmusicltd.bandcamp.com/album/in-the-name-of-a-prayer-for-our-times

For more information:
Facebook: https://www.facebook.com/UnquietMusicLtd
Youtube: https://www.youtube.com/channel/UC7ayySw5v5jY1zL18mGolZw

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

DarWin Releases Debut Concept Album "Origin Of Species" Internationally Featuring Drum Legend Simon Phillips

Featuring Simon Phillips, Matt Bissonette, Greg Howe, Jeff Babko, Dennis Hamm & others!

“We Have 12 years to Limit Climate Change Catastrophe” Warns the United Nations IPCC

“Earth’s Carbon Dioxide Levels are Likely the Highest They’ve been in 15 Million Years” University of Texas at Austin, Jackson School of Geosciences

“Technologies built for our survival, 

Back on Earth made us a dominant rival. 

Working as one, we conquered all nations, 

All networks now under our communications. 

Resources rationed, ideas controlled, 

An intelligent regime to save our souls. 

Children of the future, 

Return to the light, 

Saving our Planet from our self-inflicted plight.” 

— DarWin, For Humanity

“The Revolution will come in waves.”— DarWin, Artificial

Welcome to the near-future: the world of DarWin. An intricate musical fantasy concept that launched in November 2018 in the UK only with the ambitious single release of “Escape The Maze,” followed by the full length album “Origin Of Species.”

The album is now available internationally on all major digital distribution platforms, with an epic cinematic video of “Escape the Maze” available on YouTube, Facebook and iTunes. More DarWin videos can be found on YouTube and Facebook.

Who is DarWin?: An Introduction to the “Escape the Maze” video saga.

It’s roughly ten years from now into the future, 2028. An exhausted ecology, and global conflicts, have led to a huge upheaval of the world order, straining and diminishing human populations. The lives of everyday people and families have been turned upside down by the intense ecological pressures related to climate change. No longer just a theory discussed by scientists and politicians, climate change is wreaking havoc on the world. Chaos and confusion reign as fighting for basic resources continuously escalates. “Day Zero” has occurred, when nuclear attacks punctuated what had for many years been a civility between nations and people. As Earth rejects life, those of us who remain struggle to survive.



“Escape The Maze” is the first installment in an evolving saga that addresses the challenges of mankind in our coming era. It depicts the role of a changing planet, and the potential, as well as limitations, of technology to help solve mankind’s greatest challenges. The story of “Origin Of Species” is represented through music, graphic storytelling and videos.

A complex project that’s eschews the hollow immediacy of much contemporary art. A narrative that demands attention and imagination. With music sweeping in scope, at times evoking hard rock virtuoso shredding, alongside grand orchestral compositions, warm harmonies and soaring choruses.

The music seeks to capture the listener in the spirit of the greatest concept albums that have helped to define the history of rock. Heavy riffs and killer grooves lead way to delicate ensembles, only to pick up the pace again with searing guitar solos. The genre is decisively Prog Rock, but DarWin begs to be appreciated by a large global audience of music enthusiasts. Key tracks to discover the narrative include: For Humanity, Walk Away from Earth, the Last Chance and Artificial. Emotionally powerful songs for a wide audience include One Horizon, Cosmic Rays, and Forever.

It’s time to enter the saga. It’s time to join DarWin on his journey…

The “Origin Of Species” album features legendary drummer and producer Simon Phillips, who, in addition to playing drums, percussion and keyboards, also engineered, mixed and drove the production on the album. Veteran bass player and singer Matt Bissonette performed a rich array of lead and background vocals and bass. DarWin himself drove the songwriting and conceptual vision while playing various guitars.

The album features guest performances from the likes of Jeff Babko (keyboards and quartet arrangements), Greg Howe (blazing lead guitar solos), Dennis Hamm (keyboards), Ernst Tibbs (bass), Katisse Buckingham (Flute, Soprano Sax), Samuel Sim and Peter Nickalls (orchestral and quartet arrangements), The Origin of Species Quartet (Los Angeles), The Reykjavik String Quartet (Iceland), and The Chamber Orchestra Of London (Conductor Matt Dunkley)

The album was recorded at Simon Phillip’s Phantom Recordings, Sherman Oaks, CA, with additional recording at Abbey Road Studios (Studio 2, the “Beatles Room”), London, United Kingdom, Sundlaugin Studio in Reykjavik, Iceland, The Doghouse, Woodland Hills, CA, Rose Lane Studios, Carpenteria, CA, and Megatrax, Ventura, CA.

The album was produced by DarWin and Simon Phillips. They are continuing to work on new music together at an undisclosed location. The saga will continue...

Watch Simon Phillips discuss the making of  “Origin Of Species”:

Full tracklisting:

1 FOR HUMANITY
2 THE LAST CHANCE
3 TAKING CHANCES
4 ESCAPE THE MAZE
5 WALK AWAY FROM EARTH
6 GUMMY BEAR
7 FOREVER

Intermission

8 WAR AGAINST MY MIND
9 ARTIFICIAL
10 ONE HORIZON
11 MODERN INSANITY
12 COSMIC RAYS
13 LIFE IS A MYSTERY
14 SLOWLY MELTING
15 RISE
16 JUST ONE MORE DAY
17 PROLOGUE

The album will also feature a stunning graphic comic-style layout telling the story visually. A sample page is below:



The epically cinematic video for the “Escape The Maze” single is available here

The album is released by Origin Of Species LLC.

To purchase:
https://darwin.fanlink.to/oos

D2C Store (Pre-order the CD) - https://darwin.tmstor.es
25th February 2018 is the physical CD release date on D2C and Amazon.

