Showing posts with label King Crimson. Show all posts
Showing posts with label King Crimson. Show all posts

Thursday, August 6, 2020

King Crimson's 'The Elements 2020 Tour Box' 2CD Now Available For Pre-order


Release date September 4, 2020

All orders of $50 or more at the Schizoid Shop automatically receive a free 'Islands' mask

This 2-CD history of King Crimson features many extracts and tracks appearing on CD for the first time, including many of the current line-up. Packaged in a digi-pack style book case with 24-page booklet, this set contains introductory notes by Robert Fripp & sleeve notes by Sid Smith.

While this 7th release in the Tour Box series is in spirit with the earlier releases, this is also a very different tour box to its companions, and one which, as it has to stand along and represent a tour that should have been (and will occur in 2021), it also stands slightly apart.

What themes and stories should a tour box created for a postponed tour tell?

As with previous tour boxes, the 2020 Elements box covers the full spectrum of Crimsoning, this one with music and line-ups from 1969-2019. Disc one represents a mostly live/mostly new-to-CD selection of material including 4 tracks taken from the 2019 tour. Disc two, in keeping with the theme of Sid's notes, discussed below, presents pieces played occasionally by the current line-up - Exiles and Sheltering Sky, pieces from the studio - both King Crimson and Robert Fripp that were never completed, or were developed in different ways, material that never made it to a studio recording - The Errors, Dr. Diamond, Trees (extract), Guts on my Side, etc, all combine to present a convincing musical counter-history to the band.

The main sleeve notes by KC historian Sid Smith present a series of highly plausible "what if?" scenarios. Starting from 1969. his 2000 word essay traces a counterfactual history of the band had various tours not been canceled or postponed, had various members not quit or joined, following the routes and pathways a band called King Crimson could have followed had things turned out slightly different along the way.

Disc 1

1 Wind Extract
2 I Talk to the Wind (Alt 2019 Mix)
3 Moonchild (Including Cadenzas, Live 23rd Sept 2019) *
4 In the Wake of Poseidon (Greg Lake Isolated Vocal) *
5 Peace A Theme (Live 26th Oct 1973) *
6 Cat Food (Live 26th Oct 1973) *
7 Last Skirmish (Live 10th June 2019) *
8 Prince Rupert's Lament (Alt Take)
9 The Letters (Bill Rieflin isolated, edit section 1) *
10 The Letters (RF Guitars early take, section) *
11 The Letters (Bill Rieflin isolated, edit section 2) *
12 Ladies of the Road (Fripp/Singleton mix)
13 Easy Money (Live 5th Sept 2019) *
14 Fracture (Live 2016, Taken from Live in Vienna)
15 One More Red Nightmare (Live 4th July 2019) *
16 Starless (Mark Charig featured Studio 1974)

*Tracks previously unreleased on CD

Disc 2

1 The Sheltering Sky (Live 18 July 2019) *
2 San Francisco (From Champaign Urbana Rehearsals 1983)
3 Frame By Frame (Jakszyk/Harrison Pre-2019 Tour Demo) *
4 Running DAT 17 (edit) (Rehearsals from THRAK)
5 Exiles (Live June 2017) *
6 North Star (Exposure Rehearsals)
7 Breathless (Live 2018)
8 The Errors (Live 13 Nov 2017)
9 Ian, Boz & Robert (Studio Jam 1971)
10 Disengage (Exposure Rehearsals) *
11 Guts On My Side (Live 19 March 1974)
12 Dr. Diamond (Live 16 June 1973) *
13 21st Century Schizoid Man (Live Detroit 1972)
14 Trees (Extract Live 1969)
15 The Sheltering Scape (Assembled by Alex R Mundy)

*Tracks previously unreleased on CD

To pre-order: https://shop.schizoidshop.com/king-crimson---the-elements-tour-box-2020-p1859.aspx



To accompany the 2020 Elements Tour Box, the We Paint Electric Rhythm Colour tour shirt contains the dates for the 2020 shows, to be performed in 2021, with postponed written over them. Proceeds from the sales of this shirt benefit the wonderful King Crimson road crew who have been unable to work during the pandemic.This full color shirt is silk-screened on a black Hanes Beefy Tee.

To order: https://shop.schizoidshop.com/king-crimson---2020-tour-t-shirt-we-paint-electric-rhythm-colour-p1860.aspx

For more information: www.dgmlive.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Wednesday, April 29, 2020

DGM Records Launches Robert Fripp "Music for Quiet Moments" Series


DGM Records is launching the Robert Fripp “Music for Quiet Moments” series. They will be releasing a soundscape every Friday on DGMLive, Youtube, Spotify, Apple Music and all the main online music platforms.

Says Co-producer David Singleton, “Hopefully something that will nourish us, and help us through these Uncertain Times. I have certainly enjoyed the peace that comes with editing and mastering them. Turning a seeming disadvantage to our advantage, a year at home without touring offers the chance to listen for the first time in many cases to existing live recordings. And there are treasures to be found!”

Music For Quiet Moments…

I
A Quiet Moment is how we experience a moment: the moment which is here, now and available.

Quiet moments are when we put time aside to be quiet; 
and also where we find them.
Sometimes quiet moments find us.

Some places have an indwelling spirit, where quiet is a feature of the space:
perhaps natural features in the landscape; 
perhaps intentionally created, as in a garden; 
perhaps where a spirit of place has come into being over time, as in an English country churchyard.

Quiet may be experienced with sound, and also through sound;
in a place we hold to be sacred, maybe on a crowded subway train hurtling towards Piccadilly or Times Square.

A Quiet Moment is more to do with how we experience time than how we experience sound.

A Quiet Moment prepares the space where Silence may enter.

Silence is timeless.

II
My own quiet moments, over fifty-one years of being a touring player, have been mostly in public places where, increasingly, a layer of noise has intentionally overlaid and saturated the sonic environment. 

III
Quiet Moments of my musical life, expressed in Soundscapes, are deeply personal; yet utterly impersonal: they address the concerns we share within our common humanity.   

Paradoxically, they have mostly taken place in public contexts inimical and unsupportive of quiet.

Some of these Soundscapes are inward-looking, reflective.
Some move outwards, with affirmation.
Some go nowhere, simply being where they are.

Robert Fripp
Tuesday 28th. April, 2020;
Bredonborough, Middle England.


For more information: www.dgmlive.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Monday, March 9, 2020

King Crimson to Tour North America with The Zappa Band Summer 2020


King Crimson will be playing one tour this year in USA and Canada during June and July 2020. Except for shows such as the Ottawa Blues Festival, all the dates will be double bills with the Zappa Band.

“The Summer tour will be a throwback one for us in a few ways; great to be going back to outdoor venues, some of them the ‘sheds’ we played in the 1980’s. And we’ll be travelling by tour bus, old school! As for what pieces we’ll play, that hasn’t been decided yet, but will likely be a wide selection from the 50 years of Crimson repertoire. With 7 players on stage we can cover it all.” - Tony Levin

Since King Crimson's return to live performance in 2014, with critically acclaimed sell-out shows all over the world their three-hour shows regularly include material from twelve of their thirteen studio albums, including many of the songs from their seminal 1969 album In The Court of the Crimson King, described by Pete Townshend, as an “uncanny masterpiece”. The new 7-piece line-up plays many historic pieces which Crimson have never played live, as well as new arrangements of Crimson classics – “the music is new whenever it was written”. There are also new instrumentals and songs, as well as the compositions by the three drummers, Pat Mastelotto, Gavin Harrison and Jeremy Stacey, which are a regular highlight. A unique show, where seven of the best musicians in the world play music without distraction or adornment.



