Crossover Prog Review: : Different Light-Binary Suns (Part 1 – Operant Condition)

Release Date: January 17, 2020

Label: Progressive Gears Records

Website
 

The band, Different Light, was initially formed in 1994 in Malta. The first of four albums were released in 1996, All About Yourself. In 1999, the band disbanded and later, in 2004, Trevor Tabone, an original member, reformed the band in the Czech Republic. Three albums have followed from this reformed band, Icons That Weep (2009), The Burden Of Paradise (2016) and the album in this review, Binary Suns (2020).

The current lineup of the band is Trevor Tabone (vocals/keyboards), Petr Lux (guitar/backing vocals), Jirka Matousek (bass) and David Filak (drums). Binary Suns has been an album I have looked forward to hearing, as the previous release I found to be a stunning work. It is fair to say that I have in no way been disappointed now that Binary Suns has been issued.

Opening the album is “Amphibious” (8:51) which is a mini-suite made up of four parts. This starts with a piano intro into a repeated passage that ebbs and flows and carries the listener along. Around the 1:30 minute mark, there is a simple piano theme, backed by a soaring guitar which leads to the vocals and a superb piano backing by Trevor. The melody is a real hook that builds up and moves along with those crystal-clear vocals catching the ear of the listener. Just before the 6:00 minute mark, the tempo drops to leave just the vocals and piano as the mainstay, before returning to the more involved melodious, harmonious part of the track. At just under 9:00 minutes, this is a stunning track, carried off and out with a superb piece of guitar work by Petr.

A shorter track, “Faith” (4:09) continues the harmonious smooth vocals so prevalent on the opening track. Although not too obvious, there is a hook that edges into your mind and “plants its feet firmly.” The piano again is the major instrument and I find it refreshing that it is the main keyboard used. More keyboards join the piano as well as some terrific guitar riffs. This is another superb track that fades out with the sound of a rainstorm. 

“Spectres And Permanent Apparitions” (21:31) is track three, the longest track on Binary Suns and is in seven parts. By this track, the listener should be aware that this is an exceptional album and the changes in tempo throughout the 21+ minutes merge smoothly and flow easily allowing the listener to drift along, immersed in the music. Little hooks are scattered liberally throughout the track and weave in and out, acting almost as touchstones on the 21+ minute journey. This is a band that works as a very tight unit and appears to be totally in tune with each other.

Binary Suns is a superb release and takes the amazing music contained on album 3, The Burden Of Paradise, to a higher level. It may only be March but I think that I have already found one of my “best of 2020” albums. All I have to say about Binary Suns (Pt 1 Operant Condition) is “do yourself a huge favor and buy it at the earliest opportunity.” I am close to 100% sure that no-one will be disappointed.

Jim “The Ancient One” Lawson - Prog Rock Music Talk Staff
March 31, 2020

Tracks:
1. Amphibians (8:45)
   a) Water
   b) Land
   c) Sky
   d) The Message

2. Faith (4:12)

3. Spectres and Permanent Apparitions (21:31)
   a) Ataraxia
   b)Two Shows
   c) Small Mercies
   d) Hand Of Providence
   e) BarBrera
   f) Synestesia
   g) Midas Gold

4. The Answer (3:47)

5. Two Faces (7:42)

6. On The Borderline (10.45)
 a) Talking To Strangers
 b) Seduction
 c) Obsession
 d) Vindication
 e) Demonic
 f) Now Just Go Away   

Todd Rundgren Recruits Guest Artists for Democratic Campaign Anthem

Todd Rundgren and some well known guest artists are re-recording his 1973 anthem “Just One Victory” and giving it away for free to Democrats throughout the US running for public office this year. So far Joe Walsh, Daryl Hall, and Paul Shaffer have already agreed to join the effort along with producer Don Was. The idea was suggested by former Bearsville Records executives Paul Fishkin and Marc Nathan.

“Just One Victory” originally appeared as the final track on Rundgren's critically acclaimed 1973 album, A Wizard, a True Star.

Rundgren hopes that other notable artists sign on as well. “Let's go for 'We Are the World,'” he recently told Andy Greene of Rolling Stone. “Not many people know about it at this particular moment, especially because just as we were getting into the project this huge distraction [of the virus] came along. We are waiting for everyone to settle down from that before we refocus on the political and start actively soliciting some performances.”

Guest artists on the song don't need to be musicians or even musically inclined. Once the song is recorded any Democrat will be able to use the song for free. “It's really the kind of thing to get people hyped up and ready to go out and vote,” Rundgren says.

Read the recent interview Todd Rundgren did with Andy Greene of Rolling Stone: https://www.rollingstone.com/music/music-news/todd-rundgren-victory-democrats-973903/

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com

The 3rd Edition of "The Strawberry Bricks Guide to Progressive Rock" by Charles Snider To be Released March 27, 2020

The Strawberry Bricks Guide to Progressive Rock, 3rd Edition

• Reviews of 510+ albums from 1967 - 1982

• 572 pages

• Fully edited, proofread and fact-checked

Back in print for 2020! The definitive record guide to the progressive era of rock music, Strawberry Bricks presents a comprehensive discography with reviews of 500+ albums, with band histories, musical synopses, key tracks and critical commentary, all presented in the historical context of a timeline. Beginning in 1967 and continuing through 1982, a generation of musicians took rock music in directions unforeseen as they charted what would become known as progressive rock. From art rock to krautrock, from England to Germany to Italy and all across Europe, Strawberry Bricks offers a candid reappraisal of rock’s most cerebral genre. Also for this edition, Matt Howarth has revisited his original artwork from the first edition of the book.

