Showing posts with label Rock. Show all posts
Showing posts with label Rock. Show all posts

Wednesday, October 30, 2024

3Below “Live in Mérida” Featuring Michael Manring (Jaco Pastorius), Trey Gunn (King Crimson), Alonso Arreola Releases November 8, 2024

3Below features three extended range instruments played by Michael Manring (Jaco Pastorius alumni, creator of the Hyperbass), Trey Gunn (Warr Guitarist with King Crimson), Alonso Arreola (Mexican bassist, writer and poet).

Their latest release, “Live in Mérida”, was recorded on November 5, 2023 at the Palacio del La Música de Mérida in the Yucatan in Mexico. During this performance, they were joined by special guest Emmanuel Pina on the oud.

3Below began in a small but significant way when Arreola and Gunn, along with Gunn’s daughter Harper, traveled across Mali and The Dogon in West Africa in 2012. They took their baritone ukuleles with them hoping to touch base with local musicians. Mali is known for its deep musical traditions and by the third day they had found their way in: go into each small village and ask for lessons from the local master drummer or ngoni player (African string instrument). This led to a string of lessons and playing sessions with a variety of musicians from Bamako, Séguo, Mopti, Djenne and throughout the Dogon where they ended up participating in a late-night festival and jam session with the king and queen of Begnemato.

These experiences and the musical languages they learned in Mali set the groundwork for 3Below. This exploded further with bringing in bass legend Michael Manring. Manring is most known for his jaw-dropping solo performances, but he is also a brilliant ensemble player.

3Below first began with live shows in Mexico about one year after their return from Mali. Combining roots from Latin America, Asia, Africa and Europe, the first part of a 3Below live show is acoustic-based with Arreola and Gunn on ukulele and acoustic bass. The second half of the show is full-on electric, with the addition of solo pieces by Gunn and Manring.

Time Out Magazine calls them “Musicians with enormous talent and giant careers.”

“3Below was the triumph of the Alterna Jazz Season.” - The Chronicle on their Centro Cultural Roberto Cantoral, Mexico City performance.

Credits
Alonso Arreola: Percussive Electroacoustic & Electric Basses
Trey Gunn: Warr Guitar, Baritone Ukulele
Michael Manring: Fretless Basses, Caxixi Shaker
Emmanuel Pina: Oud

Live Sound: Nelson Sánchez
Mixed by Trey Gunn at 7d Studios

Track List:
1. Relamparia (Arreola)
2. Mamadou's Mercedes (Arreola)
3. Versos (Arreola)
4. Hard Winds (Gunn)
5. Forest Floor (Gunn, Arreola)
6. Big Fungus (Manring)
7. Lake of Ice (Gunn)
8. Lake of Fire (Gunn)
9. The World Is Everything That Is The Case (Manring)
10. Monkey Businessman (Manring)
11. Culpa (Arreola)
12. Area (arr. Arreola, Pina)

Alonso Arreola - Percussive Electroacoustic & Electric Basses
Joined as time went by on a Saturday afternoon. It was Day of the Dead in Mexico City, November the 2nd. The year: 1974. There were clouds in the sky. When he could believe in something, he chose the movement that animates music and words. With seven albums to his name and as many in collaboration or as a producer, he has created and staged numerous stage projects in more than fifteen countries. He has also written thousands of articles, interviews, reviews, chronicles, poems or stories in magazines and newspapers about music, cinema or gastronomy from four continents, as well as a book about letters from his paternal grandfather (Juan José Arreola). He has done stage shows with authors such as Michel Houellebecq and Agustín Fernández Mallo. He is the author of “Relamparia,” a collection of poems, voices and entertainment published by Attica. For twenty years he has had a bass laboratory with dozens of disciples (LabA), and for twenty-five years he has had a musical column in the cultural supplement of the newspaper La Jornada. He launched the Curandera guitar alongside the Spanish artist Alejandro Sanz and the luthier Antonio Álvarez Bernal. He aspires to be a son of art and become a lightning rod. His favorite animal is the water buffalo.

Trey Gunn - Warr Guitar, Baritone Ukulele
A native Texan who resides in New Mexico, Gunn is known for the unusual 10-string touch guitar that he plays. From the blistering live recordings at the Royal Albert Hall in London with David Sylvian and Robert Fripp (“Damage”, Virgin Records) to ten years recording and touring with King Crimson – a group many contend as the most aggressively, adventurous rock band of all time – Gunn is associated with a constant stream of cutting edges projects.

In addition to the powerful performances and recordings of his groups Tu-Ner, TU, KTU, 3Below, The Security Projectand the multi-mediators Quodia, Gunn has toured and/or recorded with John Paul Jones, Brian Eno, Maynard J. Keenan’s “Puscifer”, Vernon Reid, Azam Ali, David Hykes of the Harmonic Choir and Steven Wilson of Porcupine Tree.

When not on the road, Gunn continues his work scoring for tv/film, runs his own media label (7d Media) and coaches musicians in the creative process.

Michael Manring - Fretless Basses, Caxixi Shaker
Hailed by many as the world’s leading solo bassist, Michael Manring has been pushing back the boundaries of what’s possible on the bass guitar for decades. A student of bass legend Jaco Pastorius, Michael has honed his skills on hundreds of recordings and thousands of live shows around the world, working with a diverse collection of artists including the late guitar genius Michael Hedges, New Age keyboardist Suzanne Ciani, Avant-improv guitar innovator Henry Kaiser, celebrated folk troubadour John Gorka, experimental post-metal rockers Tim Alexander (Primus) and Alex Skolnick (Testament) and electro-pop pioneer Thomas Dolby. He has earned three gold records, Grammy and Bammie nominations, a Berklee School of Music Distinguished Alumni Award, two Just Plain Folks Awards and numerous Bass Player Magazine Readers’ Poll awards including 1994 Bassist of the Year. His YouTube videos have garnered millions of views displaying the expressive skills that have led The San Jose Mercury News to call him “...a virtuoso electric bassist who’s almost single-handedly re-defined the outer limits of the instrument” and The Philadelphia Inquirer to refer to him as simply “...the hottest bassist today.”

Emmanuel Pina - Oud
Biologist, Ph.D. in Biomedical Sciences and multi-instrumentalist musician. Throughout his scientific career, he has been involved in several research projects with international publications in fields such as virology, breast cancer and the development of drugs for the treatment of lymphoma, diabetes, and parasitic diseases. As a self-taught musician, he started playing drums and guitar. Currently specializes in the study and performance of ancient string instruments such as the oud, tar, setar and baglama, as well as modern instruments such as the electric bass and the Chapman Stick. He has been part of various bands and shared the stage with several musicians, including Human, Luz de Riada, Alfonso André, Markus Reuter, and Alonso Arreola in projects such as Rosetta and LabAcústica, which eventually led to his inclusion in 3Below.

To purchase: https://3belowband.com/live/

For more information: https://3belowband.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Tuesday, October 29, 2024

Prog Multi-Instrumentalist Tim Morse To Release New Album “Soundtracks”

Prog multi-instrumentalist Tim Morse will be releasing his eagerly awaited new album “Soundtracks” on November 12, 2024! The title of the album comes from each song being its own musical vignette or individual mini-soundtrack. Tim decided to play all of the instruments on “Soundtracks” by himself - for the first time creating a true solo album. In addition to singing all of the vocal parts, he played: keyboards, acoustic and electric guitars, ebow guitar, mandolin, banjo, other stringed things, bass guitars, drums and hand percussion

Says Tim, “‘Soundtracks’ isn’t a concept album, although I’m sure you could find a theme or concept if you wished. The main thing that was important for me was to follow my muse and record music that truly moved me. Even when writing the lyrics, the words I chose were more for the emotion they evoked rather than their meaning. I decided with this project that I’d write everything from scratch, giving myself a couple of months to create the music needed for the album. There were no rules about the music itself, so Soundtracks is a diverse, eclectic mix of styles and genres. On this album you’ll find a Beatles homage (‘Blueberry Way’), instrumental electronic music (‘Cityscape’), a ballad (‘Lullaby’), and so much more. It was a blast to roll out of bed and think, ‘I feel like recording bass this morning...’ and not depend on anyone else to complete the project. It brought out a fun aspect of experimentation, especially with instruments I’d never played in the past. Lastly, I gave myself the challenge of recording/mixing/mastering the album within six months to keep the project fresh and immediate for me. Overall, I’m very pleased with ‘Soundtracks’ and feel it’s one of the best things I've ever done.”

The first single “Blueberry Way” features a stunning A.I. video created by Doug Reid (Augwolf). Says Tim, “When I wrote the music to the song ‘Blueberry Way’ I noted that the harmonic structure had a mid-sixties British pop feel and leaned into it. The original lyrics were more of a parody, and I felt they didn’t really fit and so I wrote an idealized version of childhood with the refrain ‘Blueberry Way’ being a magical, loving, idyllic place. It’s been great to see that the people who've heard it respond enthusiastically to the song and its message.”

Watch the video: https://www.youtube.com/watch?v=Cuyualo8q7g

Tim Morse began his instrument instruction at a young age and started composing immediately upon picking up the guitar. He later moved onto the piano and studied as a music composition major, writing extended pieces such as a string quartet and two piano sonatas. During this time Tim performed with various rock and fusion bands and played on many recording sessions. Tim’s first album of original music was entitled “Transformation” and was released in 2005. The album was well received by the Progressive Rock community and was recognized as keeping in the tradition of seventies prog-rock yet recorded and performed with a modern edge.