King Crimson is:
Robert Fripp
Tony Levin
Jakko Jakszyk
Mel Collins
Jeremy Stacey
Gavin Harrison
Pat Mastelotto

Tour dates:
June 4 - Clearwater, FL - Ruth Eckerd Hall
June 5 - St. Augustine, FL - St Augustine Amphitheatre
June 6 - Miami, FL - Mizner Park Amphitheatre
June 8 - Orlando, FL - Dr. Phillips Walt Disney
June 9 - New Orleans, LA - Saenger Theatre
June 10 - Memphis, TN - Graceland Soundstage
June 12 - Cary, NC - Koka Booth Amphitheatre
June 13 - Portsmouth, VA - Union Bank Pavilion
June 14 - Philadelphia, PA - The Mann Center
June 16 - Glens Falls, NY - Cool Insuring Arena
June 18 - Boston, MA - Rockland Trust Pavilion
June 19 - New York, NY - Forest Hills Stadium
June 20 - New Haven, CT - Westville Music Bowl
June 22 - New Brunswick, NJ - State Theatre
June 24 - Huber Heights, OH - Rose Music Center @ The Heights
June 25 - Louisville, KY - Palace Theatre
June 26 - Detroit, MI - Meadowbrook Amp
June 28 - Baltimore, MD - MECU Pavillion
June 30 - Vienna, VA - Wolf Trap
July 1 - Lewiston, NY - Artpark
July 5 - Chicago, IL - Ravinia
July 7 - Montreal, QC - Salle Wilfrid-Pelletier - Palace des Arts
July 9 - Quebec City, QC - Festival d'ete
July 11 - Ottawa, ON - Bluesfest
July 12 - Rama, ON - Casino Rama

For more information: www.dgmlive.com
painting by Francesca Sundsten



“The Zappa Band” is composed primarily of former ZAPPA alumni. The touring unit is: Ray White (lead vocals, guitar), Mike Keneally (guitar, keys, vocals), Scott Thunes (bassist) and Robert Martin (keyboards, sax, vocals). Also joining are ZPZ alums Jamie Kime (guitar) and ZAPPA archivist Joe “Vaultmeister” Travers (drums, vocals). The band will be performing a strong mix of Zappa classics along with new and rare Zappa compositions. This is the ultimate Zappa alumni band in partnership the Zappa Trust. Don't miss your chance to see these virtuosos perform live!




King Crimson Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Friday, January 24, 2020

YES and KING CRIMSON Members Collaborate on the New Album by Peter Banks and David Cross – Crossover is OUT NOW!


David Cross was a member of King Crimson during the 1970s and the late Peter Banks was the original guitarist in YES.

The guitar and violin parts for this NEW STUDIO ALBUM were recorded on the 10th August 2010 in an afternoon of improvisation.

Of the release David Cross said “The response from the guest musicians was truly wonderful in the way that they gave their time and talent to this project and I would like to thank them on behalf of Pete and myself. They were asked to ‘interpret the music as freely and creatively as you wish’ and they have turned in incredibly skilled and inspiring performances which were not easy given the improvised nature of the starting material and the spontaneity of the structures.”

The resultant album was produced by Tony Lowe and David Cross and the guest appearances were recorded during 2018 and 2019 and Crossover features:
Pat Mastelotto
Tony Kaye
Billy Sherwood
Randy Raine-Reusch
Andy Jackson
Oliver Wakeman
Jay Schellen
Jeremy Stacey
Geoff Downes

David Cross added: “When I recall the original recording session with Pete I remember his fresh almost naïve approach, his positive energy and his constant and restless search for something new. It was a joy to know Pete Banks and an honour and a privilege to play with him: I think he would be pleased with the way our album turned out.”

This is the last new album of material from the late Peter Banks, who passed away in 2013, and had wanted to see this material released.

CD Edition: https://geni.us/DCPBcrossover

iTunes: https://geni.us/DCPBcrossoveriTunes

GooglePlay: https://geni.us/DCPBcrossoverGP

Spotify: https://geni.us/DCPBcrossoverSpotify

A YouTube trailer can be seen here:


Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Monday, December 23, 2019

Prog Rock Review: King Crimson-In the Court of the Crimson King 50th Anniversary Reissue

Release Date: October 25, 2019
Label:  Panegyric
Website
  
The beauty of the current wave of 50th Anniversary box set releases is that they are entering the golden age of modern rock music— the 1970's. If In the Court of the Crimson King foretells a string of influential 50th Anniversary reissues to follow, music fans have cause for celebration. 

In 1969, there was the crisp, airy resonance of vinyl. In the 1980s, Compact Discs sucked out all the air and antisepticised the sound. In the late 1990s, clarity and depth were eliminated altogether through compression to fit on portable digital devices and streaming services. Only recently have we begun to move in the opposite direction. More storage and bandwidth mean larger digital files with "less loss" and high-quality sound has come full-circle and is attainable once again. Herein lies the opportunity to bring these 50th Anniversary reissues back to life by leveraging modern technology to restore the sound to its organic, multi-dimensional form.

This Blu-Ray disc in this collection does just that, featuring all-new 5.1 & stereo mixes by Steven Wilson, approved by Robert Fripp in 24/96 resolution. Wilson not only remixed the original album; he also remixed much of the bonus material that he had mixed initially in 2009. This 4-disk set includes 3 CDs of the original remixed album by Steven Wilson plus instrumental versions, an expanded edition of the alternate album from the Blue-Ray, the original master edition of the 1969 mix, plus additional tracks. Suffice to say, the sound will overtake you and force you to surrender to its majesty.  

I distinctly remember the first time I heard this album. I bought it from a used record store based solely on the bizarre artwork of the Schizoid Man himself, which resembles a modern-day Edvard Munch Scream. On a warm spring day on the porch of my college apartment, I poured myself some Carlo Rossi wine from a jug, scraped enough resin for a decent bong-hit, dropped the needle, and surrendered. "Said the straight man to the late man, where have you been?" I was indeed the late man who had "been here and there and in-between." The album went immediately into heavy rotation and to this day, I can't listen to this seminal masterpiece without thinking back to that afternoon.

To think that In the Court of the Crimson King was King Crimson's debut album boggles the mind. Typically, bands need a few throwaways before finding their identity. King Crimson came out of the gates with unadulterated rawness and a sound much like truth, which hadn't been spoken very loudly until then. Not only did the music illuminate the chaos of the times, so did the lyrics. 1969 is when the walls of establishment crumbled at the hands of the counter-culture, songs such as "21st Century Schizoid Man" conveyed the angst of the dissociative and marginalized youth of the time. Images of burning politicians and starving children shed light on the mental and physical destruction of the Vietnam War and deepened the divide between generations.

Standout tracks include the original studio instrumental take of "21st Century Schizoid Man," which has been completely remixed and re-imagined by David Singleton. It adds Greg Lake vocals from later studio sessions as well as Saxophone and guitar overdubs, creating a juggernaut of a song that infuses energy amidst bravado, leaving the listener's consciousness forever altered. The instrumental closing version of "The Court of the Crimson King" strips the vocals exposing deeper-layered intricacies of sound evoking an entirely different atmosphere.

The dissection and reverse-engineering of this masterpiece provide a bounty of tracks for King Crimson and progressive music fans to sink their teeth into. "Epitaph," for instance, appears in five different forms. The "Isolated vocal, 2019 mix" is the most provocative as it isolates Greg Lake's vocals for three minutes and forty-four seconds before elevating the instrumental tracks to carry the song to its dramatic, yet gloomy conclusion.

Over the years, the band's lineup has evolved with its sound. Their 2019 tour featured eight musicians, including three drummers. They remain highly influential, and their live shows have garnered the highest of accolades. This collection falls between the 40th Anniversary Series remixes a decade ago, the earlier 2019 remastered release, and the planned 2020 box set release (which will include all of this material). What it offers collectors and fans alike is a more affordable package of Steven Wilson's remixes plus rare bonus material. Most importantly, this thoughtfully mixed and packaged release serves as a 50th Anniversary tribute, a genuflection and a gift left at the altar in the Court of the Crimson King.


Tom Endyke - Prog Rock Music Talk Staff
December 21, 2019


REVIEWS PROVIDED BY:


Tracks:
CD 1 - 2019 stereo & instrumental stereo Steven Wilson mixes
01. 21st Century Schizoid Man
02. I Talk to the Wind
03. Epitaph
04. Moonchild
05. The Court of the Crimson King
06. 21st Century Schizoid Man (Instrumental)
07. I Talk to the Wind (Instrumental)
08. Epitaph (Instrumental)
09. Moonchild (Instrumental)
10. The Court of the Crimson King (Instrumental)


CD 2 - Alternate album, expanded edition
01. Wind Session (2019 Stereo mix)
02. 21st Century Schizoid Man (Morgan Studios June 1969 take)
03. I Talk to the Wind (Alternative 2019 mix)
04. I Talk to the Wind (Duo version, full-length master, 2019 mix)
05. Epitaph (Isolated vocal, 2019 mix)
06. Epitaph (Alternate take, 2019 mix)
07. Moonchild (Take 1 2019 mix)
08. The Court of the Crimson King (June 1969 take, 2019 mix)
09. 21st Century Schizoid Man (Trio version, 2019 mix)
Mixed by Steven Wilson except 2 & 5, mixed by David Singleton


CD 3 - Original master edition, expanded
01. 21st Century Schizoid Man
02. I Talk to the Wind
03. Epitaph
04. Moonchild
05. The Court of the Crimson King
06. 21st Century Schizoid Man (Morgan Studios instrumental take, 1969)
07. I Talk to the Wind (Studio run through, 2019 mix)
08. Epitaph (Backing track, 2019 mix)
09. The Court of the Crimson King (Part 1, single a side)
10. The Court of the Crimson King (Part 2, single b side)


Blu-Ray
* 2019, 5.1 and stereo mixes by Steven Wilson in 24/96 resolution (for the first time)


* Original master edition of the 1969 album mix in 24/96 stereo.


