Friday, December 20, 2024

Progressive Rock Review: Nektar-Mission To Mars

Release Date: August 30, 2024

Label: Deko Entertainment

Website

Nektar's latest edition of their storied history is Mission To Mars. With the loss of key members, the band has taken on a different sound. This is not your 70s Tab In The Ocean band anymore. I did have the opportunity to cover some of the remastered classic albums many years ago, so I remember how amazing they sounded and their comeback after many years on the shelf.

 

Listeners cannot expect to have one original member left and still have the same sound. Bands change, move on, and take chances, and sometimes, it is forced upon them if they want to continue, which was Nektar's scenario.

 

The only original musician left is Derek "Mo" Moore (bass), who now handles the vocal duties, but some longtime members are still contributing. This release is a mixture of rock and progressive. The music gets better quickly with many changes on three of the tracks, and keep in mind there are four tracks on this LP. Some good parts are progressive but not what longtime fans would expect to hear.

 

Side one begins with a rock and blues-tempered title track, "Mission To Mars," which you expect to be prog, but it's not at first. Once it started, I thought they sounded like today's Cactus (with the gruff-edged vocals), which threw me off until things moved along more. There are some substantial lead guitar parts and good harmonizing. A cool keyboard comes in at the midpoint; it becomes more of a jam with excellent instrumentation. Musically, some prog elements towards the end sounded more like the band I remembered. The vocals are not top-notch, but to be fair, they are adequate and have room for improvement. In any event, it turns into a strong track.

 

"Long Lost Sunday" starts with a mellow riff as the bass and drums jump right in, then it changes with more energy as the guitar chords start getting thicker, and then it goes back to mellow again. Some nice keys enter the mixture with layers and take a very progressive direction with more change to a more rhythmic riffing, and then the bass/drums follow as the vocals are steady and match all these shifts in direction musically. Then, it goes to a heavier sound and again transfers over, rotating the three significant changes you will hear in the composition. It is very complex and impressive. As you get closer to the end of the side, a strong bass chimes in with a sharp lead guitar as it changes one last time. Now it's time to flip the platter over to side two.

 

Side two starts with "One Day Hi One Day Lo," which has an excellent orchestral beginning like you may hear on a movie soundtrack or documentary. Then, a heavy bass starts as the drums follow. A superb guitar gets your attention as the vocals begin. You hear some good harmonizing, something they do well consistently. A slower pace is now in place, and a more defined guitar. Some pedal effects and stinging leads grab you. It changes to a more straight-ahead rocker, then another quick shift, sounding more like a pop-rock commercial band than prog rockers, which was interesting with a prominent bass to remind you who you are listening to. Harmonizing happens again, and then a funky bass makes things more interesting. A good keyboard section, then an uplifting guitar part featuring some speedy playing, is impressive. They show off their chops often on this recording, which I appreciated.

 

"I'll Let You In" closes things out softer, with the acoustic guitar beginning this slow mover. Then, a more upbeat electric guitar comes in, with some good rhythm and harmonizing. The music quality is high-level, with some sophisticated playing; however, this track should have started side two so they could have ended the album with more intensity and excitement with "One Day Hi One Day Lo."

 

A richer sound makes up for the weaker lead vocals when this band sings together. The musicianship, as I have mentioned several times, is beyond reproach. If Nektar gets a different lead singer with a more robust and precise set of pipes, their direction will improve. An entirely new audience will be waiting to embrace them, and then getting longtime fans back on board may also happen. The older fans, including myself (although it is good music), may consider Mission To Mars mediocre compared to their earlier catalog.

Keith “MuzikMan” Hannaleck-NAMR Reviews Founder

December 18, 2024


Tracks:

Side One:

1.Mission To Mars

2.Long Lost Sunday

Side Two:

1.One Day Hi One Day Lo

2.I’ll Let You In


Saturday, December 14, 2024

Progressive Metal Vinyl Review: Opeth-The Last Will and Testament

Release Date: November 22, 2024

Label: Reigning Phoenix Music

Website

Opeth is the kind of band that has perfected the art of combining elements of the human psyche, including horror, the esoteric, the supernatural, and death. And with all that progressive metal shaking the walls and your consciousness, and at times brutal, they somehow manage to make parts of their music so elegant and beautiful you feel like you are listening to a different band entirely. That separates them with this excellent contrast from dark to light. And it always has right from the start.


Opeth Is:

Martin Mendez-Bass Guitar

Waltteri Väyrynen-Drums

Mikael Åkerfeldt-Vocals, Guitar

Joakim Svalberg-Keys, Vocals

Fredrik Åkesson-Guitar,Vocals

 

With The Last Will and Testament, they have brought back the "growling" death metal vocals. However, it is at a minimum compared to the early catalog of releases, although very appropriately placed lyrically. Another fantastic factor is leader Mikael Åkerfeldt's ability to switch that type of vocal back to his normal singing voice, which is excellent. This recording is the 180-gram Gold vinyl LP and poster version. Each side has two amazing progressive metal masterpieces. Interestingly, every track has no title until you reach the end. The cover art instantly reminded me of the horror classic The Shining; Jack Nicholson sitting in the middle is the only thing missing! As I listened, I felt the music could be a booming soundtrack for a horror picture.

