Saturday, September 16, 2017

Prog-Fusion Legends BangTower Releases New Digital EP "Hey, Where’d Everybody Go?"


Featuring Neil Citron, Robby “Pag” Pagliari and Frankie Banali

Los Angeles – Declassified Records is proud to announce the release of a special 7 track digital EP from progressive fusion legends BangTower entitled “Hey, Where’d Everybody Go?”. Available on September 12, 2017 at all major Digital music retailers including iTunes, CD-Baby, BandCamp, Google Play and Amazon. Tracks from the EP will also be available on most major streaming services in early September.

The surprise 7 track eponymous album follows closely on the heels of the internationally acclaimed December 2016 album “With N With Out”. In early 2017 Neil began writing and demoing new material for a potential future release. With the subsequent departure of Percy and Walter to focus on other music endeavors, it became apparent that others involved with the last BangTower record would be needed again. Since they’d worked so well together on “With N With Out”, Neil invited Robby “Pag” Pagliari back the project to record these songs and co-write some new ones.

When a window of opportunity opened in Frankie Banali’s schedule it seemed only natural to ask him to appear as a guest again, since the tracks he recorded on the previous record were so outstanding. Not only was he graciously willing to contribute his excellent drumming skills, he also brought along some of the best of his vintage sets to the mix, adding even greater depth and personality to each track.

The album was recorded entirely in top Los Angeles studios, utilizing the best in vintage and boutique instruments and recording equipment. It was mixed and mastered by Neil Citron specifically for digital distribution.

BangTower “Hey, Where’d Everybody Go?” track list
1. She Don’t Care - (Citron)
2. Lazy Afternoon - (Citron)
3. Frankie’s Silver Hammer - (Citron)
4. Bring You Back - (Citron, Pagliari)
5. Groove Alone - (Citron, Pagliari)
6. Right Hand Drive - (Citron, Pagliari)
7. Ali’s Midnight Wish - (Citron)

Neil Citron - Acoustic and Electric Guitars, Keyboards, Vocals,
Robert “Pag” Pagliari - Fretless Bass Guitar, Vocals
Frankie Banali - Acoustic Drums

Produced, Engineered, Mixed and Mastered by Neil Citron.
Released 2017 Declassified Records / Executive Producer Jon Pomplin
© 2017 Declassified Music BMI / S.B.I. Music BMI

For more information on BangTower visit:
Official Website - www.BangTower.com
Face Book - www.facebook.com/Bangtower
Twitter - www.twitter.com/BangTower
YouTube - www.youtube.com/bangtower
Declassified Records - www.declassifiedrecords.com ;

Press Inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

Thursday, September 14, 2017

World-Rock-Celtic Review: Blackmore's Night-To The Moon And Back-20 Years And Beyond...

Release Date: August 11, 2017
Label: Minstrel Hall Music

I have been listening to Ritchie Blackmore play guitar since the 70s. He was always one of my favorites and so were his bands Deep Purple and Rainbow. I believe he made even more prolific music after moving on from DP.  Rainbow was an amazing project with a string of great albums, and the beginning of his change in direction. So, what happened after that? If you are a fan you know the answer.

It is hard to believe that this much time has already passed.  To The Moon And Back-20 Years And Beyond… is the quintessential career retrospective for the band.  The 2 CDs are comprised of 26 tracks, bonus tracks, recent versions of older tracks and a bonus video.

You get the whole package, all the goodies wrapped up in a nice tight little package. And if you are a big fan that owns all the releases, it helps you appreciate the band’s accomplishments even more. It is also a reminder of how much great music this amazing group of musicians have produced over two decades. And that does not include several tasty DVD sets.

Great players like Blackmore have always surrounded themselves with a stellar supporting cast and this band is no exception. And yes, they are unique in a typically watered down repetitive pop hit culture. They are and always will be light years ahead of that curve. That is the very reason I was attracted to them so strongly, and of course all the previously mentioned reasons. 

This band plays music that takes you back in time, way back, hundreds of years. Blackmore and his mates offer up a lively combination of world, rock and Celtic music that would tickle any music lovers fancy. The musicianship is impeccable and his wife, the beautiful Candace Night, has the voice of an angel. That all combines for a stunning combination of sounds and visions of days gone by, when the knights of the round table ruled in ancient castles (where by the way they like to play concerts) and Robin Hood was stealing from the greedy rich to give to the poor. 

