Thursday, July 28, 2022

Legendary Violinist Darryl Way To Release Unique Concept Album & Novel “The Rock Artist's Progress” on Sept. 23, 2022

Features guest vocal performance from Steve Hogarth of Marillion!

“The Rock Artist's Progress” is a unique concept and project created by legendary violinist Darryl Way that consists of an album and novel that are intrinsically linked together and sold as a bundle. The novel will also include musical illustrations created by Darryl, that can be clicked on and listened to, whilst reading. Both album and novel are due for release on September 23rd, on Spirit of Unicorn Music, Cherry Red Records, iTunes and Amazon.

The novel, written by Charles Shorwell, is set against the backdrop of the musical revolution that started with the Beatles and begins in 1968, a year after ‘The Summer of Love’ and follows the story of Daniel Luckham, a young classical pianist studying at the Royal College of Music. Seduced by the rock music scene and vibrant counter culture in London at that time, he contrives to leave college and pursue a career in ‘Rock’. But some bad decisions lead him down a dark and dangerous alley, populated by drug dealers, unscrupulous managers and femme fatales. On his journey to fulfil his dreams, Daniel finds his integrity challenged, and the innocence of youth cruelly stripped away.

The connection between the album and novel, unfortunately has to remain a secret, as to divulge that information would give away a key plot line in the novel. All that can be said is that the album represents a body of work recorded in the late 60s. Created by Darryl Way, the album features a guest vocal performance from Steve Hogarth of Marillion, on the track “Morpheus”.

Watch the promotional video: https://youtu.be/U1VAx4Sbixk

A playful and intimate account of one young man's experiences of London's vibrant music scene, in the late 60s”.

Available for preorders at www.cherryred.co.uk from 5th August

For more information:
https://www.darrylway.com/
https://www.charlesshorwell.co.uk

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Friday, July 15, 2022

Gentle Giant “Front Row Center (US Dates 1976-1980)” 10LP Deluxe Box Set Released on Madfish Sept. 23, 2022

10LP box set + 60 page book from the influential cult progressive rock collective.

Gentle Giant “Front Row Center (US Dates 1976-1980)”10LP Deluxe Box Set will be released on Madfish Sept. 23, 2022! Celebrating four classic years (1976-1980) of touring throughout the USA, encompassing the full Gentle Giant live experience through never-before pressed vinyl, unseen memorabilia and photographs.

The box set features:
• HEMPSTEAD, New York – CALDERONE CONCERT HALL – JULY 13, 1976 (3LP) - Originally broadcast live on New York City's WLIR radio as part of the station's Bicentennial celebration.
• HEMPSTEAD, NEW YORK – CALDERONE CONCERT HALL – NOVEMBER 16, 1977 (3LP) An outstanding previously unreleased performance sourced from guitarist Gary Green's personal collection.
• CHESTER, PENNSYLVANIA – WIDENER COLLEGE – NOVEMBER 18, 1977 (2LP) - Available for the first time on vinyl sourced from Gary Green's collection.
• ATLANTA, GEORGIA – AGORA BALLROOM – MAY 29, 1980 (2LP) - A rare recording from the band's final tour prior to their split in the summer of 1980.

In addition to the recordings the set will come with a 60-page book written by GG authority Alan Kinsman concentrating on their live experiences and memorabilia. The set will also include a numbered Limited-Edition certificate.

This is a chance to own a collection of uber-rarities here on vinyl for the first time ever. A must have for all Gentle Giant collectors.

Front Row Center” will be issued via Madfish on 10LP Box Set on 23rd September 2022 and pre-orders are available HERE (https://GentleGiantBox.lnk.to/FrontRowCenter)

DISC 1
A.1. Intro/Just The Same (The Bicentennial, NY, July 13, 1976)
A.2. Proclamation/Valedictory (The Bicentennial, NY, July 13,1976)
B.1. On Reflection (The Bicentennial, NY, July 13, 1976)
B.2. Interview (The Bicentennial, NY, July 13, 1976)

DISC 2
C.1. The Runaway/Experience (The Bicentennial, NY, July 13, 1976)
C.2. So Sincere (The Bicentennial, NY, July 13, 1976)
D.1. Excerpts From Octopus (The Bicentennial, NY, July 13, 1976)

