Showing posts with label MuzikMan Productions. Show all posts
Showing posts with label MuzikMan Productions. Show all posts

Wednesday, June 20, 2018

Instrumental Jazz-Rock-Fusion Review: Manuel Muzzu-New Stories – Old Hands

Release Date: June 25, 2018
Label: Independent

Manuel Muzzu has a handicap on his right hand that prevents him from being able to move all of his fingers. Well, you would think that is a huge handicap for everyday life never mind playing the bass, right? Not only did he cast the word or thought of being handicap aside, he taught himself to play the bass regardless of the challenges. He is definitely an above average player and he proves it on the 10 tracks on New Stories – Old Hands.

Six years ago, one of my staff members covered Manuel’s first release in 2012 titled The Right Hand’s Miracle. 6 years have passed and Manuel came calling again with a request to review his latest release. So here we are with an eclectic group of tracks to check out and all of them are instrumental.
 
The fact that they are all instrumental tracks makes the listener even more critical of what they are hearing. There is more focus, and on the bass in particular. What I heard was a literal jazz stew that included smooth jazz, fusion, rock and a hint of the blues here and there. That kind of variety is just my cup of tea. It showcases a talented musician stretching out and spreading his wings across the vast expanse of musical genres that fall under jazz. For my ears jazz offers a wide variety of sub-genres and most are quite appealing, as long as true jazz is the foundation that everything is built from. That is exactly what you get on New Stories – Old Hands

One of the best examples of a bass being a lead instrument is the track “Project 11.” Manuel bends and persuades those strings to make some gorgeous sounds and at times very powerful. In the first few minutes he just cranks, it sounds like something Jaco Pastorius or Stanley Clarke might produce during some their finest moments. That may be a stretch in some worlds, but as far as I am concerned he pulled out all the stops on that track proving that he is a force to be reckoned with. It just blew me away and it was after I was already totally impressed by what I heard. 

This is as good as it gets for instrumental jazz music that touches upon many styles, moods, and tempos. Miles would have been proud of you Manuel. Handicap?

¡Fantástico trabajo, Manuel!

Keith “MuzikMan” Hannaleck
June 19, 2018

Founder of:

Review Provided By MuzikMan’s Reviews & News

Tracks:
01. Growling
02. 0, 30
03. From A to J
04. Gransalsa
05. 4U
06. Project 11
07. Stolen Notes
08. Gerdis World
09. Tre Note Per Vicente
10. At The End


Wednesday, March 28, 2018

Rock-Blues Review: Cream-Nineteen Sixty-Seven

Release Date: April 6, 2018
Label: Vogon

Cream Nineteen Sixty-Seven features a fantastic live recording made for Swedish radio in March 1967 and previously unreleased BBC radio sessions. Also included are live in-concert and live in the studio recordings made in the period leading up to their classic 1967 album Disraeli Gears.

Personally, I have always appreciated Cream and the talents of Eric Clapton (guitar, vocals), Jack Bruce (bass, vocals) and Ginger Baker (drums). I remember when the first round of the remastered catalog CD releases came out many years ago. I was in awe of their power and skill. They were the first supergroup trio that I can recollect. 

This CD is a documentation of a band maturing from a rock-blues band to a progressive wide-open rock-blues improvisation unit. You can hear them stretching out on all of the eleven tracks. “Toad” for instance, just cuts loose on every instrument. Baker’s drums are simply phenomenal and of course, Bruce playing bass, keeping up with his rhythm section mate, is a true wonder. And last but not least is Clapton, peeling off some scorching licks on his six-string. 

Cream was a band destined for music immortality and the music these three men made was incredible. If you stop and considered what they presented, it sounded more like 4 or 5 musicians. That is how amazing they were.

Nineteen Sixty-Seven is a fantastic recording considering how dated it is. The Vogon label did a nice job of curating and a mastering the tracks. They are as clear and concise as I could have hoped for from that time period.

