Showing posts with label Pat Mastelotto. Show all posts
Showing posts with label Pat Mastelotto. Show all posts

Wednesday, April 10, 2024

Tu-Ner Featuring King Crimson Members To Release Live Album “Tu-Ner For Lovers” and Tour North America in May 2024!

7D Media is thrilled to announce the upcoming release of “Tu-Ner for Lovers,” a new CD from the ensemble of Pat Mastelotto and Trey Gunn (best known for their work with King Crimson) and Markus Reuter. Scheduled for release on May 3rd, this album is a prelude to the much-anticipated US Tu-Ner tour in May.

“Tu-Ner for Lovers” is taken from their live shows in 2023. It weaves together an immersive audioscape that blends the churning rhythms of Mastelotto, the dripping touch guitar layers of Reuter, and the seductive Warr Guitar of Gunn.

“‘Tu-Ner for Lovers’ is not just music; it’s an invitation to experience love and intimacy through a progressive rock prism and a wonderful precursor to their live performances.”

SPECIAL NOTE: Each week we will be uploading a new track to this album until its final release on May 3, 2024.

For updated tour info go here: Tu-Ner.com
May 9 - Phoenix, AZ (The Rhythm Room)
May 10 - San Marcos, CA (The Bornemann Theater)
May 11 - Los Angeles, CA (The Baked Potato)
May 12 - Los Angeles, CA (The Baked Potato)
May 14 - Mill Valley, CA (Sweetwater Hall)
May 16 - Stockton, CA (Haggin Museum)
May 18 - Arcata, CA (Arcata Playhouse)
May 20 - Eugene, OR (WOW Hall)
May 22 - Portland, OR (Alberta Abbey)
May 23 - Seattle, WA (Triple Door)
May 25 - Vashon Island, WA (Open Space Arts Center)
May 26 - Vancouver, BC - (BlueShore Financial Centre for Performing Arts)
May 30 - Redding, CA (The Dip)

Pat Mastelotto - Very rarely does a drummer go on to forge the most successful career on the demise of their former hit band. Phil Collins and Dave Grohl have managed it, and so too has Pat Mastelotto, a self-taught drummer from Northern California, who has also been involved with pushing the envelope of electronic drumming. Pat has spent a lifetime jumping genres from pop, to prog, to electronica to world music with – among others – Mr. Mister, XTC, David Sylvian, The Rembrandts, Kimmo Pohjonen, and for the last 25 years with King Crimson and Stick Men.

Markus Reuter is a composer, guitarist, and producer. He began his musical journey as a composer before delving into Robert Fripp’s Guitar Craft, mastering the Chapman Stick, and eventually transitioning to the U8 Touch Guitar. Reuter has released numerous solo albums and has collaborated extensively with various musicians. He holds a prominent position in the experimental band Anchor and Burden and forms the duo Tuner with Pat. Additionally, he was a member of Europa String Choir and has worked alongside notable artists such as Gary Husband, Robert Rich, J. Peter Schwalm, Mark Wingfield, and many others. Reuter's versatility is evident through his involvement in Devin Townsend’s touring band. Notably, he also performs in power trios including Stick Men with Pat and Tony Levin, TRUCE with Asaf Sirkis and Fabio Trentini, and Markus Reuter/Tim Motzer/Kenny Grohowski.

Trey Gunn, the extraordinary Warr guitarist and musician, has left an indelible mark on the world of progressive and experimental music. Renowned for his virtuosic talent, he has graced the stages and recording studios with legendary acts such as King Crimson, David Sylvian, Robert Fripp, Brian Eno, Happy Rhodes, Puscifer, Tool and John Paul Jones, contributing his unique blend of mesmerizing and innovative playing. As the founder of the esteemed 7D Media record label, Gunn continues to be a guiding force in curating exceptional musical experiences. Trey Gunn’s visionary artistry and unwavering commitment to pushing the boundaries of sound make him a true luminary in the realm of progressive music.