DISC 3
E.1. Give It Back (The Bicentennial, NY, July 13, 1976)
E.2. Timing (The Bicentennial, NY, July 13, 1976)
F.1. Free Hand (The Bicentennial, NY, July 13, 1976)

DISC 4
A.1. Two Weeks In Spain (Calderone Concert Hall, NY, 16 Nov 1977)
A.2. Free Hand (Calderone Concert Hall, NY, 16 Nov 1977)
B.1. On Reflection (Calderone Concert Hall, NY, 16 Nov 1977)
B.2. I'm Turning Around (Calderone Concert Hall, NY, 16 Nov 1977)

DISC 5
C.1. Just The Same/Playing The Game (Calderone Concert Hall, NY, 16 Nov 1977)
C.2. Memories Of Old Days (Calderone Concert Hall, NY, 16 Nov 1977)
D.1. Betcha Thought We Couldn't Do It (Calderone Concert Hall, NY, 16 Nov 1977)
D.2. Funny Ways (Calderone Concert Hall, NY, 16 Nov 1977)

DISC 6
E.1. The Face (Calderone Concert Hall, NY, 16 Nov 1977)
E.2. For Nobody (Calderone Concert Hall, NY, 16 Nov 1977)
F.1. Excerpts From Octopus (Calderone Concert Hall, NY, 16 Nov 1977)

DISC 7
A.1. Two Weeks In Spain (Widener College, PA, 18 Nov 1977)
A.2. Free Hand (Widener College, PA, 18 Nov 1977)
A.3. On Reflection (Widener College, PA, 18 Nov 1977)
B.1. I'm Turning Around (Widener College, PA, 18 Nov 1977)
B.2. Just The Same/Playing The Game (Widener College, PA, 18 Nov 1977)
B.3. Memories Of Old Days (Widener College, PA, 18 Nov 1977)

DISC 8
C.1. Betcha Thought We Couldn't Do It (Widener College, PA, 18 Nov 1977)
C.2. The Face (Widener College, PA, 18 Nov 1977)
D.1. For Nobody (Widener College, PA, 18 Nov 1977)
D.2. Excerpts From Octopus - part 1 (Widener College, PA, 18 Nov 1977)
D.3. Excerpts From Octopus - part 2 (Widener College, PA, 18 Nov 1977)

DISC 9
A.1. Convenience (Clean And Easy) (The Agora, GA, 29 May,1980)
A.2. All Through The Night (The Agora, GA, 29 May, 1980)
A.3. Free Hand (The Agora, GA, 29 May, 1980)
A.4. Knots (The Agora, GA, 29 May, 1980)
A.5. Playing The Game (The Agora, GA, 29 May, 1980)
B.1. Memories Of Old Days (The Agora, GA, 29 May, 1980)
B.2. Giant For A Day (The Agora, GA, 29 May, 1980)
B.3. Inside Out (The Agora, GA, 29 May, 1980)

DISC 10
C.1. It's Not Imagination (The Agora, GA, 29 May, 1980)
C.2. Underground (The Agora, GA, 29 May, 1980)
D.1. For Nobody (The Agora, GA, 29 May, 1980)
D.2. The Advent Of Panurge (The Agora, GA, 29 May, 1980)
D.3. Number One (The Agora, GA, 29 May, 1980)

WATCH THE “FRONT ROW CENTER” TRAILER HERE
(https://youtu.be/-mPqL9kl5gU)

For more information: https://linktr.ee/gentlegiantband

Press inquiries (North America): Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com

Thursday, July 14, 2022

Prog Ensemble Dario and the Clear Release New Album “Reflective Touch” Featuring Crack The Sky Founding Member!

Guitarist Dario Saraceno and his band Dario and the Clear has released his eagerly awaited new album “Reflective Touch.” Dario was born in Ripacandida, Italy and moved to London, England during the height of Beatlemania. After his mom took him to see the Beatles at an outdoor concert, he was profoundly influenced and became infatuated with becoming a musician.  

Fast forward to his teenage years and music became reality when he purchased his first guitar.  Dario took an unusual approach. When most musicians were aspiring to play covers, Dario was immediately drawn to writing original music and spent time learning multi-track recording.  