Says Charles, “The newly written Prologue offers a historical perspective of the pretext to the progressive era, beginning post-WWII, while the Epilogue offers a current perspective on progressive rock since the early 80's. I've also spent a good deal of time fact-checking every detail in the book, including song titles and artist names. Further, this edition has been professionally edited and peer reviewed, all to make this as exacting and rewarding a book as the music it covers. Strawberry Bricks is another narrative on the classic era of progressive rock, one with hopefully a novel and candid outlook on the genre, its albums and the men that made it one of the most interesting chapters in rock's history.”

With 212 more reviews, 210 more pages, completely fact-checked and professionally edited, and with a full index, the third edition is a substantial upgrade to owners of the first edition of the book. For owners of the second edition, Matt Howarth once again revisits his original artwork for Strawberry Bricks. Enjoy the music!

Praise for Strawberry Bricks:

“In Strawberry Bricks Charles Snider gives us a history of progressive rock from 1967 to 1982 through his astute, colourful and insightful entries on a personal selection of over 500 albums – and not always the obvious choices. He acts as an informed and trustworthy guide leading the reader on a fascinating journey through the genre.” - Mike Barnes, A New Day Yesterday: UK Progressive Rock & The 1970s

“Snider’s research is impeccable, his writing style enjoyable and it’s hard to fault the inclusion of any of the hundreds of albums he covers.” - Kev Rowland, The Progressive Underground

“Most impressive! I can see it’s phenomenally well researched. Well done.” - Hugh Banton, Van der Graaf Generator

Comments on previous editions of Strawberry Bricks:

“Only one major book on progressive rock that matters has been published this year, and it's this one: The Strawberry Bricks Guide to Progressive Rock (Revised and Expanded Edition) by Charles Snider. This is a work of great passion and expertise by a true aficionado and historian of the form. It's an exhaustive, comprehensive and engaging overview of the genre. It also offers 500+ reviews of important albums from the "golden era" of this music from 1967 to 1982. This is a valuable addition to the library of every enthusiast of progressive music.” - Anil Prasad, Innerviews

“Charles Snider has an encyclopedic knowledge of progressive rock, and has accrued one of the world’s most formidable record collections. No one is better equipped to write the definitive discography of this rich genre of music.” - Jonathan Schang, District 97

About the Author:
Charles Snider has been collecting records since the early 1970s, amassing one of the most complete archives of progressive rock. “One of my earliest memories of vinyl was The Beatles' 'Paperback Writer' b/w 'Rain.' Musically, my love for British music and everything thereafter starts with The Beatles. My daughters are even named after Beatles’ songs!” Snider's self-professed passion for the music “archaeology” continued over the decades, branching out to many other genres of music. “In the early 90s, Kevin Eden and I curated the WMO label, with the cooperation and support of Wire. The CD was a new format, and we released a lot of hard to find records, as well as unreleased archival material and two very good tribute discs.” Upon moving to Chicago in 2000, he began writing the first edition of The Strawberry Bricks Guide to Progressive Rock. “I've always loved record guides. Certainly, Ira Robbin’s Trouser Press was the prototype, but growing up in the 70s with magazines like Circus, Creem and of course Rolling Stone, I've always enjoyed the passion writers convey about music.” While not listening to prog rock in his man-cave, Snider can be found blogging about personal technology or cheering on the Chicago Blackhawks.

The 3rd Edition of “The Strawberry Bricks Guide to Progressive Rock” will be released on March 27th, 2020. Available directly from http://strawberrybricks.com/the-book, and from Amazon.com (including UK, JP and the EU). Published by http://www.strawberrybricks.com/ via Kindle Direct Publishing, an Amazon company.

To purchase from Amazon:
Amazon.com: https://amzn.to/39eAui9
Amazon.co.uk https://amzn.to/2JaeQkA

For more information: http://www.strawberrybricks.com/

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

Progressive Metal Review: Epic Tantrum-Abandoned In The Strangers Room

Release Date: January 20, 2020

Label: ET Productions

Website

One look at the cover of Abandoned In The Strangers Room from prog-metal band Epic Tantrum and you are thinking prog. It is something similar to what you would have seen on a Pink Floyd album. The choice for a band name? One word, brilliant! I love it and the artwork is eye-catching and it makes you wonder what is underneath that mask. Is it a person, alien, or creature from some dark corner or from hell itself? If you remove the red cloth what exactly will you see, something that is going to have an Epic Tantrum? It leaves it to your imagination, which in effect, is perfect for the listener with a sense of humor and an off-center thought process. It is indeed a strange cover and a creepy title for the album. There again lies the mystery and your perception of the entire package, figure it out for yourself.

Let me tell you something about this band, this is my first taste of their music, and they rock with a definitive progressive twist. I would be willing to bet at least one of these band members listened to Zappa. Lines like “I’m gonna take your skull and make you look pretty,” are not for the faint of heart. The band members are all part of the “Tantrum” family that includes Peter (guitar, vocals), Paul (guitar, vocals, keys), Greg (bass, vocals) and Z (drums). When you are endorsed by a legendary figure in prog-metal like Mike Portnoy that is very telling. Mike said of “The perfect blend of prog and metal.” And that statement could not be truer.

With a total on 19 tracks and 2 CDs, you get a ton of great music. CD1 is the studio cuts then CD2 presents all the cuts live to show you that indeed they are for real. Epic Tantrum is explosive, quirky and melodic all at the same time. And this is exactly what makes them “progressive.” According to the band’s website, the first part of the album, Abandoned, features studio recordings of previously unreleased material. The second part, In The Strangers Room, features live versions of songs from Abandoned as well as material that appeared on previously released demos. That fact there is quite impressive knowing that some of the music is just demos? They are high-quality demos that is for sure. Again, this just shows how talented this band of men are, with limitless potential ahead of them.

