Showing posts with label Vinyl Reviews. Show all posts
Showing posts with label Vinyl Reviews. Show all posts

Wednesday, September 21, 2022

Progressive Music Review On Vinyl: Pink Floyd-Animals

Release Date: September 16, 2022

Label:  ‎Warner Music (Sony Music outside Europe)

Website

Release Info: Animals 2018 Remix will be released on CD, LP (with gatefold artwork), Blu-ray, SACD, and Deluxe Gatefold formats. The Deluxe Gatefold version includes LP, CD, audio Blu-ray, audio DVD, and a 32-page book. The Blu-ray and DVD audio include the 2018 remix in Stereo, 5.1 Surround (both by James Guthrie), and the original 1977 Stereo mix. The 32-page booklet features rarely seen behind-the-scenes photographs of the album sleeve shoot, along with live images and memorabilia. The album artwork has been reimagined for this release.

Animals is one of many Pink Floyd classics. I heard the album when it first came out years ago and thought it was bizarre, and I was unappreciative. I also knew it was stoner music without realizing what I was hearing was brilliant and imaginative progressive rock. For those of you newer to this musical world, this overview will give you a glimpse into one of the greatest bands and a fresh look at a timeless classic slice of progressive rock for those long ago initiated.


This most recent release comes in many flavors for the completist. I am sure the 5.1 surround sound mix is fantastic, and this vinyl version was very satisfying with the oversized colorful booklet. The sound is phenomenal, as one would expect.


Side one starts with a quick acoustic guitar introduction with waters doing the honors on vocals. Then it launches into the meat of the album with "Dogs." I call the track's lyrics backstabbing set to rock. The animals referred to are the greedy politicians and the gluttonously wealthy; at least, that is what I can ascertain based on the band's output. It starts with some dogs barking, an excellent electric solo kicks in, a lovely synth passage, and some superb guitar work from Gilmour. By the time the fourth verse starts, Gilmour's vocals are reigning supreme, and a lot of echo effects help to emphasize those words, then more dogs barking. Some wild synth parts come in, followed by some weird sound effects, then an acoustic guitar mellows things out and leads into the fifth verse. 


Waters takes over the vocals, followed by some stinging electric leads, then a tasteful lead supported by some strong bass lines courtesy of Waters. The sixth verse has a repetitive message to solidify the track's meaning. Waters consistently would deliver vocals with the needed emphasis.


On to side two with "Pigs" (Three Different Ones) with the entrance of a funky guitar intro as Waters sings, "pig man charade you are." I love the energy and how different from side one it was. The lyrics bite with cynicism like "you radiate cold shafts of broken glass" and some pig sounds, then into the third verse and more political pokes. Gilmour uses the talk box, and steady rhythms carry it through to some echoing guitar sounds. Then Water's vocals start in the fourth verse. The vocals lead out to a magnificent lead guitar break. This is vintage Gilmour complimented by another outstanding bass run with great drum fills from Mason, which bring it to a fade out with sheep chattering and on to the next track, of course, "Sheep."


A tasty jazz keyboard run from Wright starts things off, then the bass enters, and Waters begins singing, followed by keyboards and drum mixing in with a prolific explosion as Gilmour peels off some more licks to astound with some effects. Waters delivers with preciseness and impact with the lyrics as usual. A nice transition changes it to a different purposeful pace, then a switch to a mellow downswing with the bass. The third verse is a prayer with lines like "getting converted to lamb cutlets." Are we talking about the animal itself here or god's children? The track leads out with a flourish from Gilmour, then a segue with sheep once again with birds chirping this time, then on to the finale "Pigs on the Wing (Part Two)" with Waters and the acoustic guitar ending it all as it began and you get "a shelter from pigs on a wing."


Animals is cynical, satirical, and a musical masterpiece. In 1977 it was a true wonder of music, and it stands today the same, only heard with different, perhaps older ears, remastered to accentuate all of the subtilities that may have slipped by or ignored on the first run. This essential release in the Pink Floyd catalog deserves another look and listen in 2022.


Keith “MuzikMan” Hannaleck-Progressive Music Reviews Founder

July 18, 2022


Tracks:


Side One:

1. Pigs on the Wing (Part One)

2. Dogs


Side Two:

3. Pigs (Three Different Ones)

4. Sheep

5. Pigs on the Wing (Part Two)


Thursday, March 17, 2022

Progressive Instrumental Vinyl Review: The Hallucinant Telepherique-Call of The Resonant Star

Release Date: April 1, 2022

Label:  Erratic Music

Website

That fantastic and versatile sibling team of Gino Montoya (Guitars) Sergio Montoya (Drums, Bass, Keyboards, Guitars) are back on the progressive music radar with their third embodiment of The Hallucinant Telepherique. I know that is quite a mouthful but a genius name for a group. The latest effort is titled Call of The Resonant Star. It keeps them on track for their sci-fi storylines and more esoteric subjects.

