Saturday, February 22, 2020

Progressive/Rock Review: Bernie Shaw & Dale Collins -Too Much Information

Release Date: September 13, 2019
Label: Bernie Shaw / Dale Collins
Website
Kicking off the album Too Much Information, Bernie Shaw is very bright and uplifting as "So Many Times" begins. The album reminds me a lot of the band Journey and their unique sound to 80's Rock. Longtime friends Bernie Shaw and Dale Collins team up to produce an album of seismic proportions. With the assistance of Ron Restall on drums and Jason Gardenits on the keyboard, the perfect blend of Blues and Progressive Rock chemistry.

The depiction of the artwork can be interpreted as a dawn of a new day, or as the light in the sea of gray. It sizes up to the tone of the record as it avails the roughness of the waves and the heaviness of songs like "Alone" and "Hey Jimi," while that glimmer of light shone beyond the sea reflects on a more positive note of "Here We Go" and "Rock On."

Running back on "So Many Times," the song captures a lighter side of Bernie Shaw, where he typically adheres to more of an intense Metal sound. It is an excellent battle between letting the light in, feeling good, and thinking there was more one could have made a better choice along the way. "Alone" is an immediate stark contrast. The song proclaims how the singer will now be operating daily life on his own, he cannot continue to carry the weight of his other half with no sign of change or improvement.

"Here We Go," keeps the beat of every traveler's anthem. However, the song speaks of an irritating, repetitious situation that he finds himself caught in the middle of. To me, it feels very much like hiking up an endless trail or mountain; albeit, it even reminds me of the scene in Rocky, climbing the Philadelphia stairs.

"Too Much Information," the title track, is a great bridge-like track. It is not too detailed or overly emotional. Rather, it is a pleasant earworm for guitar lovers everywhere. Contrary to the title, it doesn't feel like overload at all. I probably stand alone in this thought, however, it is nice to see an artist not make the title of the album his or her main focus.

We turn now to a darker note, but, it turns out to be my favorite track of the album. "Sad Song" possesses a great blend of Shaw's vocals and both Shaw's and Collins' instrumental technique. The song has a great way of rocking like the sea, building up like a solid wave and crashing into the shore, at the height of Shaw's chorus lines.

An excellent ode to the late, great Jimi Hendrix follows up a solemn track. Upon initial listening, one is safe to assume, this might be a more somber or even heartwrenching tribute. As the song progresses it is anything but. The song calls out to the spirit of Hendrix and does his honor well by majoritively dedicating this track to being an instrumental piece. One of the great kings of Rock music would be jamming right alongside Shaw and Collins if he were able to hear this today.

"Just A Little Bit" is a great in-your-face anthem of how someone can just try to break another person down in every possible way. The person being tormented wants nothing more than to see the damage right in front of their face. You can tell as the song progresses, the singer won't let this irritation get the best of him and builds upon the harm caused by the other party.

With that rise-from-the-ashes tune, we arrive at the final song of the album, "Rock On." It is a steady, fun track emphasizing the carefree spirit of the duo. The song solidifies what every musician, band, and concert-goer have in common; and that's to simply – rock on. When everything around you seems to be on sensory overload or you might just be feeling a bit down about something in life, the message is clear; rock on with Too Much Information.

Key tracks include: “Sad Song,” “Hey Jimi,” and “Rock On.” 


Gregg Keniston- MuzikMan.net Staff
February 19, 2020

Reviews Provided By:

Track Listing:
1. So Many Times
2. Alone
3. Here We Go
4. Too Much Information
5. Sad Song
6. Hey Jimi
7. Just A Little Bit
8. Rock On

Wednesday, February 19, 2020

Prog Legends Gentle Giant To Release First 4 Albums On Vinyl April 3, 2020


Gentle Giant is happy to announce the release of the first 4 albums on vinyl April 3rd.

After the positive response to the box set “Unburied Treasure” many fans asked whether the vinyl albums would ever be available. The band has responded and decided to make these albums officially available for the first time in decades.

The band’s first album “Gentle Giant” was first released in October 1970. Produced by Tony Visconti it marks the 50th Anniversary of the recording and live appearances of the band. Tony Visconti produced the follow up album “Acquiring The Taste” in 1971.