They are juggernauts with a vocalist perfectly suited to the music. I have to be honest though, the first time I heard the vocals I did not care for it at all (I think most people that enjoy prog-metal will love this after the first listen). Then a second try, a different day, and now I cannot figure out why I did not like it to begin with. So, there you go, with music it depends if all the sensory doors are open to the sounds and you are not sidetracked with another train of thought with the inability to really “hear” the music. And did I ever hear it all this time? You can count on it. Their ability to play at a slower pace and make some beautiful sounds that are pleasing then immediately bust right out of that at any second and peel off some vicious guitar licks backed by a powerful rhythm section is quite impressive. To see them live must be a real treat.

The guitar work is fabulous and what drives this well-oiled machine. Every track is packed with the firepower to get your blood pumping but you can also pause, and should, to hear the incredible musicianship at hand. In the end, what you get to enjoy is one of the more exciting up and coming bands in progressive metal that are going to raise some eyebrows from this point forward.

Keith “MuzikMan” Hannaleck

March 23, 2020

Review Provided By Prog Rock Music Talk

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Tracks

CD 1:
01. Don't Bother...
02. Unfold
03. Accessory
04. Fables Of Fortune
05. Outside The Wire
06. Into the Clutch
07. Letting Go
08. False Idols
09. A Howling
10. Abandoned

CD 2:
11. Baillee's Gone Again (Live)
12. Franklin Park Blues (Live)
13. Letting Go (Live)
14. Now I Know (Live)
15. Accessory (Live)
16. Fables of Fortune (Live)
17. The Artist (Live)
18. Don't Bother... (Live)   
19. Drown (Live) 

Prog-Rock Review: Wishbone Ash-Coat of Arms

Release Date: 28^thFeb 2020

Label: Steamhammer/SPV

Website

Wishbone Ash was formed back in 1969 and is still active at this time, as shown by the release of Coat Of Arms, the album under review. They have released 28 studio albums from the self-titled debut in 1970 up to this point. One original band member is still present, Andy Powell (vocals/guitar) and together with Mark Abrahams (guitar), Bob Skeat (bass) and Joe Crabtree (drums), the band has issued a very pleasing album.

Coat Of Arms is an 11 track album with a total running time of just under 60 minutes (59:55). The title track, track 2, is the longest on the album at just under 8 minutes (7:55) and the shortest track, track 9, “Deja Vu,” is just over 4 minutes (4:07).

As normal, I have chosen to highlight three tracks from the album which I find particularly good after several hearings, but this was a difficult choice as I found the whole album was extremely good.

I will always lead with the opening track which, regular review readers will know I think sets the scene for what is to come. “We Stand As One” (4:16), commences with a short drum intro leading into a simple, but insistent, guitar riff which the listener cannot ignore. The smooth vocals of Andy Powell are as good as I remember and the guitar riff takes its leave but returns as the track progresses. That guitar hook makes “We Stand As One” an excellent opening track and makes the listener eager to sample what follows.

“Coat Of Arms” (7:55) is the title track of the album and it is a guitar passage that starts this track, leading quickly into the clear vocals and moves to another guitar riff that hooks the listener again. Neat interplay between the guitars of Andy and Mark moves the track on and there is a sense of feeling very comfortable with what the band is doing. Around the halfway point there is a section of blues guitar which evolves into a more up-tempo, dare I suggest foot-tapping, guitar passage. Entering the last 2 minutes, the earlier guitar riff reappears and brings the track full circle before winding down to the ending. This is an excellent follow on from the opening track and although some of the upcoming tracks don’t have such obvious hooks, they are by no means there as fillers.

The final track on the album, “Personal Halloween” (5:38) starts up with that superb blues style guitar and is well served by Andy’s vocals as it evolves into a real southern laid-back slice of music. The dual guitars again weave their magic and this is one of my favorite tracks.

I will admit that my first listen to Coat Of Arms did not impress me much but by the time it had been played a couple of times more, those amazing guitar hooks had certainly embedded in my grey matter. I don’t think that the music “sets the heather alight “ and if you are looking for an album that will “blow you away” Coat Of Arms probably isn’t it. If, however, you give this album a few listens, I can almost guarantee that you will find yourself whistling, humming or even singing along to most of the tracks. This is an album that possesses the “feel good” factor, so give it a try, you might be very surprised.

Jim “The Ancient One” Lawson – Prog Rock Music Talk Staff
March 18th 2020
 
Review Provided By Prog Rock Music Talk
 
Tracks:
01. We Stand As One (4:16)
02. Coat Of Arms (7:55)
03. Empty Man (5:17)
04. Floreana (5:14)
05. Drive (4:55)
06. It’s Only You I See *7.35)
07. Too Cool For AC (4:51)
08. Back In The Day (4:46)
09. Deja Vu (4:07)
10. When The Love Is Shared (4:21)
11. Personal Halloween (5:38)

Prog Rock Luminaries Join Forces To Pay Respects To Two Eternal Legends On A Very Special TRIBUTE TO KEITH EMERSON & GREG LAKE!

Appearances by Todd Rundgren, Larry Fast (Peter Gabriel), David Sancious, Thijs Van Leer (Focus), Sonja Kristina (Curved Air), Geoff Downes (Yes/Asia), Derek Sherinian (Dream Theatre) and more!

Los Angeles, CA - 2016 has been nicknamed “The Year The Music Died” as it saw the passing of such musical giants as David Bowie, Prince and Leonard Cohen (not to mention George Michael, Leon Russell and Alan Vega of Suicide, among many others). Two more names that should absolutely be mentioned in the same breath as these legendary figures are keyboardist Keith Emerson & singer/songwriter/bassist Greg Lake both of whom passed away in 2016 and both of whom had a massive impact on modern rock music not only collectively as part of the brilliant Emerson, Lake & Palmer but individually as well with Emerson as part of pioneering English prog band The Nice and Lake as a founding member of juggernaut King Crimson.

