Showing posts with label Todd Rundgren. Show all posts
Showing posts with label Todd Rundgren. Show all posts

Thursday, October 11, 2018

Todd Rundgren Nominated to the Rock and Roll Hall of Fame, Class of 2019!


Spirit of Harmony Foundation Founder and President Todd Rundgren has been nominated to the Rock and Roll Hall of Fame.

The RRHOF is offering fans the opportunity to officially participate in the induction selection process. Beginning October 9 and continuing through 11:59 p.m. EST on December 9, 2018, fans can visit rockhall.com to cast votes for who they believe to be most deserving of induction into the Rock & Roll Hall of Fame. The top five artists, as selected by the public, will comprise a "fans' ballot" that will be tallied along with the other ballots to choose the 2019 inductees.

Fans will need to login to vote. Voting is capped at one ballot per day.

Please click here for the Rock and Roll Hall of Fame's bio page about Todd.

For the SOHF webpage on the latest Todd news, please click here.

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Thursday, March 8, 2018

Todd Rundgren's Utopia Reunite!


Reuniting for First North American Tour in 32 years - Releasing Limited Edition “The Road To Utopia” Box Set

FOR 32 YEARS, FANS HAVE BEEN CLAMORING FOR A REUNION - The wait is over.

No longer able to turn a deaf ear to the unceasing requests from fans and the media alike, Todd Rundgren, Kasim Sulton, Willie Wilcox and Ralph Schuckett are reuniting for their first North American tour since the Chernobyl nuclear reactor exploded. Presented by Sirius XM and produced by Live Nation, TODD RUNDGREN’S UTOPIA will be performing across North America beginning on April 18.

In celebration of the upcoming reunion tour, Friday Music will be releasing a 7-disc box set, THE ROAD TO UTOPIA: THE COMPLETE RECORDINGS (1974-82). This limited edition collection will bring each of their seven classic albums to life, now in first-time CD digipak gatefold covers featuring the original album artwork elements, rare inner sleeve art, newly written commentary from the band, and more. The box set has a scheduled street date of April 20. Fans can pre-order now at Friday Music, Amazon and Record Store Day.

Todd Rundgren’s Utopia was formed in 1974 out of Todd’s desire to explore new musical territory. Starting as a prog-rock-progenitor septet the band’s music ranged from extended synth experiments to four-song albums, while their live shows were distinguished by their ahead-of-the-curve video backdrops and computer-generated music.

In 1976 the band evolved into “Utopia”, the shiny mainstream power-pop rock quartet, uniting Todd Rundgren on guitar, Willie Wilcox on drums, Roger Powell on keyboards, and Kasim Sulton on bass. Known for their hallmark lyrics, lush inventive background vocals and a voracious appetite for the highest level of musicianship. Utopia became known as the quintessential “musician’s band”. Every member took his turn singing lead on every album, and all songwriting was collaborative.

By 1980, Utopia had developed into a hit-making entity in its own right. Standout Utopia albums included Oops! Wrong Planet, Adventures in Utopia, and Oblivion, spawning hits including “Rock Love,” “Set Me Free,” “Mated,” and “Love Is The Answer”, which also became a global #1 for England Dan and John Ford Coley.

Utopia’s tours, among the first to aggressively incorporate then-state-of-the-art video technology, produced at Todd’s groundbreaking Utopia Video Studios, featured some of the most lavish and audacious stage productions in rock history. Their headline concerts frequently featured opening acts as future superstars Cheap Trick and The Cars, and the band performed at some of the 70’s most epic rock festivals, including Knebworth Castle in the UK --- once with the Rolling Stones in 1976 and twice with Led Zeppelin in 1979, before a combined audience of over 1,200,000 (amongst them a Who’s Who of rock royalty, including Paul McCartney and David Gilmour) .