His second album “Faithscience” was released in 2012 and musically it picked up where “Transformation” left off, continuing to explore the best of Progressive Rock. In addition to this release Tim became a member of the Jerry Jennings band and formed The Mangoes with Bret Bingham. The Mangoes released their debut album in 2014 and it was appreciated for its pop sensibility and quirky humor. His more recent solo releases “III” and “The Archaeology Project” were also warmly embraced by critics and fans alike.

Tim’s cover version of the classic Yes song “Awaken” has received the ultimate compliments from members of Yes – Rick Wakeman enthused, “Best YES cover I’ve heard …well done to everybody” and Jon Anderson said, “Great job with ‘Awaken’…the fact you sat around and decided to perform it is a treat…. not an easy work!” Composer/musician Adam Holzman was so impressed by this performance of it that he offered to do his own remix of the song (both versions can be found on Tim’s Youtube channel).

Watch Tim Morse/Parallels 'Awaken' cover version: https://www.youtube.com/watch?v=ay1N95FqXWM

Here’s what the press has said about Tim Morse’s previous albums:

(The Archaeology Project)

Tim Morse has a new compilation out titled ‘The Archaeology Project’ that covers a diverse range of his work, including expansive art rock, intelligent melodic pop, ambient explorations, and elegant acoustic guitar instrumentals...This release is an ideal place to start your exploration of his material.” - Anil Prasad, Innerviews

A well rounded retrospective and a fitting showcase for his musical inspirations and talents.” -Geoff Feakes, DPRP

A great way to discover Tim Morse!” -Music in Belgium

A magnificent fourteen song retrospective of Morse’s music from 2005-2020.” -Exclusive Magazine

Classy...that speaks to both the quality and the consistency of Morse’s music. I can’t think of a better introduction to his music than this CD.” -Gary Hill, Music Street Journal

(Tim Morse III)

There’s no doubt fans of symphonic prog will find much to enjoy. Recommended.” - Jerry Lucky, The Progressive Rock Files

Musically, ‘III’ is enjoyable – occupying the lighter end of the Yes style spectrum.” - PROG Magazine

Recommended for fans of melodic rock with some progressive touches.” - Jon Davis, Expose

(Faithscience)

Tim Morse deserves to make it into the mainstream, as he surely one of the greats of the genre.” - John Bollenberg, iO Pages

A smartly arranged, melodic-symphonic opus.” - John Collinge, Progression Magazine

Probably the biggest surprise of the year…and highly recommended to fans of classic prog.” - Kinesis

(Transformation)

Transformation is a work truly realized, an impressive work of creativity that grows on one even more after repeated listening.” – Andres Valle (Mellotron)

An interesting and expansive collection of symphonic prog songs…it not only rewards repeated listening, it demands it.” – DPRP

Tim is also a published author and his book “Yesstories” has sold over 20,000 copies worldwide. His book “Classic Rock Stories” was published by the St. Martin’s Press and was featured on the Howard Stern show and VH1. He has also written for music magazines over the years including Mix, Guitar World, Keyboard and Bass Player.

Tim will be doing videos and PR to support the release of “Soundtracks.” He’s also working on a duets project that should be released in the New Year. As for live performance, that is completely up to what happens with interest/demand for shows.

In closing Tim has this to impart, “I’m always grateful when anyone takes the time to listen to my music. In this modern age of endless distractions, it is a lovely thing when someone will truly listen to music.”

Release date: November 12, 2024

Soundtracks” is available for preorder on Bandcamp: https://timmorse.bandcamp.com/album/soundtracks
14 track album

For more information:
Tim Morse website: https://timmorse.com/
Facebook: https://www.facebook.com/timmorsemusic
YouTube channel: https://www.youtube.com/c/TimMorseProgRock

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Wednesday, September 25, 2024

KING CRIMSON “Red 50th Anniversary Edition” 2CD / 2Blu-ray & 2LP 200-gram Audiophile Vinyl Available October 25, 2024

50th Anniversary editions of King Crimson’s classic 1974 album
4 disc boxed set with 2 x Blu-ray & 2CDs
2 x Blu-rays featuring completely new mixes of the album in Dolby Atmos, 5.1 DTS-HD MA Surround & Hi-Res Stereo by Steven Wilson, New Elemental Mixes in Hi-Res Stereo by David Singleton, a number of extra tracks drawn from the existing sessions reels mixed by David Singleton, all three mixes of the live album USA in Hi-Res Stereo, 5 audio restored bootleg concert recordings from the 1974 US tour making their debut on disc & the audio restored bootleg of the band’s final US show in Central Park NYC on July 1st, 1974
2 x CDs feature new Stereo + instrumental mixes by Steven Wilson & new Elemental Mixes & a sequence of studio recordings detailing the making of ‘Starless’ mixed by David Singleton
Presented as two vinyl replica sleeves in a rigid slipcase with booklet including photos & new sleeve-notes by King Crimson Biographer Sid Smith

King Crimson:
Robert Fripp: Guitar and Mellotron
John Wetton: Bass and Voice
William Bruford: Percussives
With: David Cross, Mel Collins, Ian McDonald, Robin Miller, Mark Charig

DGM & Panegyric proudly present the 50th anniversary edition of the King Crimson classic album “Red”. A 2 Blu-ray + 2 CD edition features completely new Dolby Atmos, 5.1 DTS-HD Master Audio Surround & Stereo mixes by Steven Wilson taking the music to new levels of clarity & power. “Red” was one of the earliest mixes undertaken by Steven Wilson in 2009 & King Crimson was the first of a number of classic bands & artists to be mixed by Steven so it’s entirely appropriate that he return, some 15 years later, to take the album into the Dolby Atmos era.

What I hear on ‘Red’ is the best representation of 72-74 era line-up in the studio. In effect this is a power trio record and their sound is just huge.” – Steven Wilson

Also featured are a complete album’s worth of Elemental Mixes by long-time King Crimson producer (& band manager) David Singleton – using the original multi-track recordings to present a very different audio picture of the album, with greater separation of instruments & utilizing many recorded elements recorded for, but not included in, the original mixes.

As King Crimson biographer Sid Smith puts it in his new notes for the album: “David Singleton’s elemental mixes pull the veil aside on the original sessions and act as a kind of alternative account, a ‘Red’ that could have been, revealing the different passes and takes that the band undertook as well as those Collins, Charig and McDonald as they engaged with the material”.

Multiple new to disc tracks & studio takes – representing all material to survive from the recording sessions have also been mixed &/or mastered for inclusion, making this the most comprehensive overview of the album to be released.

“Red” was recorded immediately after King Crimson’s final US tour of 1974 & the anniversary edition reflects that by including all three Hi-Res Stereo mixes of the live album “USA” in its full concert versions. Also included are a quintet of audio restored bootlegs being issued on disc for the first time, alongside a bootleg of the band’s final US concert in New York in 1974 which Robert Fripp claimed was: “the first gig since the 1969 Crimson where the bottom of my spine registered ‘out of this world’ to the same degree.”

In the decades since its release, “Red” has gone from being an album that was, upon release, under-promoted – as the band had already split up, to being one of the most lauded albums of its era & (after “In The Court of the Crimson King”), King Crimson’s biggest selling album. Writing in The Mojo Collection in 2000, John Bungey assessed “Red” as, “That rarest of records, the sound of a line-up quitting while ahead”.

By the time King Crimson entered the studio in July 74, the band had spent the best part of two years on the road, recorded two albums along the way (“Larks’ Tongues In Aspic” & “Starless & Bible Black”) & shed two band members en route; percussionist Jamie Muir having quit early 1973, and violin/mellotron player David Cross at the end of the US tour just a week prior to the recording of “Red”.

Crimson had built a reputation as one of the tightest, most powerful bands on the rock circuit. Recording as a trio in Olympic studios in London, with one improv piece (Providence) drawn from that final US tour & with contributions from former members & friends on saxophones, violin, and oboe, the group produced the last Crimson studio album of the 70s & one of the decade’s masterpieces – “Red”.

“Red” emerged as a distillation of everything Crimson had been working towards live & in the studio between 72 and 74. In the half century since its release it has built an enviable, enduring reputation among fans & professional musicians alike – with bands from each succeeding decade citing it as an important influence.