After graduating Berklee College of Music, Dario toured with his band, Decoy and worked as a session guitarist, touring and teaching. His instructional book, “The Shapes Remain the Same” was published in 2010. After his Decoy project came to a close, Dario went solo, starting a new band he named Dario and the Clear. Dario and the Clear has released seven albums since 2011. After the release of his previous album, “Optic Nerve,” the creative muse continued to provide inspiration for a new body of work that he named “Reflective Touch.”

Since the album is guitar-driven, he invited a number of his favorite guitarists as special guests: Rick Witkowski, founding member of Crack the Sky, Gabriel Marin, multi-ethnic instrumentalist and experimental guitar player, and Hudson Valley based session guitarist, Tony De Paolo. Dario continued experimenting with his sound palette using his classical fretless guitar on the title track “Reflective Touch” and Chapman stick on the track “Heavy Merge.” Adding to the unique flavor on “Heavy Merge,” is Gabriel Marin's use of the dutar (a Pakistani instrument) and guitar arpeggiator, a fretless electric guitar.


This album is great for progressive junkies who relish UK and Yes and other bands that are able to blend heavy guitar riffs with expertise, whimsy and creative intensity.” - Laurent Rejto, Executive Director, Hudson Valley Film Commission.  

Guitars are ripping my face hairs off one at a time. Then the vocals come in for the soothing aftershave and nice hooks all the way around.” - Steve Ball, Instructor at Guitar Craft.

To purchase:
https://darioandtheclear.hearnow.com/reflective-touch  

For more information:
https://darioandtheclear4.bandcamp.com/album/reflective-touch    
https://music.apple.com/us/artist/dario-and-the-clear/430371436  
https://www.youtube.com/watch?v=ts7uemMlxXA

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Thursday, July 7, 2022

Prog Legends FLASH Featuring Peter Banks “In The USA Live 1972-73” 3-CD Set Available Sept, 9, 2022

Available on Sept. 9th, restored live recordings from 1970ʼs classic prog rock group FLASH featuring ex-YES guitarist Peter Banks. Twenty-two tracks from seven shows across 3 discs; a majority of them previously unavailable. Best known thanks to their YES connections, the band nevertheless held their own across three Billboard charting albums, and the top 30 single hit “Small Beginnings.” Includes 32-page booklet with exclusive band interviews, unpublished photos and tour itinerary. A true time capsule back to the golden age of US rock concerts.

• Carefully restored and previously unreleased recordings
• For fans of progressive rock, guitar heroes & YES
• Previously unpublished photos & essay including detailed US tour history with exclusive band interviews and memorabilia

Capturing the collective during seven of their American shows of 1972-1973, one of those preserved for posterity in its entirety, the digipack will allow the listener to savor most of the three LPs in rather different performances than those laid down in the studio and the uninitiated will have the opportunity to see how brilliant these musicians were. Colin and Ray worked for a while under the old name relatively recently, but it’s the old recordings their followers are after, so there’s something to look forward to.” – Dmitry Epstein https://dmme.net

Says Ray Bennett: “What ‘Think Like A Key Music’ set out to do here, on this multi-disc set, is to gather together whatever was left out there of live FLASH stuff regardless of quality and present it in the best possible way. Whatever improvements could be made to the audio were done. Quite a bit of it is rough sounding, but I found that even with the poor sound issues there was something coming across from the live experience. Some surprisingly good moments. A fair bit of this material was fan-recorded, probably on cassettes, some possibly from rough mixing board recordings; some is much better studio type quality, and some has been online for years on obscure websites, but in the worst possible form – awful sound, complete with extraneous noise and talking in the recordings. So all that has been cleaned up and the sound mastered as well as possible. Overall, I think this is a worthy project for the historical record at the very least. Other than the ‘In Public’ CD which is already available, this new set is it as far as we know. Pretty much all that there is of live FLASH performance.”

Watch the promotional video:  https://www.youtube.com/watch?v=aqi8AVksm7c

FLASH “In The USA” Tracklist:

CD 1:
Roslyn, NY, August 1st, 1972:
1. Black And White
2. There No More
3. Monday Morning Eyes
4. Small Beginnings
5. Children Of The Universe
6. Lifetime

CD 2:
Hempstead, NY, July 18th, 1972:
7. Small Beginnings
8. There No More
9. Children Of The Universe
10. Dreams Of Heaven
Passaic, NJ, December 16th, 1972:
11. Small Beginnings
12. Black And White
13. Children Of The Universe