The band oversaw the production of the third album “Three Friends” in 1972 and was the first official release in North America. Strangely the N.A. version featured the artwork from the U.K. “Gentle Giant” album.

This album was followed up with their milestone album “Octopus” in 1972. Once again the North American artwork was different to the Roger Dean U.K. version and featured a dye cut Octopus in a jar.

Released on the Alucard label, the albums will be manufactured in 180 gram vinyl with the original gatefold artwork from the U.K.

The band hopes that their friends, followers and fans will enjoy these albums in their original form 50 years later!

For more information:
Twitter: @GGIANTMUSIC
Facebook: https://www.facebook.com/gentlegiantband/
Instagram: @gentlegiantband

Press inquiries (North America): Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com

Saturday, February 15, 2020

Progressive Rock Review: Art in America - Cloudborn

Release Date:August 1, 2019
Label: Art in America



Like a book, music can catapult you into an imaginative adventure. Art in America most definitely built their latest LP, Cloudborn around the concept of an alternate universe where all your troubles just disappear and the listener cannot wait for what may lie ahead.

The theme of experimental simplicity is fitting for this band as the band members started, as they state on their site, “in their living room kicking around some musical ideas with guitar, bass and some unusual instrumentation - … and a Japanese Koto.” Band members and siblings, Chris Flynn – lead vocals and guitar, Shisonee Flynn – harp, koto, tamboura, and vocals; and Dan Flynn – on drums and percussion, began the venture of artistry and bringing together the framework of a band. Soon, after adding Jim Kuha – on bass guitar and backing vocals, and Garry Galloway on the keys; the band was finalized and two albums later, Art in America is on the rise to become a part of every Progressive Rock N’ Roll lover’s collection and earworm.

“A Tale of the Unexpected” sounds like that of a videogame cut scene. It offers the listener a way to both, relax and get introduced to a realm of unusual instruments that typically is not included within Progressive Rock album concepts. The harp, an Indian piece called a tambura, and a Japanese koto are fused throughout the track list.

Much of the rest of the album gives off a blend of 80’s and 90’s Progressive Rock/Pop vibe. As soon as I heard the first few lines of “I Am I,” I felt like I was inside a Classic Progressive Rock or Action movie soundtrack music video. “Someday” hits right in the heart of any listener with half a sense of aspiration and hope. It proclaims that one day soon he (the singer), will get to where he needs to be.

Just take a look at this particular album art. It is of a vast and new unexplored world that leaves an imprint of a powerful image on the listener’s mind. “Drool,” on the other hand, gives the feel of a traveler that is in search of something but; no one quite knows what. The singer may just be wandering down an endless road. Rounding out the first half of the track list, “The New Swami” is one of those songs that you just cannot exactly place your finger on how to react. It contains elements of the tambura giving the tune some peacefulness. It is sung so brightly but, if you listen to some of the lyrics: “The new Swami smiles, as rubies turn to rubble;” the Swami is not as peaceful as proclaimed.

“Someone Called My Name,” is all about looking for answers. It’s a journey where all but, the voice he keeps hearing over and over again remains a constant in his life. We never do learn if he discovers who or what he has been searching for. Art in America goes back to a wild-western-type of a theme on “For Shelly.” It sings of coming to a realization of whom he had however, now she’s gone out of his life
Trying to find any remnants of back to when he and his friend or lover back to simpler times, the singer is in a daydream-like state and the rhythm remains constant to maintain that feel of flashbacks. It’s a very mellow peace to bridge the album together, it almost becomes instrumental.

Going from an almost monotone beginning to an action-packed four minutes and twenty-one seconds, “Facelift” is a fun changeup from the rest of the record. It feels like the singer or the listener could be charging up to something blending with a somewhat mystical sound towards the end. It becomes one of the standout tracks on the album for the simple reason that it brings some life and rejuvenation back into the record; like a reawakening of sorts.