Red - The 50th Anniversary Edition”

Disc 1 CD 2024 mixes and Additional Material
1 Red
2 Fallen Angel
3 One More Red Nightmare
4 Providence
5 Starless
Additional Material
2024 Instrumental Mixes
6 Fallen Angel
7 One More Red Nightmare
8 Starless - Edit
Produced and Mixed by Steven Wilson
* 9 Providence - Complete Track
Produced and Mixed by Robert Fripp and David Singleton

Disc 2 CD Elemental Mixes and Session Material
Elemental Mixes
1 Red
2 Fallen Angel
3 One More Red Nightmare
4 Starless - Percussion
5 Starless
The Making of Starless
6 Starless - Mellotron
7 Starless - Three Saxophones
8 Starless - Basic Take
9 Starless - Sax Solos
10 Starless - Cornet and Guitar Solos
11 Starless - Cornet takes
Produced and Mixed by David Singleton

Disc 3 Blu-Ray
USA
I * 1 June 28th, 1974, Casino Arena, NJ
DTS-HD MA 24/192 Stereo, 2013 Mix
Mixed by Robert Fripp, David Singleton and Tony Arnold
* 2 June 28th, 1974, Casino Arena, NJ
24/48 Stereo, 2005 Mix
Mixed by Ronan Chris Murphy
24/96 Stereo, 30th Anniversary Mix
* 3 June 28th, 1974, Casino Arena, NJ
24/48 Stereo, Original album mix
A Crimson Production, Remastered by Simon Heyworth and Robert Fripp, 2001
II USA Tour Concerts
24/48 Stereo
1 April 17th, 1974, Muthers, Nashville, TN
2 April 20th, 1974, Hollywood Sportatorium, Miami, FL
3 May 1st, 1974, Felt Forum, New York, NY
4 June 4th, 1974, Municipal Auditorium, San Antonio, Texas, TX
5 June 19th, 1974, Shrine Auditorium, Los Angeles, California, CA
The Final US Concert
24/48 Stereo
* 6 July 1st, 1974, Central Park, New York, NY

Disc 4 Blu-Ray
I Red
2024 mixes and Additional Material

Dolby Atmos/DTS-HD MA 5.1 Surround/24/96 Stereo
1 Red
2 Fallen Angel
3 One More Red Nightmare
4 Providence
5 Starless
Produced and Mixed by Steven Wilson
II Elemental Mixes and Session Recordings, 24/192 DTS-HD MA Stereo
Elemental Mixes
1 Red
2 Fallen Angel
3 One More Red Nightmare
4 Starless - Percussion
5 Starless
Three More Red Nightmares
1 One More Red Nightmare - Early Guide Vox Section
2 One More Red Nightmare - Saxophone Overdub Section
3 One More Red Nightmare - Bass and Drums
The Making of Starless
1 Starless - Mellotron
2 Starless - Three Saxophones
3 Starless - Basic Take
4 Starless - Sax Solos
5 Starless - Percussion
6 Starless - Cornet and Guitar Solos
* 7 Starless - Cornet takes ~
Produced and Mixed by David Singleton except 7 ~ Produced and Mixed by Alex R Mundy sourced
at 24/48
* 1 Providence - Complete Track
Produced and Mixed by Robert Fripp and David Singleton
2 Think Again - Fragment
Mastered by Alex R Mundy from a John Wetton 1/4" file tape
III 2024 Instrumental Mixes, 24/96 Stereo
1 Fallen Angel
2 One More Red Nightmare
3 Starless (edit)
Produced and Mixed by Steven Wilson
IV * Original Masters, 24/96 Stereo
30th Anniversary Master
1 Red
2 Fallen Angel
3 One More Red Nightmare
4 Providence
5 Starless
* Indicates material previously available on disc
All other material newly mixed/new to disc

Red” 2024 Steven Wilson Mixes & 2024 David Singleton Elemental Mixes
2 x 200gm vinyl
50th Anniversary editions of King Crimson’s classic 1974 album
2LP set pressed on 200-gram audiophile vinyl
LP1 features all new 2024 stereo mixes by Steven Wilson
LP2 features all new 2024 elemental mixes by David Singleton
Cut by Jason Mitchell at Loud Mastering

Whilst mixing the album for Dolby Atmos, Steven Wilson also prepared new stereo & 5.1 mixes. Those new stereo mixes are what appears as LP1 of this 2LP set. LP2 consists of a complete album’s worth of Elemental Mixes by long-time King Crimson producer (& band manager) David Singleton – using the original multi-track recordings to present a very different audio picture of the album, with greater separation of instruments & utilizing many recorded elements recorded for, but not included in, the original mixes.

To pre-order:
2CD/2Blu-ray - https://burningshed.com/kingcrimson/king-crimson_red_2cd_2blu-ray
2LP - https://burningshed.com/kingcrimson/king-crimson_red_double-vinyl

For more information:
http://www.dgmlive.com

For further information, please contact: info@panegyric.net

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Monday, September 23, 2024

Progressive Rock Band Mile Marker Zero to Release Third Full Length Album “Coming of Age” on October 4, 2024

“Coming of Age” is the third full length album from Progressive Rock Band Mile Marker Zero. Following up on their previous album “The Fifth Row”, Mile Marker Zero has shifted from a concept album focused on technology about the exponential growth of AI, to a more human reflection on growing up and the nostalgic experiences of childhood.

“Coming of Age” is eight tracks of new music which is the band’s most mature material to date. To go with the theme of nostalgia, the full album was only released in physical form (CD) on July 6, 2024. The band played a hugely successful album release show and made the album available only via live shows, their website and Bandcamp.

Throughout 2024, Mile Marker Zero released three singles to all streaming platforms: “Best Is Yet To Come”, “Towns to Grow Up In” and an edited version of “Bizarre”. The songs were well received, helping the band reach nearly 30,000 monthly listeners on Spotify at the time of release. The album will now be released via all streaming platforms on October 4, 2024.

Mile Marker Zero, has garnered a dedicated fan base and achieved remarkable milestones since the band’s formation. With their dynamic sound and captivating storytelling, they’ve made a lasting impact on the music scene. Their last studio album, The Fifth Row, has resonated with listeners worldwide through strategic projects. Mile Marker Zero’s song “The Architect” was featured in the acclaimed “NASCAR Heat 4” video game, introducing their music to a wide audience of racing enthusiasts. Furthermore, the band broke new ground as the first unsigned artist to be featured in the popular Harmonix/MTV Games video game series, Rock Band, which enjoyed massive success on the Xbox platform. Through their unwavering commitment to musical excellence and their ability to connect deeply with listeners, Mile Marker Zero continues to push boundaries and carve their own path in rock.

With “Coming of Age” they are widening that path and reaching ever-growing audiences. The band features Dave Alley (Vocals), John Tuohy (Guitars), Mark Focarile (Keyboards), Jaco Lindito (Bass) and Doug Alley (Drums). Mile Marker Zero is from New Haven, Connecticut, USA , and has shared the stage with diverse artists such as Porcupine Tree, Riverside, Periphery, Underoath, Spocks Beard, Adrenaline Mob and many others. They have also performed at RosFest and Progstock Festivals.

Says Mark, “Our hope is that these songs strike a personal chord with listeners, bringing their own life experiences to the surface. We want this music to take them back to moments that mattered and in the end shaped who they've become. We're incredibly excited to let this music out into the wild, and look forward to everyone experiencing it.”

Mile Marker Zero’s dynamic mix of a modern Steven Wilson/Riverside gloss built upon classic Rush and Yes influences has the necessary bite to engage, and enough creative decisions to earn your attention.” - Progressive Subway

Cool prog flourishes throughout the record...but grounded in the great melodic rock style.” - Nathan on Shuffle

These five Americans know how to write expansive, exciting and at the same time outrageously catchy songs” - Powemetal.de

To support their new release, the band will focus on playing shows regionally through the rest of this year and doing festivals and broader touring next year.

Says Mark, “Our hope is that listeners hear these songs and they resonate within their own life experiences. We hope the sounds and imagery connect them to a time and place in their lives which made a lasting impact. Looking back can help propel you forward with an inspired view to find better days ahead.”

To purchase:
mmzofficial.bandcamp.com
www.milemarkerzero.com
https://justforkicks.de/shop/progressive/18073/coming-of-age (Europe)
iTunes, Amazon Music

For more information:
www.milemarkerzero.com
facebook.com/milemarkerzero
Instagram, tiktok @mmzofficial
youtube.com/mmzofficial

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Friday, September 20, 2024

Prog Artist Leon Alvarado Announces New Video For “The Changing Tide”

Acclaimed musician Leon Alvarado is thrilled to announce the upcoming release of the official video for the title track of his critically praised album, “The Changing Tide.” Set to premiere on Friday, September 20th, the video showcases mesmerizing visual sequences created by video artist Nuutti Kataja, marking an exciting collaboration between the two artists.

Reflecting on the new project, Alvarado shares, “In my previous video, we explored some really immersive imagery, where viewers felt as though they were stepping into a surrealistic painting. For this new video, I wanted to push the boundaries even further by blending a more realistic feel within a fantastical setting. Nuutti and I worked closely on gathering reference material and discussing different approaches to bring the scenes to life. When we ran some initial tests, I knew we were onto something special. The final sequences are stunning and flow seamlessly with the music. Nuutti did an outstanding job translating our vision into a visual masterpiece.”

Alvarado also commented on the use of modern technology in the creative process: “There’s a lot of debate around artificial intelligence, but I believe that when used properly, it can enable incredible visuals that might otherwise be prohibitively expensive to achieve. In the right hands, it can be a powerful tool for creativity.”

Musically, the video highlights Alvarado takes on drums, keyboards, and bass, while Edoardo Scordo, guitarist from Brit Floyd, lends his skill on guitar and slide guitar. The track was mixed and produced by Alvarado, with final mastering by renowned engineer Maor Appelbaum.

Fans of Alvarado and new listeners alike can look forward to the innovative blend of music and visuals in this highly anticipated video release.