The band dresses up in period clothing and their audience members are glad to oblige. A concert from Blackmore’s Night (which I have attended) is something special. It’s like being serenaded at the Renaissance Fair by some of the greatest musicians in the world. It truly is a multi-dimensional experience that you need to experience at least once. Listening to the music will give you a good idea of what to expect. It is carefree, relaxed and sometimes their music just plain rocks. That is fine with me when Blackmore pulls out that white electric guitar and gives it a workout.

When you are finished listening to To The Moon And Back-20 Years And Beyond… it will feel like the title was a good description of the uplifting this music can give you. If you have not heard this music this it is a great starter set. If you are fan like me, you will love it without question.


5/5 Stars

Keith “MuzikMan” Hannaleck
September 14, 2017
Founder of:

Review Provided By Write A Music Review

Tracks:

Disc One:
 
01. Shadow of the Moon
  02. Spirit of the Sea
  03. Renaissance Faire
  04. Play Minstrel Play
  05. Under a Violet Moon
  06. Spanish Nights
  07. Fires at Midnight
  08. Ghost of a Rose
  09. Cartouche
  10. Village Lanterne
  11. The Circle
  12. 25 Years
 13. Dandelion Wine
 14. Home Again (Live)

 
Disc Two:
  

  15. I Surrender (Bonus Track)
  16. Moonlight Shadow (2017 Version)
  17. Somewhere Over the Sea (2017 Version)
  18. Writing on the Wall (2017 Version)
  19. Coming Home (2017 Version)
  20. Ghost of John (Bonus Track)
  21. Minstrel Hall
 



Tuesday, September 12, 2017

New Age/Contemporary Instrumental Review: Erik Scott-In The Company of Clouds

Release Date: November 1, 2016
Label: Independent
I covered Erik Scott’s Spiritstwo years ago and I was very impressed with it. Anyone with the experience of Scott can accomplish some breathtaking jaw dropping sounds. And it all starts with his bass.

After a long period of illness and his eventual recovery he found the true meaning of faith and resiliency. His music has that kind of warmth and resilience as well. In The Company of Clouds gives you a hint what this music is all about.

The title of the first track puts it into perspective if you did not know what he went through on a physical, spiritual and emotional level. “Nine Lives” squeezes out as much emotion and god given talent the man has. He makes his bass an all purpose tool to create ambient and contemporary instrumental music. In other words, new age with some spice to keep it sharp and focused. The track serves as an introduction to what is coming next and it certainly warmed my soul. It is significant because of the title and meaning it holds for the artist but the music is poignant as well.

“Seven Veils” is another incredible track. I featured it on Rate The Tracks. Erik’s bass is hypnotic and Jaco-like. Yes this man is one of the very best bass players you will ever have the pleasure to hear. The spiritual connotations are evident by the track name. Once the masterful Scott takes the bass and becomes one with the music he begins transferring his heart and soul into the sounds he creates.

“Women of Avalon” (the longest track coming in at 5:45) is another stroke from the master on the canvas of your life. With the great Steve Hunter on guitar and Scott leading the way with his finely tuned instrument, it is an unbeatable combination of talents. When I say tuned in I mean more than just a guitar tuning, I mean dialed in, laser focused and purposeful use of his chosen instrument. 

So three tracks in and I am feeling as light as a feather, my energy level rises and my faith in the process of life is once again restored. There should be a genre called contemporary restoration music. As the music continues it does not waiver for a millisecond, it just keeps offering you more tastefully well done instrumentation. The effect is like the high tide of an ocean pulling you out and you are willing to go along for the ride. The tracks are dissimilar and that is what keeps you tuned in to all the wonderful sounds and feeling this fine release can offer.

You it did again Erik, you are a star among stars, your light will never dim it will just keep getting brighter with each successive release. Perhaps now that he is back full strength we can look forward to another album next year, I hope so because In The Company of Clouds was another chance for me to get to know the artist via the music. This is a superb rendering of contemporary instrumental music.