Another example of how this band was cooking along is “Traintime,” with Bruce on harmonica. He definitely emulated a train rolling down the tracks on that blues burner.

Cream fans will be glad to know that this is not just for the completist. This is a group of recordings that have great historical value but at the same time hold up very well to this day. At some point, this release will be coming out on vinyl and I know I will want a copy.

The Vogon label has a growing library of releases of classic rock music. I have provided a link to the Discogs site so you can take a look for yourself.

4/5 Stars

Keith “MuzikMan” Hannaleck
March 26, 2018

Founder of:

Review Provided By MuzikMan Reviews and News

Tracks:
01. N.S.U.
02. Stepping Out 
03. Traintime 
04. Toad 
05. I'm So Glad 
06. Sleepy Time Time ("Saturday Club", Recorded 8 November 1966 - Broadcast 11 November 1966) 
07. I'm So Glad ("Saturday Club", Recorded 8 November 1966 - Broadcast 11 November 1966) 
08. Traintime ("Saturday Club", Recorded 10 January 1967 - Broadcast 14 January 1967)
09. Toad ("Saturday Club", Recorded 10 January 1967 - Broadcast 14 January 1967) 
10. Tales of Brave Ulysses ("Joe Loss Show", 14 July 1967) 
11. Take it Back ("Joe Loss Show", 14 July 1967)

 

Saturday, March 24, 2018

Heavy Metal Review: Judas Priest-Firepower

Release Date: March 9, 2018
Label: Sony

Judas Priest is not making music for the sake of doing so. This band puts their heart and soul into everything they do. It all started 50 years ago…I know, hard to believe right?

So here we are in 2018 and the latest from the legends of metal has arrived. Aptly titled Firepower, it is heavy and pounding metal reminiscent of Screaming for Vengeance. Interesting enough, that is my favorite Priest record. This one comes in a close second. If it were not for sentimental value, it would be in a dead tie.

I decided to order the book version of the album through Pledge Music rather than waiting for my promo copy like I usually do. I also do not mind supporting bands with something other than reviews. Getting a download of a few tracks before they were released then the complete download before the official release of the album was nice too. I have used the Pledge Music service several times and I really like the way it brings in income for the artists.

So, where to start with 14 tracks for all us heavy metal maniacs? I am straight up and true with what I heard, this is all metal, and still some of best you can find. Asking Priest to do anything less would be like asking the devil to be the Easter bunny for a day. Their music has a common thread of darkness and evil about it, but that is what we expect for the subject matter. Like a sledgehammer, it permeates your soul. It comes at you full throttle, track by track, minute by minute.

Firepower is everything the title implies. It is their finest release since Nostradamus in my opinion. I realize there a few albums over the years that are not fan favorites but I would bet my last dollar that this one catches fire and becomes one of their most successful. The amazing thing about this band is that they are all in their late 60s now with the exception of guitarist Richie Faulkner, who has been a shot of energy and inspiration ever since he joined the band to replace K.K. Downing.

Every track is killer on this album, however, if I had to pick some favorites, they would be “Firepower,” “Evil Never Dies” and the superb closer “Sea of Red.” So, you have dynamite opening and closing tracks with plenty of gutsy meat and potatoes in between. That is what heavy metal is to me.

Longtime Judas Priest fans will be overjoyed with the release of Firepower. For a band that has been around long enough to finally call it day, they are robust, vital and relevant as they ever were. I think it’s refreshing and they stand as a monument to preserving heavy metal music and a great inspiration to those wishing to carry the torch in the future. Keep the flame burning gents, you are doing a fine job!

