Showing posts with label New Album. Show all posts
Showing posts with label New Album. Show all posts

Wednesday, July 28, 2021

New Atomic Rooster Tribute Nuclear Bird “Tyrannical Megalomaniac” Now Available!

Nuclear Bird was inspired by the 70’s band, Atomic Rooster which was led by extraordinary keyboardist Vincent Crane who is also known for his signature organ work on The Crazy World of Arthur Brown’s “FIRE.” Tyrannical Megalomaniac was Vincent Crane’s nickname.

Drummer/songwriter, Mark Murdock was influenced by Atomic Rooster and other early 70’s progressive-psychedelic bands from England, recently composed a batch of original songs with the intent of capturing Atomic Rooster’s spirit musically, but also telling an interpretation of the band’s story.

Mark invited Atomic Rooster drummer, Ric Parnell to the recordings. “Ric gave the music that authentic Atomic Rooster feel with his exceptional drumming on five of the eight songs. Thrilled to have him on board,” says Mark. Ric shared some of those interesting stories of the band which were incorporated into the lyrics. Also, lyricist/music reviewer, Dmitry M. Epstein contributed on a few of the songs.

“There was also an attempt to invite other former Atomic Rooster cast onboard; Peter French, Steve Bolten, Carl Palmer, Arthur Brown and Preston Heyman to participate but unfortunately could not participate for various reasons - scheduling, conflict of interest and lack of studio access, to name a few. “Perhaps I’ll try knocking on their door on the next Nuclear Bird works,’’ laughs Mark.

Vocalist Tim Pepper not only captured a flowing vocal on the songs but did the concept cover art of a Quetzalcothus (dinosaur bird) playing a Hammond organ with a nuclear power plant burning in the background. Thus, the title Nuclear Bird, not to be confused with Brand X’s “Nuclear Burn.” Speaking of which, former guitarist John Goodsall played on two of Mark’s Cymbalic Encounters works.

Additional musicians who contributed to the tracks are guitarist, Ken Hall who played with Mark in Phoenix, Arizona from the 70’s who captured an authentic 70’s era guitar and Broadway drummer, Jon Berger who guested on drums for two songs.

Nuclear Bird “Tyrannical Megalomaniac” Track List:
1. Exposition of Fools
2. Tyrannical Megalomaniac
3. Addicted to the Water
4. Fascination with the Afterlife
5. The Revolving Door
6. The Harvester of Organs
7. Haunted Chords
8. Locked in a Graveyard

Music and Lyrics by Mark Murdock
*Lyrics on songs 6 & 8 by Dmitry M. Epstein

Mark Murdock - organ and drums
Ric Parnell - drums and percussion on songs 1, 2, 3,  7 and 8
Tim Pepper - vocal
Ken Hall - guitar
Jon Berger - drums on songs 6 & 8 *Ric Parnell- percussion on song 6

All compositions by Mark Murdock
Produced by Mark Murdock
Mixed and Mastered by Mark Murdock
Recorded at Off-Shore Studios, Tokyo and various remote locations
Artwork by Tim Pepper

Available as digital download: https://nuclearbird.bandcamp.com/album/tyrannical-megalomaniac

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Wednesday, July 21, 2021

PFM/Aqua Fragile Vocal Legend Bernardo Lanzetti Releases Solo Album “Horizontal Rain”

Featuring Tony Levin, David Cross, David Jackson, Derek Sherinian, Tony Franklin, Jonathan Mover and others!

Conceived and recorded over a few years with outstanding musicians and special guests, Bernardo Lanzettiʼs new work is presented as a collection of musical episodes that sail from Progressive Rock to Vanguard, making port of call at Modern Opera, Art Rock, Rock & Soul and Classix 2 B.

Eight songs in English, two lyrics written by friend Peter Jack Marmot, wordsmith and coach manager between London and Marbella, plus an Italian text for the song “Ero un num Ero”, built on an elementary and random numerical progression as if to point out that the so-called “inspiration”, at times, can only be a fairy tale to deceive the unwary listener.