For further Information:
Official website: http://www.darwin.is/
Spotify: https://open.spotify.com/artist/5dkLHW5y7w1CeHzazXdlmZ?nd=1
Youtube: https://www.youtube.com/channel/UCqCdVQrrcMrFznnzq6M-_qA

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Legendary Violinist Darryl Way To Release New Concept Album/Rock Opera Called "Underworld"

London - Much to the excitement of prog music fans worldwide, legendary Curved Air violinist Darryl Way is releasing a new Concept Album/Rock Opera called “Underworld” on June 21st. “Underworld” is released in 2 versions: “Underworld Rock Opera Complete” which is the whole show with dialogue and narration and “Underworld Rock Opera the Songs” which just contains the songs.

Says Darryl, “Having touched on Greek mythology in my last album, 'Myths, Legends and Tales' I became fascinated with the idea of writing a major work based on one of these myths. Originally I was going to set Shelley's epic poem 'Prometheus Unbound' to music, but on further investigation it became clear that it was a little too 'epic' and too big a mouthful to bite off. Then the thought struck me of updating or re-imagining the myth of Orpheus and Eurydice and setting it in a period and environment that I was totally familiar with - the world of rock music and the 1970s. However, I felt a little uncomfortable with the idea of writing a musical, but then it occurred to me that it could be a rock opera, because it is 'song and drama' as opposed to 'song and dance' and with the addition of a narrator, it could be both a concept album as well as a theatrical production. So in my Underworld, Orpheus is now a rock megastar and Persephone, the queen of the underworld, a nightclub owner and drug dealer. The Asp that Eurydice falls victim to on her wedding day, is replaced by an equally fatal drug addiction. Glibly it could be described as a tale of 'Sex Drugs and Rock and Roll', but in essence it is a dark and powerful tale of 'Love, Betrayal and Revenge'. Underworld starts off gently with songs of love and longing but as the plot develops, the music darkens as we descend further and further into the murky realms, of the 'Underworld'.”
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Originally formed in 1969, Curved Air was a groundbreaking progressive art-rock band renowned for their showmanship. Darryl Way was noted for his flamboyant virtuoso exploration of the electric violin. He wrote the music for the Top 10 hit (reached #4) “Back Street Luv” and was a major contributor to the 3 albums that made the Top 20. With Curved Air he toured extensively, performing in practically every major city in both America and Europe. Before becoming headliners themselves, Curved Air toured with Black Sabbath in the UK  and in the USA they toured with Deep Purple, Jethro Tull and Emerson, Lake & Palmer. They also appeared on the same bill as The Doors, Steppenwolf, B.B. King, Johnny Winter and Dr. John.

After Curved Air Darryl went on to release several critically acclaimed solo albums in both 'rock' and 'classical' genres. Among these, was his 'Concerto For Electric Violin', which was premiered on the South Bank Show with the Royal Philharmonic Orchestra and himself as soloist. He also performed  this concerto live on German television with the Bravarian Radio Symphony Orchestra and in England with the Northern Sinfonia. Darryl's collaborations include working with Sir Tim Rice, Sting and Gary Brooker (Procol Harum). In classical genres he has orchestrated Stewart Copeland's ballet “King Lear” for the San Francisco Ballet, and Stewart's opera “The Holy Blood and Crescent Moon”, premiered by the Cleveland Opera in the US. In 1996, Darryl's own opera “The Master and Margarita” was premiered at The Place Theatre in London. Alongside these projects, Darryl has also worked as a film and television composer.

As a violinist, Darryl has lead the London-based Electric Symphony Orchestra for concerts at the Royal Festival Hall, and lead and recorded with The Elektra Ensemble, performing classical and contemporary music. As a session musician, he has recorded with Jethro Tull, Sky and Marrianne Faithful. He has also played with the National Philharmonic Orchestra on film scores such as “Die Hard”, “Licensed To Kill” and “Baron Munchausen”. Recent work includes being musical director for the soprano Emma Shapplin, for a series of televised UNHCR concerts at the Parthenon in Athens.  Recent compositions include a Symphonic Choral work entitled “Siren's Rock”, premiered at the Plymouth Guildhall with the South West Sinfonietta, Opera South West, Naomi Harvey (WNO) soprano and Stephen Crook, tenor. During his illustrious career, Darryl Way has created and been a major part of over 20 commercially released albums. His most recent releases “Ultra Violins,” “Children of the Cosmos” and “Myths, Legends and Tales” have all garnered rave reviews worldwide! And now, he will be releasing his highly anticipated new album “Underworld”!

Featuring:

Singers
Orpheo: Graham Foote
Dice: Sarah Vaughan
Vincent: Bryan Walters
George: James Goodman
Cassie: Nicola Avino
Thia: Rachel de Cock
“Wanna feel alive again”: Cassie McIvor
Solo soprano in end music: Naomi Harvey
Backing vocals: Juliet Hopkins and Richard Mead

Dialogue
Narrator: Rob Wheeler
Vincent: John Guilor
George: John Guilor

Musicians
Violin and keyboards: Darryl Way
Guitars: Richard Mead
Drums: Pete Skinner

Produced by: Darryl Way

To check out the whole rock opera, complete with dialogue and narration, go to: https://geo.itunes.apple.com/us/album/underworld-rock-opera-complete/id1232440489?mt=1&app=itunes
To check out the songs only, go to: https://geo.itunes.apple.com/us/album/underworld-rock-opera-the-songs/id1236224422?mt=1&app=itunes

Both albums also available on Amazon:
https://www.amazon.co.uk/Underworld-Rock-Opera-Complete-Explicit/dp/B0713XBWPJ
https://www.amazon.co.uk/Underworld-Rock-Opera-Darryl-Way/dp/B071VNZ39V

For more information: http://www.darrylway.com/ ;

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com