Showing posts with label Progressive Rock. Show all posts
Showing posts with label Progressive Rock. Show all posts

Monday, August 8, 2022

PINK FLOYD‘S ‘ANIMALS 2018 REMIX’ AVAILABLE SEPTEMBER 16, 2022

 

PINK FLOYD‘S ‘ANIMALS 2018 REMIX’

AVAILABLE SEPTEMBER 16, 2022 FIRST TIME EVER IN 5.1 SURROUND SOUND

 

THE ICONIC ALBUM AVAILABLE ON CD, LP, BLU-RAY AND SACD WITH REMIXED 5.1 SURROUND SOUND FOR THE FIRST TIME
 
TRACKS INCLUDE "PIGS (THREE DIFFERENT ONES)," "DOGS," "SHEEP"
 

Warner Music [Sony Music outside Europe] today announced the upcoming release of Pink Floyd’s ‘Animals’ on Deluxe Gatefold, CD, LP, Blu-ray and SACD. The individual versions will be available on September 16, 2022 with the Deluxe version available from October 7, 2022. This is the first time the album will have been available on 5.1 Surround Sound.
 
'Animals' is the tenth studio album by Pink Floyd, originally released in January 1977. It was recorded at the band's Britannia Row Studios in London throughout 1976 and early 1977, and was produced by the band themselves. The successful album peaked at number 2 in the UK and number 3 in the US, and is considered as one of the band's best works. The album was recorded by band members David Gilmour, Nick Mason, Roger Waters and Richard Wright.
 
'Animals 2018 Remix' will be released on CD, LP (with gatefold artwork), Blu-ray, SACD and Deluxe Gatefold formats. The Deluxe Gatefold version includes LP, CD, audio Blu-ray, audio DVD and a 32-page book. The Blu-ray and DVD audio include the 2018 remix in Stereo, 5.1 Surround (both by James Guthrie) and the original 1977 Stereo mix. The 32-page booklet features rarely seen behind the scenes photographs of the album sleeve shoot along with live images and memorabilia. The album artwork has been reimagined for this release.
 
'Animals' is a concept album, focusing on the social-political conditions of mid-1970s Britain, and was a change from the style of the band’s earlier work. The album was developed from a collection of unrelated songs into a concept which describes the apparent social and moral decay of society, likening the human condition to that of animals. Taking inspiration from George Orwell’s Animal Farm, the album depicts the different classes of people as animals with pigs being at the top of the social chain, dropping down to the sheep as the mindless herd following what they are told, with dogs as the business bosses getting fat on the money and power they hold over the other. Although it’s been a long time since 1977, the narrative of the album still resonates today as our social and economic situation mirrors that of the time.
 
The album's iconic cover shows an inflatable pig (now known as Algie) floating between two chimneys of the Battersea Power Station, conceived by Roger Waters, and designed by long-time collaborator Storm Thorgerson of Hipgnosis Studios. For this new release, the artwork has been re-designed for the modern era by Storm’s Hipgnosis partner Aubrey ‘Po’ Powell. Taking new shots of the building as it appeared during the recent conversion work, Po experimented with new angles and produce some striking new takes on the classic original. Po elaborates: With the original 1977 album cover being such an iconic piece of stand-alone art, I had the chance to update it, which was a rather daunting task, but Hipgnosis took the opportunity to re photograph the image to reflect a changing world, and by using modern digital colouring techniques I kept Pink Floyd’s rather bleak message of moral decay using the Orwellian themes of animals, the pig ‘Algie’, faithful to the message of the album.”
 
Pink Floyd’s 'Animals 2018 Remix’ is available to pre-order here.
 
For More Information:
Official Website: https://www.pinkfloyd.com/
Twitter: https://twitter.com/pinkfloyd
Facebook: https://www.facebook.com/pinkfloyd/
Instagram: https://www.instagram.com/pinkfloyd/
TikTok: https://www.tiktok.com/@pinkfloyd
YouTube: https://www.youtube.com/pinkfloyd
 

Wednesday, August 3, 2022

Bass Icon Jeff Berlin To Release New Tribute Album To Legendary Jack Bruce “Jack Songs”

Features guest performers Sammy Hagar, Alex Lifeson, Geddy Lee, Gregg Bissonette, Gary Husband, Eric Johnson, Bill Frisell, Ron "Bumblefoot" Thal, Alex Ligertwood, Scott Henderson, Marcus Miller, Ron Carter, Tony Levin, Michael League, Nathan East, Mark King, Bruce Guttridge, Billy Sheehan and Johnny Hiland!

“Jack Songs” produced by John McCracken

Bass icon Jeff Berlin will be releasing a new tribute album to legendary Jack Bruce titled “Jack Songs” on August 2, 2022! Jack Bruce, best known for his work with classic rock group Cream as well as his critically acclaimed solo work passed away in 2014. Jeff Berlin, who has been called “the greatest bass player in the world”, was a personal friend of Jack’s and wanted to record his songs in remembrance of how Jack helped Jeff to find his own musical path.

Says Jeff, “Recording the music of Jack Bruce has been the most emotional recording project of my career. Jack was the greatest bass influence I ever had. In the center of his music were these strange and wonderful bass lines weaving in and out of the key, reaching for resolutions and finding them, again, and again. Jack’s playing was a living evolving improvisation.

Jack was the Alpha and Omega for me. I never would have become the bass player I became if I didn't hear his unfettered improvisations and innovations, his creating a completely original bass tone, and his playing every gig as if it was his last. When he died, I immediately set out to honor him by reviewing his music to choose some of my favorite songs of his and recording them via my own musical vision. As was his legacy of musical brilliance, I wanted this record to be brilliant to honor his spirit. He really means this much to me.

‘Jack Songs’ isn’t a cover CD, not in the literal sense. Except for a couple of tunes from his Cream period (arranged in ways that should surprise people) most of the songs on this CD come from other periods in Jack’s musical life after Cream. Jack’s solo career represented a multitude of musical styles. This recording will be a new revamp of some of those songs, some of the best music that I heard from one of the greatest musicians of the last fifty years.

In arranging the music, I was inspired by Giles Martin’s production of The Beatles ‘Love’ CD. His production work on this CD is fantastic. I tried to follow his example of his fitting various Beatle song quotes from different tunes into each tune by doing a similar thing by combining different Jack songs. Rather than computerized manipulation of music that was already recorded, I arranged the music so that each song on ‘Jack Songs’ would end up as an individual work comprised of various parts of other songs in them. I never would have thought of this without Giles showing me this path.”

Guest performers:

Sammy Hagar, Alex Lifeson, Geddy Lee, Gregg Bissonette, Gary Husband, Eric Johnson, Bill Frisell, Ron “Bumblefoot” Thal, Alex Ligertwood, Scott Henderson, Marcus Miller, Ron Carter, Tony Levin, Michael League, Nathan East, Mark King, Bruce Guttridge, Billy Sheehan and Johnny Hiland!

JACK BRUCE, BASSIST FOR THE ICONIC BAND CREAM, ONCE DESCRIBED JEFF BERLIN AS THE “THE BEST BASS PLAYER I’VE EVER HEARD.”

