Crossover Prog Review: : Different Light-Binary Suns (Part 1 – Operant Condition)

Release Date: January 17, 2020

Label: Progressive Gears Records

Website
 

The band, Different Light, was initially formed in 1994 in Malta. The first of four albums were released in 1996, All About Yourself. In 1999, the band disbanded and later, in 2004, Trevor Tabone, an original member, reformed the band in the Czech Republic. Three albums have followed from this reformed band, Icons That Weep (2009), The Burden Of Paradise (2016) and the album in this review, Binary Suns (2020).

The current lineup of the band is Trevor Tabone (vocals/keyboards), Petr Lux (guitar/backing vocals), Jirka Matousek (bass) and David Filak (drums). Binary Suns has been an album I have looked forward to hearing, as the previous release I found to be a stunning work. It is fair to say that I have in no way been disappointed now that Binary Suns has been issued.

Opening the album is “Amphibious” (8:51) which is a mini-suite made up of four parts. This starts with a piano intro into a repeated passage that ebbs and flows and carries the listener along. Around the 1:30 minute mark, there is a simple piano theme, backed by a soaring guitar which leads to the vocals and a superb piano backing by Trevor. The melody is a real hook that builds up and moves along with those crystal-clear vocals catching the ear of the listener. Just before the 6:00 minute mark, the tempo drops to leave just the vocals and piano as the mainstay, before returning to the more involved melodious, harmonious part of the track. At just under 9:00 minutes, this is a stunning track, carried off and out with a superb piece of guitar work by Petr.

A shorter track, “Faith” (4:09) continues the harmonious smooth vocals so prevalent on the opening track. Although not too obvious, there is a hook that edges into your mind and “plants its feet firmly.” The piano again is the major instrument and I find it refreshing that it is the main keyboard used. More keyboards join the piano as well as some terrific guitar riffs. This is another superb track that fades out with the sound of a rainstorm. 

“Spectres And Permanent Apparitions” (21:31) is track three, the longest track on Binary Suns and is in seven parts. By this track, the listener should be aware that this is an exceptional album and the changes in tempo throughout the 21+ minutes merge smoothly and flow easily allowing the listener to drift along, immersed in the music. Little hooks are scattered liberally throughout the track and weave in and out, acting almost as touchstones on the 21+ minute journey. This is a band that works as a very tight unit and appears to be totally in tune with each other.

Binary Suns is a superb release and takes the amazing music contained on album 3, The Burden Of Paradise, to a higher level. It may only be March but I think that I have already found one of my “best of 2020” albums. All I have to say about Binary Suns (Pt 1 Operant Condition) is “do yourself a huge favor and buy it at the earliest opportunity.” I am close to 100% sure that no-one will be disappointed.

Jim “The Ancient One” Lawson - Prog Rock Music Talk Staff
March 31, 2020

Tracks:
1. Amphibians (8:45)
   a) Water
   b) Land
   c) Sky
   d) The Message

2. Faith (4:12)

3. Spectres and Permanent Apparitions (21:31)
   a) Ataraxia
   b)Two Shows
   c) Small Mercies
   d) Hand Of Providence
   e) BarBrera
   f) Synestesia
   g) Midas Gold

4. The Answer (3:47)

5. Two Faces (7:42)

6. On The Borderline (10.45)
 a) Talking To Strangers
 b) Seduction
 c) Obsession
 d) Vindication
 e) Demonic
 f) Now Just Go Away   

Todd Rundgren Recruits Guest Artists for Democratic Campaign Anthem

Todd Rundgren and some well known guest artists are re-recording his 1973 anthem “Just One Victory” and giving it away for free to Democrats throughout the US running for public office this year. So far Joe Walsh, Daryl Hall, and Paul Shaffer have already agreed to join the effort along with producer Don Was. The idea was suggested by former Bearsville Records executives Paul Fishkin and Marc Nathan.

“Just One Victory” originally appeared as the final track on Rundgren's critically acclaimed 1973 album, A Wizard, a True Star.

Rundgren hopes that other notable artists sign on as well. “Let's go for 'We Are the World,'” he recently told Andy Greene of Rolling Stone. “Not many people know about it at this particular moment, especially because just as we were getting into the project this huge distraction [of the virus] came along. We are waiting for everyone to settle down from that before we refocus on the political and start actively soliciting some performances.”