Now a pantheon of well-respected musicians, vocalists and performers have come together, under the watchful ear of highly celebrated producer Billy Sherwood, to offer new interpretations of some of the best loved songs from the careers of these two towering figures of prog rock. From King Crimson’s “21st Century Schizoid Man” to ELP’s incredible “Karn Evil #9” and of course the mainstream hit single “Lucky Man,” A Tribute to Keith Emerson & Greg Lake offers a fresh and comprehensive look into some of the 20th century’s most daring compositions re-imagined by a the likes of Todd Rundgren, Larry Fast (Peter Gabriel), Martin Turner (Wishbone Ash), Sonja Kristina (Curved Air), Geoff Downes (Yes/Asia), Derek Sherinian (Dream Theatre),  and Arthur Brown plus a very special performance from Emerson's son Aaron & grandson Ethan!

Producer Billy Sherwood shares his thoughts about the project, saying “The music these guys created is timeless. And is there for future generations to discover. I’m honored to be a part of this project which displays an amazing collection of songs as well as artists contributing to the record. I think fans of the original will appreciate the attention to detail, love and care that went into the production of this project.”

A Tribute To Keith Emerson & Greg Lake will be available starting April 10 on both digital, CD and vinyl (limited edition ORANGE) courtesy of Purple Pyramid Records, a division of Cleopatra Records, Inc.

To purchase: https://orcd.co/keithemersonandgreglake

1. 21st Century Schizoid Man feat. Todd Rundgren & Brian Auger
2. A Time And A Place feat. Leslie Hunt & Derek Sherinian
3. The Sheriff feat. Billy Sherwood & David Sancious
4. C’est La Vie feat. Jon Davison & Larry Fast
5. From The Beginning feat. Thijs Van Leer & John Wesley
6. Hoedown feat. Patrick Moraz
7. Still…YouTurn Me On feat. Sonja Kristina & Steve Porcaro
8. Lucky Man feat. Martin Turner & Geoff Downes
9. Fanfare For The Common Man feat. Aaron & Ethan Emerson
10. Karn Evil #9 1st Impression Part 2 feat. Arthur Brown & Jordan Rudess
BONUS TRACK [CD ONLY]
11. The Royal Philharmonic Orchestra - ELP Suite: Tarkus / From The Beginning / Tarkus (Reprise)

Press inquiries:
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com


CLEOPATRA RECORDS, Inc.
11041 Santa Monica Blvd #703
Los Angeles CA 90025
www.CleopatraRecords.com


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Krautrock Legends GURU GURU Release "Live in China" New CD & DVD

These are thrilling years in the GURU GURU camp. In 2018, they celebrated their 50th anniversary on stage since they were founded in 1968, the year of the student's revolt. In 2020, Mani will celebrate his 80th birthday (born on New Years Eve 1940) by embarking on another extensive tour with more than 50 shows.

In between those two special events, Guru Guru played in China for the first time! In 2019, they were invited to a festival in the far east but nobody had a clue what was in store for them. Guru Guru has played all continents in their long career (except maybe the antarctic) but how would the audience in China receive them? It turned out to be a fantastic, sold-out show with more than 1000 fans celebrating the band enthusiastically which you can see and hear on recently released Live CD + DVD. Some even traveled 18 hours by train from Beijing to see the band!

Even though most of the songs were already released in various other albums, this show features a “historic” document and captures the very special atmosphere of a one-time opportunity for both band and fans. It was recorded live in Shenzhen at the Tomorrow Festival on May 19, 2019 and even though the sound-quality is not up to contemporary standards, Guru Guru decided against extensive overdubbing to preserve the unique atmosphere showcasing the reverence Guru Guru enjoys in the worldwide underground-scene!

Musicians:
Mani Neumeier - Drums / Percussion / Kaossilator / Vocals …
Roland Schaeffer - Guitar / Saxophon / Nadaswaran / Vocals …
Peter Kühmstedt - Bass / Vocals …
Jan Lindqvist - Guitar / Lapsteel Guitar / Vocals …



Tour 2020
80 Jahre Elektrolurch
25.01.2020 Immenstadt - Rainbow
26.01.2020 Landsberg - Stadttheater
16.04.2020 Nürnberg - Hirsch
17.04.2020 Jena - Cosmic Dawn
18.04.2020 Schwerin - Speicher
23.04.2020 Dudenhofen - Festhalle* (+ Jane)
24.04.2020 Aachen - Musikbunker*
25.04.2020 Amsterdam (NL) - Melkweg*
07.05.2020 Kassel - Theaterstübchen
08.05.2020 Darmstadt - Bessunger Knabenschule
09.05.2020 Altenkirchen - Haus Felsenkeller
15.05.2020 Torgau - KAP
16.05.2020 Plauen - Malzhaus
28.05.2020 Essen - Zeche Carl*
29.05.2020 Wetzlar - Franzis
30.05.2020 Nürtingen - Kuckucksei
11.07.2020 Hamm - Open Air Festival
30.07.2020 Breitenbach - Burg Herzberg Festival
15.08.2020 Neuleinngen - Burg Open Air & Guru Guru Fest
10.09.2020 Bingen - Binger Bühne
11.09.2020 Bremen - KITO
12.09.2020 Uslar - Kulturbahnhof
24.09.2020 Koblenz - Cafe Hahn*
25.09.2020 Bruchsal - Fabrik (+ Epitaph)
26.09.2020 Kaiserslautern - Irish House
01.10.2020 Rüsselsheim - Das Rind
02.10.2020 Würzburg - Cairo
03.10.2020 Stuttgart - LAB
15.10.2020 Ingolstadt - KUZ
16.10.2020 München/Olching - Legends Lounge
17.10.2020 Wien (A) - Reigen
22.10.2020 Zürich (CH) - Alte Kaserne (+ Marblewood)
23.10.2020 Zofingen (CH) - Oxil
24.10.2020 Schramberg - Kulturbesen
29.10.2020 Pforzheim - KUZ Osterfeld
30.10.2020 Haßfurt - Rathaushalle
31.10.2020 Offenbach - Wiener Hof
05.11.2020 Bonn - Harmonie
06.11.2020 Wuppertal - LCB
07.11.2020 Dortmund – Piano*
12.11.2020 Regensburg - Alte Mälzerei
13.11.2020 Haiming - Gewölbe Livebühne Eisching
14.11.2020 Hersbruck - Altes Kino
19.11.2020 Soest - Alter Schlachthof
20.11.2020 Ahaus - Attic Musicclub
21.11.2020 OIdenburg - Cadillac
26.11.2020 Berlin - LIDO*
27.11.2020 Hamburg/Bergedorf - KUZ LoLa
28.11.2020 Dorsten - Das LEO
03.12.2020 Ravensburg - Zehntscheuer
04.12.2020 Metzingen - Hirsch
05.12.2020 Kirchheim/Teck - Bastion
10.12.2020 Bietigheim - Kronenzentrum
11.12.2020 Karlsruhe - JUBEZ
12.12.2020 Ludwigshafen - Das Haus
18.12.2020 Bern (CH) - Sternensaal
19.12.2020 Homburg - Musikpark
* mit Violette Sounds