Photo by Arnie Goodman

For over 40 years, Jeff Berlin has stood as one of the most innovative electric bassists of the 20th and 21st centuries. Known for his one-of-a-kind tone, jaw dropping technique and highly advanced harmonic approaches to the bass, Jeff has been one of the major figures in firmly establishing the electric bass as a solo instrument well deserving of its own distinct place in modern music.

Jeff’s recording and performance credits include a who’s who of jazz and rock. They include: Bill Bruford, Allan Holdsworth, Larry Coryell, Pat Martino, John McLaughlin, Anderson Wakeman Bruford Howe, Frank Zappa, Patrick Moraz and many more.

To purchase: www.jeffberlinmusicgroup.com

For more information:
Jeff Berlin's official website: www.jeffberlinmusicgroup.com
Facebook: www.facebook.com/JBerlinMusicGroup
Instagram: @lumpyjazz

Contact: John McCracken - Producer, john@jeffberlinmusicgroup.com

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com
Jeff Berlin is available for interviews – please contact Billy James at Glass Onyon PR

Tuesday, August 2, 2022

Potter’s Daughter to Release New EP “Weighted Keys” on August 19, 2022!

The EP will be available digitally and on CD!

Art Rock/Prog Folk artist Potter’s Daughter (Dyanne Potter Voegtlin) to release the EP “Weighted Keys” on August 19, 2022! The EP will be released by MRR and available both digitally, and as a CD.

Potter’s Daughter released their debut album, “The Blind Side,” in August 2018. In 2019 they released two singles; “Blood and Water,” featuring Annie Haslam (Renaissance) as guest artist, and the holiday single, “This Winter’s Child,” which was composed for the “MRR Holiday” album. In 2020, they released the EP, “Casually Containing Rage,” and in 2021, they released the single, “Pyrrha’s Song” (featuring drummer Jimmy Keegan), for Nick Katona’s project, Troubleshooting Pandora’s Box.

Last year, Dyanne and bassist/producer Jan Christiana formed the band, Octarine Sky, and released their debut album, “Close to Nearby,” which featured Simon Phillips, Guthrie Govan, and Amit Chatterjee.

Now, “Weighted Keys,” by Potter’s Daughter, is a compilation of renditions of three songs which were dear to Dyanne during three different phases of her life:

1. “Night of the Swallow” – a semi-acoustic version of Kate Bush’s dramatic song from her album, “The Dreaming” (from Dyanne’s time in NYC, when she first discovered Kate Bush)

2. “Catherine” – a solo piano rendition of Tom Kelly’s elegant song from his album, “Spinning Through Eternity” (from the present time, in honor of Nickie Harte Kelly and the entire prog community who so warmly welcomed Potter’s Daughter and Octarine Sky)

3. “That Song About the Midway” – a semi-acoustic version of Joni Mitchell’s beautiful song from her 1969 album, “Clouds.” (Dyanne first heard the song at age 16, right after joining her first professional band, and has loved the song since)

1. Night of the Swallow (Kate Bush)
Dyanne Potter Voegtlin - piano, keyboards, vocals
Jan Christiana - bass, percussion

2. Catherine (Tom Kelly)
Dyanne Potter Voegtlin - piano

3. That Song About the Midway (Joni Mitchell)
Dyanne Potter Voegtlin - piano, keyboards, vocals
Jan Christiana - bass, guitar, percussion

Tracks 1 and 3: Recorded at Euphoria Labs, Recording Engineer: Jan Christiana
Track 2: Recorded at SI Studios, Recording Engineer: Joseph “Wiggy” Wegleski

Mixing Engineer: Jan Christiana
Mastering Engineer: Tom Borthwick

Album Cover Art: Pink Glasses Girl by Joe Ganech used with permission

Produced by Jan Christiana

Potter’s Daughter Online
Listen // Buy // & Share
Amazon: amzn.to/2qsUdKn
Bandcamp: bit.ly/2Mqk1PM
CD Baby: bit.ly/33JPG4E
iTunes: apple.co/2P1hTQm
Spotify: spoti.fi/35O57uo

Further Information Can Be Found At:
Website: https://pottersdaughterband.com/
Facebook: https://www.facebook.com/PottersDaughterBand/
MRR Artist Profile: https://mrrmusic.com/potters-daughter/

Media & Booking: pottersdaughterband@gmail.com

Label Contact: Nick Katona, nick@melodicrevolution.com

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Monday, August 1, 2022

Original Crack The Sky Bassist Joe Macre To Release Second Solo Album “The Dream Is Free”

Hot on the heels of his critically acclaimed first solo album. Bassist Joe Macre will be releasing his second album “The Dream Is Free” on August 1st on Cuppa Joe Records. Joe is known as the original bassist for the progressive rock band Crack The Sky best known for achieving “debut album of the year” in Rolling Stone Magazine and still included in the top 50 albums of all time. Joe was a member of Crack The Sky from 1975–1980 and 2004-2009. Joe has also worked with The B. E. Taylor Group, Wild Cherry, King Friday, Jim Croce, David Sanborn, The Brecker Brothers, Marie Osmond, Keith Green, Clint Brown, and others.

In 2018 Joe began work on Joe Mac’s American Garage with the debut album, “Bullet Train” released in 2021 with a cast of musicians and superstars including Grammy Award Artists Oliver Wakeman (Yes), and Andy Timmons (Danger Danger), Robert Schindler (Johnny Nash), Madukwu Chinwah (Erikah Badu), Chris Elliot and Jerry Oxendyne (86 Bullets), Pete Hewllett (Billy Joel), John Palumbo, Rick Witkowski, Bobby Hird and Joey D'Amico (Crack The Sky).

Joe’s latest effort, “The Dream Is Free” was written immediately after the “Bullet Train” release and features him on all instruments and voices, with guest appearances by Crack The Sky’s Rick Witkowski and Al Macre (keys) and solos by Chris Elliott. It’s a collection of 10 songs with Bonus tracks. The first single is a light commercial song entitled “I Need You.”

Says Joe, “‘The Dream Is Free’ album is a reflection on my life experiences as a musician. The Dream Is Free BUT the pain’s sold separately. It takes some talent to get in but there are consequences if you have no idea of the BUSINESS of music. So, I guess it’s a loosely concept album but also a collection that was written during the covid times. I write all the songs and play all the instruments and vocals with the exception of some solos by Chris Elliott, Rick Witkowski and Al Macre. Two incredible soloists and a classical keyboardist who played on a few songs. My former bandmate Rick Witkowski co-wrote two songs with me on this album. My musical inspirations are The Beatles, Yes, Genesis, King Crimson, Strawbs. I grew up playing Funk as a bassist. These early years were filled with Motown, James Brown and anything with a cool rhythm. The context for my songs is positive, giving the listener the chance to explore what I'm saying. Most are based on my musical experiences and years on the road.”

Joe Macre’s Award-winning Post Production mixing credits in films include Monster in Law, House of D and Fire Down Below. His “Cuppa Joe Music” Library and Sound Design are chosen for many national spots, including the award-winning Super Bowl Tabasco’s “Mosquito”, Corona’s “Ship in a Bottle”, Nickelodeon, Showtime, Ford, McDonald’s, Corona, Hyundai, and Oprah Winfrey.