 

Side A opens with "§I” and some excitement, followed by a furiously quick few minutes to start with a bang. The synth is orchestral, followed by a brief bass section featuring a heavy guitar throughout. The track is complex, announcing that the band is back as strong and potent as ever and one of the top progressive metal bands in the world. I feel their intensity and complexity consistently make their music captivating, and this is a superb opener.

 

"§II" begins with a bass line and rapid drum roll, then the lead guitar enters, and you can feel the growling coming soon, and it does. They transition back and forth between the two vocal styles, which I believe must have been difficult. Mikael is testing his vocal range, and then midstream gets very soft and beautiful, seemingly an easy task for this incredibly talented group. Then it gets more atmospheric with Ian Anderson's flute (great idea to have him come in as a guest!). I must admit he brings a new element to the Opeth sound and a nice touch. Then, after that segment, they explode into a wall of sound (which happens often on this album and typically in their style). Some excellent guitar work follows, and then the growling vocals return to change direction (yet again) for the dark, foreboding sound, then back to a more spacey sound, and a return to the band full force together to end the track.

 

Side B begins with "§III" as the bass, drums, and guitar come crashing down. The intensity is immediate, like watching and feeling the sledgehammer fall on yourself. Many changes in the track define what progressive metal is at its very finest. The drums are excellent, and the music changes dramatically towards the end with kids talking, then it goes into an orchestral segment of sheer beauty.

 

There is a segue into "§IV" with a powerful growling that says, "Pay attention!" The lyrics are harsh to keep the subject matter of death at the forefront with added religious cynicism. The spoken word and the music are deliberate, working hand in hand. Back and forth, it travels with ever-shifting runs of excellent guitar, etc. They set you up with a mellow transition, then slam your perception with a reality check. They remind you of their command and power in the music, using their instruments and lyrics to transform each storyline into a reality magically.

 

Side C begins with "§V" with a complex and heavy beginning, then the spoken word (Ian Anderson) with a reading of the The Last Will and Testament, indicating how this story will change and how we are getting closer to the end of this journey. Combining the keys with all the other elements creates the drama of the lyrics, which amplifies every word. It is like watching a play unfold on stage with all the characters. The razor-sharp guitar licks with growls send a chill down your spine. The mystery and excitement continue to build.

 

"§VI" starts with an acoustic guitar, beautifully altering your mood and mindset from the previous onslaught of emotion with immediacy. It gets more layered with the rest of the band joining in. And this is what makes Opeth so charismatic. It then gets more intricate, and a great guitar run brings the entire band up to another level (as if they needed to be?) for an auditory slice of prog metal heaven (or is it hell?). Superb musicianship is their hallmark on every track, including this one.


Side D opens with "§VII," featuring a prominent bass and an acoustic guitar. Then, some keys and a layer of ambiance were a nice touch. Then, the switch to that excellent electric guitar work, some growling, and a succession of instrumentation. Drums get the spotlight as the vocals change back to normal. The music changes again to very heavy with more growling. The guitar playing is magnificent, as usual.

 

Here we are at the end with "A Story Never Told," which hints at provoking many thoughts right away before it starts. Some grinding keys begin as the drums and guitar enter the mix beautifully. The energy builds, and the vocals increase in intensity, growling as the music reaches the apex of sound. Then, a superb keyboard run plays out as the drums and bass work hard to keep it driving along and continually moving forward.  There is a mellowed-out acoustic ending for a massive change in direction, and the album closes out.

 

The Last Will and Testament may very well be Opeth's ultimate recording. In the past, before they eliminated the growling vocals, I did not care for it at all. This time, I found that the way it was used was perfect. The way Mikael presents it makes it more than bearable; I did not mind it at all and found it worked very well with all of the subject matter and music that was going on at the time. Those who missed the growling vocals will consider this a return to form and then some.

 

This is the best progressive metal album I have heard in 2024, no contest.

Keith “MuzikMan” Hannaleck-TFOV Reviews Founder

December 13, 2024


Tracks:

Side A:

A1. §I

A2. §II


Side B:

B1. §III

B2. §IV


Side C:

C1. §V

C2. §VI


Side D:

D1. §VII

D2. A Story Never Told



Friday, December 13, 2024

PROG ENSEMBLE IAMTHEMORNING’S VIRTUOSO PIANIST GLEB KOLYADIN RETURNS WITH NEW SINGLE ‘GLIMMER’

Photo credit: Avgusta Levina

PROG ENSEMBLE IAMTHEMORNING’S VIRTUOSO PIANIST GLEB KOLYADIN RETURNS WITH NEW SINGLE ‘GLIMMER’

THE FIRST SINGLE TO BE RELEASED FROM HIS UPCOMING ALBUM MOBULA (28TH FEBRUARY 2025)

Revered pianist and one half of atmospheric prog duo Iamthemorning Gleb Kolyadin returns today with the first single from his new solo album Mobula (28th February). The track, titled ‘Glimmer’, introduces new styles and folk elements for Gleb, taking listeners on a journey through cosmic landscapes, shifting times of day, and deep space, where imagination transforms the ordinary.