To purchase: 
Distributed by In-Akustik:
info@in-akustik.de
The CD/DVD can also be ordered directly through TRANCE-Music:
trance-music@t-online.de

For more information: http://mani-neumeier.de/guruguru/

TRANCE-Music
Müller-Guttenbrunn-Str. 6 . 67373 DUDENHOFEN, Germany
Tel: 06232 / 94076 .
Fax: 06232 / 94108
e-mail: trance-music@t-online.de

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com

Neo Prog Review: Pendragon - Love Over Fear

Release Date: February 8, 2020

Label: Toff Records

Website

Pendragon came into existence way back in 1978 and just a couple of weeks ago were onstage in Kin-ross, Scotland for a concert showing the band is still going strong. They have released 11 studio albums from the debut in 1985, Jewel, up to the release under review at this time, Love Over Fear.

The band on this album, comprises Nick Barrett (lead vocals/guitar), Clive Nolan (keyboards/backing vo-cals), Peter Gee (bass/bass pedals/backing vocals/keyboards) and Jan-Vincent Velazco (drums/percussion). Nick and Peter are original members, Clive has been a member of the band since 1986 and only the drummer has changed several times. All in all, the band seems to be fairly settled.

The single CD version of Love Over Fear contains 10 tracks with a total running time of around 64 minutes with the second track, “Starfish and the Moon,” is the shortest at 3:37 minutes and the penulti-mate track, “Who Really Are We,” being the longest at 8:41 minutes (There is also a 3 CD version of Love Over Fear with CD 2 being an acoustic version of the album and CD 3 being an instrumental version of the same).

The opening track is, as always, an important moment when listening to a new album, as it really should be getting across the idea that “this is good, you need to listen.” “Everything,” (5:40) is the opening track and it certainly ticks all the correct boxes. A great organ passage, with a terrific hook, opens the show before a time change suddenly drops the gears a bit before the guitar gets to shine then the excellent vocals of Nick appear. More time changes carry the track onward until the return of the vocals, prior to another superb guitar passage. There is then a return to the starting theme of the track and a gentle wind-ing down to the ending.

Track 2, “Starfish and the Moon” (3:37) is very different in style, being a simple, beautiful ballad. Beauti-ful vocals by Nick and majestic piano by Clive lead into another stunning, gentle guitar passage before returning to the main theme. “Starfish and the Moon” is a short track which is very simple but excellent.

The last track on the single CD is “Afraid of Everything” (5:08) and is structured in a similar manner to “Starfish and the Moon,” with beautiful vocals, this time fronting a gentle guitar theme. The music slowly builds in the background, but never intrudes before moving into an almost “Camelesque” style guitar theme (I’m not sure that is a word, but it conveys the style of guitar playing). The track then gently builds before slowly fading out to end a very impressive album.

Having been a fan of Pendragon music earlier in their career, my opinion was that their best work was from 1991 to 2001, when they released 4 excellent albums. My interest then drifted a little but this album, has certainly returned this fan to the fold. It seems to have managed to reach those earlier heights and overall is an excellent release. Love Over Fear is an album that should appeal to the majority of neo-prog/symphonic prog fans and is a terrific addition to any CD collection.

Jim “The Ancient One” Lawson – Prog Rock Music Talk Staff
March 15, 2020

Tracks:
01. Everything (5:40)
02. Starfish and the Moon (3:37)
03. Truth And Lies (8:26)
04. 360 Degrees (5:34)
05. Soul and Sea (5:44)
06. Eternal Light (8:19)
07. Water (7:57)
08. Whirlwind (4.59)
09. Who Really Are We (8:41)
10. Afraid Of Everything (5:08)

Emmy Award Winning Guitarist Brian Tarquin's "Vegas Blue" In Memory of Las Vegas Tragedy

Featuring guest artists Steve Morse, Trey Gunn, Ron ‘Bumblefoot’ Thal, Phil Naro, Hal Lindes, Tony Carey and others!

Las Vegas, Nevada, Mandalay Bay Hotel, October 1st, 2017. This was the site of a tragic and, all too familiar, occurrence involving a deadly mass shooting at the hands of a deranged gunman. What began that evening as a peaceful and celebratory country music concert ended in bullet-riddled chaos and carnage for countless patrons and innocent by-standers. This latest recording project by multi-Emmy winning guitarist/producer/engineer Brian Tarquin and company is dedicated to helping the families and survivors of this horrific mass shooting. And, in doing so, may also shine the spotlight on the need for sensible, responsible and humane gun laws and safety.