You can view the video over at: https://www.youtube.com/@leonalvarado

THE CHANGING TIDE Video Release date: September 20, 2024

Credits:
Leon Alvarado: Drums, Keyboards Bass & Effects
Edoardo Scordo: Guitars and slide Guitar
Produced and mixed by Leon Alvarado
Mastered by Maor Appelbaum
A.I. Video sequences by Nuutti Kataja.
Editing by Nuutti Kataja and Leon Alvarado
Titles by Synergy Design
Record on: Melodic Revolution Records

About Leon Alvarado:
Leon Alvarado is a progressive rock artist known for his innovative fusion of electronic and rock music. Over the course of more than two decades, Alvarado has consistently demonstrated his ingenuity as a musician, constantly expanding the horizons of his artistic vision with each successive project. His repertoire boasts collaborations with esteemed figures in the Prog rock scene, earning him widespread acclaim and nurturing a devoted fanbase worldwide. Beyond his own musical creations, Leon frequently collaborates with bands and promoters, channeling his artistic skills into crafting fascinating album covers and promotional tour materials.

For more information:
https://leonalvarado.bandcamp.com
or follow Leon Alvarado on https://www.instagram.com/leonalvarado80/

For press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Wednesday, September 18, 2024

Mothers of Invention Keyboard & Synthesizer Legend Don Preston Embarks on First European Solo Tour September 2024

Pianist & Synthesizer legend Don Preston will be touring Europe starting in September (tour dates below). Don Preston leads a life filled with music, innovation, and experimentation in acoustic and electronic music. “Groundbreaking” is a phrase that is clearly overused. With Don it rings true. One of the first performers to drag a pile of oscillators and filters onstage, he brought his classical training to the Avant Garde. In the early 60s Frank Zappa would come to see Don’s “electronic music with films of bacterial life” shows in Los Angeles. Don was soon in Zappa’s radical new group The Mothers Of Invention, touring and playing on classics like “We're Only In It For The Money” and “Roxy & Elsewhere” from 1966 to 1973.

Don has played with everyone from Elvin Jones, Gil Evans, and Nat King Cole to The Residents, Jack Bruce and Robbie Krieger.  His keyboard solos on Zappa albums, as well as countless soundtracks like Coppola’s “Apocalypse Now,” are considered ground-breaking moments in synthesizer music history.

Still very active in his 90’s, Don was there for the dawn of electronic musical performance, and today grafts new technologies into his experimental palette with software synths & iPhone apps, blending jazz, rock, comedy, magic and ambient synths into a captivating performance.

DON PRESTON SOLO EUROPEAN TOUR
9/24 Porgy & Bess Vienna
9/25 Prague Czech
9/26 Prague Czech
9/27 Broumod Under
9/29 NordHausen, Germany
9/30 Bb (Jazz Club) Berlin, Germany
10/2 Weert, Netherland
10/3 Russelsheim, Germany
10/5 Brussels, Belgium
10/6 Stuttgart, Germany

The guy that really impressed me was Don Preston, I didn’t know what that stuff was when I heard it on Frank Zappa's records. I said, ‘Man!’” - GEORGE DUKE

Preston not only brought his skewed piano sensibility into the creative jazz context, he lugged along a little of his zany synthesizer as well…touching on all these associations (Carla and Paul Bley, John Carter, Zappa and Cole Porter), showing what he can do twisting a standard around and delving a bit into his own compositional bag as well. Preston resides on the edge of tonality, toying with it.” – DOWNBEAT

Revisiting choice moments of weirdness and glory, as well as dig into original works and unlikely standards, is not to be missed. The range of program is somewhat camouflaged by the seamless interplay of Preston and cohorts. They possess a cohesion born of fluidity that is reminiscent of Paul Bley’s 60’s trios, but they have their own crisp edge. It is a high common denominator for such a diverse program.” – JAZZTIMES

Best known as the first synth wielding Mother of Invention - Frank Zappa’s keyboardist aide de camp, to others he is an avowed New Music experimentalist, whose work in theatre, and with assorted sonic daredevils is the stuff of underground acclaim.......in the jazz orbit Preston’s credits have included Gil Evans, Carla Bley, Buell Niedlinger, Michael Mantler, John Carter, and Bobby Bradford” – DOWNBEAT

Preston demonstrated anew that he is one of the most consistently exciting keyboardists anywhere, he plays with an intensity and a rhythmic vitality that approached the demonic, at climactic moments smashing the keys with a forearm and elbow, as if the piano were just not instrument enough for him.” - LA JAZZ SCENE

DON PRESTON DISCOGRAPHY
http://en.wikipedia.org/wiki/Don_Preston#Discography

DON PRESTON ON FACEBOOK
https://www.facebook.com/don.preston.54540

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Monday, September 16, 2024

NEW ‘SPECIAL EDITION’ OF GONG’S ‘UNENDING ASCENDING’ SET FOR RELEASE ON KSCOPE SEPTEMBER 20, 2024

INCLUDES 6 BONUS TRACKS RECORDED LIVE FROM EDINBURGH IN 2024

Progressive, psychedelic rock pioneers Gong have announced a new special edition of their highly praised 2023 release Unending Ascending today. The new release, a CD package with an 8-page booklet, includes 6 previously unreleased bonus tracks recorded live from the band’s superb 2024 show at Edinburgh’s Summerhall as part of the ‘Gong + Ozric Tentacles UK Tour’.

The release coincides with Gong’s extensive late-2024 North American & European tour which will see them play shows across the USA, Netherlands, Germany, Denmark, Sweden and Poland, amongst others. “It’s been a long time coming but, following the release of Unending Ascending, Gong are delighted to be playing in the US. No minds left unblown or else” says Kavus Torabi.

Cosmic rock of the highest order” - PROG

If Unending Ascending is your first time encountering Gong, this is a spectacular introduction” - LOUDER THAN WAR

PRE-ORDER GONG UNENDING ASCENDING SPECIAL EDITION CD DIGIPAK WITH 8-PAGE BOOKLET: https://gong.lnk.to/UA_special_edition

GONG UPCOMING SHOWS
15/08 Woodstock Forever ’24, Eisfeld - DE
16/08 The Forum, Tunbridge Wells - UK
17/08 A New Day Festival, Hernhill - UK
24/09 Chapel at Muhlenberg College, Allentown PA - USA
25/09 The Southern Music Hall, Charlottesville VA - USA
26/09 King's Raleigh, Raleigh NC – USA
27/09 The Grey Eagle, Asheville NC – USA
28/09 Mockingbird Theater, Franklin TN – USA
30/09 The Pyramid Scheme, Grand Rapids MI – USA
01/10 Reggie’s, Chicago IL – USA
02/10 Shank Hall, Milwaukee WI – USA
03/10 Token Lounge, Detroit, Westland MI – USA
04/10 Ludlow Garage, Cincinnati OH – USA
05/10 Irving Theater, Indianapolis IN – USA
06/10 Beachland Ballroom, Cleveland OH – USA
09/10 75 Stutson Street Auditorium Stage, Rochester NY – USA
10/10 Homer Arts Center, Homer NY – USA
14/10 Space Ballroom, Hamden CT - USA
15/10 The Iron Horse, Northampton MA – USA
17/10 The Strand Theater, Hudson Falls NY – USA
19/10 Orion Studios, Baltimore MD – USA
20/10 Progstock Festival @ Williams Center, Rutherford NJ – USA
07/11 O13, Tilburg - NL
08/11 Boerderij, Zoetermeer - NL
10/11 MS Stubnitz, Hamburg - DE
11/11 Hotel Cecil, Copenhagen - DK
12/11 Babel, Malmö - SE
13/11 Musikens Hus, Goteborg - SE
15/11 Debaser, Stockholm - SE
16/11 Rockland, Sala - SE
18/11 Validi Karkia Club, Pori - FI
19/11 Louhisali, Espoo - FI
21/11 Hybrydy, Warsaw - PL
22/11 Kuźnia, Bydgoszcz - PL
23/11 CK Zamek, Poznan - PL
24/11 Rialto, Katowice - PL
26/11 Kofferfabrik, Fürth - DE
27/11 KuBa, Jena - DE
28/11 Akropolis, Prague - CZ
29/11 Kino Ebensee, Ebensee - AT
30/11 Porgy & Bess, Vienna - AT
03/12 Backstage, Munich - DE
04/12 Das Rind, Rüsselsheim - DE
05/12 Jubez, Karlsruhe - DE
06/12 Cafe de la Danse, Paris - FR
07/12 Le Grillen, Colmar - FR
09/12 Harmonie, Bonn - DE

TICKETS: https://www.gongband.com/shows/

The universe of Gong began in 1969 when visionary Daevid Allen was inspired by a profound psychedelic vision. A founder member of Soft Machine, Allen incorporated his spiritual and metaphysical leanings into an evolving collective. More a mythology than a band in the conventional sense, Gong established itself as one of the most unique, innovative, and experimental rock groups of the seventies, through an exploratory mix of rock, jazz and psychedelia with elements of mysticism and surrealism, unafraid to deliver its messages directly, obliquely or whimsically.

Watch the videos for:
My Guitar Is A Spaceship - https://youtu.be/RrJRaWzXvW8
Tiny Galaxies - https://youtu.be/jqoFLJlxpWw
All Clocks Reset - https://youtu.be/PVjU7LX0YiQ

The current incarnation, who were put together by Daevid for his swansong album with Gong, I See You, honour his intention that Gong do not die with him, urging the band to “carry it on into new unknown heights and depths far beyond anything I could ever imagine myself”.