Joe was inducted into the board of directors for SPARS (Society of Professional Audio Recording Services) with Leslie Ann Jones, Audio Director at Skywalker Sound, Kevin Mills at Larrabee West Studios, Tim Butler at Chicago Recording (CRC), Jeff Greenberg at The Village Recorder and Steve Davis at Crawford Communications Atlanta. Joe is an active member of AES and the American Federation of Musicians.

Track List:
The Dream Is Free
Tell Me
Ride Or Die
Drop Me Off At The Rainbow
Life In The Theater
These Cool Years
Not Looking Back Tonight
Tomorrow Is Today
Get Up, Crack Down
The Dark Sky Sea

Special thanks to Chris Elliott, Rick Witkowski and Al Macre for their input and contributions.

To purchase:
https://music.apple.com/us/artist/joe-macre/1554759535
https://joemacsamericangarage.bandcamp.com

For more information:
www.joemacre.com
https://www.youtube.com/channel/UCUnj3mE99udGF8QHZsDEPCQ
https://open.spotify.com/artist/671oRPBGK1PKkhvfwudawb
https://soundcloud.com/cuppajoemusic

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Thursday, July 28, 2022

Modern Keyboard Wizard JORDAN RUDESS Recreates GIORGIO MORODER’s Epic “Chase” Theme From MIDNIGHT EXPRESS On Collection Of New Recordings By Leading Synth Masters!

Features performances by Rick Wakeman, Derek Sherinian, Geoff Downes, Patrick Moraz, Thijs Van Leer, Larry Fast & Nite Jewel!

Los Angeles, CA – Some of the most heralded and widely-respected keyboardists on the planet have gathered together on a unique collection to offer their fresh new takes on some of the tracks that laid the foundation of electronic music and influenced thousands of synth-sational artists and players! Ever wonder what Mike Oldfield’s groundbreaking “Tubular Bells” might sound like in the hands of Dream Theater keyboardist Derek Sherinian? Or think that Moody Blues/Yes keyboardist Patrick Moraz would do a fantastic version of Jean-Michel Jarre’s superb “Oxygene?” Well, wonder no more as Synthesizer Classics has come to answer all of your synth-related prayers!

The new collection features all exclusive and brand new recordings by such world-renowned pros as Rick Wakeman, Asia's Geoff Downes, Focus’s Thijs Van Leer, and Larry Fast, who along with several others, have reached back into the past and recreated classics by Kraftwerk, John Carpenter, and lots more! Check out the first single to be released from the collection, Jordan Rudess’s tantalizing take on Giorgio Moroder’s award-winning score for the 1978 prison drama Midnight Express!

Stream the single: https://orcd.co/jordan_rudess_chase

Synthesizer Classics will be available everywhere starting August 12. Pick up your copy on CD or vinyl or stream the album on all the major digital music platforms!

Order the CD/vinyl: https://cleorecs.com/store/?s=Synthesizer+Classics&post_type=product

Pre-order/pre-save the digital: https://orcd.co/synthesizer_classics

TRACK LIST:
1. Tubular Bells - Derek Sherinian
2. Magic Fly - Rick Wakeman
3. Pulstar - Geoff Downes
4. Chase - Jordan Rudess
5. Oxygene (Part 4) - Patrick Moraz
6. Escape From New York - Thijs Van Leer
7. Tour De France - Nyte Jewel
8. Visitors - Larry Fast

Press inquiries:
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com


CLEOPATRA RECORDS, Inc.
11041 Santa Monica Blvd #703
Los Angeles CA 90025
www.CleopatraRecords.com

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https://cleorecs.com/store/product-category/record-label/purple-pyramid/

Legendary Violinist Darryl Way To Release Unique Concept Album & Novel “The Rock Artist's Progress” on Sept. 23, 2022

Features guest vocal performance from Steve Hogarth of Marillion!

“The Rock Artist's Progress” is a unique concept and project created by legendary violinist Darryl Way that consists of an album and novel that are intrinsically linked together and sold as a bundle. The novel will also include musical illustrations created by Darryl, that can be clicked on and listened to, whilst reading. Both album and novel are due for release on September 23rd, on Spirit of Unicorn Music, Cherry Red Records, iTunes and Amazon.

The novel, written by Charles Shorwell, is set against the backdrop of the musical revolution that started with the Beatles and begins in 1968, a year after ‘The Summer of Love’ and follows the story of Daniel Luckham, a young classical pianist studying at the Royal College of Music. Seduced by the rock music scene and vibrant counter culture in London at that time, he contrives to leave college and pursue a career in ‘Rock’. But some bad decisions lead him down a dark and dangerous alley, populated by drug dealers, unscrupulous managers and femme fatales. On his journey to fulfil his dreams, Daniel finds his integrity challenged, and the innocence of youth cruelly stripped away.

The connection between the album and novel, unfortunately has to remain a secret, as to divulge that information would give away a key plot line in the novel. All that can be said is that the album represents a body of work recorded in the late 60s. Created by Darryl Way, the album features a guest vocal performance from Steve Hogarth of Marillion, on the track “Morpheus”.

Watch the promotional video: https://youtu.be/U1VAx4Sbixk

A playful and intimate account of one young man's experiences of London's vibrant music scene, in the late 60s”.

Available for preorders at www.cherryred.co.uk from 5th August

For more information:
https://www.darrylway.com/
https://www.charlesshorwell.co.uk

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Thursday, July 14, 2022

Prog Ensemble Dario and the Clear Release New Album “Reflective Touch” Featuring Crack The Sky Founding Member!

Guitarist Dario Saraceno and his band Dario and the Clear has released his eagerly awaited new album “Reflective Touch.” Dario was born in Ripacandida, Italy and moved to London, England during the height of Beatlemania. After his mom took him to see the Beatles at an outdoor concert, he was profoundly influenced and became infatuated with becoming a musician.  

Fast forward to his teenage years and music became reality when he purchased his first guitar.  Dario took an unusual approach. When most musicians were aspiring to play covers, Dario was immediately drawn to writing original music and spent time learning multi-track recording.  

After graduating Berklee College of Music, Dario toured with his band, Decoy and worked as a session guitarist, touring and teaching. His instructional book, “The Shapes Remain the Same” was published in 2010. After his Decoy project came to a close, Dario went solo, starting a new band he named Dario and the Clear. Dario and the Clear has released seven albums since 2011. After the release of his previous album, “Optic Nerve,” the creative muse continued to provide inspiration for a new body of work that he named “Reflective Touch.”

Since the album is guitar-driven, he invited a number of his favorite guitarists as special guests: Rick Witkowski, founding member of Crack the Sky, Gabriel Marin, multi-ethnic instrumentalist and experimental guitar player, and Hudson Valley based session guitarist, Tony De Paolo. Dario continued experimenting with his sound palette using his classical fretless guitar on the title track “Reflective Touch” and Chapman stick on the track “Heavy Merge.” Adding to the unique flavor on “Heavy Merge,” is Gabriel Marin's use of the dutar (a Pakistani instrument) and guitar arpeggiator, a fretless electric guitar.


This album is great for progressive junkies who relish UK and Yes and other bands that are able to blend heavy guitar riffs with expertise, whimsy and creative intensity.” - Laurent Rejto, Executive Director, Hudson Valley Film Commission.  