Guest artists on the song don't need to be musicians or even musically inclined. Once the song is recorded any Democrat will be able to use the song for free. “It's really the kind of thing to get people hyped up and ready to go out and vote,” Rundgren says.

Read the recent interview Todd Rundgren did with Andy Greene of Rolling Stone: https://www.rollingstone.com/music/music-news/todd-rundgren-victory-democrats-973903/

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com

The 3rd Edition of "The Strawberry Bricks Guide to Progressive Rock" by Charles Snider To be Released March 27, 2020

The Strawberry Bricks Guide to Progressive Rock, 3rd Edition

• Reviews of 510+ albums from 1967 - 1982

• 572 pages

• Fully edited, proofread and fact-checked

Back in print for 2020! The definitive record guide to the progressive era of rock music, Strawberry Bricks presents a comprehensive discography with reviews of 500+ albums, with band histories, musical synopses, key tracks and critical commentary, all presented in the historical context of a timeline. Beginning in 1967 and continuing through 1982, a generation of musicians took rock music in directions unforeseen as they charted what would become known as progressive rock. From art rock to krautrock, from England to Germany to Italy and all across Europe, Strawberry Bricks offers a candid reappraisal of rock’s most cerebral genre. Also for this edition, Matt Howarth has revisited his original artwork from the first edition of the book.

Says Charles, “The newly written Prologue offers a historical perspective of the pretext to the progressive era, beginning post-WWII, while the Epilogue offers a current perspective on progressive rock since the early 80's. I've also spent a good deal of time fact-checking every detail in the book, including song titles and artist names. Further, this edition has been professionally edited and peer reviewed, all to make this as exacting and rewarding a book as the music it covers. Strawberry Bricks is another narrative on the classic era of progressive rock, one with hopefully a novel and candid outlook on the genre, its albums and the men that made it one of the most interesting chapters in rock's history.”

With 212 more reviews, 210 more pages, completely fact-checked and professionally edited, and with a full index, the third edition is a substantial upgrade to owners of the first edition of the book. For owners of the second edition, Matt Howarth once again revisits his original artwork for Strawberry Bricks. Enjoy the music!

Praise for Strawberry Bricks:

“In Strawberry Bricks Charles Snider gives us a history of progressive rock from 1967 to 1982 through his astute, colourful and insightful entries on a personal selection of over 500 albums – and not always the obvious choices. He acts as an informed and trustworthy guide leading the reader on a fascinating journey through the genre.” - Mike Barnes, A New Day Yesterday: UK Progressive Rock & The 1970s

“Snider’s research is impeccable, his writing style enjoyable and it’s hard to fault the inclusion of any of the hundreds of albums he covers.” - Kev Rowland, The Progressive Underground

“Most impressive! I can see it’s phenomenally well researched. Well done.” - Hugh Banton, Van der Graaf Generator

Comments on previous editions of Strawberry Bricks:

“Only one major book on progressive rock that matters has been published this year, and it's this one: The Strawberry Bricks Guide to Progressive Rock (Revised and Expanded Edition) by Charles Snider. This is a work of great passion and expertise by a true aficionado and historian of the form. It's an exhaustive, comprehensive and engaging overview of the genre. It also offers 500+ reviews of important albums from the "golden era" of this music from 1967 to 1982. This is a valuable addition to the library of every enthusiast of progressive music.” - Anil Prasad, Innerviews

“Charles Snider has an encyclopedic knowledge of progressive rock, and has accrued one of the world’s most formidable record collections. No one is better equipped to write the definitive discography of this rich genre of music.” - Jonathan Schang, District 97