The last three tracks create their own personalities. “Don’t Look Down” keeps with the upbeat sequence of the prior track. It’s guitar solo, is on the shorter side but, still offers what every Progressive Rock lover desires, a pure shred of the strings through your speakers. “No Wonder” finds its way on this record perfectly as its unique sound, almost like a movie scene, or story time sequence. The lyrics do not reflect much in terms of positivity because the man in question has made some mistake that he cannot seem to identify but, she knows quite well what he did. It’s the typical couples’ flare-up of arguments, disagreements, and sometimes breakup. Finally, taking a look at the last track “Goodbye My Love / Mind’s Eye / Peace of Mind,” it is truly an ideal finale to a perfect Progressive Rock album. It begins slow and swing-like, then, by the time it gets to “Mind’s Eye,” it blossoms into an up-tempo grand finish to make the listener feel as though they are leaving the concert of their life.

Cloudborn is that album that defines experimental. It pushes all types of Progressive Rock boundaries and draws the ear of various listeners. If you are looking for a record that makes you daydream, that makes you feel good overall, and that can turn any day around; this is the album for you. Often, Progressive Rock is misconstrued as angry – when commonly dealing with Metal, or disturbed when playing a bunch of Alternative artists; there’s a third avenue of eclectic and experimental sound that can accompany a typically positive intonation.

Key tracks include: “A Tale of the Unexpected,” “The New Swami,” and “No Wonder.”

Gregg Keniston- MuzikMan.net Staff
February 15, 2020

Reviews Provided By:

Track Listing:
 

01. A Tale of the Unexpected
02. I Am I
03. Someday
04. Drool
05. The New Swami
06. Someone Called My Name
07. For Shelly
08. When We Were Young
09. Facelift
10. Don't Look Down
11. No Wonder
12. Goodbye My Love / Mind’s Eye / Peace of Mind

Friday, February 14, 2020

Curved Air Original Founding Member Darryl Way Announces the Release of His New Solo Album "Destinations" - Out Now !


Darryl Way is the co-founder of CURVED AIR, a trailblazing rock violinist and composer.

“Destinations” is the new studio album by Darryl Way and features ten new rock instrumentals, with a variety of influences and sound effects enriching the style and delivery of the pieces.

Darryl Way said of the new instrumental album “'Destinations' a collection of 10 pieces that set out to conjure up images of far off and exotic locations like Antigua, or imagined settings like Metropolis or Mystic Mountains. Like my previous album 'Vivaldi's Four Seasons in Rock', 'Destinations' could be described as programme music, music that evokes atmospheres and impressions.”

Mostly set in the 'Rock' genre, Darryl introduces himself as a guitarist on this album, as well as performing in his more familiar role as a violinist

The album is available to order here: Amazon CD: https://geni.us/Destinations

For more information: http://www.darrylway.com/

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Tuesday, February 11, 2020

Keyboard Legend Rick Wakeman & The English Rock Ensemble Return To Prog On New Album "The Red Planet"


Keyboard Legend Rick Wakeman & The English Rock Ensemble will be releasing “The Red Planet” on April 3, 2020. The album features 8 newly composed pieces, especially for this project, and harks back to Wakeman's critically acclaimed debut album “The Six Wives of Henry VIII” where there were 6 heavy keyboard pieces based around a central subject matter. It is a serious return to “Wakeman Prog”...

Rick has blown the dust off his favourite analogue keyboards and along with his with the latest keyboards, has used the same formula he devised when making his legendary albums “The Six Wive's of Henry VIII” and “Criminal Record.”

Upon being asked about the expectations of his Prog Fans, that they are hoping he will have shoved the “Prog Fader” up to 11, he replied, “That could be a problem.... as it's already at 14!!!”

The first 1,000 units of vinyl come in 180-gram red double vinyl, signed and numbered, in a special “Pop-Up” album cover. The first 2,000 units of the CD edition signed and numbered, in a special “Pop-Up” CD album cover. These collectors items are sure to sell out quickly, fans are advised to pre-order to avoid disappointment, or worst still buy copies from auction sites.