Guitars are ripping my face hairs off one at a time. Then the vocals come in for the soothing aftershave and nice hooks all the way around.” - Steve Ball, Instructor at Guitar Craft.

To purchase:
https://darioandtheclear.hearnow.com/reflective-touch  

For more information:
https://darioandtheclear4.bandcamp.com/album/reflective-touch    
https://music.apple.com/us/artist/dario-and-the-clear/430371436  
https://www.youtube.com/watch?v=ts7uemMlxXA

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Thursday, July 7, 2022

Prog Legends FLASH Featuring Peter Banks “In The USA Live 1972-73” 3-CD Set Available Sept, 9, 2022

Available on Sept. 9th, restored live recordings from 1970ʼs classic prog rock group FLASH featuring ex-YES guitarist Peter Banks. Twenty-two tracks from seven shows across 3 discs; a majority of them previously unavailable. Best known thanks to their YES connections, the band nevertheless held their own across three Billboard charting albums, and the top 30 single hit “Small Beginnings.” Includes 32-page booklet with exclusive band interviews, unpublished photos and tour itinerary. A true time capsule back to the golden age of US rock concerts.

• Carefully restored and previously unreleased recordings
• For fans of progressive rock, guitar heroes & YES
• Previously unpublished photos & essay including detailed US tour history with exclusive band interviews and memorabilia

Capturing the collective during seven of their American shows of 1972-1973, one of those preserved for posterity in its entirety, the digipack will allow the listener to savor most of the three LPs in rather different performances than those laid down in the studio and the uninitiated will have the opportunity to see how brilliant these musicians were. Colin and Ray worked for a while under the old name relatively recently, but it’s the old recordings their followers are after, so there’s something to look forward to.” – Dmitry Epstein https://dmme.net

Says Ray Bennett: “What ‘Think Like A Key Music’ set out to do here, on this multi-disc set, is to gather together whatever was left out there of live FLASH stuff regardless of quality and present it in the best possible way. Whatever improvements could be made to the audio were done. Quite a bit of it is rough sounding, but I found that even with the poor sound issues there was something coming across from the live experience. Some surprisingly good moments. A fair bit of this material was fan-recorded, probably on cassettes, some possibly from rough mixing board recordings; some is much better studio type quality, and some has been online for years on obscure websites, but in the worst possible form – awful sound, complete with extraneous noise and talking in the recordings. So all that has been cleaned up and the sound mastered as well as possible. Overall, I think this is a worthy project for the historical record at the very least. Other than the ‘In Public’ CD which is already available, this new set is it as far as we know. Pretty much all that there is of live FLASH performance.”

Watch the promotional video:  https://www.youtube.com/watch?v=aqi8AVksm7c

FLASH “In The USA” Tracklist:

CD 1:
Roslyn, NY, August 1st, 1972:
1. Black And White
2. There No More
3. Monday Morning Eyes
4. Small Beginnings
5. Children Of The Universe
6. Lifetime

CD 2:
Hempstead, NY, July 18th, 1972:
7. Small Beginnings
8. There No More
9. Children Of The Universe
10. Dreams Of Heaven
Passaic, NJ, December 16th, 1972:
11. Small Beginnings
12. Black And White
13. Children Of The Universe

CD 3:
Indianapolis, IN, December 27th, 1972:
14. Small Beginnings
15. Black And White
16. Children Of The Universe
Burbank, CA, October 9, 1973:
17. Dead Ahead
18. Psychosync
Miami, FL, October 26th, 1973:
19. Children Of The Universe
20. Black And White
Cape Cod, MA, August 24th, 1973:
21. The Bishop
22. Manhattan Morning (Christmas ’72)

To purchase: https://flash.biglink.to/intheusa

For more information: https://www.thinklikeakey.com

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Tuesday, June 28, 2022

Vanderwolf Releases “12 Little Killers” LP As Follow Up To His “Extinction” EP

Following the recent release of his EP “Extinction” which featured musical legends Robert Wyatt and Daevid Allen, Vanderwolf has put forth an album of 12 original tracks available on vinyl and digital download - his first LP under his own name.

Vanderwolf re-emerges with “12 Little Killers” an eclectic collection that includes the deliciously oozing slice of psychedelia of the single “Glisten,” which is heavily-slanted toward melting analogue synthesizers (Sam Sallon) and rich layers of acoustic guitars (Chris Cordoba) and an exquisite vocal by Max Vanderwolf.

Recorded by producer Chris Wyles at his south London studio, the 12 songs were selected, mixed and compiled by keyboardist and co-producer Sam Sallon. It’s available in a limited pressing of 500.

Says Max, “These 12-tracks, present human fallibility in its many forms - greed, anxiety, lust, self-debasement, our seemingly limitless capacity to hurt others – it’s all there. It was important to have a visual identity that carries these themes.”

Vanderwolf’s music spans a wide-range of genres from global beats to hard blues to fragile balladry to prog-rock monstrosities and beyond. With a vast back catalogue of songs to release, Vanderwolf is set to get his wild and restless music out to the world.

Born in NYC, working in London and as of 2020 residing in Los Angeles, Max Vanderwolf has recorded several albums and countless songs. Most of them remain unreleased. Notably, he was vocalist and creative-force behind the semi-legendary London band, Last Man Standing, whose sole album in 2008 received plaudits from many including Mojo and Uncut.

Concurrent to his life in music, Vanderwolf has worked under an assumed name as a music programmer and concert producer in some of the worlds’ most celebrated clubs and venues. He went from overseeing the legendary underground downtown NYC’s Knitting Factory to overseeing London’s Royal Festival Hall, where for 9 years he produced the Meltdown Festival where he worked closely with David Bowie, Patti Smith, Jarvis Cocker, Massive Attack and others. He has produced concerts in Brooklyn, Rome and Paris working closely with John Cale, Sparks and the Residents.

With more music from these London sessions being mixed and an album’s worth of new material being recorded in Los Angeles, Max Vanderwolf is diving headlong into the future.

Vanderwolf “12 Little Killers” will be released on July 20, 2022.

Vanderwolf:
Max Vanderwolf - Vocals
Sam Sallon - Keyboards
Chris Wyles  - Drums
Kevin Petillo - Drums
Chris Cordoba - Guitar
Oli Hannifan - Guitar
Will Muldrew - Bass
Malin-My Nilsson and Amy Langely: strings
Victy Silva - backing vocals

To purchase the new single “Glisten”: https://lnk.to/VanderwolfGlisten

To purchase “12 Little Killers”: https://vanderwolf.lnk.to/12LittleKillers

For more information:
Official website: www.vanderwolfmusic.com
Youtube: https://www.youtube.com/channel/UC5VCMMZZYJ0QKriJy07ZJCg
Facebook: https://www.facebook.com/vanderwolfmusic
Instagram: https://www.instagram.com/vanderwolfmusic/
Twitter: https://twitter.com/Vanderwolfband
Promotional materials: https://www.vanderwolfpromo.com/
Soundcloud link to album, “12 Little Killers”: https://soundcloud.com/vanderwolf-official/sets/12-little-killers

Videos:
“Glisten” from “12 Little Killers”: https://www.youtube.com/watch?v=LE1x25aXIkA
“The Existential Terrier” from “12 Little Killers”:
https://youtu.be/1BhnWCSKoJs (available to watch on the release date)

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Friday, June 24, 2022

An Evening Of Conversation with Robert Fripp and David Singleton North American Fall Tour 2022

Robert Fripp is a founding member of King Crimson, contributor and collaborator with Brian Eno, David Bowie, Daryl Hall, David Sylvian, Peter Gabriel, Posh Poppers Toyah Willcox and Simon Darlow, and a lot of other totally excellent people. Originating director of the Guitar Craft and Guitar Circle program. Since Covid and lockdown he has been kicking received opinion via social media with Toyah & Robert’s Sunday Lunch.