TREY GUNN - Warr guitar
PAT MASTELOTTO - drums, electronics
MARKUS REUTER - touch guitar

All pieces by Gunn/Mastelotto/Reuter
Recorded live 2023

Mixed & Mastered by Erik Emil Eskildsen
Recorded by Robert Frazza
booking by Leonardo Pavkovic (MoonJune)

Released May 3, 2024

To pre-order: https://7dmedia.com/tuner-4-lovers

For more information:
Band website: https://tu-ner.com/
Album url: https://7dmedia.com/tu-ner-t-1

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com

Monday, July 17, 2023

Tu-Ner Featuring King Crimson Legends Trey Gunn and Pat Mastelotto With Markus Reuter To Release Debut Double Album “T-1 Contact Information” August 14, 2023!

From the kitchen of the original King Crimson R&D fraKctal units & Stick Men comes Tu-Ner featuring touch guitarist Markus Reuter, alongside the powerhouse rhythm section of Pat Mastelotto on drums and Trey Gunn on Warr guitar.

Defying logistics to grab four days together, the immersive session included repertoire rehearsal; as well as recording semi-prepared pieces and several full improvisations. The band’s chemistry has deep roots and connections are made quickly so large slabs of music appear unedited.

These two hours of recordings are the outcome of their debut double disc album “T-1 Contact Information” coming August 14th.

disc:ONE
1. Crowfin
2. 31
3. Apple Turtle
4. On The Other Side
5. Contact Information

disc:TWO
1. Forcibly Taken Into The Future
2. Moses
3. Poodles
4. Poem About A Sad Horse


Pat Mastelotto – Very rarely does a drummer go on to forge the most successful career on the demise of their former hit band. Phil Collins and Dave Grohl have managed it, and so too has Pat Mastelotto, a self taught drummer from Northern California, who has also been involved with pushing the envelope of electronic drumming. Pat has spent a lifetime jumping genres from pop, to prog, to electronica to world music with – among others – Mr. Mister, XTC, David Sylvian, The Rembrandts, Kimmo Pohjonen, and for the last 25 years with King Crimson and Stick Men.

Markus Reuter is a composer, guitarist, and producer. He began his musical journey as a composer before delving into Robert. Fripp’s Guitar Craft, mastering the Chapman Stick, and eventually transitioning to the U8 Touch Guitar. Reuter has released numerous solo albums and has collaborated extensively with various musicians. He holds a prominent position in the experimental band Anchor and Burden and forms the duo Tuner with Pat. Additionally, he was a member of Europa String Choir and has worked alongside notable artists such as Gary Husband, Robert Rich, J. Peter Schwalm, Mark Wingfield, and many others. Reuter’s versatility is evident through his involvement in Devin Townsend’s touring band. Notably, he also performs in power trios including Stick Men with Pat and Tony Levin, TRUCE with Asaf Sirkis and Fabio Trentini, and Markus Reuter/Tim Motzer/Kenny Grohowski.

Trey Gunn, the extraordinary Warr guitarist and musician, has left an indelible mark on the world of progressive music. Renowned for his virtuosic talent, he has graced the stages and recording studios with legendary acts such as King Crimson, Brian Eno, David Sylvian, Robert Fripp, Happy Rhodes, Puscifer, Tool and John Paul Jones, contributing his unique blend of mesmerizing and innovative playing. As the founder of the esteemed 7D Media record label, Gunn continues to be a guiding force in curating exceptional musical experiences. Trey Gunn’s visionary artistry and unwavering commitment to pushing the boundaries of sound make him a true luminary in the realm of progressive music.

Markus Reuter – Touch Guitar, Soundscapes
Pat Mastelotto – Drums, Electronics, Vocoder
Trey Gunn – Warr Guitar, Fretless Warr Guitar, Vocoder

All pieces by Gunn/Mastelotto/Reuter

recorded June 7-11, 2023
recorded by p@ & Bill Munyon @ p@’s place
mixed & mastered by Erik Emil Eskildsen
cover design by A.J. Chippero
booking Leonardo Pavkovic (MOONJUNE)

Band photo by Julia Hensley

Tu-Ner on Tour

August 14 - Piermont, NY (The Turning Point)
August 15 - Allentown, PA (Rodale Room, Allentown Symphony Hall)
August 17 - Hudson Falls, NY (Strand Theater)
August 19 - Rochester, NY (Loving Cup)
August 20 - Buffalo, NY (Mohawk Place)
August 22 - Cleveland, OH (Beachland Ballroom)
August 23 - Detroit, MI (Joy Manor Westland)
August 24 - Milwaukee, WI (Shank Hall)
August 25 - Indianapolis, IN (Irving Theater)
August 26 - Chicago, IL (Reggies Rock Club)
August 27 - Benton Harbor, M (The Livery)
August 29 - Columbus, OH (Woodlands Tavern)
August 30 - Cincinnati, OH (The Ludlow Garage)
August 31 - Asheville, NC (The Grey Eagle)
September 1 - Charlotte, NC (The Milestone)
September 2 - Chapel Hill, NC (Storybook Farm)
November 29 - Brno, Czech Republic (The Crimson Marathon at SONO Music Club)
November 30 - Prague, Czech Republic (The Crimson Marathon at Archa Theatre)

To be continued in 2024!