* A complete alternate album comprising 2019 mixes by Steven Wilson including a much extended duo version of I Talk to The Wind, a June 19th version of ‘The Court of the Crimson King’ from the band’s final day at Morgan studios in June 1969, an isolated voice dominant version of ‘Epitaph’ & a version of ‘21st Century Schizoid Man’ which combines the Morgan studios instrumental with Greg Lake vocals from Wessex studios and August 2019 overdubs by Mel Collins & Jakko Jakszyk – the latter two mixed by David Singleton.


* A further album’s worth of additional material drawn from studio takes – much of it mixed by Steven Wilson & including extracts from the ‘wind session’ that produced the intro to 21CSM in stereo for the first time, the single a/b sides of the album title track drawn, for the first time since on disc, from the original master tapes & more are also included.


* The Blu-Ray is completed by a set of 2019 instrumental mixes and the surviving fragment of black & white footage from Hyde Park in 1969.

Wednesday, December 18, 2019

Robert Fripp’s Introduction To The Guitar Circle Four-Day-Long Event For Guitar Players and Music-Lovers To Be Held in Saratoga Springs, NY - October 22nd - 26th, 2020

For Immediate Release

Robert Fripp’s Introduction To The Guitar Circle Four-Day-Long Event For Guitar Players and Music-Lovers To Be Held in Saratoga Springs, NY - October 22nd - 26th, 2020  


AN INTRODUCTION TO THE GUITAR CIRCLE
October 22-26th. 2020

If music is to enter our world, the role of the audience is as necessary as the role of the musician.

So, for the first time in the life of Guitar Craft and the Guitar Circle, we are inviting audients to this Intro, to learn the techniques and approaches available to Crafty Guitarists.

Music has its own intelligence, but can music change the world? If so, how? How does a musician become present in the place within them where music lives, or visits for a while? How is an audient present within themself when music visits? How does music come into our lives? What is involved in the process of musical performance?

For those interested in guitar playing, work will be on acoustic guitars in the New Standard Tuning – CGDAEG. Guitar meetings / workshops will be in groups of all sizes, including individual meetings with the Guitar Buddies.

This Introduction to the work of the Guitar Circle will also include classes in Alexander Technique, Orchestral Maneuvers, T’ai Chi, Zen meditation, The Process Of Performance, and Doing Nothing – As Much As You Can!

There is nothing solemn about any of this, and I’m intending to have a good time. This is an approach to play, playing, serious play and playing seriously.

I recommend that everyone come with an aim.

You are invited.

Robert Fripp
Friday 8th. November, 2019;
Middle England.

Click below for full details...
https://robertfrippsguitarcircle.com/

An Introduction to the Guitar Circle with Robert Fripp


4 DAYS AND NIGHTS OF ZEN AND THE ART OF GUITAR!
Robert Fripp’s Introduction To The Guitar Circle is a four-day-long event for guitar players and music-lovers of all levels, interests, and tastes. Whether you are a master player, a beginner, or just an enthusiastic fan, our four-day programs offer activities and workshops for you. The environment is strictly non-competitive and is about immersing oneself in the joys of music and our lovely Fall Foliage surroundings of Saratoga Springs, NY! Robert Fripp’s Introduction To The Guitar Circle will only be open to participants who are 18 or older.

Some of the activities at this event will include:

Introduction to the New Standard Tuning
Working in a Guitar Circle
How to Play Schizoid Man!
The Right Hand
The Left Hand
Fingerboard Exercises
Counting and Rhythm
How to Make and Recover from Mistakes
Proper Posture
The Practice of Doing Nothing
The Alexander Technique
Tai Chi
Meditation and Mindfulness
Walking Meditation
Audience Craft

SCHEDULE & ITINERARY
Our full schedule will be announced in the spring, but every day will be filled with classes, workshops, concerts, and personal instruction led by Robert and his team of coaches and musicians. Listed below is an example of a typical day.

TYPICAL DAY

7:00am – 7:45am
Morning sitting (led by Robert)

8:00am – 9:30am
Breakfast and Q&A (for Robert and staff)

10:00am – 11:00am
Multiple Breakout Sessions #1

11:15am – 12:15pm
Multiple Breakout Sessions #2

12:30pm – 1:00pm
Tai Chi or wellness workshop

1:00pm – 2:30pm
Lunch and Q&A (for Robert and staff)

3:00pm – 4:00pm
Multiple Breakout Sessions #3

4:00pm – 5:00pm
Tea time and Q&A (for Robert and staff)

5:15pm – 6:15pm
Multiple Breakout Sessions #4

6:30pm – 7:00pm
Tai Chi or wellness workshop

7:00pm – 8:30pm
Dinner and Q&A (for Robert and staff)

9:00pm – 11:00pm
House of Guitars, Concert or some other activity involving everyone

During Robert Fripp’s Introduction to the Guitar Circle, nothing is compulsory but some things are necessary. Robert feels strongly that alcohol and drug use are incompatible with this work and are strongly discouraged. Hey, the anticipated polyrhythms* alone are enough to deter anyone from even thinking about drinking! So, any participant who partakes in drugs or alcohol during the event may be asked to forego participating in our activities. Thank you for your cooperation.

*Polyrhythms: The simultaneous combination of contrasting rhythms in a musical composition. Rhythmic conflicts, or cross-rhythms, may occur within a single metre (e.g., two eighth notes against triplet eighths or worse!) and may even be reinforced by simultaneous combinations of conflicting metres. You will happily experience some of these during Robert’s event!

FEATURED ARTISTS

ROBERT FRIPP
Guitarists and More
Featuring members of the League of Crafty Guitarists, Orchestra of Crafty Guitarists, The California Guitar Trio, a host of wellness and lifestyle coaches and more!

For more information: https://robertfrippsguitarcircle.com/

Friday, November 15, 2019

King Crimson Tribute Album "The Crimson Guitar" Released by American Guitarist Fernando Perdomo – OUT NOW!


“The Crimson Guitar” is the eagerly anticipated fifth full-length album by Fernando Perdomo, guitarist and bassist of The Dave Kerzner Band and Jakob Dylan’s Echo In The Canyon Band.

This NEW STUDIO ALBUM is a tribute to KING CRIMSON and has been a labour of love for Perdomo.

Fernando Perdomo said of the release: “'The Crimson Guitar' is my passionate love letter to the amazing King Crimson music that fascinated me when I was first learning classical guitar in my early teens... I created these arrangements with the upmost respect to the music and legacy of the band. My hope is to bring light to the delicate beauty of the songs”

The album has been released by Forward Motion Records, via Cherry Red.

TRACK LISTING
1. PEACE (A THEME)
2. ISLANDS
3. I TALK TO THE WIND
4. FORMENTERA LADY
5. STARLESS
6. PRINCE RUPERT AWAKES
7. ERUDITE EYES
8. MOONCHILD
9. BOOK OF SATURDAY
10. THE COURT OF THE CRIMSON KING

Purchase link: https://geni.us/CrimsonGuitar

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com

Monday, September 16, 2019

King Crimson's "In The Court Of The Crimson King" 50th Anniversary Series 3CD/Blu-Ray featuring 5.1 Surround Sound Mix & New Stereo Mix


Blu-Ray features all-new, 2019, 5.1 & stereo mixes by Steven Wilson, approved by Robert Fripp in 24/96 resolution 

Recorded in 1969 “In The Court Of The Crimson King” stands as one of the defining albums of British rock music & one of the finest debut albums of all time. Described at the time as “an uncanny masterpiece” by Pete Townshend, the album has achieved legendary status over the years. Fifty years on, the album is one of the most beloved & revered in the rock music canon.

The 50th anniversary edition features:

Blu-Ray: First time on Blu-Ray for this iconic album with all new mixes in stereo & 5.1, original album mixes and a multitude of extras all in Hi-Resolution.

CDs: 3 CDs present the 2019 mixes in stereo & instrumental forms, an expanded alternate album and the original album mix – also with additional tracks.