David Singleton established DGM with Robert Fripp in 1993 and has reluctantly managed King Crimson since 2018. David is King Crimson’s producer and author of The Vicar Chronicles.

An endless stream of people ask Fripp burning questions, many of which are actually not even quite smoldering. In most cases they would be better answered by David Singleton. This is an opportunity to ask both Fripp and Singleton the questions that get them out of bed in the morning.

Where does Music come from? What does it take to survive the music business? When does the impossible become possible? Can Music change the world? Why did Fripp put on a tutu and dance to Swan Lake at the end of his garden?  Who is The Vicar?

Tour Dates:
September 16 - Toronto, ON - Royal (tickets)
September 17 - Montreal, QC - Club Soda (tickets)
September 18 - Quebec City, QC - Imperial Bell (tickets)
September 19 - Syracuse, NY - Carrier Theater (tickets)
September 21 - Ridgefield, CT - Ridgefield Playhouse (tickets)
September 22 - Boston, MA - City Winery (tickets)
September 23 - New York, NY - City Winery (tickets)
September 24 - Albany, NY - Swyer Room (tickets)
September 27 - Red Bank, NJ - The Vogel (tickets)
September 28 - Philadelphia, PA - City Winery (tickets)
September 30 - Washington, DC - City Winery (tickets)
October 1 - Annapolis, MD - Ram’s Head Live (tickets)
October 2 - Oakmont, PA - Oaks Theater (tickets)
October 5 - Cleveland, OH - Music Box Supper Club (tickets)
October 8 - Milwaukee - Wilson Theater-Marcus Center (tickets)
October 9 - Chicago, IL - City Winery (tickets)

For more information: www.dgmlive.com

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Monday, June 20, 2022

New Book “Pink Floyd – The Animals Tour – A Visual History” By Glenn Povey Now Available For Pre-order!

Pink Floyd’s 10th studio album “Animals” was released almost 10 years on from their psychedelic debut that launched the band on to the world stage. But this release couldn’t be farther from “The Piper At The Gates Of Dawn” if you tried: It was a hard-hitting politically charged heavy rock album. Its three central pieces, “Pigs (Three Different Ones)”, “Dogs” and “Sheep” each extending to over 10 minutes each drew parallels with George Orwell’s dystopian nightmare “Animal Farm”. Its lyrics continued to project Roger Waters’ eternal themes of life’s struggles where the subservient masses are sheep controlled by tyrannical pigs and authoritarian dogs.

Recorded over the summer of 1976, in the space of time it took punk to both explode and promptly fizzle out, at their own Britannia Row studios in north London, it also marked a shift from their traditional base of EMI at Abbey Road. Arguably one of Pink Floyd’s least well recorded works it does however hold a fond place in many fans hearts and Animals has enjoyed a legacy – Roger Waters in particular reviving those tracks to shoehorn into his own politically charged live solo shows in recent years.

The corresponding tour through the first half of 1977 was also not without compromise and built on the stadium spectacular that had been successfully developed over the previous two years of touring. Creatively, there was no limit to their ambition as large-scale inflatable structures, screen films, special effects and state of the art sound reinforcement were utilized that enveloped the audience in an ever-increasing immersive experience. But, despite all this, as their fan base increased exponentially so too did the rowdy nature of the stadium environment which, coupled with band members personal issues, ultimately led to inter-band rifts and Roger Waters’ increasing intolerance of and disdain towards the adulation of the fans.

This all finally came to a spectacular head during their final show of the “Animals” tour in Montreal in July and the events that unfolded became the lynchpin of Waters’ vision of isolation and madness that eventually led to the creation of “The Wall” two years later.

“Pink Floyd – The Animals Tour – A Visual History” By Glenn Povey documents both the history of the recording of the album and the supporting tours which remains one of the most fascinating periods in Pink Floyd’s history.

To pre-order: https://www.musicglue.com/pink-floyd-glenn-povey-a-visual-tour/

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com

Wednesday, June 15, 2022

THE MOODY BLUES’ JOHN LODGE ONE NIGHT ONLY! JULY 25 at OCEAN CITY MUSIC PIER, NJ

Keeping All The Moody Blues Music Alive’

John Lodge - legendary bass player, songwriter and vocalist for the iconic rock band, The Moody Blues is to bring his electrifying ‘Performs Classic Moody Blues’ show to the Ocean City Music Pier on July 25 as part of their Summer Concert Series.

Tickets on sale now at: https://www.ticketmaster.com/an-evening-with-the-moody-blues-ocean-city-new-jersey-07-25-2022/event/02005CB49C2E6AA2. Limited Edition VIP ‘add on’ merchandise packages also available https://tickets.onelivemedia.com/events/27501

Check out the tour promo video here! (https://youtu.be/X6Lr2SvoTkk)

Writer and vocalist of such mega Moody Blues hits “Ride My See-Saw”, “I’m Just a Singer (In a Rock and Roll Band)”, “Isn’t Life Strange”, “Gemini Dream”, “Steppin in a Slide Zone” and many many more. Lodge has been performing and recording with The Moody Blues for more than five decades, selling in excess of 70 million albums, and also enjoys a successful solo career.  

With the Moody Blues no longer touring, it’s John’s deeply held desire to continue to bring this music, the music he calls ‘the soundtrack of his life’ - as it is to so many - to the fans who have been on this journey with him for so many years. John and his band perform these classic songs with a new energy, whilst always remaining true to the Moody’s roots and the original iconic sound. They are unique in managing to bring a feeling of nostalgia to the room and the audience to their feet, with songs that are as relevant today as they were when first written and experienced.

As one critic wrote, ‘a brilliant night of classics from start to finish from this living Rock Legend!’, and as John says to the fans at the end of every show, ‘Thank you for Keeping the Faith’… and you can see he means it.  John’s show weaves his own Moodies hits together with special tributes to his bandmates from The Moody Blues, including a very special recording by the late Graeme Edge of his poem ‘Late Lament’.  Jon Davison of YES will be joining him on stage for ‘Nights in White Satin’.  

The show is in support of his latest live album ‘The Royal Affair and After’ released in January this year to critical acclaim. The album was recorded live in Las Vegas on ‘The Royal Affair Tour’, in the Summer of 2019.

John’s mission statement is, after all, “I want to keep all the Moody Blues music alive!”

Joining John are his ‘10,000 Light Years Band’; Alan Hewitt (Music Director and Keyboards), Billy Ashbaugh (Drums), Duffy King (Guitars) and Jason Charboneau (Cello).