Always on the bleeding edge, Utopia chalked up a long history of groundbreaking media “firsts”, including:

• 1978: The first interactive television concert, broadcast live over Warner/QUBE, the experimental interactive cable system in Columbus, Ohio (the home television audience chose each song in real time during the concert by voting via QUBE’s 2-way operating system).
• 1978: The first live nationally broadcast stereo radio rock concert (via microwave), linking 40 cities around the country.
• 1982: The first live national cablecast of a rock concert (on the USA Network), simulcast in stereo to over 120 radio stations.
In 1986, after ten years of non-stop recording and arena touring cycles, the band declared they were “going on sabbatical”, and Todd, Willie, Roger and Kas each embarked on their own career paths.

What’s been happening with the Utopians during the world’s longest ever sabbatical?

Todd Rundgren returned to his stellar solo recording and producing career. His myriad production projects ranged from Patti Smith, Cheap Trick, XTC, and Psychedelic Furs to Grand Funk Railroad, Hall & Oates, and Meat Loaf’s seminal Bat Out Of Hell, while his solo offerings catapulted Todd further into the superstar limelight with hits like “Can We Still be Friends”, and “Bang The Drum”; in addition to his own tours, Todd has been an erstwhile member of Ringo Starr’s All Starr Band for the past 28 years.

Kasim Sulton continued touring and recording with a long list of diverse artists including Joan Jett, Hall & Oates, Blue Oyster Cult, Patti Smith, Celine Dion, and Meat Loaf. In 1993 Kasim joined Meat Loaf’s live band after the release of Bat Out Of Hell II, touring extensively and becoming his Musical Director. In 1999 he produced Meat Loaf’s critically acclaimed VH1 Storytellers album. Releasing four solo albums of his own, Kasim has continued his long musical relationship with Todd as the bass player in his solo bands.

Willie Wilcox continued to pursue his songwriting career. Having written songs for & performed with Luther Vandross, Natalie Cole, Bette Midler, Meat Loaf, Hall & Oates, and Kylie Minogue positioned Willie perfectly for his segue into television writing. He was the senior staff composer for NBC Universal in NY for 5 years and composed the current show theme for CNBC’s “Mad Money,” launched a major audio post production facility in Miami with clients MTV & VH1, penned famed boxer Manny Pacquiao’s ring walk music, and continues to maintain his position as senior audio director at Scientific Games, the number one gaming company in the world, where he recently completed the surround sound audio production on the blockbuster Michael Jackson game, “King Of Pop!”

Ralph Schuckett: Ralph’s tenure with Todd Rundgren’s Utopia segued into composing themes & scores for TV & Film including “Kate & Allie” & “Another World.” As chief composer for “4 Kids Productions” he scored numerous feature films & animated TV series including; “Pokémon,” “Yugioh,” “Sonic X,” “Kirby,” & “One Piece.” He has recorded and /or toured with Carole King, Hall & Oates, Whitney Houston, George Benson, and Rodney Crowell, and provided arrangements on recordings for Billy Joel, Michael Bolton. and Joan Osborne. As a songwriter / producer Ralph has worked with Belinda Carlisle, Sophie B. Hawkins, and Clarence Clemons.

As fate would have it, in early April Todd, Kas, Willie and Ralph will find themselves back in Woodstock New York, 32 years later, right where it all started, rehearsing their newest stage spectacle.

TODD RUNDGREN'S UTOPIA North American reunion tour, featuring Todd, Kasim, Willie, & Ralph, begins on April 18 and ends on June 5 (tour dates below). Tickets and more information are available at Live Nation, Ticketmaster and all Ticketmaster outlets.

FOR INTERVIEW REQUESTS PLEASE CONTACT: paul@panacea-ent.com

THE FIRST REUNION ON-CAMERA INTERVIEW – WATCH HERE: https://www.youtube.com/watch?v=-e3Wrps2zr0