They always release a limited number of copies (500) of the recordings on vinyl. And it sounds incredible. You all knew I was going to say that, didn't you? Well, it is true; most music does sound better on vinyl. When it's all progressive instrumental, it is a party of assorted ear candy.

Side one starts with "No Third." It begins with a layer of keyboards that follow the pace and changes that the guitar offers. They go from fast and furious to quirky and complex. That is their template for this band, and it never fails to entertain. The keys are a nice touch and give some space and order to the otherwise extreme changes. It is a classic prog instrumental track and a great way to open the curtain to more.

The title track "Call of The Resonant Star" is the magnum opus clocking in at 12:02. What you hear is everything that they can produce in one track. A nice acoustic guitar starts with a gentle keyboard passage, and then they are blasting off the launching pad into a more aggressive-driven style. Jazz flavored guitar lines enter the mix with more keys and more muscular guitar work. I was reminded of Al DiMeola's electric phase (Electric Rendezvous is my favorite). A multitude of changes is the goal here and a different kind of segue into heavy bass and more of the jazz-prog keys. What an amazing slice of music!

"Spider" is a shorter track at 5 minutes, but in the realm of prog, that is the norm for one that is not extended, such as the previous track. It closes out side one with a light and airy atmosphere, some great bass, and some nice blended guitars. Keys are in the spotlight, and I couldn't help myself; Chick Corea came to mind more than once. The keys that drank too much energy drink imitates a spider on the move going in for the kill.

Side two opens with "The Unread Letter" (4:54). It sounds like a soundtrack to conflicting emotions reaching an apex. Then it all stops and changes course with the entrance of a bass line to drive it all along further. It is like a dream state of pensiveness, then back to a more energetic path of swirling emotions and all the color they hold and ever-changing, then to the finale of musical fireworks. It is instrumental genius from where I sit.

"Turn" offers some lovely Latin flavored picking to start some nice rhythms between several different musical passages of joy and excellent instrumentation. At times it is intense and complex to a lighter instrumental road with some of those melting synth sounds for that sci-fi effect. I could liken it to a classic sci-fi movie like the original The Day the Earth Stood Still. That came to mind and this music ignites those kinds of images in your mind.

"Penumbra" (4:17) has a very mellow start with the soft guitar sounding very Yes like. 70s prog but reinvented with some jazz-infused guitar to follow it up. That distinct synth with the prog-rock flavor adds more ingredients to the classic sound. Things change to the more aggressive side of the coin towards the end, with sharp guitar licks shredding the air you breathe and cascading to the finish line.

Relearn (3:38) closes the curtain on this magnificent display of musical prowess. It is under 4 minutes; can you imagine that? The drive-it-home bass line enters the mix, and some fast keys and guitars get hard at work. A very compact moving composition that is all organized to close out the proceedings.

Call of The Resonant Star
is a masterful collection of musical diversity that should not be missed.

Keith “MuzikMan” Hannaleck-Progressive Music Reviews Founder


March 15, 2022


Side One:
01. No Third (4:21)
02. Call Of The Resonant Star (12:02)
03. Spider (5:00)


Side Two:
04. The Unread Letter (4:54)
05. Turn (6:48)
06. Penumbra (4:17)
07. Relearn (3:38)

Friday, June 14, 2019

THE FINAL ON VINYL REVIEW: The Hallucinant Telepherique-Comes to Mind

The brothers Montoya are back with their sophomore release Comes To Mind. After the successful debut Absorbed By The Forest, which was a dynamic release, they are back stronger than ever with another prog instrumental gem. Once again, I get the vinyl platter to spin for the ultimate listening experience.

READ THE ENTIRE REVIEW NOW

Don't Want To Look At A Screen And Want To Listen To The Review? Then Click The Podcast!

Saturday, October 6, 2018

Rock-Prog-Pop Vinyl Review: ELO (Electric Light Orchestra)-The UK Singles Volume One 1972-1978

Release Date: September 21, 2018
Label: Sony

Electric Light Orchestra, better known as ELO for brevity purposes, has a large body of work dating back to the 70s. The first album I ever bought was Eldorado. I remember how different that album sounded the first time I heard it. At that time, I enjoyed it but not as much as I do now. With the passing of time, great music reaches a different level as heard through the ears of a more mature listener (like everything it is a matter of time). 

Over the last few years, I have immersed myself in purchasing and listening to all kinds of vinyl, actually a lot of it is what I used to own and subsequently got rid of in my foolish youth.

So along comes The UK Singles Volume One 1972-1978 offering an opportunity to reminisce and hear all those big hits and tracks that were previously only available in the UK. 

