Showing posts with label Electronica. Show all posts
Showing posts with label Electronica. Show all posts

Monday, August 7, 2023

TrancEnd Releases Debut Album “Lilac” Where Prog Meets Trip-hop, Electronica, Groove & Pop

What happens when Prog meets Trip-hop meets Electronica meets Groove meets Pop? A mind meld of 90s Euro-trance history savored in twenty-first century progressive techno-pop. TrancEnd defies the genre labels with their galvanizing auditory epicure of sultry vocals; ambient head-space environments; and surf-shimmer guitars - glued together with deep beats landing squarely in your chest compelling your body to sway and head to rock side-to-side.

TrancEnd’s debut album release, “Lilac,” brings the listener into the now moment with an awestruck delivery of soundscape and lyrical imagery. Their live performances are captivating - demanding your attention and immersing your senses in an unforgettable experience of color, shape, and sound.

TrancEnd brings their love for 90s Euro trip-hop while experimenting with constrained metal rudiments tempered by catchy pop-rhythms. They are a “must see” phenomenon that continues to amaze fans and impress venue managers.

“Are you experienced?” Have the “TrancEnd experience” and find out what thousands of fans are discovering about this new artist and how they capture the essence of what we all seek in sonic bliss.

Who is TrancEnd?

Brittany LeAnn - Vocals (song lyrics and melodies)
Evan Maurus - Guitar (song writer, arranger, co-producer)
Ian Maurus - Drums
Zachary Maurus - Guitar (audio engineer, co-producer, mixing and mastering, live show automation)

Backstory:

The band formed during the Covid Dark Ages in 2020 - a merciless time for performing musicians, but it did provide a focused space for song writing and collaboration. The Maurus brothers: Ian, Evan, and Zachary, originally from the Detroit area, were involved in death metal projects in Michigan, then moved to North Carolina in 2015, where they recorded a brilliant 10-track death metal album and an EP. They toured locally in North Carolina and surrounding states until 2018 when their vocalist departed. Although metal is still a passion for the Maurus brothers, they knew they may have to change musical direction to survive and appeal to a world-wide audience. Like water, creativity finds a path. They paused, and the great “inner-muse” took over.

Evan Maurus, the band’s lead guitarist and songwriter, having an eclectic taste for not only a plethora of Metal subgenres, but Prog, Trip-hop, Trance Lounge, and Electronica, decided to experiment with writing in the vein of some of his favorite and most influential artist in those genres. Artists like Portishead, Hooverphonic, Mono, Thievery Corporation, Massive Attack, Delirium, and other heavy-hitters of the 90s Trip-hop movement. Says Evan, “Hooverphonic and Portishead were the greatest influence and inspiration for the original instrumental tracks that later became the bedrock for TrancEnd’s debut release, ‘Lilac.’”

Once Evan had the pre-production of his instrumental works complete, about 20 tracks, the search began for a vocalist and co-writer. In the spring of 2020, Evan found singer Brittany LeAnn. Says Evan, “Brittany is an amazing vocalist and songwriter that seemed to be the jelly in the PB&J. She was writing lyrics and melodies about one song a week, and sometimes two.”

Everything came together almost effortlessly, and after the pre-production work was complete, the recording of the album began in the Maurus brother’s studio, “Maurus Audio.” This is where the magic happened and the TrancEnd original sound took shape. Zachary Maurus was the audio engineer and co-producer for the album. When he received the pre-production tracks from Evan, he was a little concerned about how to approach this genre of music. He explained, “As an audio engineer and producer for mostly death metal projects, I was a little apprehensive about how to mix Pop/Trip-hop/Trance music. I had to re-train my brain to stop myself from making the drums sound like guns and cannons.”

The scratchy drum loops and samples used traditionally in the Trip-hop sound were a part of the original pre-production tracks, but, during the recording of the album, Zachary wanted to experiment by putting live drums in the tracks. With the intention to tour and perform with live drums, the band replaced the scratch drums on the album. Ian Maurus then started learning the songs and cutting drum tracks. It transformed the sound of the pre-production intent giving it an edgy pop feel that the band felt set their sound apart from similar artists in the genre. What started as a Trip-hop project morphed into a Prog/Art-rock sound. When Brittany started cutting the vocal tracks, the harmonies and melodic imagery brought the “wow factor” to a new level of brilliance. When asked about how she writes her lyrics and melodies, Brittany said very candidly, “I channeled my soul - it just flows out.”