TODD RUNDGREN’S UTOPIA TOUR DATES

APRIL 18 JIM THORPE PA, PENNS PEAK
APRIL 20 ENGLEWOOD NJ, BERGEN PAC
APRIL 22 HOUSTON TX, HOUSE OF BLUES
APRIL 23 DALLAS TX, MAJESTIC THEATER
APRIL 25 BROWARD FL, BROWARD PAC
APRIL 27 ST PETERSBURG FL, MAHAFFEY THEATER
APRIL 28 ATLANTA GA, TABERNACLE
APRIL 29 DURHAM NC, CAROLINA THEATER
MAY 1 HUNTINGTON NY, PARAMOUNT THEATER
MAY 2 WASHINGTON DC, WARNER THEATER
MAY 3 NEW YORK NY, TOWN HALL
MAY 5 PHILADELPHIA PA, TOWER THEATER
MAY 6 BOSTON MA, ORPHEUM THEATER
MAY 7 RIDGEFIELD CT, RIDGEFIELD PLAYHOUSE
MAY 9 ST LOUIS MO, PEABODY OPERA HOUSE
MAY 10 CINCINNATI OH, TAFT THEATER
MAY 12 MILWAUKEE WI, PABST THEATER
MAY 13 MINNEAPOLIS MN, STATE THEATER
MAY 15 GRAND RAPIDS MI, 20 MONROE LIVE
MAY 16 TORONTO ONT, MASSEY HALL
MAY 17 DETROIT MI, THE FILLMORE
MAY 19 CLEVELAND OH, HARD ROCK LIVE
MAY 20 CLEVELAND OH, HARD ROCK LIVE
MAY 22 CHICAGO IL, CHICAGO THEATER
MAY 24 DENVER CO, PARAMOUNT THEATER
MAY 26 LAS VEGAS NV, THE JOINT @ THE HARD ROCK
MAY 27 PHOENIX AZ, COMERICA THEATER
MAY 29 LOS ANGELES CA, THE WILTERN
MAY 30 SAN FRANCISCO CA, THE MASONIC
JUNE 1 SEATTLE WA, MOORE THEATER
JUNE 2 PORTLAND OR, REVOLUTION THEATER
JUNE 4 SACRAMENTO CA, CREST THEATER
JUNE 5 RIVERSIDE CA, FOX PAC

Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

Wednesday, February 21, 2018

Rock Legend TODD RUNDGREN Headlines Cleopatra Records First Ever SXSW Showcase!


Los Angeles, CA - One of the few remaining truly independent, privately owned record labels in existence today, L.A.-based Cleopatra Records has been championing underground music and outsider artists since its inception in 1992. Now, the label has teamed up with the biggest music festival dedicated to discovering and promoting new talent, SXSW, to announce the first ever official Cleopatra Records showcase. Headlining this special event is legendary songwriter/producer/guitarist, Todd Rundgren, an artist well known for pushing the boundaries of rock and pop with his distinctive flair for the eccentric and unusual. Todd’s newest album, White Knight, was released by Cleopatra Records in May of last year and features guest performances by Trent Reznor, Robyn, Joe Satriani & more.

In addition to Rundgren, the showcase will also bring together some of the label’s newest acts including dreamwave artist Pastel Ghost, whose first album Abyss has been reissued by Cleopatra and will also see their forthcoming album released later this year on the label. Alternative metal cabaret act from Mexico, Descartes A Kant, partnered with Cleopatra for their newest album Victims Of Love Propaganda in May of last year while L.A.’s own death rock architects, Egrets On Ergot, released Surfeit Of Germütlich last October. Electronic duo United Ghosts will issue their Cleopatra debut later this year while local Texas band Nite, consisting of twin brothers Kyle and Myles Mendez, saw their newest release Reborn launched in July of 2016. Each of these bands demonstrates the label’s fondness for uniquely creative acts and a commitment to supporting truly artist-driven music.

The official SXSW showcase for Cleopatra Records will be held at Elysium in downtown Austin, TX on March 15th. The first band will start at 8pm.

Press inquiries:
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com



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Friday, November 17, 2017

The Ed Palermo Big Band Releases The Adventures of Zodd Zundgren, a Dizzying and Ingenious Reinvention of Music by Frank Zappa and Todd Rundgren!


Featuring Zappa Vocal Legend Napoleon Murphy Brock!

Ed Palermo may have gained an international following with his ingenious orchestral arrangements of Frank Zappa tunes, but he’s hardly a one-trick pony. Earlier in the year, the saxophonist released an uproarious double album The Great Un-American Songbook Volumes 1 & 2, a project celebrating an expansive roster of songs by successive waves of British invaders, from the Beatles, Rolling Stones and Jeff Beck to King Crimson, Traffic, and Jethro Tull.