CD 3:
Indianapolis, IN, December 27th, 1972:
14. Small Beginnings
15. Black And White
16. Children Of The Universe
Burbank, CA, October 9, 1973:
17. Dead Ahead
18. Psychosync
Miami, FL, October 26th, 1973:
19. Children Of The Universe
20. Black And White
Cape Cod, MA, August 24th, 1973:
21. The Bishop
22. Manhattan Morning (Christmas ’72)

To purchase: https://flash.biglink.to/intheusa

For more information: https://www.thinklikeakey.com

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Tuesday, June 28, 2022

Vanderwolf Releases “12 Little Killers” LP As Follow Up To His “Extinction” EP

Following the recent release of his EP “Extinction” which featured musical legends Robert Wyatt and Daevid Allen, Vanderwolf has put forth an album of 12 original tracks available on vinyl and digital download - his first LP under his own name.

Vanderwolf re-emerges with “12 Little Killers” an eclectic collection that includes the deliciously oozing slice of psychedelia of the single “Glisten,” which is heavily-slanted toward melting analogue synthesizers (Sam Sallon) and rich layers of acoustic guitars (Chris Cordoba) and an exquisite vocal by Max Vanderwolf.

Recorded by producer Chris Wyles at his south London studio, the 12 songs were selected, mixed and compiled by keyboardist and co-producer Sam Sallon. It’s available in a limited pressing of 500.

Says Max, “These 12-tracks, present human fallibility in its many forms - greed, anxiety, lust, self-debasement, our seemingly limitless capacity to hurt others – it’s all there. It was important to have a visual identity that carries these themes.”

Vanderwolf’s music spans a wide-range of genres from global beats to hard blues to fragile balladry to prog-rock monstrosities and beyond. With a vast back catalogue of songs to release, Vanderwolf is set to get his wild and restless music out to the world.

Born in NYC, working in London and as of 2020 residing in Los Angeles, Max Vanderwolf has recorded several albums and countless songs. Most of them remain unreleased. Notably, he was vocalist and creative-force behind the semi-legendary London band, Last Man Standing, whose sole album in 2008 received plaudits from many including Mojo and Uncut.

Concurrent to his life in music, Vanderwolf has worked under an assumed name as a music programmer and concert producer in some of the worlds’ most celebrated clubs and venues. He went from overseeing the legendary underground downtown NYC’s Knitting Factory to overseeing London’s Royal Festival Hall, where for 9 years he produced the Meltdown Festival where he worked closely with David Bowie, Patti Smith, Jarvis Cocker, Massive Attack and others. He has produced concerts in Brooklyn, Rome and Paris working closely with John Cale, Sparks and the Residents.

With more music from these London sessions being mixed and an album’s worth of new material being recorded in Los Angeles, Max Vanderwolf is diving headlong into the future.

Vanderwolf “12 Little Killers” will be released on July 20, 2022.

Vanderwolf:
Max Vanderwolf - Vocals
Sam Sallon - Keyboards
Chris Wyles  - Drums
Kevin Petillo - Drums
Chris Cordoba - Guitar
Oli Hannifan - Guitar
Will Muldrew - Bass
Malin-My Nilsson and Amy Langely: strings
Victy Silva - backing vocals

To purchase the new single “Glisten”: https://lnk.to/VanderwolfGlisten

To purchase “12 Little Killers”: https://vanderwolf.lnk.to/12LittleKillers

For more information:
Official website: www.vanderwolfmusic.com
Youtube: https://www.youtube.com/channel/UC5VCMMZZYJ0QKriJy07ZJCg
Facebook: https://www.facebook.com/vanderwolfmusic
Instagram: https://www.instagram.com/vanderwolfmusic/
Twitter: https://twitter.com/Vanderwolfband
Promotional materials: https://www.vanderwolfpromo.com/
Soundcloud link to album, “12 Little Killers”: https://soundcloud.com/vanderwolf-official/sets/12-little-killers

Videos:
“Glisten” from “12 Little Killers”: https://www.youtube.com/watch?v=LE1x25aXIkA
“The Existential Terrier” from “12 Little Killers”:
https://youtu.be/1BhnWCSKoJs (available to watch on the release date)

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Friday, June 24, 2022

An Evening Of Conversation with Robert Fripp and David Singleton North American Fall Tour 2022

Robert Fripp is a founding member of King Crimson, contributor and collaborator with Brian Eno, David Bowie, Daryl Hall, David Sylvian, Peter Gabriel, Posh Poppers Toyah Willcox and Simon Darlow, and a lot of other totally excellent people. Originating director of the Guitar Craft and Guitar Circle program. Since Covid and lockdown he has been kicking received opinion via social media with Toyah & Robert’s Sunday Lunch.