It was during the recording of “Lilac” that the band came up with the name “TrancEnd.” It was the perfect name for what seemed to be a transcendent experience for the band: Brittany had just moved across country stepping into a creative role in  the music; the Maurus brothers making the transition from death metal to Prog/Art-rock. The name TrancEnd is a play on the genre, Trip-hop/Trance Lounge. The album title, “Lilac” was chosen because it is the first word of the first song on the album, “Landing.” The lyric, “Lilac in the desert, shaded from the sun…,” inspired the album art (by Joon Lugo) - a desert scene with a lonely lilac tree in the foreground. Says Brittany, “It’s a metaphor for being in the perfect environment for growth yet constrained by living in a shadow.”

In December 2021, the band shot a self-produced music video to support the first song release, “Do Something.” Then, the moment of truth: three years after forming, TrancEnd released their 13-track debut album, “Lilac.” “Every track on the album is strong and could be considered the sleeper-album of the year,” says TrancEnd’s manager, Chris Maurus. “I had been in and out of the studio while the album was being mixed and thought, ‘OK, yeah - that sounds great,’ but when I got a copy of the master and sat down to listen to all 13 tracks, I was blown away. I knew right there they had something special - it plays like a concept album where every song flows together creating a mosaic of a larger picture - Lilac!”

TrancEnd has a vision to bring their signature sound to the world, share their joy with fans, and contribute to the collective good. Brittany explains, “We believe our music is a messenger - it creates a space where people can transcend their differences and unite within the sound…”

Seldom do I find a band that has it all; that is destined for greatness; that has that magic synergy. TrancEnd are a hypnotic mix of genre-bending Prog with strong signature traits consisting of a distinct vocal style, skilled musicianship; dynamic song structure; and a stellar production. A talented band with authentic chemistry and a sonic and visual identity that transcends the ordinary and pleases the senses." - JD, Closer to the Edge, Asheville FM

Lilac” Track List:

1. Landing
2. Meridian
3. Do Something
4. Waves of Rosetta
5. Flicker
6. Breathe
7. Another Day
8. Blurred Lines
9. Ethereal
10. One Thing
11. Twin
12. Mellow-D
13. Green-Yellow Lights

All links: https://Linktr.ee/trancendband

Streaming everywhere:
Spotify: TrancEnd | Spotify https://open.spotify.com/artist/7v5ZMCoiaAqFOHm95yIneG

Purchasing links:
Bandcamp: Lilac | TrancEnd (bandcamp.com) https://trancendband.bandcamp.com/album/lilac

For more information:
Website: https://trancend.band
Facebook: https://www.facebook.com/TrancEndBand/
Instagram: https://www.instagram.com/trancendband/

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com

Thursday, January 21, 2021

Leading Figures Of Modern Electronic & Veteran Artists Rediscover & Revitalize The Music Of British Visionary ROBERT CALVERT!

Los Angeles, CA - Robert Calvert was one of the most charismatic and cutting-edge visionaries to emerge out of London's psych rock scene of the '60s & '70s, first as the frontman for the behemoth that is Hawkwind and later as a solo artist whose avant garde albums made him a highly influential art rock raconteur. And although mainstream recognition alluded Calvert during his career, a diverse and distinguished collection of nextgen artists along with several notable veterans are attempting to change that with a new remix project, called The Last Starfighter. The project features vintage Calvert tracks taken from both his solo albums as well as raw, unfinished demos, completely revamped by the likes of indie noise icons Xiu Xiu, chillwave group Small Black, post-punkers Soft Kill plus darkwave duos Xeno & Oaklander and Sixth June as well as veterans A Flock Of Seagulls and The Damned's Rat Scabies!