Photo credit – Layla Burrows

For promo photos and further media please head to: https://kscopemusic.com/media/gong/

The current lineup of Kavus Torabi, Dave Sturt, Fabio Golfetti, Ian East and Cheb Nettles is the most stable in Gong's illustrious history, having written, recorded and toured together for eight years since Allen's passing. A dynamic, powerful and explosive live band, their music draws from the credo of the original Gong while remaining committed to pushing the composition, performances and message into new realms, paying no mind to nostalgia.

The Unending Ascending Special Edition will be released on Kscope on 27th September on digipak CD with an 8-page booklet. Pre-order: https://gong.lnk.to/UA_special_edition

GONG ONLINE:
https://www.gongband.com
https://gongband.bandcamp.com
https://www.facebook.com/officialgong
https://twitter.com/gong_band
https://open.spotify.com/artist/47yvARr7dCOKqvjDVwfbf3
https://music.apple.com/us/artist/gong/6663678
https://kscopemusic.com/artists/gong
https://linktr.ee/gongband

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Wednesday, September 11, 2024

Be-Bop Deluxe Legend Bill Nelson “Quit Dreaming & Get On the Beam” 3CD/1Blu-ray Deluxe Box Set Available December 6, 2024

DELUXE 3CD + 1 BLU-RAY LIMITED EDITION BOX SET OF THE CLASSIC 1981 ALBUM BY BILL NELSON.

FEATURING AN ADDITIONAL 53 BONUS TRACKS DRAWN FROM NEW 5.1 SURROUND SOUND & STEREO MIXES OF THE QUIT DREAMING SESSIONS FROM THE ORIGINAL MULTI-TRACK MASTER TAPES BY STEPHEN W TAYLER & RARE SINGLES & RADIO SESSIONS.

INCLUDES A LAVISHLY ILLUSTRATED BOOK WITH MANY PREVIOUSLY UNSEEN PHOTOGRAPHS & NEW ESSAY, PLUS POSTCARDS AND A REPLICA POSTER.

DO YOU DREAM IN COLOUR - PROMOTIONAL VIDEO

The album was originally recorded in 1979 with sessions taking place for an intended follow up album by Bill’s recently formed group RED NOISE. However, EMI Records, Bill’s then record label, declined to release the recordings and the material remained unreleased. Four recordings appeared as the ‘Do You Dream in Colour’ EP on his Cocteau label in 1980. The following year Bill licensed the original stereo mixes of the album to Mercury Records who issued the album in the Spring of 1981. A ground-breaking record, “Quit Dreaming & Get On the Beam” reached a peak of number seven on the UK charts and is to date Bill’s most commercially successful album.

This limited and expanded edition boxed set features a newly remastered version of the original album mix, but also features an additional 53 tracks drawn from new stereo & 5.1 Surround Sound mixes by Stephen W Tayler of all the surviving recording sessions from 1979, along with a previously unreleased radio session from March 1981, a BBC JOHN PEEL session from June 1981 and a collection of rare single tracks from the era. Also included is the rare promotional film of ‘Do You Dream in Colour?'

The box set has an illustrated 68-page book and an essay and also includes postcards and a poster, making this release the definitive statement on one of Bill Nelson’s great works.

TRACK LISTING

DISC ONE

QUIT DREAMING & GET ON THE BEAM THE ORIGINAL STEREO MIX

1 Banal
2 Living in My Limousine
3 Vertical Games
4 Disposable
5 False Alarms
6 Decline and Fall
7 White Sound
8 Life Runs Out Like Sand
9 A Kind of Loving
10 Do You Dream in Colour
11 U.H.F.
12 Youth of Nation on Fire
13 Quit Dreaming and Get on the Beam

DISC TWO

SINGLES & RADIO SESSIONS 1980 - 1981

1 Ideal Homes (original single mix)
2 Instantly Yours (original single mix)
3 Atom Man Loves Radium Girl
4 Dada Guitare
5 Banal (extended mix)
6 Turn to Fiction
7 Hers is a Lush Situation
8 Mr. Magnetism Himself
9 Youth of Nation on Fire (extended mix)
10 Be My Dynamo
11 Rooms With Brittle Views
12 All My Wives Were Iron
13 Living in My Limousine (remix)
14 Birds of Tin
15 Love in the Abstract
16 Konny Buys a Kodak (radio session 1981)
17 After Life (radio session 1981)
18 Boom Year Ahead (radio session 1981)
19 Art of Vision (radio session 1981)
20 Rooms With Brittle Views (radio session 1981)
21 Stay Young (radio session 1981)
22 Sleep Cycle (radio session 1981)
Jazz (radio session 1981

DISC THREE

QUIT DREAMING & GET ON THE BEAM SESSIONS - NEW STEREO MIXES BY STEPHEN W TAYLER

1 Banal
2 Living in My Limousine
3 Vertical Games
4 Disposable
5 False Alarms
6 Decline and Fall
7 White Sound
8 Life Runs Out Like Sand
9 A Kind of Loving
10 Do You Dream in Colour
11 U.H.F.
12 Youth of Nation on Fire
13 Quit Dreaming and Get on the Beam

Bonus tracks

14 The World and His Wife
15 Dancing Music

DISC FOUR

QUIT DREAMING & GET ON THE BEAM SESSIONS – HIGH RESOLUTION 5.1 SURROUND SOUND & NEW STEREO MIXES BY STEPHEN W TAYLER - BLU-RAY

1 Banal
2 Living in My Limousine
3 Vertical Games
4 Disposable
5 False Alarms
6 Decline and Fall
7 White Sound
8 Life Runs Out Like Sand
9 A Kind of Loving Do You Dream in Colour
10 U.H.F.
11 Youth of Nation on Fire
12 Quit Dreaming and Get on the Beam

Bonus tracks

13 The World and His Wife
14 Dancing Music
15 Do You Dream in Colour video

For more information: https://www.cherryred.co.uk/bill-nelson-quit-dreaming-get-on-the-beam-3cd-1blu-ray-deluxe-box-set

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Monday, September 9, 2024

Rick Wakeman & Gordon Giltrap “From Brush & Stone” Limited Edition 180GM Clear Vinyl Available For Pre-order

CLEAR VINYL Signed by both Rick Wakeman and Gordon Giltrap - Limited to 250 Copies

“From Brush & Stone” is a studio album by guitarist Gordon Giltrap and keyboardist Rick Wakeman. The album is the first opportunity to record together for Gordon Giltrap and Rick Wakeman. Both are longtime friends who have been on separate musical paths for forty years.

“Having known Gordon for more years than we both care to remember and having great admiration for both his musical and technical ability plus his unique style of composing, it was a no-brainer for us to produce this album together. Logically, I played exactly what I felt was needed on Gordon’s compositions and he played exactly what he felt was needed on mine - another no-brainer. It’s one of those albums where every time you listen to it you discover something new in the music. Each track evokes a different emotion for the listener which indeed it did for Gordon and myself when we recorded the tracks. An album I think we can be rightly proud of.” – Rick Wakeman

“In 1963 at age 15 I was forced to leave school by my well-meaning father, suggesting that I learn a trade thus abandoning any hope I had of going to art college. Since becoming a writer of tunes I think subconsciously I have been using music as my creative canvas. I have always found that paintings have been a great source of inspiration culminating in 1976 with the William Blake inspired Visionary album and then in 1981 with Peacock Party followed by the Pre-Raphaelite inspired Brotherhood Suite. When the opportunity came along to make an album with my old friend and towering keyboard genius Rick Wakeman I put forward my Brotherhood Suite as a concept and starting point. Rick responded very positively and came back with his idea of classical sculpture as an inspiration. This he did superbly. I was given the luxury of time to work on his compositions, about 6 months in fact, and I hope I did justice to his creations. It was and continues to be an honour to have worked with one of the great Godfathers of progressive rock.” - Gordon Giltrap

Tracklist:
Side One 1. The Savannah Bird 2. Caesar Augustus 3. The Kiss 4. Hermes
Side Two 1. The Thinker 2. David 3. The Discus Thrower 4. The Last of England Spring
Side Three 1. The Death of Chatterton 2. The Light of the World 3. World 4. By Angle Tarn 5. Maddie Goes West
Side Four (Previously Unreleased) 1. A Dublin Day 2. Down The River 3. Isabella's Wedding

Personnel:
Gordon Giltrap - guitars
Rick Wakeman - keyboards
Production
Produced by Erik Jordan, Gordon Giltrap and Rick Wakeman.
Guitar recording sessions engineered by Paul White at Malvern Studios.
Keyboard recording sessions engineered by Erik Jordan at Pavilion Studios.
Mixed by Erik Jordan at Jordan Audio Studios.
Artwork by Jan Leytham-Gain.
Additional photography by Lee Wilkinson.
Special thanks to Malcolm 'Mad Malc' Welch.