The English Rock Ensemble (ERE) features:
Rick Wakeman - Keyboards
Dave Colquhoun- Guitars
Lee Pomeroy - Bass
Ash Soan - Drums

Produced by Rick Wakeman and Erik Jordan

This is the first release on the newly formed R&D MultiMedia, which is a transatlantic partnership between music business veteran and long time Wakeman sidekick Rob Ayling and rock journalist and producer Doug Harr.

To pre-order Rick Wakeman's “The Red Planet” and other special offers: www.musicglue.com/rick-wakeman-the-red-planet

Play Back event package: https://www.musicglue.com/rick-wakeman-the-red-planet/products/star-vice-admiral-star-playback-event-at-the-national-space-centre-with-bag-of-goodies-signed-event-programme-and-signed-cd-slash-dvd

Rick Wakeman's official website: www.rwcc.com

R&D Media: www.RNDmultimedia.com

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Monday, February 10, 2020

Eclectic Music Ensemble Deep Energy Orchestra to Release Second Album The Return on Feb. 21, 2020


The Return, the highly anticipated second recording by the eclectic music ensemble, Deep Energy Orchestra will be released on February 21, 2020 on Trey Gunn's 7D Media record label. Deep Energy Orchestra blends sounds and rhythms from Prog Rock, Classical, funk, Indian, and Flamenco styles and showcases the compositions of Jason Everett aka Mister E.

Featured artists on the record include, Fareed Haque (Billy Cobham, Zawinal Syndicate), V. Selvaganesh (Shakti with John McLaughlin), Trey Gunn (King Crimson), Neyvili Radhakrishna (Jonas Hellborg), Ujwal Nagar (Advaita), Suhail Yusuf Khan, and the Seattle Metropolitan Chamber Orchestra.

Following the acclaimed first release, Playing With Fire, Jason was commissioned by the Seattle Metropolitan Chamber Orchestra to score his music as well as pieces from Ravi Shankar, Anoushka Shankar, and Paco deLucia for a full-length concert called “From Spain to India” and one of the pieces from that concert series is included on The Return.

Another piece on The Return is an example of Jason's compositional “sonic-storytelling” called “Moksha: The Elimination of All Duality.” This nearly 17-minute piece is in four movements and tells the story of a soul, from starting in a traditional village, to a battle with death, to a liberated soul, and then the Return to this world with musical echoes of the past and present.

Jason Everett is a performer, composer, and producer who plays a variety of stringed and percussive instruments with his primary instruments being his seven-string fretless bass and acoustic six-string bass. Jason attended Northern Arizona University on a full scholarship for bassoon and started playing jazz professionally at sixteen years old.

Jason has played music outside of the mainstream for most of his career including with the avant-garde space-jazz ensemble, Little Green Men; Flamenco fusion groups, Machete', Deseo Carmin, and Acoustic Fantasy; world fusion groups, Avaaza, Tarana, and Andre Feriante; and Kirtan artists, Gina Sala’ and Girish. Jason has also been recently performing and recording with Bay Area world jazz fusion groups, Facing East and Ancient Future. Jason has created his own groups including Taal Maya, a Shakti inspired Indian fusion project and Pandamonium, which is described as “Prog Rock Jazz Funk.”



Here's what's been said about Jason Everett:

“Through his performance and compositional work, Jason has built respect with major members of the Indian music community and has been hailed by influential guitarists and bassists.” – Geoffrey Larsen, Musical Director of Seattle Metropolitan Chamber Orchestra

“Everett delivers memorable melodies rendered with Eastern vocal vibrato, and engaging ensemble improvisation – all over a spectrum of ever-shifting world grooves and natural-sounding odd meters.” – Bass Guitar Magazine

“Jason’s impressive bass work will dazzle, but his playing transcends the instrument to become a pure source of expression. His compositions are equally full of wonder and atmosphere for a sonic journey. A top-notch musician!”– Kevin Johnson NoTreble Bass Magazine

To purchase Deep Energy Orchestra's The Return: https://deepenergyorchestra.bandcamp.com/album/the-return



For more information:
www.deepenergyorchestra.com
www.facebook.com/deepenergyorchestra

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

Saturday, February 8, 2020

Pallas-An Alternative Arrive Alive

Let's Support This Incredible Band Via Bandcamp! You can name your price!