Xiu Xiu leader, Jamie Stewart, whose remix of “Marathon Man” is now available as a standalone single, shares this story about discovering Calvert’s music, “Around 2010 our tour manager, a continual fountain of musical exposure, introduced me to kosmische musik. Somehow I had gone my entire life before never having come across this world. During this tutelage, he professed one of his heroes, who is now also one of mine, to be Robert Calvert. We have listened to his forays into the beyond while driving across Europe in a van for years now. It was an incredible honor to be able to explore and touch one of his many masterpieces so thoroughly. I hope it was shown the love it deserves.”

The Last Starfighter will be available on both CD and gorgeous silver or purple vinyl in a gatefold jacket starting February 19 courtesy of Cleopatra Records!

Stream the single: https://orcd.co/robert_calvert_xiu_xiu_marathon_man

Pre-order the album: https://orcd.co/robert_calvert_the_last_starfighter

Track List:

CD

1. Over The Moon (A Flock Of Seagulls Remix)
2. Marathon Man (Xiu Xiu Remix)
3. Lord Of The Hornets (Rat Scabies Remix)
4. Acid Rain (Black Plastic Remix)
5. The Luminous Green Glow of the Dials of the Dashboard (At Night) (Antoni Maiovvi Remix)
6. Hidden Persuasion (Xeno & Oaklander Remix)
7. Thanks To The Scientists (Sixth June Remix)
8. I Hear Voices (Soft Kill Remix)
9. Subterraneans (Small Black Remix)
10. Marathon Man (Ritual Howls Remix)
11. Work Song (The KVB Remix)
12. Ned Ludd (Die Krupps Remix)
13. Over The Moon (Xiu Xiu Remix)
14. Working Down A Diamond Mine (Crying Vessel Remix)
15. All Machines Are Quiet (Andre Obin Remix)
16. Ambitious (Nite Remix)
17. Teen Ballad Of Deano (Inhalt Remix)
18. Telekinesis (S Y Z Y G Y X Remix)
19. Flight 105 (European Ghost Remix)

VINYL

SIDE A

1. Over The Moon (A Flock Of Seagulls Remix)
2. Marathon Man (Xiu Xiu Remix)
3. Lord Of The Hornets (Rat Scabies Remix)
4. Acid Rain (Black Plastic Remix)
5. The Luminous Green Glow of the Dials of the Dashboard (At Night) (Antoni Maiovvi Remix)

SIDE B

1. Hidden Persuasion (Xeno & Oaklander Remix)
2. Thanks To The Scientists (Sixth June Remix)
3. I Hear Voices (Soft Kill Remix)
4. Subterraneans (Small Black Remix)
5. Marathon Man (Ritual Howls Remix)

Press inquiries:
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com


CLEOPATRA RECORDS, Inc.
11041 Santa Monica Blvd #703
Los Angeles CA 90025
www.CleopatraRecords.com
Facebook @Cleopatrarecords
https://www.facebook.com/CleopatraRecords/
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Youtube @Cleopatrarecords
https://www.youtube.com/channel/UCopQ0616Fpfrq8Gt0N-0zOQ
Soundcloud @cleopatra-recs
https://soundcloud.com/cleopatra-recs
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Spotify @cleopatra_recs
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Linkedin @cleopatra-records
https://www.linkedin.com/company/cleopatra-records

Friday, June 14, 2019

Music Legend Eddie Jobson's "The Green Album/Theme of Secrets" Remastered 3-Disc CD & High-Fidelity Blu-ray Audio - Now Available!


The Green Album/Theme of Secrets is a double release of two solo albums from keyboard/violin master, electronic music pioneer and 2019 Rock & Roll Hall of Fame inductee (with Roxy Music) Eddie Jobson. The critically acclaimed Green Album, with studio band Zinc, was originally released in 1983 on Capitol Records along with the first CGI MTV video “Turn it Over.”

Theme of Secrets is a groundbreaking electronic music album performed entirely on the Synclavier Music Computer. The 1985 release was featured in TIME magazine.

All tracks have been remastered for this special 3-disc CD and high-fidelity Blu-ray Audio re-release.