For more information:
Band website: https://tu-ner.com/
Album url: https://7dmedia.com/tu-ner-t-1

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Friday, December 2, 2022

UNQUIET MUSIC LTD To Release New Single “I Succumb” Feat. Members of King Crimson, Lifesigns, Stick Men and Earthdriver On November 30th!

From forthcoming album “Meme/Music” Featuring Pat Mastelotto (Stick Men, King Crimson), Jon Poole (Cardiacs, Lifesigns), Markus Reuter (Stick Men), Adrian Benavidès (Earthdiver)

On December 2, 2022 Unquiet Music Ltd. release their new single, “I Succumb” - the first taste of their second album ‘Meme/Music’.

With instrumental contributions from Pat Mastelotto (King Crimson, Stick Men), Jon Poole (Cardiacs, Lifesigns, Dowling Poole) Markus Reuter (Stick Men) and Adrian Benavidès (Earthdiver), “I Succumb” is a song of despair to the life of the average Westerner. Enslaved by normality; condemned to capitulate to the injunction of love. Mind and body torn between the desires of individuality and undifferentiation.

The single announces Unquiet Music Ltd second official album “Meme/Music” on CD and download (via Bandcamp). The album is composed by JP Rossi, and produced by Markus Reuter (Stick Men, Reuter/Motzer/Grohowski, Anchor & Burden), crossing multiple boundaries between the electronic and the acoustic, between complexity and simplicity, between deep contemporary classical structures and textures and punchy art rock drive.

A song of despair to the westerner’s life enslaved by normality and condemned to succumb to the injunction of love. A mind and body torn between the desires of individuality and indifferentiation”

Bass beats and electronic noises of the multigrid dimensions of the city and the network clashing in a routine of pressure. Hammering guitars and gut-wrenching solos surround a couple of heartbreaking melodic choruses.”

Watch the video: https://youtu.be/9AtiO8iBi-E

Unquiet Music Ltd’s 2020 debut album, “In the Name of.. (A Prayer for our Times)”, was an arresting and hypnotic mix of contemporary classical structures, urgent solo and choral voices, and electric art-rock sonority. An abstracted electronic Mass, it merged Messaien-ic detail and depth with needle-like mechanistic precision and a hallucinatory atmosphere. Two years on, “I Succumb” illustrates the next step for Unquiet Music: avant-garde pop reflections on human connection and communication, more song-based and lyrical.

The single builds on classic yet still fresh starting points (the eerie human-vs-technology accents of Berlin-era David Bowie; the twitchy psychology of Ray Davies; the flaring relentlessness of King Crimson and the industrial chants of Laibach) while retaining the teeming post-classical sophistication of previous Unquiet Music Ltd work. Packed with contemporary neuroses and dread, it sits in an uneasy bed of bass beats and electronic noises (representing the multi-levelled grid-and-network dimensions of urban living, clashing in an inhuman routine of pressure) while hammering guitars and gut-wrenching solos surround heartbreaking melodic choruses.

In complete contrast, companion track “Love Of A Dog” is a different kind of vulnerable. Absolutely exposed, unafraid of sentiment, and peculiar (in a good way), it’s a childlike tribute to animal friendship webbed up in organ, unexpected choir and Jon Poole’s tender fretless bass. Another reflection on connection, another example of the shifting Unquiet Music perspective.