5/5 Stars

Key Tracks: Nine Lives, Seven Veils, Women of Avalon

Tracks: 
1. Nine Lives
2. Seven Veils
3. Women of Avalon
4. Breathing Room
5. Victory
6. Open Door
7. First Cup
8. Waves
9. The Long View
 
Keith “MuzikMan” Hannaleck
October 29, 2016
Founder of:

Review Provided By New Age Music Reviews

Friday, September 8, 2017

King Crimson's "THRAK - The Complete Scores" Full Band Transcriptions Book Now Available!


King Crimson's “THRAK – The Complete Scores” is now available! For the first time ever, full band transcriptions of this classic from the King Crimson double-trio era. Six musicians: two guitar players, two bassists and two drummers.

All parts transcribed and most of the essential bits tabbed for the various instruments and tunings: Adrian Belew's guitar in standard tuning, Robert Fripp's guitar in new standard tuning, Tony Levin's fretted and fretless basses, Trey Gunn's Chapman Stick and Bill Bruford and Pat Mastelotto’s acoustic and electronic drum transcriptions.

Transcriptions by Gabriel Riccio
Editing and tabs by Trey Gunn

Produced on high-quality paper in 9"x12" format, spiral bound for lay-flat-open reading.

Official release date: September 24, 2017

Track listing:
VROOOM
Coda: Marine 475
Dinosaur
Walking on Air
B'Boom
THRAK
Inner Garden I & II
People
One Time
Sex Sleep Eat Drink Dream
VROOOM VROOOM
VROOOM VROOOM: Coda
and a bonus track from the “VROOOM EP”: Cage

To purchase: King Crimson “THRAK – The Complete Scores”: http://tinyurl.com/THRAKSCORES



From Trey Gunn:

A book of King Crimson transcriptions is a built-in contradiction – Crimson rarely steps in the same puddle twice.

This is a band known for stretching beyond even its own limits, meaning most of the arrangements are given freedom to grow and change as the spirit moves. My own experience in the group was that about every one to two weeks some part of the compositions had significantly morphed into something else. For example, in the VROOOM coda, the Sex Sleep Eat Drink Dream “Spider Fingers Freakout” and THRAK every night saw the musicians heading into unexplored territory. As a result, any book of transcriptions can only reflect a slice in time of what this particular Crimson was doing on this particular day during this particular performance.

The approach Gabriel Riccio and I have taken with these THRAK recordings was to adhere strictly to what is on this record. While we’ve referred to the 2015 re-mixes and various live versions of the pieces, we have generally stayed with notating what is in the 1995 original mixes and performances. 

These particular recordings, made at Peter Gabriel’s Real World Studios in the UK, were live performances. In my memory, we played each piece as a group once or twice through, picked a take and then quickly added overdubs accordingly. In most cases the overdubbing was very minimal. The record was largely completed in two weeks time, including all of the vocals.

Gabriel Riccio on some of the challenges of this score book:

THRAK has been one of the most challenging records to transcribe thanks to the dense 6-player arrangements. This often made it difficult to tell who is producing each sound. The title track is perhaps the most exciting piece to see on paper, as many of the band's greatest tricks are on display – hocketed polymeters, symmetrical scales, and fiery improvisation.

The hardest part was figuring out how to write down the electronic drum parts. Bill Bruford provided some valuable input on that front, breaking down his sounds into four main categories which I used as labels throughout. The drums in the 'Sex Sleep Eat Drink Dream' freakout are a great example of the complexity of this music - Bruford plays sextuplets phrased in 5s against Mastelotto's 4/4 groove.


For more information: 
www.treygunn.com
www.7dmedia.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

Saturday, September 2, 2017

Dutch Rock Legends FOCUS Announce New Double Album Collection THE FOCUS FAMILY ALBUM feat. Extensive Unreleased and New Material! OUT NOW!


London - Focus is pleased to announce the release of its new 2 CD collection “The Focus Family Album” which has been prepared over the last 12 months. The 20 track set gives fans new insight into the band and includes 15 unreleased original songs, alternate versions from the Focus X sessions, solo tracks from each of the current members and tracks from the beginning of the Focus 11 sessions.