Packaged in two gatefold sleeves with  booklet in a rigid exterior slipcase

Blu-Ray features all-new, 2019, 5.1 & stereo mixes by Steven Wilson, approved by Robert Fripp in 24/96 resolution – the first time the album has appeared in 5.1 at 24/96 resolution. Blu-Ray also features the original master edition of the 1969 album mix in 24/96 stereo. Blu-Ray also features a complete alternate album comprising 2019 mixes by Steven Wilson

A further album's worth of additional material drawn from studio takes – much of it mixed by Steven Wilson & including extracts from the 'wind session' that produced the intro to 21CSM in stereo for the first time, the single a/b sides of the album title track drawn, for the first time since on disc, from the original master tapes & more are also included.

The Blu-Ray is completed by a set of 2019 instrumental mixes and the surviving fragment of black & white footage from Hyde Park in 1969

This set marks the first appearance of the album on Blu-Ray completing the availability of all King Crimson studio albums on the format.

CD1 presents the album in its 2019 stereo mix – along with the 2019 instrumental takes (with 'Moonchild' edited to song length)
CD2 presents an expanded edition of the alternate album from the Blu-Ray
CD3 features the original master edition of the 1969 mix plus additional tracks

Presented as a 2 x gatefold sleeve edition containing the individual CDs plus booklet with new sleeve-notes by King Crimson biographer Sid Smith packed in a rigid slipcase. Artwork derived from the original paintings, as meticulously restored, for the limited edition full sized, signed prints

All material on this set will also feature on the forthcoming “Complete 1969 Sessions” – the eighth boxed set in the series documenting King Crimson's studio & live recordings from 1969 onwards.

The Alternate album appears, quite deliberately, in slightly different track-listings on the Blu-Ray & CD (& on the accompanying double vinyl set). The aim on the Blu-Ray was to provide a fully sequenced listen that closely resembled the original album running order. This was extended on the CD, gathering many of the new mixes on one disc & revised again to make for a satisfying listen on vinyl.

In common with all other King Crimson studio albums in the format, the 5.1 mixes are being made available in this affordable set rather than being held over exclusively for larger expensive boxed sets, a practice that limits the availability of the music in multichannel audio to the detriment of artists and fans alike.

In the 50 years since its release “In The Court of the Crimson King” has never been out of print or unavailable in any of the world's main music markets & continues to enjoy consistently high sales.

Blu-Ray NTSC, Zone ABC, playable on all BD players & drives

2019 5.1 mixes

1 21st Century Schizoid Man
2 I Talk to the Wind
3 Epitaph
4 Moonchild
5 The Court of the Crimson King

Additional track

6 I Talk to the Wind (duo version)

Mixed by Steven Wilson

Original Master Edition

1 21st Century Schizoid Man
2 I Talk to the Wind
3 Epitaph
4 Moonchild
5 The Court of the Crimson King

Produced by King Crimson

Alternate Album

1 21st Century Schizoid Man
2 I Talk to the Wind
3 I Talk to the Wind
4 Epitaph
5 Epitaph
6 Moonchild
7 The Court of the Crimson King

1 Morgan studios June 1969 take with Greg Lake vocal overdubs from Wessex August 1969 &
            Mel Collins & Jakko Jakszyk August 2019 overdubs
2 Alternate 2019 mix
3 Duo version, full length master, 2019 mix
4 Vocals isolated/highlighted, 2019 mix
5 Alt take – 2019 mix
6 Take 1, 2019 mix
7 Morgan studios, June 1969 take, 2019 mix

Mixed by Steven Wilson except 1, 4 mixed by David Singleton

Additional material

1 Wind Session
2 21st Century Schizoid Man
3 I Talk to the Wind
4 Epitaph
5 Moonchild
6 The Court of the Crimson King
7 21st Century Schizoid Man
8 The Court of the Crimson King (part 1)
9 The Court of the Crimson King (part 2)

1 2019 stereo mix
2 Trio version, 2019 mix
3 Studio run through, 2019 mix
4 Backing track, 2019 mix
5 Album edit, 2009 mix
6 Take 3, 2009 mix
7 Morgan studios take, June 1969
8, 9 Single a/b side, 1969

Mixed by Steven Wilson 1 – 6, Mixed by King Crimson 7 – 9

2019 Instrumental mixes

1 21st Century Schizoid Man
2 I Talk to the Wind
3 Epitaph
4 Moonchild
5 The Court of the Crimson King

Mixed by Steven Wilson

Video: 21csm extract Hyde Park 1969

CD 1 2019 stereo mixes & instrumental mixes

1 21st Century Schizoid Man
2 I Talk to the Wind
3 Epitaph
4 Moonchild
5 The Court of the Crimson King
6 21st Century Schizoid Man
7 I Talk to the Wind
8 Epitaph
9 Moonchild (edit)
10 The Court of the Crimson King

1 - 10 mixed by Steven Wilson

CD 2 Alternate Album, expanded edition

1 Wind Session
2 21st Century Schizoid Man
3 I Talk to the Wind
4 I Talk to the Wind
5 Epitaph
6 Epitaph
7 Moonchild
8 The Court of the Crimson King
9 21st Century Schizoid Man

1 Wind Session, 2019 stereo mix
2 Morgan studios June 1969 take with Greg Lake vox overdubs from Wessex August 1969 & 
            Mel Collins/Jakko Jakszyk August 2019 overdubs
3 Alternate 2019 mix
4 Duo version, full length master, 2019 mix
5 Vocals isolated/highlighted, 2019 mix
6 Alt take - 2019 mix
7 Take 1, 2019 mix
8 Morgan studios, June 1969 take, 2019 mix
9 Trio version, 2019 mix

Mixed by Steven Wilson except 2, 5 mixed by David Singleton

CD 3 Original Master Edition, expanded

1 21st Century Schizoid Man
2 I Talk to the Wind
3 Epitaph
4 Moonchild
5 The Court of the Crimson King
6 21st Century Schizoid Man
7 I Talk to the Wind
8 Epitaph
9 The Court of the Crimson King (single a side)
10 The Court of the Crimson King (single b side)

1 to 5 Original master edition produced by King Crimson
Mastered by Simon Heyworth
6 Morgan studios instrumental take, 1969, produced by King Crimson
7 studio run through, 2019 mix by Steven Wilson
8 Backing track, 2019 mix by Steven Wilson
9/10 Original single master

To pre-order:
https://shop.schizoidshop.com/king-crimson---in-the-court-of-the-crimson-king-50th-anniversary-blu-ray-edition-p1815.aspx

Distributed in North America by Amped Distribution.

Catch King Crimson's North American tour:

SEP 14, 2019 - BUDWEISER STAGE, Toronto
SEP 17, 2019 - ST DENIS THEATRE, Montreal
SEP 19, 2019 - BOCH CENTER WANG THEATER, Boston
SEP 21, 2019 - RADIO CITY MUSIC HALL, New York City
SEP 23, 2019 - THE MET, Philidelphia
SEP 25, 2019 - HARD ROCK ROCKSINO, Cleveland
SEP 27, 2019 - THE RYMAN AUDITORIUM, Nashville
SEP 29, 2019 - THE COBB CENTER, Atlanta

For more information: www.dgmlive.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Monday, August 19, 2019

King Crimson To Release 5 Discs Of Live Music In Their "Audio Diary 2014 - 2018"


Back in 1969, King Crimson made its reputation as a live band – initially with the hipsters, scene setters & other musicians who frequented the likes of the Speakeasy & The Marquee in London, then, more broadly, with a breakthrough gig to a vast mainstream audience as guests on the bill with The Rolling Stones in Hyde Park in July of that year. So it’s appropriate that the current incarnation of King Crimson was to be found just opposite the entrance to Hyde Park at the end of June 2019 almost 50 years on from that concert, playing a trio of packed gigs at the Royal Albert Hall.

Then, as now, it’s the live performance that’s key to the band.

The current line-up - the longest surviving in Crimson’s half century of existence – started touring in September 2014 & hasn’t stopped since. Now routinely spoken of in terms of ‘best live band in the world’, the band’s reputation has been further enhanced via a series of live releases beginning with the “Live at the Orpheum” mini-album (2015) & running to last year’s 3CD/Blu-Ray “Meltdown” set, drawn from a series of concerts in Mexico in 2017.

With a vast repertoire covering material from the debut album “In the Court of the Crimson King” (including ‘Moonchild’ which was never performed in 1969) through to works from “Lizard” which, likewise, was never performed at the time, Crim classics from “Islands”, “Larks’ Tongues in Aspic”, “Red” & other studio albums, through to compositions from Fripp’s solo album “Exposure” (‘Breathless’), radical reinterpretations of 80s material (‘Neurotica’, ‘Indiscipline’), to songs from the current KC band precursor album by Jakszyk, Fripp Collins (‘A Scarcity of Miracles’, ‘The Light of Day’) and newly written pieces for this line-up, (‘Meltdown’, ‘Radical Action’), this 5CD set provides a comprehensive overview of 5 years’ worth of concerts – one year per CD – with performances selected from that first concert in Albany New York in 2014, to the band’s penultimate 2018 concert in Tokyo.