5/5 Stars

Keith “MuzikMan” Hannaleck
March 24, 2018

Founder of:

Review Provided By MuzikMan Reviews & News

Tracks:
01. Firepower
02. Lightning Strike
03. Evil Never Dies
04. Never The Heroes
05. Necromancer
06. Children of the Sun
07. Guardians
08. Rising From Ruins
09. Flame Thrower
10. Spectre
11. Traitors Gate
12. No Surrender
13. Lone Wolf
14. Sea of Red




Saturday, February 10, 2018

Rock/Blues Review: Jimi Hendrix-Both Sides of the Sky

Release Date: March 9, 2018
Label: Sony Legacy

Although the man has been gone since 1970, the legend of Jimi Hendrix is alive and well and continues to grow exponentially. There was a period of 4 years that this amazing guitar player created some of the most remarkable music. From what I understand, if he wasn’t playing to audiences, he was in the studio with the tapes always rolling. So as one can imagine, he left behind an overabundance of material on the shelf. He made more music in a 4-year period than anyone I am aware of.

This falls right in line with the Hendrix family taking control of his legacy and contributions. When that happened, all of his music was handled properly. Since then, every year we see at least one or two unearthed and remastered albums coming out. It has been a true renaissance for arguably the greatest six-string bender ever. And because of this flow of music over the years, it feels like he never left us. For my musical tastes, that is a beautiful thing. If you like the music of Hendrix I am pretty sure you would agree. I think it goes beyond like at this point for a lot of us.

Both Sides of the Sky is part of trilogy that included Valleys of Neptune (2010) and People, Hell and Angels (2013). So, what is really cool about this release? It is the cast of legendary artists that played with Jimi on these tracks. I had always heard of the different sessions he had at Electric Ladyland Studios (the renowned music church), however I have not heard anything with so many different artists on one recording.  Ten of the tracks are previously unreleased (see all the notations provided on the track list). The sound and engineering on this set is phenomenally crisp and clear. I would expect that goes without saying after all the previous reissued music that set the bar so high.

“$20 Fine” has one of the most recognizable vocalist in rock history, Stephen Stills. “Things I Used to Do” features the master of the white boy blues Johnny Winter. Now that is quite a paring of guitar players. The classic track “Woodstock,” which was originally recorded with Stills on lead vocals (CSN), is in a totally different incarnation with Hendrix laying down the guitar lines. With all the other layers of instruments that were added, it made for a maximum overhaul of the track. I found comfort out right out of the gate knowing Stills is there on vocals, just to remind us who sang it first. With Hendrix’s blues-based rock hammering away, it was a perfect opportunity for the vocalist to step in and complete the changing shades and colors of the track. It worked for me but may not for some purists. It is more meat and potatoes (musically) if you will, and a totally different but interesting take on the song.

“Power of Soul” has always been one of my favorites ever since I heard it back in the 70’s on vinyl courtesy of the Crash Landing album. This extended version is terrific. 

There are some real blues barn burners on this set. The playing is pinpoint, biting and memorable. Hendrix had it down, he owned it. Once you hear “Things I Used to Do” and “Georgia Blues” you will find out exactly what I mean. Lonnie Youngblood does a great job belting out those ‘Georgia Blues,” answering Jimi’s sting like a bee leads. The sax that comes in towards the curtain closing on the number is a nice touch as well. That horn just cries and screeches “do you hear me now?” And trust me, there is no filler anywhere on these tracks. If you enjoy a total blues workout then you will love those two rippers.

Any time I cover anything by Hendrix I feel like I could write a book instead of an overview, but I have to reel it in and let the music fans decide if they have the same feelings and or thoughts about this release. Both Sides of the Sky is a fine addition to the archives and one release any rock or blues fan should get ASAP!

5/5 Stars

Keith “MuzikMan” Hannaleck
February 10, 2018
Founder of:

Review Provided By MuzikMan Reviews

Tracks:
 

*Previously unreleased
^ Previously unavailable extended version
+Featuring Stephen Stills
#Featuring Johnny Winter
++Featuring Lonnie Youngblood

01.Mannish Boy *
02. Lover Man *
03. Hear My Train A Comin’ *
04. Stepping Stone *
05. $20 Fine *+
06. Power Of Soul ^
07. Jungle *
08. Things I Used to Do #
09. Georgia Blues ++
10. Sweet Angel *
11. Woodstock *+
12. Send My Love To Linda *
13. Cherokee Mist *

 

Wednesday, December 6, 2017

Holiday-Folk Review: Blackmore's Night-Winter Carols

Release Date: October 6, 2017
Label: Minstrel Hall Music

Blackmore’s Night is ready to usher in the Holiday season with their latest release Winter Carols. They do it all like nobody else and that one factor makes it more intriguing. The perspective listener has an opportunity to enjoy some seasonal music in an entirely different way.