Many of the tracks have been recorded in a variety of countries in Europe and South America and are exclusively available on this collection. Thijs van Leer said, “Dear Friends & Fans! With pleasure we present to you our new double album 'The Focus Family Album,' it makes us so happy that you will listen to pieces recorded together as a band and solo songs too, in many different countries during our travels! We hope it will make you happy as well!!!”

The set includes all of the rarities from the “Focus X” era and is an ideal companion to that album and the forthcoming “Focus 11.” The set also introduces the band's new bass player Udo Pannekeet, who takes over the position from long term bass player Bobby Jacobs, who said, “Dear beautiful fans, after 15 years playing the beautiful music of Focus with my heart and soul I decided to stop and focus on new life adventures (music and a lot of other things). Thank you and love! Hope we will meet again...”

“The Focus Family Album” features artwork by Roger Dean and is being released to coincide with the band's South American and European tour dates. It's the latest release on the band's own 'In and Out of Focus Records' (via Cherry Red): https://www.cherryred.co.uk/artist/focus/

Track Listings
Disc: 1
1. Nature Is Our Friend - Thijs Van Leer
2. Song for Eva - Focus
3. Riverdance - Pierre Van Der Linden
4. Victoria - Focus
5. Two-Part Intervention - Menno Gootjes
6. Mosh Blues - Focus
7. Raga Reverence 1 - Swung
8. The Fifth Man - Focus
9. Song for Yaminah - Udo Pannekeet
10. Clair-Obscur - Focus

Disc: 2
1. Let Us Wander? - Thijs Van Leer
2. Birds Come Fly Over (Le Tango) - Focus
3. Spiritual Swung - Pierre Van Der Linden
4. Santa Teresa - Focus
5. Hazel - Menno Gootjes
6. Fine Without You - Focus
7. Raga Reverence 5 - Swung
8. Five Fourth - Focus
9. Anaya - Udo Pannekeet
10. Winnie - Focus

“The Focus Family Album” is OUT NOW on CD and Download:
Amazon CD: http://geni.us/IF008CD

Official website: www.focustheband.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (US), glassonyonpr@gmail.com

Saturday, August 26, 2017

Drum Legend and Rock & Roll Hall of Fame Inductee Bill Bruford Releases Definitive Boxed Set, "Bruford 1977-1980: Seems Like A Lifetime Ago"


Pre-order the Limited Edition 8-disc Box Set, with unreleased, remixed or remastered material & a signed certificate

Drum legend and Rock & Roll Hall of Fame inductee Bill Bruford, best known for his work with YES, King Crimson, Genesis and his prolific solo career, is releasing the definitive boxed set “Bruford 1977-1980: Seems Like A Lifetime Ago.” Scheduled for release on Winterfold Records on October 28th, pre-orders are now being taken for the Limited Edition 8-disc set, which features unreleased, remixed or remastered material & a signed certificate.

WATCH THE PREVIEWS:



Bill Bruford reflects on embarking on a solo career and forming Bruford: “I wanted to play drums in a certain way and if you want to hear them played in that way you've got to write the song. You've got to control the audio environment in which your drums are going to be heard and once you're doing that you're into a solo career. Looking back, the band despatched these tricky little compositions with a smile on its face; with brio, vigour and only a handful of wrong notes. The band was over-caffeinated - short on subtlety but long on the sort of majestic stately themes with antecedents in progressive rock that set it apart from contemporaneous American outfits. We were a rock group with a jazz sensibility, rather than a jazz group with rock leanings.”

WHAT'S IN THE BOX? 
A new 8-disc limited edition set of previously unreleased, remixed, or remastered material from the Bruford band of the late 1970s, presented in a 12” box complete with 16-page colour booklet and a signed, numbered certificate of authentication. Four gatefold sleeves contain two discs each:

Disc 1 DVD: Feels Good To Me: 5.1 surround sound mix and original 1978 mix remastered
Disc 2 CD: Feels Good To Me: 2017 Jakko Jakszyk remix from original master tapes
Disc 3 DVD: One of a Kind: 5.1 surround sound mix and original 1979 mix remastered plus additional audio
Disc 4 CD: One of a Kind: 2017 Jakko Jakszyk remix from original master tapes
Disc 5 CD: Gradually Going Tornado: remastered
Disc 6 CD: The Bruford Tapes: remastered with bonus track
Disc 7 CD: Live at the Venue: previously unreleased: recorded London 1980
Disc 8 CD: The 4th Album Rehearsal Sessions: previously unreleased: eighteen sketches of new material recorded 1980