I’m delighted to be bringing my Moody Blues show to the Ocean City Music Pier as part of their Summer Concert Series!  I had a fabulous time on our March tour and on the Flower Power Cruise, and although we are working on dates for later in the year and next year, I was really happy to be asked to be part of this series.  I’ll be bringing my band, and we’ll be doing our full ‘Classic Moody Blues’ show with all my hits and tributes to all my bandmates. These songs really are the soundtrack of my life and I look forward to sharing them with fans, and perhaps even some not so familiar with the Moody Blues.” - John Lodge June 2022.


photo by Dana Grubb

John and his band will also be appearing on ‘The 70s Rock and Romance Cruise’ March 16 – 23, 2023, https://rockandromancecruise.com/lodgefan, and other dates are in the works for Fall 2022 and Spring 2023. His live album, ‘The Royal Affair and After’ is available now everywhere.

The Royal Affair and After”
Track Listing (CD and Digital)
1. Steppin’ in a Slide Zone
2. Saved by the Music
3. Legend of a Mind
4. Sunset
5. Late Lament (with Graeme Edge)
6. Nights in White Satin (with Jon Davison)
7. Gemini Dream
8. Isn’t Life Strange
9. I’m Just a Singer (In a Rock and Roll Band)
10. Ride My See-Saw (with Jon Davison)

For further information:
https://www.johnlodge.com/
https://www.facebook.com/johnlodgemusic/
https://twitter.com/johnlodgemusic
https://www.instagram.com/johnlodgemusic/
https://www.youtube.com/c/johnlodgemusic

Top photo by Frank Piercy

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Monday, June 13, 2022

The Guitar Circle With Robert Fripp August 22-26, 2022 at The Mansion at Glen Cove, NY

Four Immersive Days of Work in the Guitar Circle. Guitar & Audience Craft Techniques and Exercises for Audients and Guitarists.

An Introduction to the Guitar Circle with Robert Fripp will begin at 3pm on August 22nd, 2022, and ends at 12pm on August 26th, 2022.

Each day’s schedule is intense, beginning in the early morning and running through to the night with activities in small and large groups. The exact detailed schedule will be decided at the course itself, responding to the needs of the group.

House of Guitars: everyone welcome to join, with or without guitars (led by RF)

During Robert Fripp’s Introduction to the Guitar Circle, nothing is compulsory but some things are necessary. Robert feels strongly that alcohol and drug use are incompatible with this work and are strongly discouraged. Hey, the anticipated polyrhythms* alone are enough to deter anyone from even thinking about drinking! So, any participant who partakes in drugs or alcohol during the event may be asked to forego participating in our activities. Thank you for your cooperation.

*Polyrhythms: The simultaneous combination of contrasting rhythms in a musical composition. Rhythmic conflicts, or cross-rhythms, may occur within a single metre (e.g., two eighth notes against triplet eighths or worse!) and may even be reinforced by simultaneous combinations of conflicting metres. You will happily experience some of these during Robert’s event!

The Guitar Circle welcomes players and audients of all ages and levels of experience, from absolute beginners to professionals.

The art of craft is universal. The artful craft of Guitar Craft is also specific.

Guitar Craft is a way of developing a relationship with guitar, music, and with ourselves. Guitar and Audience Craft techniques and exercises provide a foundation for taking the performance event to a higher level.

The Guitar Circle is a way of working which strengthens community. We also rock out!

If performing music is to enter our world, the role of the audience is as necessary as the role of the musician.

So, for the first time in the life of Guitar Craft and the Guitar Circle, we are inviting audients to this Intro, to learn the performance techniques and approaches available to Crafty Guitarists.

Performing music has its own intelligence, but can music change the world? If so, how? How does a musician become present in the place within them where music lives, or visits for a while? How is an audient present within themself when music visits? How does music come into our lives? What is involved in the process of musical performance?

For those interested in guitar playing, work will be on acoustic guitars in the New Standard Tuning – CGDAEG. Guitar meetings / workshops will be in groups of all sizes, including individual meetings with the Guitar Buddies.

This Introduction to the work of the Guitar Circle will also include classes in Alexander Technique, Orchestral Maneuvers, T’ai Chi, Zen meditation, The Process Of Performance, and Doing Nothing – As Much As You Can!

There is nothing solemn about any of this, and I’m intending to have a good time. This is an approach to perform, performing, serious performing and performing seriously.

I recommend that everyone come with an aim.

You are invited.

Robert Fripp

STAFF

ROBERT FRIPP - Guitarists and More
DEV RAY - Guitarists and More
JACQUELINE BINDER - Guitarists and More
CURT GOLDEN - Guitar Buddies
TOM REDMOND - Guitarists and More
TONY GEBALLE - Guitar Buddies
SANDRA BAIN CUSHMAN - Orchestral Maneuvers
KIM CARY - Orchestral Maneuvers
ERIN WIGGER - Alexander Technique
CHRIS DOERING - The Process of Performance
CHRISTINA FLEMING - Orchestral Maneuvers

PRICING AND REGISTRATION
Robert Fripp, Guitar Circle, and Dreamcatcher Events all respectfully ask that everyone attending be fully vaccinated and/or tested for Covid.

Musicians and music fans of all styles and levels are welcome to attend Introduction To The Guitar Circle – but we do recommend that everyone who plans on playing bring a steel-stringed acoustic guitar!

For more information: https://robertfrippsguitarcircle.com/

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Wednesday, June 8, 2022

World’s Largest Prog Rock Supergroup THE PROG COLLECTIVE Revisit Folk & Rock Masterpieces On New Album SONGS WE WERE TAUGHT, Release First Single!

Album features performances by David Clayton-Thomas (Blood Sweat & Tears), Rod Argent (The Zombies), Sonja Kristina (Curved Air), Candice Night (Blackmore's Night), Dweezil Zappa, Ron "Bumblefoot" Thal (Guns N' Roses/Asia), Steve Morse (Deep Purple/Dixie Dregs), Martin Barre (Jethro Tull), Steve Hillage (Gong) and more!

Los Angeles, CA – Producer Billy Sherwood has helmed the massive prog rock supergroup The Prog Collective through an astonishing 10 years and 3 studio albums with an ever-evolving cast of 50+ elite-level musicians, vocalists, and creative minds. Through it all, one thing has remained constant: the project has always brought some of the most innovative musical arrangements, unique performances and cutting-edge production techniques, all in service of creating the most engaging, enthralling listening experience to the listener. The same holds true for the band’s newest effort, the gorgeous and sublime Songs We Were Taught.

As the title suggests, Sherwood and his cohort travel back in time to revisit some of the most formative and influential songs of the ‘60s & ‘70s. From Bob Dylan’s massively important “The Times They Are A-Changin’” to Simon & Garfunkel’s unforgettable classic “Sound Of Silence” to the folk standard-turned-chart-topping-rock-dirge “House Of The Rising Sun,” the compositions included here are not ones that would immediately be associated with the kind of progressive /art-rock players featured on Prog Collective albums. But just one listen to the astonishing musicianship Wishbone Ash’s Martin Turner and electric violinist Jerry Goodman bring to Dylan’s song or the mix of soul and atmosphere that David Clayton-Thomas and Steve Hillage add to “House Of The Rising Sun” and you’ll know why this album exists. Thankfully, the band has released “House Of The Rising Sun” as the album’s first single!