David Singleton established DGM with Robert Fripp in 1993 and has reluctantly managed King Crimson since 2018. David is King Crimson’s producer and author of The Vicar Chronicles.

An endless stream of people ask Fripp burning questions, many of which are actually not even quite smoldering. In most cases they would be better answered by David Singleton. This is an opportunity to ask both Fripp and Singleton the questions that get them out of bed in the morning.

Where does Music come from? What does it take to survive the music business? When does the impossible become possible? Can Music change the world? Why did Fripp put on a tutu and dance to Swan Lake at the end of his garden?  Who is The Vicar?

Tour Dates:
September 16 - Toronto, ON - Royal (tickets)
September 17 - Montreal, QC - Club Soda (tickets)
September 18 - Quebec City, QC - Imperial Bell (tickets)
September 19 - Syracuse, NY - Carrier Theater (tickets)
September 21 - Ridgefield, CT - Ridgefield Playhouse (tickets)
September 22 - Boston, MA - City Winery (tickets)
September 23 - New York, NY - City Winery (tickets)
September 24 - Albany, NY - Swyer Room (tickets)
September 27 - Red Bank, NJ - The Vogel (tickets)
September 28 - Philadelphia, PA - City Winery (tickets)
September 30 - Washington, DC - City Winery (tickets)
October 1 - Annapolis, MD - Ram’s Head Live (tickets)
October 2 - Oakmont, PA - Oaks Theater (tickets)
October 5 - Cleveland, OH - Music Box Supper Club (tickets)
October 8 - Milwaukee - Wilson Theater-Marcus Center (tickets)
October 9 - Chicago, IL - City Winery (tickets)

For more information: www.dgmlive.com

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Monday, June 20, 2022

New Book “Pink Floyd – The Animals Tour – A Visual History” By Glenn Povey Now Available For Pre-order!

Pink Floyd’s 10th studio album “Animals” was released almost 10 years on from their psychedelic debut that launched the band on to the world stage. But this release couldn’t be farther from “The Piper At The Gates Of Dawn” if you tried: It was a hard-hitting politically charged heavy rock album. Its three central pieces, “Pigs (Three Different Ones)”, “Dogs” and “Sheep” each extending to over 10 minutes each drew parallels with George Orwell’s dystopian nightmare “Animal Farm”. Its lyrics continued to project Roger Waters’ eternal themes of life’s struggles where the subservient masses are sheep controlled by tyrannical pigs and authoritarian dogs.

Recorded over the summer of 1976, in the space of time it took punk to both explode and promptly fizzle out, at their own Britannia Row studios in north London, it also marked a shift from their traditional base of EMI at Abbey Road. Arguably one of Pink Floyd’s least well recorded works it does however hold a fond place in many fans hearts and Animals has enjoyed a legacy – Roger Waters in particular reviving those tracks to shoehorn into his own politically charged live solo shows in recent years.

The corresponding tour through the first half of 1977 was also not without compromise and built on the stadium spectacular that had been successfully developed over the previous two years of touring. Creatively, there was no limit to their ambition as large-scale inflatable structures, screen films, special effects and state of the art sound reinforcement were utilized that enveloped the audience in an ever-increasing immersive experience. But, despite all this, as their fan base increased exponentially so too did the rowdy nature of the stadium environment which, coupled with band members personal issues, ultimately led to inter-band rifts and Roger Waters’ increasing intolerance of and disdain towards the adulation of the fans.

This all finally came to a spectacular head during their final show of the “Animals” tour in Montreal in July and the events that unfolded became the lynchpin of Waters’ vision of isolation and madness that eventually led to the creation of “The Wall” two years later.

“Pink Floyd – The Animals Tour – A Visual History” By Glenn Povey documents both the history of the recording of the album and the supporting tours which remains one of the most fascinating periods in Pink Floyd’s history.

To pre-order: https://www.musicglue.com/pink-floyd-glenn-povey-a-visual-tour/

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com