With his new big band project, slated for release on Cuneiform Records on October 6, 2017, Palermo is back on his home turf, but the landscape feels strange and uncanny. He’s reclaiming the Zappa songbook, filtering Frank through the emotionally charged lens of the polymathic musical wizard Todd Rundgren in a wild and wooly transmogrification, The Adventures of Zodd Zundgren. Working with the same stellar cast of players, Palermo somehow captures the essence of these iconoclastic masters, making Zappa Zappier and Todd more Rundgrenian.

He sees the Zappa and Rundgren as embodying a ying and yang approach to life that played an essential role in helping him navigate the minefields of teenage angst in the 1960s. “For most of my high school days my favorite musicians were Zappa and Todd Rundgren,” Palermo says. “Rundgren had his songs about self-pity, which were exactly what I needed back then. I’d go out with a girl and whatever party I brought her to she’d go and hang out with another dude. Todd understood. At the same time, Zappa had these snarky songs like ‘Broken Hearts are for Assholes.’ It was tough love. You gotta broken heart? Deal with it. Todd Rundgren’s music was there to give you a hug. I wanted to contrast the hard-bitten Zappa followed by a bleeding heart Rundgren ballad.”

Though the title suggests a forced merger, The Adventures of Zodd Zundgren doesn’t mashup the oeuvres of the two masters. Rather, the album mostly alternates between the composers, creating a deliciously dizzying whipsaw as the two diametrical stances sometimes blur or even switch. Zappa’s soaring fanfare “Peaches En Regalia” is more inspirational than smarmy, with a particularly eloquent alto sax solo by Cliff Lyons, while a brisk and forthright version of Rundgren’s “Influenza” showcases the muscular lyricism of violinist Katie Jacoby, one of the orchestra’s essential voices.

Palermo reaches deep into the Rundgren songbook for “Kiddie Boy,” a stinging blues from 1969’s Nazz Nazz, the seminal second release by his underappreciated band Nazz (an album which originally bore the Zappaesque title Fungo Bat). Drawing directly from the maestro’s original horn arrangement, Palermo displays some impressive guitar work on a vehicle for Bruce McDaniel’s blue-eye vocals. Napoleon Murphy Brock delivers a poker-faced rendition of Zappa’s surreal “Montana,” the tune that turned a generation on to the lucrative potential of floss farming, and McDaniel and Brock join forces on Rundgren’s deliriously silly “Emperor of the Highway,” an homage to Gilbert and Sullivan.

The contrasting sensibilities of the Zundgrens comes into sharp focus in the center of the album. While Palermo has recorded Zappa’s “Echidna’s Arf (Of You)” this time he replaces the horns with McDaniel’s intricately layered vocals via the miracle of multi-tracking. From Zappa’s playfully odd metered work out the big band saunters into Rundgren’s greatest ballad “Hello It's Me,” an arrangement for McDaniel’s most impassioned crooning based on the original version from 1968 album Nazz (not the hit from his solo Something/Anything? album).

Tenor saxophonist Bill Straub swaggers through Rundgren’s “Wailing Wall,” which is sandwiched between two slices of Zappa at his snarky best, “Big Swifty Coda” and “Florentine Pogen,” another superb feature for Brock. Palermo spotlights a dark and wondrous Zappa obscurity with “Janet's Big Dance Number,” a brief piece recovered from 200 Motels featuring Ben Kono’s noir tenor solo. From that unified hedgehogian arrangement Palermo unleashes the multifarious fox on Rundgren’s “Broke Down and Busted,” a portmanteau arrangement that touches on Rundgren’s “Boat on the Charles,” the Ramsey Lewis hit “The ‘In’ Crowd,” Zappa’s “Brown Shoes Don’t Make It,” and even traces of Steely Dan’s “Pretzel Logic.” It’s a tour de force that feels like stream of consciousness journey, though the id truly emerged on the closing hidden track. In what has become a Palermo tradition, he includes yet another version of an enduring lament about the difficulties of relationships, arranged this time in Nazzian style by McDaniel.