About the Author:
Charles Snider has been collecting records since the early 1970s, amassing one of the most complete archives of progressive rock. “One of my earliest memories of vinyl was The Beatles' 'Paperback Writer' b/w 'Rain.' Musically, my love for British music and everything thereafter starts with The Beatles. My daughters are even named after Beatles’ songs!” Snider's self-professed passion for the music “archaeology” continued over the decades, branching out to many other genres of music. “In the early 90s, Kevin Eden and I curated the WMO label, with the cooperation and support of Wire. The CD was a new format, and we released a lot of hard to find records, as well as unreleased archival material and two very good tribute discs.” Upon moving to Chicago in 2000, he began writing the first edition of The Strawberry Bricks Guide to Progressive Rock. “I've always loved record guides. Certainly, Ira Robbin’s Trouser Press was the prototype, but growing up in the 70s with magazines like Circus, Creem and of course Rolling Stone, I've always enjoyed the passion writers convey about music.” While not listening to prog rock in his man-cave, Snider can be found blogging about personal technology or cheering on the Chicago Blackhawks.

The 3rd Edition of “The Strawberry Bricks Guide to Progressive Rock” will be released on March 27th, 2020. Available directly from http://strawberrybricks.com/the-book, and from Amazon.com (including UK, JP and the EU). Published by http://www.strawberrybricks.com/ via Kindle Direct Publishing, an Amazon company.

To purchase from Amazon:
Amazon.com: https://amzn.to/39eAui9
Amazon.co.uk https://amzn.to/2JaeQkA

For more information: http://www.strawberrybricks.com/

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

Progressive Metal Review: Epic Tantrum-Abandoned In The Strangers Room

Release Date: January 20, 2020

Label: ET Productions

Website

One look at the cover of Abandoned In The Strangers Room from prog-metal band Epic Tantrum and you are thinking prog. It is something similar to what you would have seen on a Pink Floyd album. The choice for a band name? One word, brilliant! I love it and the artwork is eye-catching and it makes you wonder what is underneath that mask. Is it a person, alien, or creature from some dark corner or from hell itself? If you remove the red cloth what exactly will you see, something that is going to have an Epic Tantrum? It leaves it to your imagination, which in effect, is perfect for the listener with a sense of humor and an off-center thought process. It is indeed a strange cover and a creepy title for the album. There again lies the mystery and your perception of the entire package, figure it out for yourself.

Let me tell you something about this band, this is my first taste of their music, and they rock with a definitive progressive twist. I would be willing to bet at least one of these band members listened to Zappa. Lines like “I’m gonna take your skull and make you look pretty,” are not for the faint of heart. The band members are all part of the “Tantrum” family that includes Peter (guitar, vocals), Paul (guitar, vocals, keys), Greg (bass, vocals) and Z (drums). When you are endorsed by a legendary figure in prog-metal like Mike Portnoy that is very telling. Mike said of “The perfect blend of prog and metal.” And that statement could not be truer.

With a total on 19 tracks and 2 CDs, you get a ton of great music. CD1 is the studio cuts then CD2 presents all the cuts live to show you that indeed they are for real. Epic Tantrum is explosive, quirky and melodic all at the same time. And this is exactly what makes them “progressive.” According to the band’s website, the first part of the album, Abandoned, features studio recordings of previously unreleased material. The second part, In The Strangers Room, features live versions of songs from Abandoned as well as material that appeared on previously released demos. That fact there is quite impressive knowing that some of the music is just demos? They are high-quality demos that is for sure. Again, this just shows how talented this band of men are, with limitless potential ahead of them.

They are juggernauts with a vocalist perfectly suited to the music. I have to be honest though, the first time I heard the vocals I did not care for it at all (I think most people that enjoy prog-metal will love this after the first listen). Then a second try, a different day, and now I cannot figure out why I did not like it to begin with. So, there you go, with music it depends if all the sensory doors are open to the sounds and you are not sidetracked with another train of thought with the inability to really “hear” the music. And did I ever hear it all this time? You can count on it. Their ability to play at a slower pace and make some beautiful sounds that are pleasing then immediately bust right out of that at any second and peel off some vicious guitar licks backed by a powerful rhythm section is quite impressive. To see them live must be a real treat.

The guitar work is fabulous and what drives this well-oiled machine. Every track is packed with the firepower to get your blood pumping but you can also pause, and should, to hear the incredible musicianship at hand. In the end, what you get to enjoy is one of the more exciting up and coming bands in progressive metal that are going to raise some eyebrows from this point forward.