Check out the single: https://orcd.co/house_of_the_rising_sun

Watch for the whole of Songs We Were Taught to be released on all formats, including CD, vinyl and digital, starting July 1.

Pre-order the CD/vinyl: https://cleorecs.com/store/?s=songs+we+were+taught&post_type=product

Pre-order/pre-save the digital: https://orcd.co/songs_we_were_taught

Track List:
1. The Sound Of Silence - Jon Davison (Yes) & Geoff Downes (Yes/Asia)
2. Year Of The Cat - Billy Sherwood (Yes/Circa) & David Sancious (Bruce Springsteen's E Street Band)
3. House Of The Rising Sun - David Clayton-Thomas (Blood Sweat & Tears) & Steve Hillage (Gong)
4. In The Land Of Grey And Pink - Ron "Bumblefoot" Thal (Guns N' Roses)
5. Summer Breeze - Roine Stolt (The Flower Kings) & Steve Morse (Dixie Dregs)
6. Fire And Rain - Sonja Kristina (Curved Air) & Martin Barre (Jethro Tull)
7. The Weight - Rod Argent (The Zombies) & Jeff "Skunk" Baxter (The Doobie Brothers)
8. Wild World - Rosalie Cunningham (Ipso Facto) & Patrick Moraz (The Moody Blues)
9. It's Too Late - Candice Night (Blackmore's Night) & Dweezil Zappa
10. The Times They Are A-Changin' - Martin Turner (Wishbone Ash) & Jerry Goodman (The Flock)

Press inquiries:
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com


CLEOPATRA RECORDS, Inc.
11041 Santa Monica Blvd #703
Los Angeles CA 90025
www.CleopatraRecords.com

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Tuesday, June 7, 2022

Bill Nelson’s Red Noise “Art/Empire/Industry – The Complete Red Noise” 6CD Remastered Box Set Available August 26, 2022

• A NEW SIX DISC BOXED SET OF THE COMPLETE RECORDINGS MADE BY BILL NELSON’S RED NOISE – COMPRISING FOUR CDs AND TWO DVDs (NTSC/REGION FREE).

• FEATURING A NEWLY REMASTERED EDITION OF THE ALBUM ‘SOUND ON SOUND’, ALONG WITH NEW 5.1 SURROUND SOUND AND NEW STEREO MIXES BY STEVEN WILSON.

• INCLUDES A PREVIOUSLY UNRELEASED CONCERT RECORDED IN LEICESTER IN FEBRUARY 1979 NEWLY MIXED FROM THE ORIGINAL MULTI-TRACK TAPES, PLUS BILL NELSON’S HOME DEMOS, ADDITIONAL SESSION TRACKS AND A BBC RADIO SESSION FROM 1979.

• WITH BONUS VIDEO CONTENT OF THE PROMOTIONAL VIDEO OF ‘REVOLT INTO STYLE’ AND A SESSION FILMED FOR BBC TV’S OLD GREY WHISTLE TEST IN 1979.

• INCLUDES A LAVISHLY-ILLUSTRATED BOOK WITH EXTENSIVE ESSAY BY BILL NELSON AND A FOREWORD BY STEVE WILSON, A FACSIMILE TOUR PROGRAMME, POSTER AND FOUR POSTCARDS.

Following the release of the album “Drastic Plastic” and tour, Bill Nelson disbanded Be-Bop Deluxe. Aware of the emergence of the New Wave artists and out of a desire to continually evolve, he announced the formation of Red Noise.

Working with co-producer John Leckie, Bill recorded a new wave masterpiece, a record that would influence a new generation of musicians with its intelligent and punchy material. “Sound On Sound” and the subsequent live shows would divide opinion of both fans and critics, but with the passage of time, the album is now regarded as one of Bill Nelson’s finest works.

This boxed set features the complete Red Noise recordings; the original album newly remastered by Steven Wilson from the original master tapes, along with stunning new stereo and 5.1 Surround Sound mixes.

The set also includes an outstanding complete live concert recorded in Leicester in 1979, newly mixed from the original 24-track tapes, a session recorded for BBC Radio One and a further Red Noise studio session from May 1979 plus a bonus CD of Bill Nelson’s home demos. The set also includes video material, including the video for “Revolt Into Style” and the band’s session for the BBC TV show “The Old Grey Whistle Test” from February 1979.

Track Listing:

DISC ONE
SOUND ON SOUND REMASTERED
1 Don’t Touch Me (I’m Electric)
2 For Young Moderns
3 Stop / Go / Stop
4 Furniture Music
5 Radar in My Heart
6 Stay Young
7 Out of Touch
8 A Better Home in the Phantom Zone
9 Substitute Flesh
10 The Atom Age
11 Art / Empire / Industry
12 Revolt into Style Bonus tracks
13 Wonder Toys That Last Forever
14 Acquitted by Mirrors (B-side of ‘Furniture Music’ EP)
15 Stay Young (BBC session 17.02.1979)
16 Furniture Music (BBC session 17.02.1979)
17 Don’t Touch Me (I’m Electric) (BBC session 17.02.1979)
18 Out of Touch (BBC session 17.02.1979)

DISC TWO
LIVE AT THE DE MONTFORT HALL, LEICESTER 1979
PREVIOUSLY UNRELEASED
1 Don’t Touch Me (I’m Electric) (live)
2 For Young Moderns (live)
3 Furniture Music (live)
4 Out of Touch (live)
5 Stop-Go-Stop (live)
6 Atom Age (live)
7 Possession (live)
8 Superenigmatix (live)
9 Substitute Flesh (live)
10 Phantom Zone (live)
11 Radar in My Heart (live)
12 Art / Empire / Industry (live)
13 Revolt into Style (live)
14 Stay Young (live)
15 For Young Moderns (Encore) (live)

DISC THREE
SOUND ON SOUND NEW STEREO MIX
1 Don’t Touch Me (I’m Electric)
2 For Young Moderns
3 Stop / Go / Stop
4 Furniture Music
5 Radar in My Heart
6 Stay Young
7 Out of Touch
8 A Better Home in the Phantom Zone
9 Substitute Flesh
10 The Atom Age
11 Art / Empire / Industry
12 Revolt into Style Bonus tracks
13 Wonder Toys That Last Forever
14 Acquitted by Mirrors
15 My Light (previously unreleased) Recorded for the “Sound on Sound” sessions
16 Instantly Yours
17 Ideal Homes
18 Disposable

DISC FOUR
SOUND ON SOUND
96 kHz/24-BIT 5.1 SURROUND SOUND MIX
NEW STEREO MIX ORIGINAL STEREO MIX
1 Don’t Touch Me (I’m Electric) (5.1 mix)
2 For Young Moderns (5.1 mix)
3 Stop / Go / Stop (5.1 mix)
4 Furniture Music (5.1 mix)
5 Radar in My Heart (5.1 mix)
6 Stay Young (5.1 mix)
7 Out of Touch (5.1 mix)
8 A Better Home in the Phantom Zone (5.1 mix)
9 Substitute Flesh (5.1 mix)
10 The Atom Age (5.1 mix)
11 Art / Empire / Industry (5.1 mix)
12 Revolt into Style (5.1 mix)