The seamless ease with which Palermo and his crack crew navigate between the Zappa and Rundgren shouldn’t come as a surprise. Over the years Zappa’s music has proven supremely pliable in Palermo’s capable hands, as evidenced further by a recent concert at Iridium that paired his songs with standards indelibly linked to Ol’ Blue Eyes (is there an album The Adventures of Zinatra in the future?). Everything he brings into the big band is a labor of love.

“Todd Rundgren holds a very special place in my heart,” Palermo says. “I realized I was in love with my girlfriend (now wife) listening to his album Something/Anything? It was about 2 years ago doing our regular hit at The Falcon that I decided to have Zodd Zundgren night. A lot of people who like the music of Zappa also like Rundgren and Steely Dan, but there are enough Steely Dan cover bands out there.”

Born in Ocean City, New Jersey on June 14, 1954, Palermo grew up in the cultural orbit of Philadelphia, which was about an hour drive away. He started playing clarinet in elementary school, and soon turned to the alto saxophone. He also took up the guitar, and credits his teenage obsession with Zappa to opening his ears to post-bop harmonies and improvisation.

Palermo caught the jazz bug while attending DePaul University, and took to the alto sax with renewed diligence inspired by Phil Woods, Cannonball Adderley, and Edgar Winter (the subject of an upcoming EPBB project). Before he graduated he was leading his own band and making a good living as a studio player recording commercial jingles. But like so many jazz musicians he answered New York’s siren call, moving to Manhattan in 1977. After a year of playing jam sessions and scuffling Palermo landed a coveted gig with Tito Puente, a four-year stint that immersed him in Afro-Cuban music.

An encounter with trumpeter Woody Shaw’s septet at the Village Vanguard in the late 1970s stoked his interest in writing and arranging for larger ensembles, and by the end of the decade he had launched a nine-piece rehearsal band with five horns. Between Don Sebesky’s well-regarded book The Contemporary Arranger and advice from Dave Lalama and Tim Ouimette, “I got a lot of my questions answered and I’ll love them forever,” Palermo says. “Then the real education was trial and error. I lived in a little apartment with no TV or furniture. All I had was a card table, and once a week I’d rehearse my nonet, then listen to the cassette of the rehearsal and make all the changes.”

Palermo made his recording debut in 1982, an impressive session featuring heavyweights such as David Sanborn, Edgar Winter and Randy Brecker. As a consummate studio cat and sideman, he toured and recorded with an array of stars, including Aretha Franklin, Eddie Palmieri, Celia Cruz, Lena Horne, Tony Bennett, Mel Tormé, Lou Rawls, Melba Moore, The Spinners, and many others. As an arranger, he’s written charts for the Tonight Show Band, Maurice Hines, Eddy Fischer, and Melissa Walker. Employed frequently by bass star Christian McBride for a disparate array of projects, Palermo has written arrangements for a James Brown concert at the Hollywood Bowl, a Frank Sinatra tribute featuring Kurt Elling, Seth McFarland, and John Pizzarelli, and a 20-minute medley of Wayne Shorter tunes for the New Jersey Ballet.

Palermo had been leading his big band for more than a decade before the Zappa concept started coming together. Inspired by electric guitar master Mike Keneally, who performed with Zappa on some of his final concerts before his death in 1993, Palermo decided to arrange a program of 12 Zappa tunes. When the time came to debut the material at one of the band’s regular gigs at the Bitter End in early 1994, a sold-out crowd greeted the band.