For this listener, it was a complete joy to hear all this music and watch it spin around on my turntable. That whole experience of having the vinyl to hold in your hand with the artwork for each individual 45, is what it is all about. The sound is incredible, vinyl has CDs beat by a long shot. The sound of vinyl is more natural and warmer - take away the digitizing, downloading and iTunes and what do you have? Not only something physical but music as it was meant to be heard. This was remastered from the analog source tapes. That fact should get audiophiles salivating.

Jeff Lynn has been and always will be the main cog in the wheel that keeps ELO rolling along. In fact, they are going on tour for the first time in 30 years as Jeff Lynn’s ELO. The music stands on its own. Well put together packages like The U.K. Singles Volume One: 1972-1978 do not come around on a regular basis so it immediately becomes a treasure trove of delights for any vinyl junkie or ELO fan. Check off both boxes for me in regards to those two points. 

The Beatles influence in the ELO cannon has always been obvious and their leader has always acknowledged that influence. For my ears, that works just fine as I love the Fab Four without question and I can spot their influence in anything I hear. Make no mistake about it, this band proved unequivocally that you could rock and add orchestra related instruments to the mix and it all would sound killer if done well. It goes without saying that Jeff and his band really had that formula down straight away. It has taken some years to really appreciate this music more as I mentioned earlier but you cannot deny the string of radio-friendly hits that were blaring out of the radio back in the 70s. I was there and heard it all which makes getting this set that much sweeter and more memorable. 

Some of the highlights in a box set jammed with them were “538 Overture b/w First Movement (Jumping Biz) * (1972 – U.K. No. 9),” which reminded me fondly of the great instrumental from the 60s titled “Classical Gas.” There are some riffs in that track that sounded unmistakable as far as my ears were concerned. This is not unusual at all it just made me smile inside to feel that recognition so quickly.

“Showdown b/w In Old England Town (Instrumental) (1973 – U.K. No. 12)” was so good to hear again on vinyl and “Old England Town (Instrumental)” was an odd bird but certainly quite original and a step away from the ELO norm. It is one track I will not forget.

“Can't Get It Out Of My Head b/w Illusions In G Major (1974)” features a great rocker on the B side “Illusions In G Major,” so don’t be fooled by the track titles that may imply you are going hear something complex and progressive, you may hear a flat-out rocker like this one.
 
Of course, there is the all-time classic “Evil Woman,” no doubt one of their most recognized hit singles. To sweeten the pie, it is backed with “10538 Overture (live) (1974 – U.K. No. 10),” which is excellent.

On to the surprises I found in the set…All along I was thinking it was standard black vinyl. “Livin Thing” and “Mr. Blue Sky,” turn out to be that beautiful translucent blue vinyl. That was the icing on the cake for this collector/music freak. 

When all is said and done The UK Singles Volume One 1972-1978 is a must-have for any ELO fan or music fan for that matter. So, snag it up and put under the tree this year for the music lover you know, that is if you can stand waiting that long to crack the seal and give it an ear yourself!

Keith “MuzikMan” Hannaleck
October 5, 2018

Founder of:

Review Provided By MuzikMan Reviews & News


Tracks:

Electric Light Orchestra

The U.K. Singles Volume One: 1972-1978

Disc 1: 10538 Overture b/w First Movement (Jumping Biz)* (1972 – U.K. No. 9)
Disc 2: Roll Over Beethoven** b/w Queen Of The Hours (1973 – U.K. No. 6)
Disc 3: Showdown b/w In Old England Town (Instrumental) (1973 – U.K. No. 12)
Disc 4: Ma-Ma-Ma Belle b/w Oh No Not Susan (1974 – U.K. No. 22)
Disc 5: Can't Get It Out Of My Head b/w Illusions In G Major (1974)
Disc 6: Evil Woman b/w 10538 Overture (live) (1974 – U.K. No. 10)
Disc 7: Nightrider b/w Daybreaker (live)(1976)
Disc 8: Strange Magic b/w Showdown (live) (1976 – U.K. No. 38)
Disc 9: Livin' Thing b/w Fire On High (1976 – U.K. No. 4)
Disc 10: Rockaria! b/w Poker (1976 – U.K. No. 9)
Disc 11: Telephone Line b/w Poor Boy (The Greenwood) / King Of The Universe
(1977 – U.K. No. 8)
Disc 12: Turn To Stone b/w Mister Kingdom (1977 – U.K. No. 18)
Disc 13: Mr. Blue Sky b/w One Summer Dream (1978 – U.K. No. 6)
Disc 14: Wild West Hero b/w Eldorado (1978 – U.K. No. 6)
Disc 15: Sweet Talkin' Woman b/w Bluebird Is Dead (1978 – U.K. No. 6)
Disc 16: The ELO EP: Can't Get It Out Of My Head / Strange Magic b/w Ma-Ma-Ma Belle / Evil Woman (1978 – U.K. No. 34)