Says Brian, “This release is dedicated to the victims of the tragic events that occurred at  the Mandalay Bay Hotel in Las Vegas October 1, 2017. All of our hearts and prayers go out to them and their families. Through this music we have tried to creatively express our deepest feelings.”

If music is, indeed, a supreme healer then one needs look no further than this visionary endeavor. And, as with many of Tarquin’s previous charitable compilations, the material, guest stars and production is first rate. From start to finish the listener is transported to that fateful evening, yet uplifted through the power of these stellar performances.

Says Brian, “Time after time we watch senseless acts of gun violence in the news media creating a sense of indifference in our consciousness. We musicians have come together to bring emotion and awareness through our performances.”

Multi Emmy Award winning Brian Tarquin is an established top rate composer/guitarist. He has won 3 Emmy's for “Outstanding Achievement in Music Direction and Composition for a Drama Series” and has been nominated for an Emmy 6 times. In 2019 Tarquin received a Global Music Gold Award for his release “Orlando In Heaven” for “Best Album.” Three years in a row (2016-2019) Tarquin received “Best Album Of The Year” nominations from the Independent Music Awards for his releases “Guitars For Wounded Warriors,” “Orlando in Heaven” and “Guitars for Veterans.” On which, Tarquin shows his guitar prowess along side such world-class shredders as: Steve Morse, Larry Coryell, Mike Stern, Billy Sheehan, Gary Hoey, Bumblefoot (Guns N’ Roses), Reb Beach (Whitesnake), Hal Lindes (Dire Straits), Chris Poland (Megadeth) and Chuck Loeb (FourPlay). In 2006 SESAC honored him with the Network Television Performance Award. Tarquin has graced the Top Billboard Charts with such commercial releases as: “This is Acid Jazz, Vol. 2,” “Sweet Emotions,” and “Bossa Brava: Caliente” on Instinct Records, followed by several solo jazz albums, which charted Top 10 at Smooth Jazz Radio R&R and Gavin charts. Brian has appeared on 38 releases, selling over 140,000 records in his career.

Produced & engineered by Brian Tarquin

Recorded at Jungle Room Studios, Florida 2018-2019 entirely thru a analog Trident mixing console on a 24 track Ampex 1200 tape machine and a Otari Radar, mixed down to a Ampex 440c 1/4” tape machine.

Mastered by David Glasser & Geoff Gray at Airshow Mastering, Boulder, CO

Tracks:
1. Distant Light featuring Steve Morse & Hal Lindes
2. Lights of Las Vegas featuring Phil Naro & Ron ‘Bumblefoot’ Thal
3. Demonic featuring Trey Gunn
4. Tomorrow's Another Day featuring Phil Naro
5. Vegas Blue
6. Evil In Men's Hearts featuring Tony Carey
7. Forgiveness featuring Phil Naro
8. Know Me featuring Phil Naro
9. Hallowed Ground featuring Trey Gunn
10. Run For Cover featuring Phil Naro, Randy Coven & The Flyin’ Ryan Bros
11. Distant Light (vocal) featuring Phil Naro, Steve Morse & Hal Lindes

Here's what the press has said about “Vegas Blue”:

“The material, guest stars and production is first rate. From start to finish the listener is transported to that fateful evening, yet uplifted through the power of these stellar performances.” - Eric Harabadian, Progression Magazine

“Tarquin writes with soul and fire and plays with passion and precision. Once again, he has enlisted a first-rate squad of guests performers, including Trey Gunn (King Crimson), Steve Morse (Deep Purple) and Bumblefoot (GN'R), who help bring these rich, vivid recordings to life.” - Mark Nardone, Music Connection

“…every note, phrase, tone color, and impact of pick and/or finger on string will send shivers down your spine.” - Guitar Player Magazine

“…his passion for purity is more than evident – in both the music he makes and the way it’s recorded.” - Professional Sound Magazine

To pre-order:
Google Play: https://play.google.com/store/music/album?id=Btk5sdlj2fmtn5ezc36brswgx4e
iTunes: https://music.apple.com/us/album/vegas-blue/1499568963
Spotify: https://open.spotify.com/album/15SDfd04dcaEKuGsC3JQNT?si=I8uKmhUKQo-YmtQbgkV8fQ

For more information:
BHP Music-Guitar Trax Records, LLC
www.gtrtrax.com
www.jungleroomstudios.com
www.briantarquin.com
https://guitartrax.bandcamp.com

Press inquiries: 
Glass Onyon PR
PH: 828-350-8158
glassonyonpr@gmail.com

Keyboard Legend David Sancious New Album "Eyes Wide Open" Now Available!

World-renowned performing and recording artist David Sancious, was an original member of Bruce Springsteen's E Street Band. He has toured and recorded with greats Peter Gabriel, Sting, Eric Clapton, Jeff Beck, Santana, Seal and an expansive list of A-level musicians. Sancious also wrote, produced and performed ground-breaking progressive music with his band Tone, mixing rock, fusion and gospel.

He explores new territory with the release of his 10th album “Eyes Wide Open.” Eight energetic compositions feature dynamic performances by legendary names such as premier drummer Vinnie Colaiuta, Living Colour's Will Calhoun (drums), and Prince alumni Michael Bland (drums).

A balanced mix of four vocal and four instrumental compositions, “Eyes Wide Open” is what Sancious describes as “a movie for your ears.” Spoken word is interspersed with political commentary and newsbreaks to create a musical and “visual” landscape addressing today's volatile racial and political issues head-on through his signature sound.

Sancious describes his new album as, “The best work I've ever done.”