This band has had me mesmerized since day one. Richie Blackmore’s incredible guitar and his wife Candace Night who sings like an angel every step of the way, it just sweeps me away. Her voice is so warm and positive you cannot resist smiling and tapping your feet to all their music.

For me it takes awhile to get into the spirit of the Holidays every year because of the overuse of commercialism pushing over eating and over spending. I can forget about all that and focus on the music and those I love. I get there with a little help from these wonderful musicians delivering their very special music into my home. I have a lot of different emotions this time of year for many different reasons. Music helps me to smile inside and heal any hurt I may be feeling while thinking about those I have lost over the years.

This two CD set is a great way to kick off the Holiday’s and it did just that for me. Blackmore’s Night has a special blend of rock, folk and Celtic that takes the nod from some ancient tunes.  What is the best part of that? It is putting their own flavor and spin on the tracks and taking you on quite a musical journey to enjoy. They create a lot of their own music however they have reworked some from songs that were written centuries ago as well.

If all this great music was not enough, Candace sings “Christmas Eve” in German, and perfectly I might add. This is a band of musical perfectionist that know how to get it done in one take. If you listen to tracks from “Live from Minstrel Hall” you hardly can tell the difference between the polished studio work and live recordings. Of course, the live music allows for some interesting improvisation on more than one occasion. I have had the pleasure of seeing them live and it is truly an incredible experience.

Blackmore is a real craftsman and a master of the six-string. His acoustic playing is perfected and beautiful. Every once in a while, he cuts loose on the electric guitar reminding everyone that he can still rock if he chooses to. I always have enjoyed this music and prior to this band Deep Purple and Rainbow, in fact I still enjoy it all. 

Winter Carols is not only a worldwide tribute to Christmas it is a portrait of musical history intermingled with modern technologies. It is everything that I could have asked for to persuade me into the joy and love of the upcoming Holidays. I have a lot to be grateful for and that includes amazing music from one of the best bands in the world.

5/5 Stars

Keith “MuzikMan” Hannaleck
December 6, 2017
Founder of:

Review Provided By Write A Music Review

Tracks:

CD 1:
01. Deck the Halls
02. God Rest Ye Merry Gentlemen
03. Oh Christmas Tree
04. Hark the Herald Angels Sing / O Come All Ye Faithful
05. I Saw Three Ships
06. Winter (Basse Dance)
07. Ding Dong Merrily on High
08. Ma-o-Tzur
09. Good King Wenceslas
10. Lord of the Dance / Simple Gifts
11. We Three Kings
12. Wish You Were Here
13. Emmanuel
14. Christmas Eve
15. We Wish You a Merry Christmas

CD2:
16. Hark the Herald Angels Sing / O Come All Ye Faithful (Live from Minstrel Hall)
17. Emmanuel (Live from Minstrel Hall)
18. We Three Kings (Live from Minstrel Hall)
19. Ma-o-Tzur (Live from Minstrel Hall)
20. Good King Wenceslas (Live from Minstrel Hall)
21. Christmas Eve (2013 Version)
22. Christmas Eve (German Radio Edit)
23. Christmas Eve (English & German Radio Edit)
24. Christmas Eve (English Radio Edit)



Friday, July 21, 2017

Concert Review: Iron Maiden and Ghost In Concert

Iron Maiden and Ghost In Concert
Xfinity Center Mansfield, Massachusetts
July 19, 2017
I can tick one off the bucket list now. I finally got my opportunity to see the iconic metal legends Iron Maiden in concert. I have been waiting for many years for this night and it was worth the wait. On a steamy July night, an over capacity crowd at the Xfinity Center in Mansfield, Massachusetts reveled in their time witnessing the heavy metal giants perform. 