Keith “MuzikMan” Hannaleck

March 23, 2020

Review Provided By Prog Rock Music Talk

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Tracks

CD 1:
01. Don't Bother...
02. Unfold
03. Accessory
04. Fables Of Fortune
05. Outside The Wire
06. Into the Clutch
07. Letting Go
08. False Idols
09. A Howling
10. Abandoned

CD 2:
11. Baillee's Gone Again (Live)
12. Franklin Park Blues (Live)
13. Letting Go (Live)
14. Now I Know (Live)
15. Accessory (Live)
16. Fables of Fortune (Live)
17. The Artist (Live)
18. Don't Bother... (Live)   
19. Drown (Live) 

Prog-Rock Review: Wishbone Ash-Coat of Arms

Release Date: 28^thFeb 2020

Label: Steamhammer/SPV

Website

Wishbone Ash was formed back in 1969 and is still active at this time, as shown by the release of Coat Of Arms, the album under review. They have released 28 studio albums from the self-titled debut in 1970 up to this point. One original band member is still present, Andy Powell (vocals/guitar) and together with Mark Abrahams (guitar), Bob Skeat (bass) and Joe Crabtree (drums), the band has issued a very pleasing album.

Coat Of Arms is an 11 track album with a total running time of just under 60 minutes (59:55). The title track, track 2, is the longest on the album at just under 8 minutes (7:55) and the shortest track, track 9, “Deja Vu,” is just over 4 minutes (4:07).

As normal, I have chosen to highlight three tracks from the album which I find particularly good after several hearings, but this was a difficult choice as I found the whole album was extremely good.

I will always lead with the opening track which, regular review readers will know I think sets the scene for what is to come. “We Stand As One” (4:16), commences with a short drum intro leading into a simple, but insistent, guitar riff which the listener cannot ignore. The smooth vocals of Andy Powell are as good as I remember and the guitar riff takes its leave but returns as the track progresses. That guitar hook makes “We Stand As One” an excellent opening track and makes the listener eager to sample what follows.

“Coat Of Arms” (7:55) is the title track of the album and it is a guitar passage that starts this track, leading quickly into the clear vocals and moves to another guitar riff that hooks the listener again. Neat interplay between the guitars of Andy and Mark moves the track on and there is a sense of feeling very comfortable with what the band is doing. Around the halfway point there is a section of blues guitar which evolves into a more up-tempo, dare I suggest foot-tapping, guitar passage. Entering the last 2 minutes, the earlier guitar riff reappears and brings the track full circle before winding down to the ending. This is an excellent follow on from the opening track and although some of the upcoming tracks don’t have such obvious hooks, they are by no means there as fillers.

The final track on the album, “Personal Halloween” (5:38) starts up with that superb blues style guitar and is well served by Andy’s vocals as it evolves into a real southern laid-back slice of music. The dual guitars again weave their magic and this is one of my favorite tracks.

I will admit that my first listen to Coat Of Arms did not impress me much but by the time it had been played a couple of times more, those amazing guitar hooks had certainly embedded in my grey matter. I don’t think that the music “sets the heather alight “ and if you are looking for an album that will “blow you away” Coat Of Arms probably isn’t it. If, however, you give this album a few listens, I can almost guarantee that you will find yourself whistling, humming or even singing along to most of the tracks. This is an album that possesses the “feel good” factor, so give it a try, you might be very surprised.

Jim “The Ancient One” Lawson – Prog Rock Music Talk Staff
March 18th 2020
 
Review Provided By Prog Rock Music Talk
 
Tracks:
01. We Stand As One (4:16)
02. Coat Of Arms (7:55)
03. Empty Man (5:17)
04. Floreana (5:14)
05. Drive (4:55)
06. It’s Only You I See *7.35)
07. Too Cool For AC (4:51)
08. Back In The Day (4:46)
09. Deja Vu (4:07)
10. When The Love Is Shared (4:21)
11. Personal Halloween (5:38)

Prog Rock Luminaries Join Forces To Pay Respects To Two Eternal Legends On A Very Special TRIBUTE TO KEITH EMERSON & GREG LAKE!

Appearances by Todd Rundgren, Larry Fast (Peter Gabriel), David Sancious, Thijs Van Leer (Focus), Sonja Kristina (Curved Air), Geoff Downes (Yes/Asia), Derek Sherinian (Dream Theatre) and more!