CD1is fully mixed from multi-track tapes by Robert Fripp & Jakko Jakszyk, while the other 4 CDs are taken from the band’s stereo soundboard recordings, the most accurate recorded representation of the live band in the opinion/ears of many of the band’s hardcore fans.

Packaged in a rigid slipcase featuring artwork from the beloved and dearly missed Francesca Sundsten, containing 3 gatefold sleeves containing the 5 individual CDs, plus a 24-page full color booklet with previously unseen photographs.

“Audio Diary 2014 - 2018”

TRACKLISTING

CD ONE (2014)
HOODOO
LARKS’ TONGUES IN ASPIC, PART ONE
A SCARCITY OF MIRACLES
LEVEL FIVE
ONE MORE RED NIGHTMARE
INTERLUDE
BANSHEE LEGS BELL HASSLE
THE TALKING DRUM
21ST CENTURY SCHIZOID MAN
THE LIGHT OF DAY

CD TWO (2015)
RADICAL ACTION I/MELTDOWN
INTERLUDE
SAILOR’S TALE
THE LETTERS
THE COURT OF THE CRIMSON KING
STARLESS
EASY MONEY
PICTURES OF A CITY
SUITABLE GROUNDS FOR THE BLUES
THE CONSTRUKCTION OF LIGHT
LEVEL FIVE

CD THREE (2016)
LARKS’ TONGUES IN ASPIC, PART TWO
EPITAPH
DEVIL DOGS OF TESSELLATION ROW
RED
BANSHEE LEGS BELL HASSLE
CIRKUS
RADICAL ACTION II
PICTURES OF A CITY
PEACE
LARKS’ TONGUES IN ASPIC, PART ONE
EASY MONEY
21ST CENTURY SCHIZOID MAN

CD FOUR (2017)
CIRKUS
STARLESS
THE LETTERS
HEROES
INTERLUDE
LAST SKIRMISH
INDISCIPLINE
DAWN SONG
PRINCE RUPERT’S LAMENT
THE ERRORS
FALLEN ANGEL
NEUROTICA
ISLANDS

CD FIVE (2018)
THE COURT OF THE CRIMSON KING
SUITABLE GROUNDS FOR THE BLUES
PICTURES OF A CITY
MELTDOWN
BOLERO
RADICAL ACTION
ONE MORE RED NIGHTMARE
MOONCHILD
EASY MONEY
LEVEL FIVE
PEACE
CADENCE AND CASCADE
BREATHLESS

To pre-order: https://shop.schizoidshop.com/king-crimson-live-2014-2018-audio-diary-p1812.aspx

Distributed in North America by Amped Distribution.

Catch King Crimson's North American tour:

SEP 03, 2019 - GREEK THEATRE, Los Angeles
SEP 05, 2019 - FOX THEATER, Oakland
SEP 06, 2019 - FOX THEATER, Oakland
SEP 08, 2019 - PARAMOUNT THEATER, Denver
SEP 10, 2019 - AUDITORIUM THEATRE OF ROOSEVELT UNIVERSITY, Chicago
SEP 12, 2019 - WARNER THEATRE, Washington D.C.
SEP 14, 2019 - BUDWEISER STAGE, Toronto
SEP 17, 2019 - ST DENIS THEATRE, Montreal
SEP 19, 2019 - BOCH CENTER WANG THEATER, Boston
SEP 21, 2019 - RADIO CITY MUSIC HALL, New York City
SEP 23, 2019 - THE MET, Philidelphia
SEP 25, 2019 - HARD ROCK ROCKSINO, Cleveland
SEP 27, 2019 - THE RYMAN AUDITORIUM, Nashville
SEP 29, 2019 - THE COBB CENTER, Atlanta

For more information: www.dgmlive.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Thursday, May 30, 2019

King Crimson's 2019 Tour Box 2CD Now Available For Pre-order


Available as a pre-order now, the 2019 tour box will be available for general purchase at the end of June, as well as all of the 50 King Crimson live shows this year. The popular 2CD set covers all era of King Crimson with extracts from rehearsals, new live recordings, elements from studio recordings, full tracks, alternate takes & finished recordings from 1969-2018, many of which make their first appearance on CD.

Pre-order link 
Inner Knot (US) https://shop.schizoidshop.com/king-crimson---the-elements-tour-box-2019-p1800.aspx

The Elements tour box was originally devised specifically as a one-off edition for the 2014 King Crimson tour but has since become an in-demand series with subsequent editions in 2015, 16 & 17 becoming firm sellers. The accompanying booklet features sleeve-notes by co-compiler Sid Smith, photos of memorabilia, full info about the current tour & a number of band & individual photos of the current King Crimson line-up.

Full track listing 

Disc 1

1 Wind [extract] 1969, Wessex Studios, London. In The Court Of The Crimson King recording sessions.
2 21st Century Schizoid Man [Instrumental] From In The Court Of The Crimson King recording sessions.
3 Cadence and Cascade [Four vocalists] (Fripp, Sinfield) Original recording 1970 Wessex
Studios, London with vocal by Gordon Haskell (1970), Greg Lake, (1970), Adrian Belew (1991) Jakko Jakszyk,
(2017) From KC50 download series www.dgmlive.com
4 Catfood [Keith Tippett, Piano] 1970 Wessex Studios, London. In The Wake Of Poseidon recording sessions.
From www.dgmlive.com Stormy Monday Selection.
5 Pictures Of A City [Robert Fripp, guitars] In The Wake Of Poseidon recording sessions. From www.dgmlive.com
6 Lizard Suite Live at Centre Videotron, Quebec City, July 7, 2017. From Lizard Blu-ray disc, Sailors’ Tales boxed set.
7 The Letters Live at State Theatre, Minneapolis, June 26, 2017. Previously released on 2017 Royal Package CD set.
8 The Talking Drum Live at the Orpheum Theatre, Los Angeles, October 1, 2014. Previously released on 2017 Royal Package CD set.
9 Fracture [mostly drums mix] January 1974 AIR Studios, London. From Starless And Bible Black recording sessions. From www.dgmlive.com Stormy Monday Selection.
10 Starless [Mellotron extract] Red recording sessions. From www.dgmlive.com Stormy Monday Selection.
11 Red Live at Falkoner, Copenhagen, September 23, 2016. Previously released on 2017 Royal Package CD set.
12 Indiscipline Live at Teatro Metropolitan, Mexico City, July, 2017. From Meltdown: Live in Mexico.
13 Neurotica Live at Chicago Theater, Chicago, June 28, 2017. From Live in Chicago.
14 Three Of A Perfect Pair Live at Nokia Theater, New York, August 2008. Taken from Heaven & Earth boxed set.

Tracks 3, 4, 5, 6, 9, 10 previously unreleased on CD

Disc 2

1 Inner Garden [complete] 1994, Real World, Bath. THRAK recording sessions. Taken from the JurassiKc THRAK CD in the THRAK boxed set.
ProjeKcts Suite:

2 4 ii 1[ProjeKct One] Live at the Jazz Cafe, London, December 4, 1997. Taken from Heaven & Earth boxed set.
3 VROOOM [ProjeKct Two] Live at Pearl Street, Northampton, July 1, 1998. From the Heaven & Earth boxed set ProjeKcts Vol.2 Blu-ray disc.
4 Seizure [ProjeKct Three] Live at Antone's, Austin, March 25, 1999. From the Heaven & Earth boxed set ProjeKcts Vol.1 Blu-ray disc.
5 ProjeKction [ProjeKct Four] Live at the Crystal Ballroom, Portland, October 30, 1998. From the Heaven & Earth boxed set ProjeKcts Vol.1 Blu-ray disc.

6 The ConstruKction Of Light Live at the Vogue Theatre, Vancouver, November 26, 2015. Previously released on 2017 Royal Package CD set.

Sus-Tayn-Z Suite:

7 Sus-Tayn-Z I
8 Sus-Tayn-Z II
9 Sus-Tayn-Z III
August 2002, The Tracking Room, Nashville. The Power To Believe recording sessions.
Taken from The Power To Believe Tour Box (2003).