He earned international attention with the ensemble’s 1997 debut The Ed Palermo Big Band Plays Frank Zappa on Astor Place Records, which received a highly-prized 4-star review from DownBeat. With Palermo’s brilliant arrangements and soloists such as Bob Mintzer, Chris Potter, Dave Samuels, Mike Stern, and Mike Keneally, the album made an undisputable case for the Zappa jazz concept. In 2006 he released another collection of Zappa arranged for his jazz big band, called Take Your Clothes Off When You Dance, on Cuneiform, thus beginning an ongoing collaboration with that label. While Palermo has written more than 300 Zappa charts, he’s cast an increasingly wide net for material. Recent releases like 2014’s Oh No! Not Jazz!!, 2016’s One Child Left Behind and 2017’s The Great Un-American Songbook Volumes 1 & 2 - all on Cuneiform and all recipients of DownBeat’s coveted 4-star ratings - featured a bountiful selection of his original compositions and material by composers not named Frank Zappa.

Nothing demonstrates the ensemble’s ongoing vitality better than the stellar cast of players, with longtime collaborators such as violinist Katie Jacoby, baritone saxophonist Barbara Cifelli, drummer Ray Marchica, and keyboardist Ted Kooshian. Many of these top-shelf musicians have been in the band for more than a decade, and they bring wide-ranging experience, expert musicianship and emotional intensity to Palermo’s music.

The band’s following continues to expand with its monthly residency at Iridium and bi-monthly gigs at The Falcon. In addition, performances (some headlining) at jazz festivals across the USA are winning new fans of all ages for the band. Palermo’s profile in the jazz press is also rising fast, with articles and feature stories appearing this past year in such publications as Jazz Times and Jazziz. Regarding recordings, albums by The Ed Palermo Big Band have been critically acclaimed and also embraced by the general public-jazz and rock fans alike. Palermo has already recorded dozens of new tracks for The Great Un-American Songbook Volumes 3 & 4, and is hoping Zodd Zundgren helps introduce Rundgren’s ingenious, heartfelt music to a new generation.

To purchase Ed Palermo's The Adventures of Zodd Zundgren:
http://a.co/30Oggdq
https://itunes.apple.com/us/album/the-adventures-of-zodd-zundgren/id1281745553
https://cuneiformrecords.bandcamp.com/album/the-adventures-of-zodd-zundgren
http://www.waysidemusic.com/Music-Products/Palermo-Ed-The-Adventures-Of-Zodd-Zundgren__Rune-spc-440.aspx

For more information on The Ed Palermo Big Band
http://www.palermobigband.comhttp://www.facebook.com/palermobigband - Twitter: @palermobigband
http://www.cuneiformrecords.com - Twitter: @cuneiformrecord

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

Wednesday, November 15, 2017

Funktronic Icon DĀM-FUNK Remixes Track From New Todd Rundgren Album!


Los Angeles, CA - When legendary producer/songwriter Todd Rundgren went looking for special guests to collaborate with on his newest album White Knight (released 5/12/17 by Cleopatra Records) one of the more surprising yet enormously successful choices was electro R&B superstar DāM-FunK. The two collaborated on the stellar track “I Got Your Back,” fusing Rundgren’s jazz art rock with DāM’s ultra smooth e-piano grooves. Now, DāM returns to the track and offers up a new vision of their collaboration, a “Re-Freak” that adds more bottom heavy synths and new vocals sung by DāM. The result is a delight for fans of both Todd and DāM and is currently available on all digital platforms courtesy of Cleopatra Records.

About their collaboration, DāM had this to say, “Working with one of my heroes in music was a genuine pleasure. His progressive mind when it comes to all things music, without losing his soul in it, is such an inspiration to me and in what I humbly try to contribute to music listeners and aspire to. As the song says, ‘I got your back, Todd.’”

As a bonus, the digital single will come with a special “b-side” - the first downloadable release of Trent Reznor and Atticus Ross’s remix of their Rundgren collab “Deaf Ears!”

Fresh off his latest run with Ringo Starr which ends tomorrow, November 16, Todd continues his “White Knight” headline tour beginning November 17 and ending New Year’s Eve at the Saban Theater in Beverly Hills. For more info on the tour, visit: http://www.todd-rundgren.com/tr-tour.html

Track List:
1. I Got Your Back (Dam-Funk Re-Freak)
2. Deaf Ears (Nine Inch Nails Mix)

Stream the digital single: http://open.spotify.com/album/6WKHsJIP1FNJaRw8OewNIo

Press inquiries: 
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com

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