Los Angeles, CA - 2016 has been nicknamed “The Year The Music Died” as it saw the passing of such musical giants as David Bowie, Prince and Leonard Cohen (not to mention George Michael, Leon Russell and Alan Vega of Suicide, among many others). Two more names that should absolutely be mentioned in the same breath as these legendary figures are keyboardist Keith Emerson & singer/songwriter/bassist Greg Lake both of whom passed away in 2016 and both of whom had a massive impact on modern rock music not only collectively as part of the brilliant Emerson, Lake & Palmer but individually as well with Emerson as part of pioneering English prog band The Nice and Lake as a founding member of juggernaut King Crimson.

Now a pantheon of well-respected musicians, vocalists and performers have come together, under the watchful ear of highly celebrated producer Billy Sherwood, to offer new interpretations of some of the best loved songs from the careers of these two towering figures of prog rock. From King Crimson’s “21st Century Schizoid Man” to ELP’s incredible “Karn Evil #9” and of course the mainstream hit single “Lucky Man,” A Tribute to Keith Emerson & Greg Lake offers a fresh and comprehensive look into some of the 20th century’s most daring compositions re-imagined by a the likes of Todd Rundgren, Larry Fast (Peter Gabriel), Martin Turner (Wishbone Ash), Sonja Kristina (Curved Air), Geoff Downes (Yes/Asia), Derek Sherinian (Dream Theatre),  and Arthur Brown plus a very special performance from Emerson's son Aaron & grandson Ethan!

Producer Billy Sherwood shares his thoughts about the project, saying “The music these guys created is timeless. And is there for future generations to discover. I’m honored to be a part of this project which displays an amazing collection of songs as well as artists contributing to the record. I think fans of the original will appreciate the attention to detail, love and care that went into the production of this project.”

A Tribute To Keith Emerson & Greg Lake will be available starting April 10 on both digital, CD and vinyl (limited edition ORANGE) courtesy of Purple Pyramid Records, a division of Cleopatra Records, Inc.

To purchase: https://orcd.co/keithemersonandgreglake

1. 21st Century Schizoid Man feat. Todd Rundgren & Brian Auger
2. A Time And A Place feat. Leslie Hunt & Derek Sherinian
3. The Sheriff feat. Billy Sherwood & David Sancious
4. C’est La Vie feat. Jon Davison & Larry Fast
5. From The Beginning feat. Thijs Van Leer & John Wesley
6. Hoedown feat. Patrick Moraz
7. Still…YouTurn Me On feat. Sonja Kristina & Steve Porcaro
8. Lucky Man feat. Martin Turner & Geoff Downes
9. Fanfare For The Common Man feat. Aaron & Ethan Emerson
10. Karn Evil #9 1st Impression Part 2 feat. Arthur Brown & Jordan Rudess
BONUS TRACK [CD ONLY]
11. The Royal Philharmonic Orchestra - ELP Suite: Tarkus / From The Beginning / Tarkus (Reprise)

Press inquiries:
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com


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Los Angeles CA 90025
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Krautrock Legends GURU GURU Release "Live in China" New CD & DVD

These are thrilling years in the GURU GURU camp. In 2018, they celebrated their 50th anniversary on stage since they were founded in 1968, the year of the student's revolt. In 2020, Mani will celebrate his 80th birthday (born on New Years Eve 1940) by embarking on another extensive tour with more than 50 shows.

In between those two special events, Guru Guru played in China for the first time! In 2019, they were invited to a festival in the far east but nobody had a clue what was in store for them. Guru Guru has played all continents in their long career (except maybe the antarctic) but how would the audience in China receive them? It turned out to be a fantastic, sold-out show with more than 1000 fans celebrating the band enthusiastically which you can see and hear on recently released Live CD + DVD. Some even traveled 18 hours by train from Beijing to see the band!

Even though most of the songs were already released in various other albums, this show features a “historic” document and captures the very special atmosphere of a one-time opportunity for both band and fans. It was recorded live in Shenzhen at the Tomorrow Festival on May 19, 2019 and even though the sound-quality is not up to contemporary standards, Guru Guru decided against extensive overdubbing to preserve the unique atmosphere showcasing the reverence Guru Guru enjoys in the worldwide underground-scene!