10 The Light of Day (Jakszyk, Fripp, Collins) November 25, 2009 DGM Soundworld, Silesia
Sound. A Scarcity of Miracles recording sessions. From www.dgmlive.com Stormy Monday Selection.
Radical Action Suite:

11 Radical Action I (Fripp) Live at Auditorium Cavea, Rome, July 22, 2018. From the forthcoming
Live in Rome album.
12 Radical Action III (Fripp) Live at Auditorium Cavea, Rome, July 22, 2018. From the forthcoming
Live in Rome album.
13 Level 5 (Belew, Fripp, Gunn, Mastelotto) Live at Auditorium Cavea, Rome, July 22, 2018.
From the forthcoming Live in Rome album.

Tracks 1, 3, 4, 5, 10, 11, 12, 13 previously unreleased on CD

For more information: www.dgmlive.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Friday, January 25, 2019

King Crimson Announces 2019 Tour Dates In Celebration of 50 Years


In celebration of 50 years, King Crimson announces 50 Concerts for 2019. The current eight musician line-up will perform 50 concerts across three continents as part of their 2019 Celebration tour.

Dates confirmed so far, are as follows:

King Crimson 2019 Tour Dates:
JUN 10, 2019 - HAUS AUENSEE, Leipzig
JUN 12, 2019 - JAHRHUNDERTHALLE, Frankfurt
JUN 13, 2019 - JAHRHUNDERTHALLE, Frankfurt
JUN 15, 2019 - LIEDERHALLE, Stuttgart
JUN 16, 2019 - LIEDERHALLE, Stuttgart
JUN 18, 2019 - ROYAL ALBERT HALL, London
JUN 19, 2019 - ROYAL ALBERT HALL, London
JUN 20, 2019 - ROYAL ALBERT HALL, London
JUN 22, 2019 - DE VEREENIGING, Nijmegen
JUN 23, 2019 - DE VEREENIGING, Nijmegen
JUN 26, 2019 - TEATR ROMA, Warsaw
JUN 27, 2019 - TEATR ROMA, Warsaw
JUN 29, 2019 - ZITADELLE, Berlin
JUL 04, 2019 - ROMISCHES THEATER AUGUSTA RAURICA, Basel
JUL 08, 2019 - ARENA DI VERONA, Verona
JUL 10, 2019 - STUPINIGI SONIC PARK, Torino
JUL 12, 2019 - DOCTOR MUSIC FESTIVAL, Escalarre
JUL 13, 2019 - DOCTOR MUSIC FESTIVAL, Escalarre
JUL 14, 2019 - DOCTOR MUSIC FESTIVAL, Escalarre
JUL 18, 2019 - ARENA SANTA GIULIANA, Perugia
AUG 23, 2019 - TEATRO METROPOLITAN, Mexico City
AUG 24, 2019 - TEATRO METROPOLITAN, Mexico City
AUG 27, 2019 - TEATRO DIANA, Guadalajara
AUG 29, 2019 - TEATRO METROPOLITAN, Mexico City
SEP 03, 2019 - GREEK THEATRE, Los Angeles
SEP 05, 2019 - FOX THEATER, Oakland
SEP 06, 2019 - FOX THEATER, Oakland
SEP 08, 2019 - PARAMOUNT THEATER, Denver
SEP 10, 2019 - AUDITORIUM THEATRE OF ROOSEVELT UNIVERSITY, Chicago
SEP 12, 2019 - WARNER THEATRE, Washington D.C.
SEP 14, 2019 - BUDWEISER STAGE, Toronto
SEP 17, 2019 - ST DENIS THEATRE, Montreal
SEP 19, 2019 - BOCH CENTER WANG THEATER, Boston
SEP 21, 2019 - RADIO CITY MUSIC HALL, New York City
SEP 23, 2019 - THE MET, Philidelphia
SEP 25, 2019 - HARD ROCK ROCKSINO, Cleveland
SEP 27, 2019 - THE RYMAN AUDITORIUM, Nashville
SEP 29, 2019 - THE COBB CENTER, Atlanta
OCT 06, 2019 - SUNSET STAGE ROCK IN RIO - Rio de Janeiro



Since the band's return to live performance in 2014, with critically acclaimed sell-out shows all over the world including two defining shows at the Roman amphitheatre in Pompeii, the audience has been reinvented, as much as the band itself:

“In Pompeii, a large percentage of the audience was young couples; KC moved into the mainstream in Italy. I walked onstage knowing that this band's position in the world has changed level.” Robert Fripp



The band's packed three-hour shows regularly include material from twelve of their thirteen studio albums, including many of the songs from their seminal 1969 album In The Court of the Crimson King, described by Pete Townshend, as an “uncanny masterpiece”. The new 8-piece line-up plays many historic pieces which Crimson have never played live, as well as new arrangements of Crimson classics – “the music is new whenever it was written”. There are also new instrumentals and songs, as well as the compositions by the three drummers, Pat Mastelotto, Gavin Harrison and Jeremy Stacey, which are a regular highlight. A unique show, where eight of the best musicians in the world play music without distraction or adornment.

Physical music releases include:

February: King Crimson 1972 – 74 – the second boxed set of 6LPs from Larks' Tongues in Aspic to the expanded USA in 200 gram vinyl.

May: Heaven and Earth: Multi-disc CD/ DVD-a/Blu-Ray set covering the period from the late 1990s – 2008 – completing the availability of all King Crimson studio albums in 5.1 multi-channel audio.



October: Complete 1969 Recordings CD/DVD-a/Blu-Ray set – completing the availability of all King Crimson studio albums on Blu-Ray. A vinyl set of 1969 recordings is also being planned

Other planned music releases include: 200 gram vinyl editions of Beat and Three of a Perfect Pair, the 2CD 2019 King Crimson tour box – 6th in the series of releases issued to accompany each tour from 2014 onwards

50 Collectors' Club Releases:
2019 will see the release of CLUB48, CLUB49 and CLUB50 - the final three in the Collectors Club series, taking it 50 releases in the band's 50th year. CLUB48 will be a recently discovered board recording of the concert in Newcastle on 8th December 1972 by the complete Larks Tongues in Aspic line-up before Jamie Muir left the band.

October: In The Court of the Crimson King Companion & Boxed Set - Released to coincide and celebrate the original release date of King Crimson's debut album on 12th October 1969:
Limited edition expanded boxed set of In The Court of the Crimson King including all the live recordings, the expanded multitrack 1969 recording sessions, as well as a new 5.1 remix of the album. DGM Companion Vol 1, edited by Robert Fripp & David Singleton – Vinyl sized coffee table book covering the history of In The Court of Crimson King, with complete timeline, extensive photos, recollections and essays.

June: Sid Smith's long out-of-print acclaimed biography, In the Court of King Crimson will be published in a revised, updated and expanded edition.

50 special Digital music releases, KC 50:
50 tracks, 1 per week featuring a new, rare or alternate take from across the KC catalogue and available via all major download and streaming services. Each track will be accompanied by a special spoken word introduction by King Crimson manager/producer David Singleton.

Download the first of 50 tracks here: 
https://www.dgmlive.com/albums/kc-50-1-21st-century-schizoid-man

Documentary:
Cosmic F*Kc: The King Crimson documentary, directed by Toby Amies, who has been given unique access to the current band as well as interviews with past members and archive footage. To be released in late 2019. An accompanying soundtrack will also be issued.

Limited edition Silk Screen prints of Barry Godber's famous “Screaming Face” cover from In The Court of the Crimson King:



200 limited edition Silk Screen prints of the outer sleeve of In the Court of the Crimson King. 100 copies of the interior. Printed at actual size of the original art (46.5 inches x 27.5 inches including surround). All prints will be signed and numbered by Robert Fripp. Early purchasers will be given the option to buy matching numbered sets

Clothing:
12 special 50th anniversary T-shirts, complementing the artwork for the KC50 digital download series.



For more information: www.dgmlive.com
paintings by Francesca Sundsten
photographs by Dean Stocking and David Singleton

ROBERT FRIPP, though best known for his work in King Crimson, has contributed to numerous albums by players as diverse as Brian Eno, David Bowie, Peter Gabriel, Blondie, Talking Heads, Daryl Hall, The Roches, Peter Hammill, Keith Tippett, David Sylvian, The Orb, and The Grid. His 1979 solo album, Exposure was described as “the Sergeant Pepper of avant punk.” He has appeared twice in Rolling Stone magazine's 100 Greatest Guitarist Of All Time poll, although Fripp claims these are likely to have been mistakes by the typesetter.

TONY LEVIN has been a member of King Crimson since 1981.  Internationally renowned and constantly in-demand for his distinctive bass work, he also tours with Peter Gabriel with whom he has worked since 1977. He has appeared on albums by Paul Simon, John Lennon, David Bowie and countless others and recently formed his own band, Stick Men alongside Crimson drummer, Pat Mastelotto.