Tracks:

I Succumb (Single Version) 04:20
Words, Music: JP Rossi. Arrangements: JP Rossi, Adrian Benavides
Voices, Keys & Electronics: JP Rossi. Guitars: Adrian Benavides. U8 Touch Guitars ®: Markus Reuter. Electronic Drums, Traps & Buttons: Pat Mastelotto

Love Of A Dog 05:08
Words, Music, Arrangements: JP Rossi
Voices & Keys: JP Rossi. Fretless Bass: Jon Poole

Recorded at La Maison Rouge and musicians’ studios 2020-2022
Mixed in at Studio Ritmo & Blu, Italy, by Stefano Castagna *
* Except “I Succumb” mixed in Austin, Texas, by Adrian Benavides
“I Succumb” stems mixing by Stefano Castagna
Mastered by Lee Fletcher
Produced by Markus Reuter for Unquiet Music Ltd
Cover art by ARTMK
Booklet Digital collages based on images by Tobias Reber, Denis Rodier, JP Rossi

What people are saying about Unquiet Music Ltd’s new album:

A pretty ‘out there’ album… Jean-Philippe Rossi writes and constructs the stuff in a very unique and unorthodox manner. It was a fun project to contribute to in that it was so different to anything else I’ve ever worked on.” - Jon Poole (no stranger to “out there” albums) on contributing to “Meme/Music”

One of the most extravagant and unusual albums I’ve mixed this year! I love this great album!” - Stefano Castagna / Ritmo&Blu studios

To purchase:
Bandcamp: Bandcamp: https://unquietmusicltd.bandcamp.com/album/i-succumb-single-free-download

For more information:
Facebook: https://www.facebook.com/UnquietMusicLtd/
Youtube: https://www.youtube.com/channel/UC7ayySw5v5jY1zL18mGolZw
Instagram: Unquietmusicltd

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Friday, February 11, 2022

Guitarist/Composer Alex Anthony Faide To Release Long Awaited Solo Album “Particles of the Infinite” Featuring King Crimson’s Pat Mastelotto On 7d Media March 18, 2022

AAF plays my guitar parts better than I do.”  - Robert Fripp

Originally from Buenos Aires, Argentina, Guitarist/Composer Alex Anthony Faide has a decades-long international reputation for being the secret weapon in rock recordings, arrangements, and stage productions in Europe and Latin America. Now based in Seattle, WA, Faide will release his long-awaited solo record – “Particles of the Infinite” – a display of guitar pyrotechnics in nine parts, in March 2022 on Trey Gunn’s label 7d Media. Inspired by and developed from concepts found in songs such as King Crimson’s “Fracture” and “Lark’s Tongues in Aspic,” Faide takes the work beyond the stratosphere into the mirror dimension to find something completely his own. In the words of his mentor Robert Fripp, “AAF plays my guitar parts better than I do.”  

Faide spent 2017-19 touring, songwriting, and arranging, with Mexican hard rock heroes Molotov on their MTV Unplugged Show “El Desconecte” and as a sideman for Molotov front man Tito Fuentes’ acclaimed solo record “El Ocaso.” He is currently working on a new project with legendary German producer/songwriter Uwe Fahrenkrog-Petersen, founder and main composer for the band Nena.  

Faide is the co-founder of cherished 3rd wave surf rock band, Los Twang! Marvels, in addition to Los Gauchos Alemanes/Electric Gauchos. He has also worked with artists including Markus Reuter, Namgar, Willie Campins, Crystal Beth, TROOT, Kathy Moore, Tiny Orchestral Moments, Los Primitivos, and Lutz Petersen, among countless others.

Says Alex, “It is difficult to determine the true origin of this work, though it stands undeniably as a tribute to my guitar instructor, life mentor, and friend, Robert Fripp. Ideas and compositions started taking shape in April 2016 in response to a challenge set forth by long-time collaborator and life brother Steve Ball (League of Crafty Guitarists, Electric Gauchos, Prometheus) to come up with my own version of King Crimson’s ‘Fracture’ and ‘Lark’s Tongues in Aspic.’ Mr. Fripp’s writing and guitar work in these monumental pieces strike me as expertly unique blends of influences in contemporary electric guitar repertoire, which inspired me to dive deeply into my own voice and personal practice to accept the challenge issued.

“What sparked my interest the most was the notion of a fierce, heavy rock attitude and sound, executed with pristine precision in a contemporary classical music tradition on an electrified instrument. I am mesmerized by the section of “Fracture” known as “Perpetuum Mobile” and with the guitarist’s capacity to execute intricate parts in an effortless fashion with a triangular plectrum. The challenge to evoke such intricacy seems to me both impossibly fragile and risky.