To order: 
https://headstrongmediagroup.com/artistprojects
https://www.amazon.com/s?k=David+Sancious+Eyes+Wide+Open&ref=nb_sb_noss

Contact for David Sancious:
John McCracken: john@headstrongmediagroup.com
www.headstrongmediagroup.com
Phone: 615.457.1597

Links:
Official website: www.DavidSancious.com
Facebook: www.facebook.com/David-Sancious-588604108202763
Twitter: @DavidSancious

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (US), glassonyonpr@gmail.com

Progressive Rock Review: JJ Chardeau - In Terra Cognita?

Release Date: November 15, 2019

Label: L RECORDS, Muffin Records Productions USA

Website

A chanting overture, “Evolution,” leads into a battle-like track with “Dream In Moscow.” In Terra DCognita? (The Music of the Rock Opera Magic Musical Man) is a musical phenomenon. Not only is it an impactful recitation of wonderful instrumentation, but, the listener is gifted with a culture shock of all different languages and origins.

JJ Chardeau is certainly a man of uniqueness. As seen throughout this album, Chardeau does not limit himself to one particular styling or sound. Instead, he will push boundaries to see great success in his work and artistic expressions. For over 30 years, he’s been making Progressive Rock all his own and bending every rule he can.

“Dream In Moscow” is a beautifully written out build-up of battle or struggle. It begins as an illuminating piece, soothing the listener’s ear with a piano intro, as the orchestra and Chicago’s Danny Seraphine, along with Jethro Tull’s Martin Barre lending their voices to this piece amongst others throughout the album. “Black Taj Mahal” is a good contour for the prior track as the chimes, flute, and what sounds to be a triangle echo out a mental escape to a serene picturesque land.

“Farewell Lhassa” is another ode to a foreign area, China. One that offers up a more haunting vibe of chimes and an occasional gong and guitar riff. Voices arise of an alert message that conflict has now arisen and materials (missiles) have been stolen, almost as though someone has been compromised. This is followed up by another strictly instrumental piece.

Filled with the xylophone, keyboard, and drums to keep the rhythm in place, “DMZ” bridges the album together keeping a steady relaxed tone throughout the track. Leading into “Frisson Nippon,” is a thrilling, excitement lead-up of chimes and whistle-into-chant. It feels as though the song is taking the listener sailing through steady waters or hiking up to conquer some challenges on land or sea. “Les larmes du pacifique” starts as a tropical island getaway, going into a tragic song of tears and struggle.

“Nunavut,” is a hushed and fluted piece that has a god-like messenger speaking throughout. It sounds as though, a mission is being explained or what might be next to come on the listener’s journey, wherever the figure may be thinking of. Then we approach “The Last Rockaway.” It is different and fun from the rest of the record where it feels more like a classic rock n’ roll song. It asks of the individual’s humble beginnings as he is the sole person left of his own.

“Pablo Tequila” is a fun international song that throws even the most anti-dancer into a hip-shaking good time. It is a simple feel-good song that poses as a rarity for the record. Following that up, “Machu Picchu” is a strictly instrumental styled piece that has a very simplistic sound to it. A piano at the beginning and end, a flute, and some percussion give life to this song as it sends the listener through another conflict-to-resolution type of scenario; ending with a serene resolution.

Heading into what sounds like a Middle-Eastern piece, the majority of “Cabale Kabyle” is an easy, melodic tune that appeals well to the average listener. Towards the end there seems to be a bit of struggle or issue of sorts but, within a minute the struggle resigns to more of the strings ending the tune with peace. Next, “Walls of Lament” (the single off the record), gives a feel to me like a spy movie. It reminds me of where the spy or hero is trying to get past the laser-covered room to reclaim his stolen artifact. But, by the middle of the song, it becomes something back into a foreign land to adventure through thickets of fog as the listener wanders.

“Tchad” is probably the most complicated of the tracks to understand to a person whose only language is English. It sounds as though the vocalist is proclaiming the area their own. The fact that they will not go down without a fight shows their strength and resilience to protect what is theirs. This, combined with the finale of “The End” leads to a very powerful finale. The brightness and intensity show how to end a story properly.

Key tracks include: “Dream In Moscow,” “Les larmes du pacifique,” and “Pablo Taquila.”  

Gregg Keniston- MuzikMan.net Staff
March 8, 2020

Track Listing:
01. Evolution (Magical Musical Man Ouverture)
02. Dream In Moscow
03. Black Taj Mahal
04. Farewell Lhassa
05. DMZ
06. Frisson Nippon
07. Les larmes du pacifique
08. Nunavut
09. The Last Rockaway
10. Pablo Tequila
11. Machu Picchu
12. Cabale Kabyle
13. Wall of Laments
14. Tchad
15. The End? (Magical Musical Man Finale)
 

King Crimson to Tour North America with The Zappa Band Summer 2020

King Crimson will be playing one tour this year in USA and Canada during June and July 2020. Except for shows such as the Ottawa Blues Festival, all the dates will be double bills with the Zappa Band.

“The Summer tour will be a throwback one for us in a few ways; great to be going back to outdoor venues, some of them the ‘sheds’ we played in the 1980’s. And we’ll be travelling by tour bus, old school! As for what pieces we’ll play, that hasn’t been decided yet, but will likely be a wide selection from the 50 years of Crimson repertoire. With 7 players on stage we can cover it all.” - Tony Levin

Since King Crimson's return to live performance in 2014, with critically acclaimed sell-out shows all over the world their three-hour shows regularly include material from twelve of their thirteen studio albums, including many of the songs from their seminal 1969 album In The Court of the Crimson King, described by Pete Townshend, as an “uncanny masterpiece”. The new 7-piece line-up plays many historic pieces which Crimson have never played live, as well as new arrangements of Crimson classics – “the music is new whenever it was written”. There are also new instrumentals and songs, as well as the compositions by the three drummers, Pat Mastelotto, Gavin Harrison and Jeremy Stacey, which are a regular highlight. A unique show, where seven of the best musicians in the world play music without distraction or adornment.