To pre-order:
https://www.rickwakemansmusicemporium.com/products/rick-wakeman-and-gordon-giltrap-from-brush-and-stone-vinyl

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Thursday, September 5, 2024

Soft Machine’s THEO TRAVIS “AELOUS” One Hour Duduk Meditation CD/Blu-ray Featuring Production and Soundscapes by Steven Wilson Available September 6th, 2024

Theo Travis is widely known due to his work with his own bands and (among others) Soft Machine, Steven Wilson, Robert Fripp, Gong, Porcupine Tree and many more
Theo’s previous releases of duduk music on YouTube have become something of a sensation. The piece “Ancient Soul, Modern Times” (which is included on the Blu-ray) has amassed over 1 million listens
Steven Wilson is one of the world’s most sought-after producers, mix engineers and remixers of multi-channel Surround Sound and Dolby Atmos audio
Both artists enjoy a significant fan-base

When Theo Travis began experimenting with long-form improvised instrumentals for duduk - a woodwind instrument from Armenia sometimes described as ‘the saddest sounding instrument in the world’ - he could hardly have imagined a world in which such a one-hour piece would clock up in excess of a million plays on YouTube. Yet that is precisely what happened, with the multi-functional music finding fans purely in its own terms as well as for an array of uses from meditation to yoga, to relaxation and more. Something about the sound, the performances, the context, found, built and maintained a much wider audience than most, far more mainstream music. All of this was achieved without hype, marketing or a dedicated record label supporting the release.

Extending the idea, earlier this year Theo worked with producer Steven Wilson, (who has previously mixed and mastered many of Theo’s solo recordings and in whose band Theo has played) to produce a new duduk improvisation in multi-channel audio as well as stereo, with soundscapes assembled by Steven Wilson from Theo’s alto flute playing. The result is a stunning and utterly unique piece of work which helps to define new possibilities for so-called “immersive audio”, without losing focus on the pure sound and inherent musicality of the duduk improvisations which have struck such a chord with a wide and growing audience online.

The new piece “Aeolus” (again, one hour long) appears in Dolby Atmos, DTS-HD MA 5.1 Surround Sound and 24/96 high resolution stereo on the Blu-ray and in standard 16/44 audio on the accompanying CD.

Watch the promotional trailer: https://www.youtube.com/watch?v=Z0ceR1EkiO4

TRACKLISTING:

CD:
Aeolus (60mins)

Blu-ray:
Aeolus (60 mins)
Dolby Atmos, DTS-HD MA Surround (5.1) & 24/96 LPCM stereo

Aeolus (4 min edit)
24/96 LPCM stereo.

Ancient Soul, Modern Times (60 mins)
24/96 LPCM stereo.

AEOLUS: Composed by Theo Travis and Steven Wilson
Theo Travis – Duduk and Alto flute
Steven Wilson – Production & Soundscapes

Ancient Soul, Modern Times: Composed by Theo Travis
Theo Travis – Duduk & Soundscapes

To pre-order: https://burningshed.com/theo-travis_aeolus_cd_blu-ray?filter_name=aeolus&filter_sub_category=true

For more information: https://www.theotravis.com/

For further information, please contact: info@panegyric.net

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com


Wednesday, September 4, 2024

DELUXE HARDBACK BOOK EDITION OF PORCUPINE TREE'S ICONIC 2007 ALBUM FEAR OF A BLANK PLANET ANNOUNCED

SET FOR RELEASE ON 25th OCTOBER 2024 ON THE TRANSMISSION LABEL

PRE-ORDER THE NEW 2024 6-DISC EDITION OF PORCUPINE TREE’S FEAR OF A BLANK PLANET

London label Transmission have announced a new edition of Porcupine Tree’s Grammy-nominated 2007 album Fear Of A Blank Planet. With a 112-page hardback book, five CDs, and a Blu-ray disc, the new edition includes remasters of Fear Of A Blank Planet and the Nil Recurring mini album, approximately 55 minutes of previously unreleased demos, an early live performance of a still work-in-progress version of the album, as well as BBC and instore session recordings - the most complete collection of the album and related material to date.

The set consists of:

112-Page Hardback Book: The centrepiece of this collection is a 112-page book, with an in-depth examination of the process of creating the album by Stephen Humphries with interviews, alongside rare photographs from photographers Lasse Hoile & Carl Glover.

Disc 1 (CD): 2024 remaster of Fear Of A Blank Planet.

Disc 2 (CD): 2024 remaster of Nil Recurring EP.

Disc 3 (CD): Approx 55 minutes of previously unreleased demos by both band and Steven Wilson, offering a rare insight into the creative process for the album, including 2 tracks not recorded for the final album.

Disc 4 (CD): A live recording of a work-in-progress version of the album made at The Garage, Saarbrucken on 23rd September 2006, while the band were still refining and developing the material.  This has been mixed from the multitrack tapes for the first time for this edition.

Disc 5 (CD): A 5 track BBC radio session (Maida Vale Studios, 13th April 2007) plus an 8-song acoustic / unplugged in-store performance from Park Avenue, Orlando (4th October 2007).

Disc 6 (Blu-ray): Includes remastered stereo and 5.1 surround sound mixes of Fear Of A Blank Planet and Nil Recurring, as well as a new 2024 documentary - 'The Making of Fear Of A Blank Planet'. Also features 3 music videos, 3 songs performed live on film at The Palladium, Koln (4th December 2007) and 2 live visual films (‘Sleep Together’ and ‘Anesthetize’).

WATCH THE TRAILER FOR FEAR OF A BLANK PLANET 2024

"An aggressively modern merger of Rush’s arena art rock, U.K. prog classicism —especially Pink Floyd and King Crimson — and the post-grunge vengeance of Tool" - Rolling Stone

Originally released in 2007, Fear Of A Blank Planet is Porcupine Tree's ninth studio album and both band and fans alike consider it to be a high point in their catalogue. Their biggest selling album at the time, it was the band’s first album to break into the Billboard Top 100 in the USA as well as charting significantly across Europe, earning them a Grammy nomination in the process. The album includes guest appearances from Robert Fripp (King Crimson) & Rush guitarist Alex Lifeson and featured in Rolling Stone Magazine’s Greatest Prog Albums Of All Time as well as being named Classic Rock’s Album of the Year in 2007.

A concept album inspired by the Bret Easton Ellis novel Lunar Park, Fear Of A Blank Planet’s lyrics address how the adolescent protagonist battles his terminal boredom and attention-deficit disorders with a regimen of prescription drugs, TV, computer gaming, mindless violence, empty sex, and self-harm.


Photo by Carl Glover

Following the release of Fear Of A Blank Planet in 2007, Porcupine Tree solidified their reputation as one of the rock’s most celebrated bands with their 2009 release The Incident garnering critical acclaim and earning the band another Grammy nomination. After a significant hiatus while members moved on to other projects, 2022’s highly anticipated return with Closure/Continuation demonstrated the band's unwavering commitment to pushing the boundaries of their sound.

FEAR OF A BLANK PLANET DELUXE TRACKLISTING

DISC 1
1. Fear Of A Blank Planet (2024 Remaster) [07:28]
2. My Ashes (2024 Remaster) [05:09]
3. Anesthetize (2024 Remaster) [17:52]
4. Sentimental (2024 Remaster) [05:26]
5. Way Out Of Here (2024 Remaster) [07:37]
6. Sleep Together (2024 Remaster) [07:28]

DISC 2
1. Nil Recurring (2024 Remaster) [06:15]
2. Normal (2024 Remaster) [07:08]
3. Cheating The Polygraph (2024 Remaster) [07:10]
4. What Happens Now? (2024 Remaster) [08:24]
5. Fear Of A Blank Planet (Tour Live intro) [02:02]

DISC 3
1. Fear Of A Blank Planet (Demo) [07:01]
2. My Ashes (Demo) [05:09]
3. Anesthetize (Demo) [16:49]
4. Sentimental (Demo) [05:03]
5. Cheating The Polygraph (Demo) [07:07]
6. Sleep Together (Demo) [07:26]
7. Always Recurring (Demo) [03:49]
8. Hey Sleeper (Demo) [03:36]

DISC 4
1. Fear Of A Blank Planet (Live at Garage, Saarbrucken, 23 September 2006) [09:05]
2. My Ashes (Live at Garage, Saarbrucken, 23 September 2006) [05:44]
3. Anesthetize (Live at Garage, Saarbrucken, 23 September 2006) [17:12]
4. Sentimental (Live at Garage, Saarbrucken, 23 September 2006) [05:07]
5. Cheating The Polygraph (Live at Garage, Saarbrucken, 23 September 2006) [06:58]
6. Sleep Together (Live at Garage, Saarbrucken, 23 September 2006) [08:11]

DISC 5
1. Blackest Eyes (BBC Session, Maida Vale, 13 April 2007) [04:27]
2. Fear Of A Blank Planet (BBC Session, Maida Vale, 13 April 2007) [07:29]
3. Sleep Together (BBC Session, Maida Vale, 13 April 2007) [07:20]
4. The Pills I'm Taking (BBC Session, Maida Vale, 13 April 2007) [05:58]
5. Halo (BBC Session, Maida Vale, 13 April 2007) [05:42]
6. The Sky Moves Sideways (Live in-store performance, Park Avenue, Orlando, 4 October 2007) [04:02]
7. Even Less (Live in-store performance, Park Avenue, Orlando, 4 October 2007) [03:27]
8. Stars Die (Live in-store performance, Park Avenue, Orlando, 4 October 2007) [04:34]
9. Waiting (Live in-store performance, Park Avenue, Orlando, 4 October 2007) [03:52]
10. Normal (Live in-store performance, Park Avenue, Orlando, 4 October 2007) [04:52]
11. Drown With Me (Live in-store performance, Park Avenue, Orlando, 4 October 2007) [04:09]
12. Lazarus (Live in-store performance, Park Avenue, Orlando, 4 October 2007) [04:06]
13. Trains (Live in-store performance, Park Avenue, Orlando, 4 October 2007) [04:28]