“Once the embryonic emergence of ‘Particles of the Infinite Parts I through III’ began to take shape, it became clear this was going to be a full-length record and require a full nine parts to complete the body of work I set out to explore. ‘Particles of the Infinite’ sums up 30 years of personal development and research on the guitar, derived and gleaned from direct guitar instruction as part of Guitar Craft, and the live practice of experiencing life as an international touring musician in myriad genres and settings. I traveled almost monthly between Argentina, Mexico, and the US from 2017-2019, developing this work between shows and collaborations, in hotel rooms and airbnb’s, with recordings intermittently in Seattle when the moment allowed.”

The 9 frameworks that make up “Particles of the Infinite” are presented in triptych (Pt. I-III / Pt. IV-VI / Pt. VII – IX) each containing particular techniques (alternate and cross-picking, stamina, release and flow for the left hand, exploration of diminished /symmetric scale relationships, rhythmic displacement & vector harmonization) - and interpretations of various themes, motifs and passages. There are many convergences imprinted in the music, playing style and overall tone.

Says Alex, “Obviously part of the material stands as a tribute to Fripp, however I am always pushing towards my own musical horizon and following the demands of the Muse. I hear it as ‘gold panning’ in musical form. One could arguably call this record “just a fancy collection of chops”…and I would happily agree with that. But I regard these techniques and interpretations as a cross-pollinating and ever-evolving body of work that points to a larger idea in the ever-expanding continuum of the electric guitar. Above all, these techniques are simply a means to an end, the end being the ability to let music speak freely and continually in real time.

“It’s interesting to experience the evolving arc throughout the whole record start to finish, personally it represents a sort of a surprising navigation chart helping me (and hopefully the listener as well) to find a center of gravity amidst the storm. May the Higher Powers grant Us the Patience to endure and the Strength to persevere. As they say: Ad Astra per Aspera.”

photo by Karen Moskowitz

Particles of the Infinite” Track list:
Pt. I (04:06)
Pt. II (04:31)
Pt. III (05:50)
Pt. IV (04:37)
Pt. V (11:05)
Pt. VI (03:18)
Pt. VII (03:38)
Pt. VIII (06:28)
Pt. IX (06:11)

All tracks composed and performed by Alex Anthony Faide on electric guitar and bass.

Guest drummers:
Matt Chamberlain (Pt. I & VI)
Pat Mastelotto (Pt. II)
Alessandro Inolti (Pt.III, IV, V, VII & VIII)

Recorded at SoundVision Studios (Seattle)
Mixed by Jonathan Plum / London Bridge Studios (Seattle)
Mastered by Brian Lucey / Magic Garden Mastering (LA)

Release Date March 18, 2022

To purchase: https://alexanthonyfaide.bandcamp.com/album/particles-of-the-infinite

For more information:
Official website: www.alexanthonyfaide.com
Facebook: https://www.facebook.com/alex.a.faide
Instagram: https://www.instagram.com/instrofreak/
YouTube: https://www.youtube.com/c/AlexAnthonyFaide

7DMedia: www.7dmedia.com

Press inquiries: Glass Onyon PR, Billy James, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Wednesday, January 6, 2021

“A Romantic's Guide To King Crimson” by The Mastelottos Featuring Drum Legend Pat Mastelotto

Valentine’s Day 2021 delivers an unexpected and welcome surprise with the release of “A Romantic’s Guide to King Crimson,” the new 12-track album of reinvented King Crimson material by the husband-and-wife duo Deborah and Pat Mastelotto. The collection, which spans the band’s entire history, revisits classics including “Matte Kudasai,” “Heartbeat,” “Moonchild,” “Elephant Talk,” “Peace,” “Exiles,” and “Sleepless.”

Pat Mastelotto is an American rock drummer and record producer who has worked with King Crimson, Mr. Mister, XTC, The Rembrandts and many others. Pat has served as one of King Crimson’s drummers from 1995 to the present day. This album resulted from Pat’s observations and Deborah’s insights made after she intermittently joined Pat on tour as part of the King Crimson entourage from 2008 onwards.

“It’s always been a joke in the King Crimson camp that there’s never a line for the women’s restrooms during intermissions,” said Deborah. “King Crimson plays loud and it’s often intense and raucous. But it can also be haunting and melodic, with some of the most beautiful lyrics ever. We wanted to help uncover that sweetness and introduce the songs to a different type of audience with ‘A Romantic’s Guide to King Crimson.’”