‘Glimmer’ is brought to life by a mesmerizing, handcrafted animation by Natalia Ryss. Known for her work with Max Cooper, Ryss’ stunning video, crafted frame by frame over three months using different techniques like rotoscoping, perfectly mirrors the track's otherworldly charm and adds a visual depth to the ethereal quality of the music.

Drawing from poloniumcubes - Gleb's vast music diary of over 500 tracks - Mobula unfolds as a suite of 14 short stories, each one a vibrant novella in sound. It’s a sci-fi-inspired odyssey that captures the spirit of grace and exploration, embodied by the album’s titular oceanic creature. From neoclassical elegance to pulsating electronic beats & folk textures, Mobula traverses genres and emotions, mirroring the movements of an imaginary planet and its ever-changing atmospheres.


Gleb Kolyadin – Mobula
1. Parallax [04:18]
2. Glimmer [04:03]
3. Afterglow [03:22]
4. Dawnlight [01:55]
5. Radiant [04:24]
6. Observer [01:41]
7. Transient [03:06]
8. Crystalline [02:29]
9. Fractured [02:40]
10. Tempest [02:34]
11. Nebular [02:38]
12. Shimmer [05:41]
13. Starfall [02:32]
14. Gaia [03:20]

PRE-ORDER MOBULA – OUT 28TH FEBRUARY ON PURPLE VINYL LP, BLACK VINYL LP AND CD
(https://GlebKolyadin.lnk.to/mobula )

Mobula marks Gleb Kolyadin’s first album fully conceived and produced in the UK, following his relocation two years ago under a Global Talent visa. The album, mixed and mastered by Vlad Avy, blends rich folk and ethnic influences with electronic rhythms. Central to Mobula’s vibrant sound is the contribution of percussionist Evan Carson, a notable figure in the folk scene, whose work on almost all the tracks added an exuberance and dynamism to the rhythmic palette.

his music comes from deep within his soul. What treasure lies there’ – Prog Magazine

Adding to the album’s distinct character is the enchanting resonance of a 100-year-old Broadwood grand piano that was used throughout the recording process. Captured by engineers Marcel van Limbeek (Tori Amos) and Gianluca Capacchione (Max Meser), the piano brings a timeless, organic warmth to the compositions, contrasting beautifully with the album’s modern production techniques.

a master’Classic Rock Germany

Mobula will be released on 28th February on Kscope on purple vinyl LP, black vinyl LP, CD and digitally. Pre-order here: https://GlebKolyadin.lnk.to/mobula

Follow Gleb Kolyadin:

Facebook
Instagram
Spotify

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Thursday, December 12, 2024

Jon Anderson and The Band Geeks Announce Live CD/DVD Release

And You And I” Video Premieres Today!

Following the worldwide acclaim for their debut album “TRUE”, Jon Anderson and The Band Geeks announce today the March 14th release of the CD/DVD package “Jon Anderson and The Band Geeks Live- Perpetual Change”. The band recorded and filmed the entire show at the Aracada Theater in St. Charles, Illinois on their August 2023 summer tour. The concert will be available as a two CD/DVD package as well as a triple vinyl package. Both are available for preorder today here: https://ffm.to/jonandersonperpetualchange

To celebrate today’s announcement, the band is premiering a video of the YES classic “And You And I” taken from the DVD. Watch the video here: https://youtu.be/nTGt2rr0o74

Below is the track listing for both configurations:
Yours Is No Disgrace
Perpetual Change
Close To The Edge
Heart Of The Sunrise
Starship Trooper
Awaken
And You And I
Your Move/ I’ve Seen All Good People
Gates Of Delirium
Roundabout

For more information:
Jon Anderson’s official website: www.JonAnderson.com
Band Geek official website: https://richiecastellano.com/bandgeek/
Jon Anderson YES Epics and Classics:
Website -  http://jonandersonyesepicsandclassics.com/
Facebook - Jon Anderson YES Epics & Classics - https://www.facebook.com/jonandersonyesepicsandclassics/
Twitter - @JonYesEpic
Instagram - @jonandersonyesepicsandclassics
TikTok - @JonAndersonYESEpic
YouTube - Jon Anderson YES Epics & Classics - https://www.youtube.com/channel/UCIvSkw_3SAs1Yy2Ro68GzLw

Management:
Larry Mazer
Entertainment Services Unlimited
One Echelon Plaza, 227 Laurel Road, Suite 106
Voorhees, NJ 08043
P - 856.751.2223
C- 856-816-2820

Agent:
Steve Schenck | TKO
141 Halstead Avenue | 4th Fl.  Mamaroneck, NY  10543
PH: 914-346-8938
email: steveschenck@tkoco.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com