Available June 14th in the U.S. (June 21st as an import on Burning Shed and elsewhere in Europe/Japan)

To purchase Eddie Jobson's The Green Album/Theme of Secrets Remastered 3-Disc CD & High-Fidelity Blu-ray Audio:
US: https://www.amazon.com/gp/offer-listing/B07S3QLGFB/
UK: https://burningshed.com/store/eddiejobson?page=1



EDDIE JOBSON

Classical prodigy and teen star — Award-winning film composer — “A musical genius” (Editor-in-chief of Emmy magazine) — Inductee in the Rock & Roll Hall of Fame — World music and jazz record producer — Lecturer on The Art & Science of Music — Electronic music innovator — Electric-violin virtuoso — Award-winning pianist

With an international reputation as the definitive musicians' musician, British musician Eddie Jobson has been recognized as a musical genius since childhood. As a piano and violin prodigy, he was awarded a Diploma of Distinction by London's Royal Academy of Music at the age of 8, performing with his first professional orchestra at age 10. In 1971, at age 16, he was appointed as the Young Persons' Representative to the British Government's Arts Council and, the same year, performed his debut concert at the University of Newcastle—one of the first live concerts to feature the electronic music synthesizer. By age 17 he had acquired a worldwide record deal with Warner Bros. to record his first full album, playing violin, synthesizer and piano.

Transitioning away from classical music and still only 17, he became orchestrator for British singer Bryan Ferry, leading to Jobson becoming a full member of the influential art-rock group Roxy Music, contributing to their first number-one album as synthesist and groundbreaking electric-violinist. Eddie's proficiency in re-sculpting and professionalizing the Roxy sound played a major role in the band's success and their considerable influence on the likes of U2, The Talking Heads and many of the '80s new wave rock/pop groups. Jobson's early pioneering work as a teen, along with the other Roxy members, has resulted in his 2019 induction into the Rock and Roll Hall of Fame, making Jobson the first rock violinist to be so honored.

Remaining in the rock and jazz world after Roxy, Eddie—still only 21—was “discovered” by American  music icon Frank Zappa and flown to Los Angeles to replace both jazz greats George Duke on keyboards and Jean-Luc Ponty on violin, in Zappa's only four-piece lineup. Returning to England in 1978 after several albums and world concert tours with Zappa, Jobson then formed the internationally acclaimed progressive-fusion band UK with jazz-guitar legend Allan Holdsworth, King Crimson vocalist John Wetton, and original Yes drummer Bill Bruford. The UK albums, along with his other  work with King Crimson, Yes, Jethro Tull and with members of Deep Purple and The Who, established Jobson not only as, arguably, the top rock violinist in the world, but also as one of the top keyboardists.

In the 1980s, Eddie put rock music and concert touring aside and focused on electronic music and the innovative world of computer music. He created the first music video to feature CGI, as well as the world's first album performed entirely on the Synclavier Music Computer. Featured in TIME magazine, this critically acclaimed album was one of the very first all-digital CD releases. The 1990s saw Jobson move into the world of television and film scoring—an award-winning side career that culminated in him becoming choral director for Disney on two major movies and the soundtrack composer on numerous films, TV shows and 3D theme-park experiences. Fascinated with all musical forms, he left the world of Hollywood in 2000 and formed a musicians' label called Globe Music as a vehicle for producing a diverse array of jazz and world-music artists. This period also saw Eddie working with the Tuvan throat singers, and composing for and conducting both the City of Prague Philharmonic and The Bulgarian Women's Choir, while also functioning as the choir's spokesperson at Harvard University and on multiple classical radio broadcasts.

An unexpected return to the concert stage in 2008, saw Jobson perform to a festival audience of more than 150,000 people in Kazan, Russia, leading to ten more years of world tours until his permanent retirement from live concerts in 2018. In 2017, Jobson received the Lifetime Achievement Award at the Progressive Music Awards in London.

Five new double-CD releases are being planned to commemorate Jobson's almost fifty years as one of the world's most respected musicians. Eddie is also currently producing six video lectures on The Art and Science of Music.