King Crimson is:
Robert Fripp
Tony Levin
Jakko Jakszyk
Mel Collins
Jeremy Stacey
Gavin Harrison
Pat Mastelotto

Tour dates:
June 4 - Clearwater, FL - Ruth Eckerd Hall
June 5 - St. Augustine, FL - St Augustine Amphitheatre
June 6 - Miami, FL - Mizner Park Amphitheatre
June 8 - Orlando, FL - Dr. Phillips Walt Disney
June 9 - New Orleans, LA - Saenger Theatre
June 10 - Memphis, TN - Graceland Soundstage
June 12 - Cary, NC - Koka Booth Amphitheatre
June 13 - Portsmouth, VA - Union Bank Pavilion
June 14 - Philadelphia, PA - The Mann Center
June 16 - Glens Falls, NY - Cool Insuring Arena
June 18 - Boston, MA - Rockland Trust Pavilion
June 19 - New York, NY - Forest Hills Stadium
June 20 - New Haven, CT - Westville Music Bowl
June 22 - New Brunswick, NJ - State Theatre
June 24 - Huber Heights, OH - Rose Music Center @ The Heights
June 25 - Louisville, KY - Palace Theatre
June 26 - Detroit, MI - Meadowbrook Amp
June 28 - Baltimore, MD - MECU Pavillion
June 30 - Vienna, VA - Wolf Trap
July 1 - Lewiston, NY - Artpark
July 5 - Chicago, IL - Ravinia
July 7 - Montreal, QC - Salle Wilfrid-Pelletier - Palace des Arts
July 9 - Quebec City, QC - Festival d'ete
July 11 - Ottawa, ON - Bluesfest
July 12 - Rama, ON - Casino Rama

For more information: www.dgmlive.com
painting by Francesca Sundsten



“The Zappa Band” is composed primarily of former ZAPPA alumni. The touring unit is: Ray White (lead vocals, guitar), Mike Keneally (guitar, keys, vocals), Scott Thunes (bassist) and Robert Martin (keyboards, sax, vocals). Also joining are ZPZ alums Jamie Kime (guitar) and ZAPPA archivist Joe “Vaultmeister” Travers (drums, vocals). The band will be performing a strong mix of Zappa classics along with new and rare Zappa compositions. This is the ultimate Zappa alumni band in partnership the Zappa Trust. Don't miss your chance to see these virtuosos perform live!




King Crimson Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Symphonic Prog Review: Marco Bernard & Kimmo Pörsti (The Samurai Of Prog)-Gulliver

Release Date: January 25, 2020

Label: Seacrest Oy

Website

This band was originally formed as a multi-national collaboration project in 2009, with Marco Bernard (bass), an Italian resident in Finland, Kimmo Porsti (drums), from Finland and an American multi-instrumentalist, Steve Unruh. The Samurai of Prog is this core trio plus guest musicians when required. The debut release appeared in 2011, Undercover, and the album now under review is No 8, Gulliver, a concept album released last month.

Gulliver is based on the novel by Jonathan Swift (Gulliver’s Travels), and deals with Gulliver’s adventures in 4 different lands.

 Only Marco and Kimmo from the core trio are fully involved in Gulliver as Kimmo explained to me that Steve was busy with another project and I think that it may be with United Progressive Fraternity (UPF). Steve does appear on some tracks and there are 21 guest musicians also involved with the release.

Gulliver is a 6-track album with track 2, “Lilliput Suite” running to just under 18 minutes and the final track, “Finale,” clocking in at just over 3 minutes. The total playing time is just over an hour (62 minutes).

As ever, a concept album makes picking out individual tracks difficult as the storyline continues through the album, but I will try to give a flavor of Gulliver.  A mention should also be made of the superb artwork on the 6 panel CD cover from none other than Ed Unitsky.

I always feel that the opening track is very important to “grab the listener by the ears” and set them up for what is to follow. “Overture XI” (7:42) is the opener and is an instrumental dominated by old-style key-boards and switches in tempo from thunderous keys to quiet, almost pastoral, sequences. This is symphonic prog at its best. A guitar appears to take the track onward before passing the baton onto Marek Arnold and his superb saxophone. As the track reaches its conclusion, the listener is presented with a dilemma, either to continue onto the following track or replaying that superb opening track. There is a difficult choice to be made.

The second track is the longest track on the album “Lilliput Suite” (17:53) and is split into 6 sections, namely I) The Voyage Of The Antelope, ii) Prisoner, ii) Inside The Emperor’s Palace, iv) Peculiar Tradi-tions, v) The Theft Of The Blefuscudian Fleet, vi) The departure, which sees more guest musicians em-ployed to add flute, violin, and trumpet. This is majestic music with the sweeping changes in sections, from full band involvement to moments of a more delicate nature linked by superb instrumental passages.

All in all, this is a superb release by two-thirds of the Samurai of Prog core trio and as the “Finale” ends, the listener should find themself marveling at the majestic swathes of keyboards, tight guitar passages and excellent flute/violin pastoral sections.

This is one of the best Samurai of Prog releases, and if you have not dipped into the Samurai of Prog music previously, then Gulliver is the one to start with. This is an album that should be found in any true symphonic prog fan’s CD collection.


Jim “ The Ancient One” Lawson – Prog Rock Music Talk Staff
March 3, 2020


Tracks: 
 1. Overture XI (7:42)
2. Lilliput Suite (17:53)
3. The Giants (8:42)
4. The Land Of The Fools (14:30)
5. Gulliver’s Fourth Travel (10:17)
6. Finale (3:11)