I have never seen that many people in sync like that, the admiration and respect was evident all night long. You would expect a raucous crowd, and I know we are all stereotyped like other groups of people, but this was an orderly crowd and when we all left there were no issues. So much for the stereotypes, you can throw them right out the window. We love our metal and our bands, and as Bruce Dickinson said, prior to a short dissertation of the world before a song, we are all “Blood Brothers.” One people enjoying each other’s company and the music.

The opening band Ghost is one I was anticipating as well. I had already purchased all their music and found their presentation onstage very theatrical. Of course, Maiden takes that element to entirely different level when they get on the stage. The music of Ghost is heavy and precise. The band’s lead singer “Papa Emeritus III” has put together a well-oiled machine, and he looks menacing as hell (no pun intended there). The “Nameless Ghouls,” the rest of the band, all have their devil masks on while the lead singer is a moving skeleton working the stage all night. The act is a tribute to the dark side and Satan. It is entertainment, an act yes, and I do not believe for a second they are worshipers of Lucifer. When you talk about being happy and prosperous as the lead singer did last night, well, worshipers of the dark master just don’t discuss such things, so there you go. The music is as awesome as I expected in a live setting. I would expect this band to continue to grow a large following and eventually be headliners.

Ghost was a superb warm up band for Maiden and I think everyone in attendance really enjoyed their music and presentation.

Iron Maiden’s stage sets the tone for their shows. With mascot Eddie and the backdrops for whatever album they are touring under, it always makes it a total multimedia event. This was the next to the last show for the incredible masterpiece The Book of Souls

All the members look to be in terrific shape physically and Bruce is still running around the stage all night long. He was totally soaked in sweat after only a few songs (as was I all night long). The energy he commands onstage is something to behold. The band has been together so long it is like watching a family joining together to celebrate what they love. You can feel the honesty in their performance. With three excellent guitarists and the phenomenal founder and bass player Steve Harris uniting them to make their way through fan favorites and the most recent recording, it really was something people in attendance will never forget.

The large video screens were amazing. The shots of the band on stage were HD quality, you could see the sweat on their arms and watch their fingers blazing away on the guitars. It made a difference for all of us in the upper sections. It was hard not to keep looking at the screen!

The one thing I did notice that was a blemish on an otherwise excellent show, was how Bruce’s mic kept cutting out last night. It happened frequently, so hopefully that is something that would be corrected by the venue or their own team on the mixing board. I am not sure where the problem was originating from.

The venue is in an off the beaten path area and by the time we made it through the incoming traffic, the only parking left was the very last lot with a 2 hour wait to get out. I learned my lesson when attending such a major event there. You should either get there when they open the lots or pay the price to park outside the venue! Fair warning to those who have not been there yet.

The inconveniences were not welcomed but dealt with in good spirits by all in attendance. And why not? We got to see phenomenal heavy metal in one evening so it was worth it. I had always watched the DVD sets over the years of Maiden and now understand the energy level and commitment of the band and their fans.

Keith “MuzikMan” Hannaleck
July 20, 2017

Founder of:

Ghost Set List:
Masked Ball
(Gregorio Allegri song)
Square Hammer
From the Pinnacle to the Pit
Ritual
Cirice
Year Zero
Absolution
Mummy Dust
Monstrance Clock

Iron Maiden Set List:
    Doctor Doctor
    (UFO song)
    If Eternity Should Fail
    Speed of Light
    Wrathchild
    Children of the Damned
    Death or Glory
    The Red and the Black
    The Trooper
    Powerslave
    The Great Unknown
    The Book of Souls
    Fear of the Dark
    Iron Maiden
    Encore:
    The Number of the Beast
    Blood Brothers
    Wasted Years