ALSO INCLUDES:
16-page 12” booklet with a Sid Smith essay, new interviews with producer, engineer, band members, eyewitnesses and others, previously unseen archive visual material, and the complete band date sheet with contemporary critical reaction. Also two black and white 10” x 8” band photos, one A3 size colour poster accompanying “Live at the Venue”, and one signed, numbered certificate of authentication. The boxed set is produced by Bill Bruford.

Containing the collected works of Bruford on one extraordinary 6cd/2dvd-a box set, “Seems Like A Lifetime Ago” is a magnificent testament to one of the UK's most inventive and important Progressive Fusion bands.

Featuring 2017 remastered versions of the albums “Feels Good To Me” (1978), “One Of A Kind” (1979), “The Bruford Tapes” (1979), and “Gradually Going Tornado” (1980), the set additionally includes the previously unreleased “Live At The Venue” (from 1980) and the highly sought after “4th Album Rehearsal Sessions” (also from 1980).



“Bruford 1977-1980: Seems Like A Lifetime Ago” showcases the prodigious talents of Bill Bruford, Dave Stewart, the late Allan Holdsworth (who the album is dedicated to), Jeff Berlin and The 'Unknown' John Clark.

Says Dave Stewart, “The great thing about Bill is that he's not just a drummer. He doesn't just think about what he's playing...he's thinking about the whole picture; thinking about soundscapes; what the guitar is doing; the arrangement; the keyboard sounds and so on. He's got this composer/arranger mentality which was there from the beginning and he evolved through the life of the band. He's a deep-thinking musician and it was great working with him for that very reason.”

Jeff Berlin adds, “I learned a lot from Bill. Bill was the person who opened more doors for me not only with regards to reputation...he opened up doors to me about sound, presentation, interplay, the elements of a performance, the elements of group interaction. I think it was one of the happiest and musically productive periods I ever had in my career. I was working with fine human beings and with fine musicians.”

“Feels Good To Me” and “One Of A Kind” are available on both remastered CD and DVD-a, the latter featuring 2017 5.1 mixes by Jakko Jakszyk. Says King Crimson's Jakszyk on remixing “Feels Good To Me” and “One Of A Kind” into surround sound, “I use the original mixes as a guide and Bill handed over the whole 5.1 remix to me. It becomes an immersive experience. I'm not talking about flying instruments around 360 degrees. While that's possible it's also ridiculous...it's all about sculpting the sound into three dimensions. The new versions of these albums sound much bigger, fatter and warmer and whilst I'm keen to take credit for that the reality is that this is Dave Stewart, Jeff Berlin, Bill Bruford and Allan Holdsworth, and it's not just about their playing abilities; it's that they've got their sound together and what you need to do is replicate that and not mess about with it.”


To pre-order Bill Bruford's “Bruford 1977-1980: Seems Like A Lifetime Ago” Boxed Set:
Burning Shed: https://burningshed.com/bruford_feels-like-a-lifetime-ago_boxset
PledgeMusic: www.pledgemusic.com/bruford

Bill Bruford's official website: http://www.billbruford.com/
Facebook: https://www.facebook.com/billbruford/

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (US), glassonyonpr@gmail.com

Saturday, August 12, 2017

Classic Rock Legends Wishbone Ash Get "Tough & Tender" on North American Fall Tour!


Acoustic versions of beloved classics featured alongside hard-hitting numbers

Wishbone Ash, one of the most influential guitar bands in the history of rock, will offer their North American fans a dynamic concert experience on the 2017 “Tough & Tender” Tour. In addition to the high-powered, all-out rockers the band is known for delivering, the guys will turn down the volume (but not the intensity) and treat audiences to acoustic versions of some of their classic hits.

“A great song is a great song, however it's delivered,” says bandleader Andy Powell (guitar, lead vocals). “Playing acoustically allows people to hear the 'bones' of a song and how it might have been conceived in the first place.”