JAKKO JAKSZYK was a member of Level 42, before working with Mel Collins as part of ex-KC alumni group, 21st Century Schizoid Band between 2002 - 2004. His solo album, The Bruised Romantic Glee Club (2006) was his first recorded collaboration with Fripp, followed by A Scarcity of Miracles in 2011. An acclaimed producer in his own right, Jakszyk has recently mixed Jethro Tull's Ian Anderson's UK Top 20 album, Homo Erraticus.
.
MEL COLLINS was previously a member of King Crimson 1970 - 1972 appearing on In The Wake Of Poseidon (1970), Lizard (1970), Islands (1971), Earthbound (1972) as well as a guest appearance on Red (1974), the final King Crimson album of the 1970s. He subsequently worked with The Rolling Stones, Pink Floyd's Roger Waters, Dire Straits, Eric Clapton and many others, before returning to King Crimson in 2014.

GAVIN HARRISON joined King Crimson in 2007, playing a series of dates in the USA the following year. A respected author and tutor, he has also recorded three albums with The Pineapple Thief, though Harrison is probably best-known for his work with Porcupine Tree. Modern Drummer magazine placed him in their Top 50 Drummers Of All Time.

PAT MASTELOTTO joined King Crimson in 1994 after working with Robert Fripp and David Sylvian. A member of the hugely successful American 1980s group and MTV favourites, Mr. Mister, he is at home in both experimental music working with KTU as well as pop and rock appearing on albums by The Rembrandts, Hall And Oates and XTC.

JEREMY STACEY is a British drummer. His early work included the 1990s band, The Lemon Trees (with twin brother Paul Stacey on guitars, Guy Chambers and others) and Denzil. He has also played with Sheryl Crow, the Finn Brothers, Nick Harper, Noel Gallagher, and many more. On March 7, 2016, it was announced that he would be taking the place of Bill Rieflin as the centre drummer on the 2016 King Crimson European tour, a position he retained even after Rieflin's return to the band.

BILL RIEFLIN is a multi-instrumentalist but is primarily known for his drumming with Ministry and industrial rock outfit KMFDM. From 2003 until their dissolution in 2011 he played drums with REM. He recorded with Robert Fripp on Birth Of A Giant and The Repercussions Of Angelic Behaviour (both 1999) and most recently in the ambient super-group, Slow Music in 2006 and 2014.

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Tuesday, November 27, 2018

King Crimson 2019 Tour - Celebrating 50 Years


As part of a series of events and releases for their 50th anniversary, King Crimson's 2019 tour will include special concerts across three continents, including both festivals and headline shows.

Since the band's return to live performance in 2014, with critically acclaimed sell-out shows all over the world including two defining shows at the Roman amphitheatre in Pompeii, previously home to Pink Floyd, the audience has been reinvented, as much as the band itself:

“In Pompeii, a large percentage of the audience was young couples; KC moved into the mainstream in Italy. I walked onstage knowing that this band's position in the world has changed level.” Robert Fripp

With its fiftieth anniversary, it seems that the wider world is finally ready to embrace King Crimson. A process that began with Kanye West's sampling of “21st Century Schizoid Man” for his 2010 hit “Power”, now sees their song “Starless” as the soundtrack to the opening scenes of Nicholas Cage's new 2018 film “Mandy”.



The band's packed three-hour shows regularly include material from twelve of their thirteen studio albums, including many of the songs from their seminal 1969 album “In The Court of the Crimson King”, described by Pete Townshend, as an “uncanny masterpiece”. The new 8-piece line-up plays many historic pieces which Crimson have never played live, as well as new arrangements of Crimson classics – “the music is new whenever it was written”. There are also new instrumentals and songs, as well as the compositions by the three drummers, Pat Mastelotto, Gavin Harrison and Jeremy Stacey, which are a regular highlight. A unique show, where eight of the best musicians in the world play music without distraction or adornment.

King Crimson will be playing three shows at the Albert Hall in London in June 2019!
18 June - http://axs.com/uk/events/365703/an-evening-with-king-crimson-tickets?skin=aegpresentsuk
19 June - http://axs.com/uk/events/365704/an-evening-with-king-crimson-tickets?skin=aegpresentsuk
20 June - http://axs.com/uk/events/365705/an-evening-with-king-crimson-tickets?skin=aegpresentsuk

“MELTDOWN” – A BluRay filmed at the band’s five sell-out shows in Mexico City in 2017, was released in October 2018.

“COSMIKC F*KC” – an in-depth documentary of King Crimson will appear in 2019.

“Jimi Hendrix saw them at the Marquee in 1969 and declared them to be the best band in the world. In many ways, almost half a century later, they still are.” - ERIC THIESSEN, All About Jazz.

“Fripp and his band offered an impeccable performance in two stages. No melodies, no flapping, only musicians at the top of their art.” - IAN BUSSIÈRES La Presse, Quebec

“The band finally reaps all that it has sown in its many transformations...the king is not dead, far from it, and they still rejoice.” - REJEAN BEAUCAGE, Voir.ca

“Crimson has never sounded more complete, or more joyous, on stage than it does now.” - JORDAN ZIVITZ, Montreal Gazette

“The uniqueness of seeing each of these seasoned musicians working is near indescribable and has to be experienced live to fully embrace their vision - think of eight master painters working in their own style, but on a common canvas, and you begin to get the idea of things.” - WE HEART MUSIC, Minneapolis

“On our final evening at the festival, we were witness to the concert that inevitably proved to be its highlight...The blend of mood, melody, ambiance and atmosphere dazzled the audience, which responded with frequent standing ovations.” - LEE ZIMMERMAN, Goldmine Magazine



For more information: www.dgmlive.com
paintings by Francesca Sundsten
photographs by Dean Stocking and David Singleton

ROBERT FRIPP, though best known for his work in King Crimson, has contributed to numerous albums by players as diverse as Brian Eno, David Bowie, Peter Gabriel, Blondie, Talking Heads, Daryl Hall, The Roches, Peter Hammill, Keith Tippett, David Sylvian, The Orb, and The Grid. His 1979 solo album, “Exposure” was described as “the Sergeant Pepper of avant punk.” He has appeared twice in Rolling Stone magazine's 100 Greatest Guitarist Of All Time poll, although Fripp claims these are likely to have been mistakes by the typesetter.

TONY LEVIN has been a member of King Crimson since 1981.  Internationally renowned and constantly in-demand for his distinctive bass work, he also tours with Peter Gabriel with whom he has worked since 1977. He has appeared on albums by Paul Simon, John Lennon, David Bowie and countless others and recently formed his own band, Stick Men alongside Crimson drummer, Pat Mastelotto.

JAKKO JAKSZYK was a member of Level 42, before working with Mel Collins as part of ex-KC alumni group, 21st Century Schizoid Band between 2002 - 2004. His solo album, “The Bruised Romantic Glee Club” (2006) was his first recorded collaboration with Fripp, followed by “A Scarcity of Miracles” in 2011. An acclaimed producer in his own right, Jakszyk has recently mixed Jethro Tull's Ian Anderson's UK Top 20 album, “Homo Erraticus.”
.
MEL COLLINS was previously a member of King Crimson 1970 - 1972 appearing on “In The Wake Of Poseidon” (1970), “Lizard” (1970), “Islands” (1971), “Earthbound” (1972) as well as a guest appearance on “Red” (1974), the final King Crimson album of the 1970s. He subsequently worked with The Rolling Stones, Pink Floyd's Roger Waters, Dire Straits, Eric Clapton and many others, before returning to King Crimson in 2014.

GAVIN HARRISON joined King Crimson in 2007, playing a series of dates in the USA the following year. A respected author and tutor, he has also recorded three albums with The Pineapple Thief, though Harrison is probably best-known for his work with Porcupine Tree. Modern Drummer magazine placed him in their Top 50 Drummers Of All Time.

PAT MASTELOTTO joined King Crimson in 1994 after working with Robert Fripp and David Sylvian. A member of the hugely successful American 1980s group and MTV favourites, Mr. Mister, he is at home in both experimental music working with KTU as well as pop and rock appearing on albums by The Rembrandts, Hall And Oates and XTC.

JEREMY STACEY is a British drummer. His early work included the 1990s band, The Lemon Trees (with twin brother Paul Stacey on guitars, Guy Chambers and others) and Denzil. He has also played with Sheryl Crow, the Finn Brothers, Nick Harper, Noel Gallagher, and many more. On March 7, 2016, it was announced that he would be taking the place of Bill Rieflin as the centre drummer on the 2016 King Crimson European tour, a position he retained even after Rieflin's return to the band.