Musicians:
Mani Neumeier - Drums / Percussion / Kaossilator / Vocals …
Roland Schaeffer - Guitar / Saxophon / Nadaswaran / Vocals …
Peter Kühmstedt - Bass / Vocals …
Jan Lindqvist - Guitar / Lapsteel Guitar / Vocals …



Tour 2020
80 Jahre Elektrolurch
25.01.2020 Immenstadt - Rainbow
26.01.2020 Landsberg - Stadttheater
16.04.2020 Nürnberg - Hirsch
17.04.2020 Jena - Cosmic Dawn
18.04.2020 Schwerin - Speicher
23.04.2020 Dudenhofen - Festhalle* (+ Jane)
24.04.2020 Aachen - Musikbunker*
25.04.2020 Amsterdam (NL) - Melkweg*
07.05.2020 Kassel - Theaterstübchen
08.05.2020 Darmstadt - Bessunger Knabenschule
09.05.2020 Altenkirchen - Haus Felsenkeller
15.05.2020 Torgau - KAP
16.05.2020 Plauen - Malzhaus
28.05.2020 Essen - Zeche Carl*
29.05.2020 Wetzlar - Franzis
30.05.2020 Nürtingen - Kuckucksei
11.07.2020 Hamm - Open Air Festival
30.07.2020 Breitenbach - Burg Herzberg Festival
15.08.2020 Neuleinngen - Burg Open Air & Guru Guru Fest
10.09.2020 Bingen - Binger Bühne
11.09.2020 Bremen - KITO
12.09.2020 Uslar - Kulturbahnhof
24.09.2020 Koblenz - Cafe Hahn*
25.09.2020 Bruchsal - Fabrik (+ Epitaph)
26.09.2020 Kaiserslautern - Irish House
01.10.2020 Rüsselsheim - Das Rind
02.10.2020 Würzburg - Cairo
03.10.2020 Stuttgart - LAB
15.10.2020 Ingolstadt - KUZ
16.10.2020 München/Olching - Legends Lounge
17.10.2020 Wien (A) - Reigen
22.10.2020 Zürich (CH) - Alte Kaserne (+ Marblewood)
23.10.2020 Zofingen (CH) - Oxil
24.10.2020 Schramberg - Kulturbesen
29.10.2020 Pforzheim - KUZ Osterfeld
30.10.2020 Haßfurt - Rathaushalle
31.10.2020 Offenbach - Wiener Hof
05.11.2020 Bonn - Harmonie
06.11.2020 Wuppertal - LCB
07.11.2020 Dortmund – Piano*
12.11.2020 Regensburg - Alte Mälzerei
13.11.2020 Haiming - Gewölbe Livebühne Eisching
14.11.2020 Hersbruck - Altes Kino
19.11.2020 Soest - Alter Schlachthof
20.11.2020 Ahaus - Attic Musicclub
21.11.2020 OIdenburg - Cadillac
26.11.2020 Berlin - LIDO*
27.11.2020 Hamburg/Bergedorf - KUZ LoLa
28.11.2020 Dorsten - Das LEO
03.12.2020 Ravensburg - Zehntscheuer
04.12.2020 Metzingen - Hirsch
05.12.2020 Kirchheim/Teck - Bastion
10.12.2020 Bietigheim - Kronenzentrum
11.12.2020 Karlsruhe - JUBEZ
12.12.2020 Ludwigshafen - Das Haus
18.12.2020 Bern (CH) - Sternensaal
19.12.2020 Homburg - Musikpark
* mit Violette Sounds

To purchase: 
Distributed by In-Akustik:
info@in-akustik.de
The CD/DVD can also be ordered directly through TRANCE-Music:
trance-music@t-online.de

For more information: http://mani-neumeier.de/guruguru/

TRANCE-Music
Müller-Guttenbrunn-Str. 6 . 67373 DUDENHOFEN, Germany
Tel: 06232 / 94076 .
Fax: 06232 / 94108
e-mail: trance-music@t-online.de

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com