Formed in 1969, Wishbone Ash finds itself in rare company these days. Not many bands are still going strong after nearly 50 years. It takes a serious lifetime of commitment to the craft of making music; but, more importantly, real skill is required to navigate the shifting seas of the music industry, and few know that better than Powell.

“We laid down strong musical roots in the '70s, and these roots continue to prove productive,” he says. “Also, we nurtured our fan base as much as possible through fan club conventions, newsletters and the like; but this was all given a great boost once the digital age came into being, with websites and social media.”

Through the years the band has delved into various musical genres, from folk, blues and jazz to pedal-to-the-metal rock and electronica. Whatever the style, Wishbone Ash’s hallmark is the distinctive twin-melodic lead guitar interplay that has influenced such bands as Thin Lizzy, Lynyrd Skynyrd, Iron Maiden and, more recently, Opeth.

True road warriors, each year the band logs around 30,000 miles, roughly equivalent to circumnavigating the earth. “The hours, days and weeks we spend touring and recording results in a close-knit group, for sure,” says Powell. “It allows us to bring a level of intensity to the table that people seem to pick up on and appreciate.”

The fruitful results of near-constant touring are evident on the latest DVD release, “Live in Paris,” recorded in May 2015 during a three-day residency at Le Triton Theatre in Les Lilas, Paris. Powell says, “We recorded three nights of material, including current versions of some classic songs, plus some deep tracks that people won't necessarily expect.”

The band recently released a four-disc “Road Works” box set, a compilation of four separate shows recorded in Germany and the UK. In October 2015, Powell completed his autobiography, “Eyes Wide Open: True Tales of a Wishbone Ash Warrior,” co-written with Irish music journalist Colin Harper. The book, published by Jawbone Press, has met with public and critical acclaim.

“Our concept was to root my musical story and that of the band's to the times in which I came of age,” says Powell. “That is to say, relating it to those times, decade by decade, so that the reader could get a picture of how I was impacted by the social and musical trends and how I weathered those changes. We also wanted to keep it breezy and poke a little fun at this music game at the same time.”

In addition to the “Tough & Tender” Tour, Fall 2017 will also see the release of a 32-CD deluxe box set, “Wishbone Ash – The Vintage Years,” on Snapper Music.


From left: Joe Crabtree, Mark Abrahams, Andy Powell, Bob Skeat. Photo by Stefan Johansson

Wishbone Ash US Tour Dates:
Sept. 12 Milwaukee, WI Turner Hall
Sept. 13 Minneapolis, MN Famous Dave's
Sept. 14 Davenport, IA River Music Experience
Sept. 15 St. Charles, IL Arcada Theatre
Sept. 16 Edwardsville, IL Wildey Theatre
Sept. 17 Edwardsville IL Wildey Theatre
Sept. 19 Auburn Hills, MI Callahan's Music Hall
Sept. 22 Sherwood Park, AB Canada Festival Place
Sept. 25 Annapolis, MD Rams Head on Stage
Sept. 26 Richmond, VA Tin Pan
Sept. 27 Sellersville, PA Sellersville Theater
Sept. 28 Norfolk, CT Infinity Music Hall
Sept. 29 Derry, NH Tupelo Music Hall
Sept. 30 Bay Shore, NY Boulton Center
Oct. 1 Pawling, NY Daryl's House Club
Oct. 2 New York, NY BB King Blues Club & Grill
Oct. 5 Buffalo, NY Sportsmen's Tavern
Oct. 6 Akron, OH Tangier
Oct. 7 Pittsburgh, PA Rex Theater
Oct. 8 Jim Thorpe, PA Mauch Chunk Opera House

There is no other rock band in history that has done more with the twin guitar concept than The Ash. Be sure to catch them on tour this September. Tour dates and more information can be found at www.wishboneash.com. Follow the band on Facebook @wishbone.ash.official, Twitter @wishboneash_com and Instagram.

To download electronic press kit: www.wishboneash.com/epk

Press inquiries: 
Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com and
Kate Goldsmith - kate_goldsmith@wishboneash.com

North American Booking: Steve Ozark, Ozark Talent (785) 760-3143, OzarkTalent@gmail.com