BILL RIEFLIN is a multi-instrumentalist but is primarily known for his drumming with Ministry and industrial rock outfit KMFDM. From 2003 until their dissolution in 2011 he played drums with REM. He recorded with Robert Fripp on “Birth Of A Giant” and “The Repercussions Of Angelic Behaviour” (both 1999) and most recently in the ambient super-group, Slow Music in 2006 and 2014.

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Tuesday, September 11, 2018

King Crimson Guitar Legend Trey Gunn Presents "Intro to Modes" 8-Week Music Course - October 15 to December 8, 2018


Work directly with Trey Gunn on a weekly basis in this group course.

King Crimson guitar legend Trey Gunn is presenting “Intro to Modes”; an 8-week music course that runs from October 15 to December 8, 2018. 

For all instrumentalists and singers. 

In this course we will break down one of the basic building blocks of music - the modes - into digestible parts, both sonically and theoretically, so they can be used with ease.


This course will:
Help you to immediately find your ground in a piece of music
Give you flexibility when improvising
Give you greater color choices when developing your own compositions
Help you grasp command of the core material of music
Give you a long-term pathway to hear deeper into the relationships of the notes 

This course is designed to work for all players:
Beginning players - We'll start with the basics.
Intermediate players - Hone the fundamentals in your hearing for improved playing and writing
Advanced players - Find the gaps in your melodic hearing. Apply practices to close the gaps and take your playing further

Learn to play confidently while capturing the unique quality of each mode in your improvisations and compositions. This ease only comes from the deep exploration based on how you hear, in your own particular way. This course breaks down that exploration into its core essence, step-by-step.

- - -

When most musicians play by thinking in modes, or scales, they tend towards using all the tones equally and without their full meaning. This results in bland musical lines. Lines that come across like white light where, instead, there could be gorgeous color.

How a painter uses color is a useful analogy for working with the modes. Any musical idea can be tinted with one of the modes. The idea remains essentially the same; but the color of the music changes based on which mode you are using.

This course is designed to establish these “modal” differences in your ear so you can use them as you need to, much as a painter pulls from his or her palette of colors.

- - -

Learning about modes isn't about the information. The information is easy. Learning this material, the way I think we should, is about getting to know each tone intimately within its context - the mode's center of gravity, or tonal center.

This course will use a progression of practices to develop our sense of each note and how that note fits into its mode.

This is an oversimplification; but based on many years of practice, study and playing I have honed an approach to go directly into the sounds.

First, we learn the sounds. The information can come afterward, simply to help us organize.

- - -

This will be a type of correspondence course with info/practices being presented each week and all of us digesting it together via a Google Group. There is no real-time participation, so any time-zone or personal schedule will fit with our work together.

The course will adapt to the people participating and how things develop as we go along. But the general curriculum will be based on the following progression:

Week 1
General Concepts of Modes
Language And Method For The Course
Root, Fifth, Octave (+ listening/singing)

Week 2
Thirds (+ listening puzzles)

Week 3
Sevenths (+ extra singing)

Week 4
Sixths (+ playing)

Week 5
Seconds (+ composition)

Week 6
Fourths (+ audiation/memorization)

Week 7
Full Modes (+ pentatonics/hexatonics)

Week 8
Locrian/Pathway to Exotics (+wrap-up)

Cost: $299.00
50% discount for Early Registration before October 1, 2018


Press inquiries: 
Glass Onyon PR
PH: 828-350-8158

Monday, August 6, 2018

King Crimson To Release "Meltdown In Mexico" - Live In Mexico City 2017


Three CDs feat. over three and a half hours of material performed during the band's five nights residency at Teatro Metropolitan, Mexico City in July 2017 & audio extras!

This 3CD/1Blu-Ray set features over three and a half hours of material performed during King Crimson's five night residency at Teatro Metropolitan, Mexico City in July 2017 plus audio extras. The Blu-Ray contains over two hours of multi-camera HD recorded footage, audio soundtrack in 24/48 LPCM, hi-res stereo and 5.1 DTS HD-MA (with 'picture off' mode allowing the music to be heard independently in lossless audio).

Meltdown in Mexico includes, for the first time with this line-up, audio recordings of “Breathless,” “Discipline,” “Moonchild” and Tony and Jeremy's nightly Cadenza improvs. Mixed by King Crimson member Bill Rieflin from full multi track recordings


King Crimson Mexico 2017 - photo by David Singleton

King Crimson is a band that continues to defy conventional expectations. As listeners to last year's rush-released official bootleg from June 2017 recorded in Chicago discovered, this band gets better by the year. Given the amount of rehearsals, practicing, constantly expanding repertoire base (nearly six hours' worth of material ready to select from on any given night), wealth of experience among musicians, technicians/sound crew, more comfortable traveling arrangements, better PA systems/mixing desks & the fact that the band is playing, for the most part, in purpose built theatres rather than the more imaginatively named but sonically challenged venues that hosted rock gigs in previous decades, this should come as no surprise. But it does. Perhaps it’s still part of the Rock 'n' Roll myth – the “hope I die before I get old” thought process that seems forever associated with rock music that's proved so difficult to alter. Whatever the reason, the concept of a band maturing, re-inventing itself and being able to present music from a lengthy history in recognizable but ever-changing ways, still with same sense of wonder as if it were newly-written, remains, if not unique, certainly notable.

A few weeks after the Chicago concert, the first part of 2017's tour reached its final destination – five nights of concerts in Mexico City. All of the concerts were recorded and filmed with a view to issuing a definitive document of Crimson live in 2017 and Meltdown is the result of that process. With over two hours of HD filmed performance and three hours of audio, Meltdown offers a comprehensive overview of a band at the very peak of its performing ability.

King Crimson's Meltdown in Mexico will be released on September 28th and will be distributed by Amped Distribution.

Pre-order from: Inner Knot (US) https://shop.schizoidshop.com/featured-items-c12.aspx

For more information: www.dgmlive.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (US), glassonyonpr@gmail.com

Monday, June 25, 2018

Legendary King Crimson Violinist David Cross To Release New Collaborative Album "Crossing The Tracks"


Featuring guest appearances by Sonja Kraushofer, Anne-Marie Hurst, Ofra Haza, Kimberly Freeman, Marion Küchenmeister & Eva O

Los Angeles - Renowned electric violinist David Cross, best known for his work with King Crimson and prolific solo career, presents this new collection of studio recordings featuring a diverse array of styles and moods!

The collaborative album includes both instrumental tracks as well as vocal performances by guest singers Sonja Kraushofer of L'Ame Immortelle, Anne-Marie Hurst of Skeletal Family, acclaimed Israeli singer Ofra Haza, Christian Death vocalist Eva O and more!

“Crossing the Tracks” is an exciting new departure for me. 

Cleopatra Records and producer Jurgen Engler presented me with twelve tracks and gave me free reign to play on all of them, hence 'Crossing the tracks.'

This was an unusual situation for me as I am generally composer/performer/producer, albeit in collaboration with other band members, and I wasn't sure how I would fare as a 'session' player.
However the lure of artistic freedom and a new musical challenge was too strong to resist.

I wanted to stay true to the existing compositions and performances by the other artists and yet create an impact on the music by adding melody, string parts and solos. I surprised myself by having real fun doing this - I just had to play the violin and follow my instincts (leaving those difficult production decisions to Jurgen!). 

I love the cover artwork - heading for the light at the end of the tunnel without getting derailed!

David Cross June 2018

David Cross is currently wrapping up a tour with Italian prog rockers Le Orme and will continue to book performances through 2018!

Track List:
1. White Bird feat. Sonja Kraushofer
2. Kalahari Fantasy
3. For What It's Worth feat. Anne-Marie Hurst
4. Prince Of Darkness
5. Love Me feat. Ofra Haza
6. Into The Oblique
7. The Light Inside Me feat. Kimberly Freeman
8. Shifting Sands
9. Hero Of Kingdom feat. Marion Küchenmeister
10. Hallelujah
11. The Key feat. Ofra Haza
12. Shadows Do Know feat. Eva O

To purchase:
Buy the CD: https://cleorecs.com/store/shop/david-cross-crossing-the-tracks-cd/
Buy the digital: https://itunes.apple.com/us/album/crossing-the-tracks/1390162787

For more information:
Facebook: https://www.facebook.com/david.cross.33821
David Cross Music Facebook page: https://www.facebook.com/David-Cross-Music-105639052830314
Twitter: @DavidCrossMusic

CLEOPATRA RECORDS, Inc.
11041 Santa Monica Blvd #703
Los Angeles CA 90025
www.CleopatraRecords.com

Press inquiries: 
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com