“The album has amazing contributions from all the musicians involved, especially the TOAPP (Three of a Perfect Pair Music Masters Camp) artists,” said Pat. “We experimented together and since they were already lifelong Crim Heads, they were totally into reconfiguring the classic performances or developing totally new parts. So, get ready. You’ll hear some fantastic detail in their playing.”

The recording features material they chose and arranged together with lead vocals by Deborah, a creative Tour de Force in her own right, and with Pat drumming and producing.

“We compiled King Crimson songs and searched for the romanticism in them, then rearranged them,” said Deborah. “The addition of a girl singer automatically changes the feel of those songs and places them in a different genre. Our idea is to create a way for people, especially women, to appreciate the beauty of King Crimson’s music without the fear and sometimes resistance attached to the word ‘prog’ getting in the way. We slow the songs way down and strip them back to their essential lyrics and melodies.”

“In the Crimson tradition, we approached every song as if it was brand new,” said Pat. “At first, it involved tinkering with 20-plus songs in hotel rooms using iPhone apps to choose what worked best for us. We first focused on the lyrics. The words had to resonate and the arrangements had to develop a prog-meets-pop twist to meet my hopes. We had no desire to duplicate the original arrangements. In fact, just the opposite. I was trying to discover where else they could go to expose sweetness, sort of like the old days of cassettes and giving a loved one a mixtape. It’s a gift to fans and a family of former Crims.“

The Mastelottos started the recordings in 2019 by inviting the Texas TOAPP alumni, including members of the Houston symphony, to record in Pat’s home studio in the Texas Hill Country. After a quick trip to Nagoya for his one and only live gig of 2020, which yielded the live Stick Men album “Owari,” Pat returned and spent months with Deborah during the 2020 COVID-19 lockdown finishing the project. The result is an album full of lush nuance and ornamentation designed to put listeners in a meditative and buoyant mood.

“The lockdown resulted in a year of cancelled shows, which gave us time to realize the album,” said Pat. “This grand reboot of humanity made being a couple all the more important, nurturing relationships with people we love, gardening and doing home projects while creating this album together was a beautiful experience.”

“2020 has given us the longest period of consecutive days, weeks and months we’ve ever spent together,” said Deborah. “Our close proximity enabled a continuous dialog and working environment, so we never had to break the creative flow.”

“Working from home meant we could take the listening experience from the studio to the car to the bedroom…to test drive…so to speak,” added Pat.

“Heat up the hot tub, fluff your pillows and head to the softer side of the bed for the pinkest Crimson ever”

Track listing

1. Two Hands
2. Matte Kudasai
3. Heartbeat
4. Moonchild
5. Inner Garden
6. One Time (Eyes Wide Open)
7. Peace
8. Book Of Saturday
9. Exiles
10. Elephant Talk
11. People
12. Sleepless

TOAPP musicians Appearing on the record:

From Texas:
Adrian Benevedes
Mark Cook
Chris Cowan
Aralee Dorough
Colin Gatwood
Corin Gatwood
Marty Hobsbracht
Mike McGary
Bill Munyon

From other parts of the world:
Mark Hassett
Marco Machera
Christian Constantini
Kevin Andrews
Jeremy Neese
Victor Sagfors
Dave Martyn
Kara Day Spurlock

Additional musicians and engineers:
Fabio Trentini
Andrew Simmons
Laura Scarborough
Elaine Barber
Alex Coke
Grady Cousins

Cover Art: Ana Fuentes
Design: Denis Rodier

Released February 14, 2021

To pre-order: https://patmastelotto7d.bandcamp.com/album/a-romantics-guide-to-king-crimson

Digital Album
Streaming + Download
Pre-order of A Romantic's Guide To King Crimson. You get 3 tracks now (streaming via the free Bandcamp app and also available as a high-quality download in MP3, FLAC and more), plus the complete album the moment it’s released.

Limited Edition Compact Disc
Compact Disc (CD) + Digital Album
package image
Comes in a 6-panel gatefold card case designed by Denis Rodier with paintings by international artist Ana Fuentes.

For more information:
www.patmastelotto.com
www.7dmedia.com

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com