DISC 6
1. Fear Of A Blank Planet (5.1) [07:28]
2. My Ashes (5.1) [05:09]
3. Anesthetize (5.1) [17:52]
4. Sentimental (5.1) [05:26]
5. Way Out Of Here (5.1) [07:37]
6. Sleep Together (5.1) [07:28]
7. Nil Recurring (5.1) [06:15]
8. Normal (5.1) [07:08]
9. Cheating The Polygraph (5.1) [07:10]
10. What Happens Now? (5.1) [08:24]
11. Fear Of A Blank Planet (Video) [04:19]
12. Way Out Of Here (Video) [04:17]
13. Normal (Video) [03:52]
14. Sleep Together (Live Visual Film) [07:32]
15. Anesthetize (Live Visual Film) [17:14]
16. Fear Of A Blank Planet (Video - Live at Palladium, Koln, 4 December 2007) [08:37]
17. Anesthetize (Video - Live at Palladium, Koln, 4 December 2007) [17:14]
18. Sleep Together (Video - Live at Palladium, Koln, 4 December 2007) [08:03]
19. The Making Of Fear Of A Blank Planet (Documentary Film) [48:23]

The new edition of Fear Of A Blank Planet will be released on Transmission on 25th October 2024. Pre-order here: https://porcupinetree.lnk.to/FOABP_DeluxeFA

Porcupine Tree / Facebook / Instagram / X / Spotify / Apple Music / Youtube

Transmission / Website / Instagram / X


Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Monday, September 2, 2024

King Crimson “Sheltering Skies (Live in Fréjus, August 27th 1982)” First Release on Vinyl & Standalone CD of the Complete Concert Available September 6, 2024

First release on vinyl of a 1980s King Crimson concert
First standalone CD release of the complete concert
The complete concert from Fréjus, France taken from the original multi-track tapes by Robert Fripp & Brad Davis.
Additional performance of ‘The Sheltering Sky’ at Cap d’Agde also included
Vinyl cut by Jason Mitchell at Loud Mastering
Pressed on 200-gram vinyl & presented in a gatefold sleeve.
CD mastered by Alex R. Mundy at DGM

Featuring:
Robert Fripp: Guitar
Adrian Belew: Guitar, Lead Vocal
Tony Levin: Stick, Bass Guitar and Support Vocal
Bill Bruford: Drums and Percussion

There’s a palpable sense of energy and enthusiasm from the audience captured on the tapes at this concert as King Crimson (sharing a European tour with then label band mates Roxy Music) take to the stage in Fréjus, France, in late Summer, 1982. With two albums’ worth of material to draw upon (Discipline, Oct 1981 & Beat, June 1982) & extensive touring that had already seen the band play concerts in the UK, Europe, USA & Japan, the live shows - as often with King Crimson – had a dynamism & punch that simply couldn’t be replicated in a recording studio. Add a pair of classic KC instrumentals, (Red & Larks’ Tongues in Aspic Part Two), to that mix & all the ingredients were there for a very special performance.

Recorded initially for a video release, the audio from the concert has, inexplicably, never been issued as a standalone release. Nor has a live album from the 1980s line-up previously appeared on vinyl. “Sheltering Skies” presents the complete King Crimson performance across 2LPs pressed on 200-gram vinyl or a single CD, both completed with the addition of the recording of ‘The Sheltering Sky’ from the previous night’s concert at Cap d’Agde. The 1980s King Crimson was, in terms of concert performances/album releases, still less than a year old when this album was recorded. The collective decades of experience of the individual musicians is funneled through the enthusiasm & freshness of the line-up & the newness of the material to produce a special concert recording.

While King Crimson material from this period is always in demand, with the forthcoming US tour by Beat (King Crimson’s Adrian Belew & Tony Levin, joined by guitarist Steve Vai & Tool drummer Danny Carey), performing the material from that period, there is increased interest in hearing this material as it was originally performed.

For more information: www.dgmlive.com

TRACKLISTING:

Sheltering Skies (Live in Fréjus, August 27th, 1982)

Side A:
1 Thela Hun Ginjeet
2 Matte Kudasai
3 Indiscipline

Side B:
1 Red
2 Heartbeat
3 The Sheltering Sky

Side C:
1 Elephant Talk
2 Neal and Jack and Me
3 Waiting Man

Side D:
1 Larks’ Tongues In Aspic: Part II
2 The Sheltering Sky (Cap d’Agde)

1CD - Running order as above

To pre-order:
2LP: https://burningshed.com/kingcrimson/king-crimson_sheltering-skies_double-vinyl

CD: https://burningshed.com/kingcrimson/king-crimson_sheltering-skies_cd

2LP & CD Bundle" https://burningshed.com/kingcrimson/king-crimson_sheltering-skies_cd-vinyl-bundle

For further information, please contact: info@panegyric.net

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Monday, August 26, 2024

PROG ARTIST TIM BOWNESS’ NEW SINGLE ‘LOST/NOT LOST’ OUT TODAY

photo by Leon Barker

TAKEN FROM THE HIGHLY ANTICIPATED NEW ALBUM POWDER DRY (13th September)

his voice is a tender marvel…a career peak” - 8/10 – CLASSIC ROCK

a raw-edged revelation, a declaration of new and neoteric directions. Dynamite” - 4.5/5 – PROG MAGAZINE

an exceptionally unified and hugely accessible body of work…a new beginning for the talented multi-instrumentalist.” - RECORD COLLECTOR

The new single from British singer, songwriter, producer and prog pioneer Tim Bowness is out today. The track, titled ‘Lost/Not Lost’, is one of the standout tracks from Tim’s new album Powder Dry, set for release on 13th September on Kscope. Speaking about the single, he said “Both musically and lyrically, Lost / Not Lost is the most direct song on Powder Dry. It’s a straight-ahead Electro-Pop piece with an optimistic lyric embracing escape and a spirit of abandon. It provides a sharp contrast to some of the bleak sentiments and troubled tales found elsewhere on the album. Like the rest of the music, it came together in a very natural and instinctive way. Clearly, I was in a rare good mood that day!”

Mixed by Bowness’s partner in no-man, Steven Wilson, the new single is accompanied by a pulsating and vivid new video produced by Blacktide Productions.

WATCH THE NEW VIDEO FOR LOST/NOT LOST BY BLACKTIDE PRODUCTIONS: https://youtu.be/m9WiOQi00mk

STREAM/DOWNLOAD ‘LOST/NOT LOST’: https://orcd.co/lost_not_lost_listen

Featuring 16 pieces over its restless 40-minute duration, Tim Bowness’s eighth studio album Powder Dry represents a new beginning on a new label.

A collection of acute contrasts, the album is a vibrantly accessible and wildly experimental genre-blurring assault, embracing Industrial Rock, Electro Pop, singer-songwriter directness, haunted carnival soundscapes and more.

Entirely produced, performed and written by Bowness (a first), Powder Dry was mixed (in stereo and Surround Sound) by Bowness’s partner in no-man (and The Album Years podcast), Steven Wilson, who also acted as Bowness’s sounding board during the mixing process.

This is the best and most creative of all of Tim's albums.” - Steven Wilson

Powder Dry tracklist:
Rock Hudson
Lost / Not Lost
When Summer Comes
Idiots At Large
A Stand-Up For The Dying
Old Crawler
Heartbreak Notes
Ghost Of A Kiss
Summer Turned
You Can Always Disappear
Powder Dry
Films Of Our Youth
This Way Now
I Was There
The Film Of Your Youth
Built To Last

PRE-ORDER POWDER DRY LP/CD: https://TimBownessKscope.lnk.to/Powder_Dry

- Limited edition pink vinyl LP – exclusively available on the official Tim Bowness/Kscope store
- Limited edition yellow vinyl LP – available through indie retailers (w/ signed art print available from Rough Trade UK ONLY)
- Limited edition – 2-disc CD & DVD - includes DVD with 24-bit 48khz PCM stereo and 5.1 Dolby Digital mixes by Steven Wilson
- CD / LP / Digital
- Exclusive signed postcard included in all pre-orders from the Tim Bowness & Kscope store

TIM BOWNESS UPCOMING SHOWS:

SEP 13, 2024
Powder Dry release show
To celebrate the release of his new album Powder Dry, Tim Bowness will be performing at The Camden Club in London on 13th September with his band Butterfly Mind.

DEC 1, 2024
The Fiddler's Elbow, Camden, London NW5 3HS
Prog The Forest. Tim Bowness and Butterfly Mind will headline this year's Prog The Forest.