Eddie Jobson FB page: https://www.facebook.com/EJ.UK.fanpage/

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Tuesday, November 21, 2017

Bill Nelson's "Dreamy Screens: Soundtracks From Echo Observatory" 3-Disc Boxed Set Available December 1, 2017!



Now available for pre-order

London - Esoteric Recordings' imprint Cocteau Discs, dedicated to the work of BILL NELSON, are proud to announce the release of a deluxe 3 disc clamshell boxed set limited edition collection titled “Dreamy Screens: Soundtracks from the Echo Observatory.” The set features three albums, all recorded at Bill Nelson's Yorkshire home studio, the Echo Observatory, in 1981 and 1982 - “Sounding the Ritual Echo” (originally issued as a limited edition bonus LP with Bill's 1981 album “Quit Dreaming and Get On the Beam”), “Das Kabinet” (a soundtrack to a production of “The Cabinet of Doctor Caligari” by The Yorkshire Actors Company issued as an LP on Bill's Cocteau label in 1981) and “La Belle et La Bete” (a soundtrack to a stage production of Jean Cocteau's classic 1946 film “Beauty & the Beast,” first issued as a limited edition bonus LP with Bill's 1982 album “The Love That Whirls”).

All of the recordings featured in this set demonstrate Bill's creativity utilising primitive recording equipment by today's standards. As Bill has stated, “The music was recorded on a domestic four track machine. A high degree of self-discipline was in order.”

All of the recordings forming “Dreamy Screens” have now become highly regarded in the prolific discography of Bill Nelson.

Track Listings
Disc: 1
  1. Annunciation
  2. Sounding the Ritual Echo
  3. Sleep
  4. Near East
  5. Emak Bakia
  6. My Intricate Image
  7. Endless Orchids
  8. The Heat in the Room
  9. Another Willingly Opened Window
  10. Vanishing Parades
  11. Glass Fish (For the Final Aquarium)
  12. Cubical Domes
  13. Ashes of Roses
  14. The Shadow Garden
  15. Opium

Disc: 2
  1. The Asylum
  2. Waltz
  3. The Fairground
  4. Doctor Caligari
  5. Cesare the Somnambulist
  6. Murder
  7. The Funeral
  8. The Somnambulist and the Children
  9. Caligari Disciplines Cesare
  10. Caligari Feeds Cesare
  11. Caligari Opens the Cabinet
  12. Jane Discovers Cesare
  13. The Attempted Murder of Jane
  14. The Dream Dance of Jane and the Somnambulist
  15. Escape Over the Rooftops
  16. The Unmasking
  17. The Shot
  18. The Cabinet Closes

Disc: 3
  1. Overture
  2. The Family
  3. Sisters and Sedan Chairs
  4. In the Forest of Storms
  5. The Castle
  6. The Gates
  7. The Corridor
  8. The Great Hall
  9. Dreams (The Merchant Sleeps)
  10. Fear (The Merchant Wakes)
  11. The Rose and the Beast
  12. Magnificent (The White Horse)
  13. Beauty Enters the Castle
  14. The Door
  15. The Mirror
  16. Candelabra and Gargoyles
  17. Beauty and the Beast
  18. Transition No. 1
  19. Transition No. 2
  20. The Hunt
  21. The Gift
  22. The Garden
  23. Transition No. 3
  24. Transition No. 4
  25. The Tragedy
  26. Transition No. 5
  27. The Enchanted Glove
  28. Tears As Diamonds (The Gift Reverses)
  29. The Beast in Solitude
  30. The Return of the Magnificent
  31. Transition No. 6 (The Journey)
  32. The Pavilion of Diana
  33. Transformation No.1
  34. Transformation No. 2
  35. The Final Curtain

To pre-order Bill Nelson's “Dreamy Screens: Soundtracks From Echo Observatory” 3-Disc Boxed: 
Cherry Red webstore: https://www.cherryred.co.uk/product/dreamy-screens-soundtracks-from-the-echo-observatory/
Amazon: https://www.amazon.com/Dreamy-Screens-Soundtracks-Echo-Observatory/dp/B075TQS3F4

Bill Nelson's official website: www.billnelson.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (US), glassonyonpr@gmail.com