DISC FIVE
ADDITIONAL RED NOISE SESSIONS
96 kHz/24-BIT 5.1 SURROUND SOUND MIXES
NEW STEREO MIXES ORIGINAL STEREO MIXES
1 Wonder Toys That Last Forever (5.1 mix)
2 Acquitted by Mirrors (5.1 mix)
3 My Light (5.1 mix) Recorded for the “Sound on Sound” sessions
4 Instantly Yours (5.1 mix)
5 Ideal Homes (5.1 mix)
6 Disposable (5.1 mix)
RAK Studios, London May 1979

VIDEO CONTENT
PREVIOUSLY UNRELEASED
1 Revolt into Style (Promotional video 1979)
2 Don’t Touch Me (I’m Electric) (BBC TV Old Grey Whistle Test – 1979)
3 Furniture Music (BBC TV Old Grey Whistle Test 1979)
4 Stay Young (BBC TV Old Grey Whistle Test 1979)

DISC SIX
BILL NELSON RED NOISE DEMOS 1978 – PREVIOUSLY UNRELEASED
1 Acquitted by Mirrors (demo)
2 For Young Moderns (demo) 3 Stop Go Stop (demo)
4 Furniture Music (demo)
5 Radar in My Heart (demo)
6 Stay Young (demo)
7 Out of Touch (demo)
8 A Better Home in the Phantom Zone (demo)
9 Substitute Flesh (demo)
10 The Atom Age (demo)
11 Revolt into Style (demo)
12 Waiting for the Night (demo)
13 My Light (demo)

To pre-order: https://www.cherryred.co.uk/product/bill-nelsons-red-noise-art-empire-industry-the-complete-red-noise-6cd-remastered-box-set/

Bill Nelson’s Dreamsville official website: https://www.billnelson.com/

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Friday, June 3, 2022

Watch Kansas Legend Robby Steinhardt’s Video For “Not in Kansas Anymore”

Just released! Kansas legend Robby Steinhardt’s video for “Not in Kansas Anymore” from the critically acclaimed album of the same name. Produced by Michael Franklin, the album was released on Solar Music just after the unexpected passing of Steinhardt.

Watch the video: https://www.youtube.com/watch?v=4-Xj-bzCqk8

You know him as the legendary violinist, vocalist and frontman for the band KANSAS, recording 9 albums which reached gold, platinum and double platinum status, and is now making another mark on the world with his first and only solo album.

“Not in Kansas Anymore” is a powerful, well-thought-out offering of Prog Rock magic. Timely songs with incredible arrangements and virtuoso performances. Robby’s vocals and signature electric violin come through on this continuous work labeled a “Prog Opera.”

The album “Not in Kansas Anymore” grew out of the Jon Anderson “1000 Hands” sessions. Robby was a special guest on the song “Active.” He put down several violin tracks on that song and also a song Michael was working on with drum legend Billy Cobham. That song led to the making of “Not in Kansas Anymore.”

The art direction and video work was done by Alvaro Ortega, a gifted animator from Madrid Spain. Alvaro has received worldwide notice from his Beatle and British Invasion animations. Most recently his collaboration with producer Michael Franklin’s “A Day in His Life,” a highly acclaimed tribute to John Lennon. This work went viral and given high praise by Sir George Martin's son https://www.facebook.com/michael.franklin.1610/videos/10222238735251109. Art work in the video was based off of the album art by Tom Lupo, nominated “Album Cover of the Year” by ProgReport.

Robby Steinhardt “Not in Kansas Anymore”
Recorded at Solar Studio, Orlando Florida, December 2020-May 2021
Produced by Michael Franklin producer of Jon Anderson 1000 Hands
with the cast members 1000 Hands

Robby Steinhardt - Violin and Lead Vocals
Tim Franklin - Bass and Vocals
Rayford Griffin - Drums
Jim Gentry - Electric Guitar and Vocals
Tommy Calton - Acoustic and Electric Guitar
Michael Franklin - Bosendorfer Piano, Kurzweil Forte, Hammond B3 and Vocals

And special Guests
Billy Cobham, Pat Travers, Chuck Leavell, Ian Anderson, Billy Ashbaugh, Patrick Moraz, many others, orchestra and choir.

Songs Written by Franklin/Steinhardt/Franklin Solar Music BMI

Not in Kansas Anymore,” Digital Download, CD and preorder LP with free Digital Download can be found at: www.robbysteinhardtofficial.com or www.solarmusic.com

Promo video: https://www.youtube.com/watch?v=yu5T_3aEv0g

Robby was a big fan of local vinyl vendors. Here is where you will be able can to find LPs and CDs locally www.solarmusic.com/distribution

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com

Thursday, June 2, 2022

Symphonic Rock Legends Renaissance Featuring Annie Haslam To Launch The Legacy Fall Tour 2022

A celebration of Annie Haslam’s 75th year. Classic Renaissance with the Renaissance Chamber Orchestra and music from Annie’s solo career.

This Fall Renaissance will be back on tour with a string of dates culminating at Town Hall, NYC on October 29. The band, which celebrated their 50th anniversary in 2019, is widely recognized for its integration of rock and classical music, the use of a full symphony orchestra, and the 5-octave voice of lead singer Annie Haslam.

Renaissance secured its place on the world stage with a top ten hit “Northern Lights” and performed at some of the world’s most prestigious venues including the Royal Albert Hall in London and Carnegie Hall in New York each with full orchestra ‘live’ on stage. An album release from one of the Carnegie Hall concerts is considered a staple among fans of symphonic rock to this day.

As its title suggests, the tour this year will highlight the career of Annie Haslam in celebration of her 75th birthday this June. Six of the shows will include the Renaissance Chamber Orchestra, comprised of ten hand picked orchestral musicians, that made its debut with Renaissance in 2017.

The band and orchestra will be playing a unique line up of selections that will include Annie Haslam’s favorite Renaissance classics alongside favorites from her many solo recordings. Much of the music from these shows will be performed for the first time with orchestral arrangements. The group plans to release a double CD in 2023 from recordings captured during the tour.

For a complete list of shows visit the tour page at www.renaissancetouring.com

Photo by Esa Ahola

Renaissance Tour Dates:

OCT 19 - Patchogue Theatre for the Performing Arts - Patchogue, NY
TICKETS

OCT 20 - Hackensack Meridian Health Theatre at the Count Basie Center for the Arts, Red Bank, NJ
TICKETS

OCT 21 - Keswick Theatre, Glenside, PA
TICKETS

OCT 26 - Center for the Arts of Homer, Homer, NY
TICKETS

OCT 27 - Troy Savings Bank Music Hall, Troy, NY
TICKETS

OCT 28- The Ridgefield Playhouse, Ridgefield, CT
TICKETS

OCT 29 - The Town Hall, New York, NY
TICKETS

Jan. 28 - Feb. 2nd, 2023 - On the Blue Cruise 2023, Miami Gardens, FL
TICKETS

Photo by Richard Barnes

For more information:
www.renaissancetouring.com
facebook.com/renaissancetouring
www.anniehaslam.com
facebook.com/anniehaslamart

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com