TICKETS ON SALE HERE https://burningshed.com/tim-bowness_the-camden-club_e-ticket

DOWNLOAD ALL IMAGES: https://kscopemusic.com/media/tim-bowness/

FOR MORE INFORMATION:
WEBSITE - https://timbowness.co.uk/
FACEBOOK - https://www.facebook.com/timbowness/
INSTAGRAM - https://www.instagram.com/timbownessmusic/
X - https://twitter.com/TimBowness
SPOTIFY - https://open.spotify.com/artist/1NuU5hoKx7uwK0FvOlDMMp
APPLE MUSIC - https://music.apple.com/us/artist/tim-bowness/15231295
YOUTUBE - https://www.youtube.com/@timbowness

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Friday, August 23, 2024

Jon Anderson and The Band Geeks “TRUE” Released Today

Counties and Countries” Video Premieres

After months of anticipation, the debut album from Jon Anderson and The Band Geeks, “TRUE”, is released today.  The nine-song album, produced by Jon and Richie Castellano, is the album YES fans worldwide have been waiting for since Jon’s departure from the band in 2008.  The album’s centerpieces are two epic tracks, the 16 and a half minute “Once Upon a Dream” and the nearly 10 minute “Counties and Countries”.  To celebrate today’s release, a video for “Counties and Countries” premieres today. See it here Jon Anderson & The Band Geeks “Counties and Countries” - Official Music https://www.youtube.com/watch?v=-yNutgZWo5g

The video was created by Jon's co-producer and Band Geek member Richie Castellano and Jon’s long-time videographer Michael Byrne.

Jon and The Band Geeks commence leg 3 of their summer tour September 11 in Beverly, Mass.  All remaining dates are below:
9/11/2024 - Beverly MA- Cabot Theatre
9/13/2024 - Glenside PA- Keswick Theatre
9/15/2024 - Glenside PA- Keswick Theatre
9/19/2024 - Port Chester NY- Capitol Theatre *
9/21/2024 - Montclair NJ- Wellmont Theatre *
9/25/2024 - New London CT- Garde Arts Center
9/27/2024 - Staten Island NY- St George Theatre *
*w/Special Guests The Return of Emerson, Lake & Palmer

For more information:
Jon Anderson’s official website: www.JonAnderson.com
Band Geek official website: https://richiecastellano.com/bandgeek/
Jon Anderson YES Epics and Classics:
Website - http://jonandersonyesepicsandclassics.com/
Facebook - Jon Anderson YES Epics & Classics - https://www.facebook.com/jonandersonyesepicsandclassics/
Twitter - @JonYesEpic
Instagram - @jonandersonyesepicsandclassics
TikTok - @JonAndersonYESEpic
YouTube - Jon Anderson YES Epics & Classics - https://www.youtube.com/channel/UCIvSkw_3SAs1Yy2Ro68GzLw
Linkfire: https://ffm.to/jonandersontrue

Management:
Larry Mazer
Entertainment Services Unlimited
One Echelon Plaza, 227 Laurel Road, Suite 106
Voorhees, NJ 08043
P - 856.751.2223
C- 856-816-2820

Agent:
Steve Schenck | TKO
141 Halstead Avenue | 4th Fl.  Mamaroneck, NY  10543
PH: 914-346-8938
email: steveschenck@tkoco.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Tuesday, August 20, 2024

STORM CORROSION – THE HIGHLY REVERED 2012 COLLABORATION BETWEEN STEVEN WILSON AND MIKAEL ÅKERFELDT - DUE FOR RE-RELEASE ON KSCOPE ON 27TH SEPTEMBER 2024

NEWLY REMIXED INTO DOLBY ATMOS BY STEVEN WILSON

A DEEP-DIVE INTO THE AVANT-GARDE FROM TWO OF PROGRESSIVE ROCK’S MOST INNOVATIVE MINDS

Wednesday 31st July – As two of the leading figures in contemporary progressive music, Steven Wilson and Mikael Åkerfeldt have treated their fans to all sorts of thrillingly unconventional and atmospheric sounds over the years. But even by their own talismanic standards, the duo’s 2012 collaboration as Storm Corrosion exists in its own psychedelic lane of peculiarity, throwing listeners into a world of haunting and unsettling ambience like no other.

WATCH THE STORM CORROSION TRAILER: https://youtu.be/JeynUPanqJw

Some 12 years on from its original release, the album will be reissued on 27th September via Kscope on LP, CD and Blu Ray forms with a new Dolby Atmos remix by Steven Wilson. It will include a bonus cut of Drag Ropes – the only song they’ve performed live to date – recorded when Mikael guested with Steven and his band at London’s Royal Albert Hall in September 2015, plus extra documentary insights and footage. Given how the album clearly holds a special place in the hearts of both of its creators, and naturally their collective army of fans around the world, the new release will be a timely celebration of the ethereal magick encased within its six ground-breaking tracks.

In many ways it’s become the cult classic we always intended it to be” - Steven Wilson

A love letter to the esoteric and abstruse sounds of the past, crossing the mystifying noises of late 60s/early 70s German groups like Tangerine Dream and Popol Vuh with the sound of British folk heroes like Nick Drake and Bert Jansch, while also embracing the eclectic oddities of cult figures like Scott Walker, it’s the kind of album that takes you on a transcendental journey that you never really come back from. For the two friends, this kind of fierce originality is precisely what they set out to achieve…


Photo by Carl Glover

“Storm Corrosion was the 2012 album made by myself and Mikael Åkerfeldt of the band Opeth, and one which both of us considered a deeply satisfying artistic success,” says Steven. “It remains one of my favourite releases in my whole catalogue. Part of what made it so much fun was that pretty much anything that either of us suggested, the other would agree it should definitely be pursued, no matter how crazy and off the wall it sounded.”

That sense of pride is shared by his accomplice Mikael Åkerfeldt, who feels it’s easily one of the most experimental, if not bizarre, things either of them have ever recorded, and all the better for it. For him, and countless others, these enigmatic recordings seem to exist in a genre of their own – at times sounding more acoustic and minimalistic, and others infinitely more cerebral and foreboding, but in any case, always intoxicating.

Everything about this record is strange in the best way possible” - Mikael Åkerfeldt

“Throughout all of my years as a musician, it’s very rare for me to return to a record I have participated in myself for the sheer listening pleasure alone,” notes Mikael. “Storm Corrosion is the exception. It’s such a lovely record to me. I can distance myself from my own work on it and just experience it as a fan of its music. Everything about this record is strange in the best way possible.”

“We’d talked many times over the years about doing a project with just the two of us,” continues Steven. “In 2011 we quietly got together for a week at my studio, and started to make music, not knowing where it would take us, but knowing that the last thing we wanted to do was the obvious. Instead, we found ourselves making an album of weird psychedelic chamber folk music, almost child-like in places, with lots of dissonance, orchestral arrangements and weird bits.”

STORM CORROSION WILL BE AVAILABLE ON THE FOLLOWING FORMATS:

Orange & Purple vinyl 2LP, gatefold packaging, 8-page booklet

(includes bonus track live recording of Drag Ropes from Royal Albert Hall in 2015)

Yellow vinyl 2LP, gatefold packaging, 8-page booklet
(includes bonus track live recording of Drag Ropes from Royal Albert Hall in 2015)

Black vinyl 2LP, gatefold packaging, 8-page booklet
(includes bonus track live recording of Drag Ropes from Royal Albert Hall in 2015)

Blu-ray edition
(includes high-resolution stereo, 2024 Dolby Atmos and 5.1 DTS-HD surround audio mixes & instrumental mixes of each track. Also includes a mini album documentary, the promo video for the track ‘Drag Ropes’, alongside two demo versions and an 8-page printed booklet. Additionally, a 2015 live recording of ‘Drag Ropes’ from The Royal Albert Hall when Mikael guested at one of Steven’s solo concerts has been newly mixed for this edition)

CD edition
(digipak CD edition includes 8-page printed booklet, plus a bonus track the live recording of ‘Drag Ropes’ from The Royal Albert Hall in 2015)

PRE-ORDER HERE: https://Kscope.lnk.to/stormcorrosion

Its impact was keenly felt the world over – so much so, that there have been on-going calls for a follow-up. It’s something both musicians are open to but given how busy they are in their main projects, Steven as a solo artist and Mikael in charge of all things Opeth, whether it happens anytime soon remains to be seen. And if the members of Storm Corrosion do end up working on new material, chances are it will be done behind closed doors, in a similar spirit to their brilliantly leftfield debut.

“I get the notion that some listeners are completely and utterly in love with it,” continues Mikael. “I really understand that, since that’s how I feel myself. It’s strange and crazy in many ways. This record has got something. It’s quite unique. I’m so happy to see it available again.”

For Steven, who first started working with Opeth as the producer for seminal albums like Blackwater Park, Deliverance and Damnation, the sheer delight he takes from working with someone as utterly devoted to the surreal and obscure is something he has been continually vocal about. They are kindred spirits, and in more ways than one – this particular masterpiece demonstrating that in the most poignant of ways.

“That security in our collaboration could only have come from a place of mutual respect and admiration, even a sense of awe at what the other was capable of,” continues Steven. “We loved the finished result. It had seemed so effortless to make it.”

Once it was unveiled to the world, Storm Corrosion created just as much excitement as it did confusion. And as anyone familiar with either of these musicians will know, that’s precisely what they were aiming for.

“I don’t know what the people expecting a full-on heavy rock album made of it,” laughs Steven. “In many ways it has become the cult classic we always intended it to be…”

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com