Without exaggerating or forcibly imposing his vocal range exceeding three octaves, the vocalist makes available the complete range of his voice, including the one processed by his Glovox device and those written for a choir that, in “Different”, move on articulated bars, always different in their division and imperceptibly delusional succession.

In the album, passion, detached nostalgia, fury and irony unfold track after track with a mix of sounds that are as unpredictable as they are effective: David Jackson’s baritone sax replacing the double bass in “Lanzhaiku” or Tony Levin’s unmistakable stick in “Heck Jack”. The pressing guitars of Marco Colombo in “Genial” where not even Andalusia is neglected or those of Andrea Cervetto, excitingly painful in the desperate appeal of “Walk Away”, which finds Tony Franklinʼs precise fretless bass and, in contrast, the hectic synth of Derek Sherinian and the poignant violin of David Cross. Alternating solid and frantic episodes, Jonathan Moverʼs drumming stands out on four strong selected tracks.

With more than 120 songs already published to his credit, Bernardo also celebrates his being an author/composer with this new album where almost everything, including the artwork, is due to his talent and attitude. Including the above mentioned special guests, in all 19 musicians and a choir of 7 from Italy, UK, USA and Spain, numerous sound engineers and the careful and patient work of the producer Dario Mazzoli, make this work precious and unique.

Watch the video forHeck Jack”: 

(*) Alesia Baltach, Cello on 7// Marco Brioschi, Trumpet on 2// Andrea Cervetto, Gtrs, Bass, Keys, Arranger for 2 and 4// Kim Chandler, Backing Vocals on 1 and 2// Marco Colombo, Gtrs on 5 and 8 // David Cross, Violin on 1// Tony Franklin,  Bass on 1// Pier Gonella, Gtrs on 6// Franco Grandoni, Choir conductor ** on 9 // David Jackson, all Saxophones and Flutes on 3//Bernardo Lanzetti: Lead and Backing Vocals, acoustic Gtr, Harmonica, pre production and programming // Tony Levin, Stick on 2// Dario Mazzoli, Bass on 5// Sara Wilma Milani: backing vocals on 3// Carlo Napolitano: Trombone on 2// Jonathan Mover, Drums on 1, 2, 5 and 8// Alex Polipo, Drums on 4// Giancarlo Porro, sax and horn section arrangements on 2// Derek Sherinian, Keys on 1// Pier Vigolini, Keys on 6. (**) Chorus on “Different”: Luisa Baiocco, Federica Bastianelli, Silvia Metelli, Michelle Rainone, Gabriele Santoni, Teo Tiburzi, Gabriele Serano.

Track List:
01-Walk Away
02-Heck Jack
03-Lanzhaiku
04-Time Is King
05-Genial!
06-Conventional
07-Ero un num Ero
08-Horizontal Rain
09-Different

All music and lyrics by B.Lanzetti except 02 and 05, lyrics by P.J.Marmot.

To purchase:
SPOTIFY: https://open.spotify.com/album/0CX7kn753qMkUt7oZDiYxI
iTunes Italy: https://music.apple.com/it/album/1565842423?app=itunes
iTunes USA: https://music.apple.com/com/album/1565842423?app=itunes
iTunes UK: https://music.apple.com/uk/album/1565842423?app=itunes
AMAZON CD & DIGITAL STREAMING & MP3: https://www.amazon.com/gp/product/B09437RKHK/ref=dm_ws_sp_ps_dp

For more information:
http://bernardolanzetti.blogspot.com/
https://www.facebook.com/BernardoLanzetti

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Tuesday, July 20, 2021

YES Keyboard Legend Tony Kaye To Release Solo Album “End Of Innocence” - Out September 10, 2021!


20th July 2021: Keyboard legend Tony Kaye announces the release of his debut solo album “End Of Innocence,” on 10th September 2021 on Spirit Of Unicorn Music (distributed via Cherry Red Records) to mark the 20th anniversary of 9/11.   

Having retired from music in 1996, Kaye was moved, by the events of 11th September 2001, to commit his thoughts and feelings to a heartfelt personal musical interpretation.

“End Of Innocence” is a requiem for those who lost their lives and all those touched by the horrific events of 9/11. Primarily orchestral, “End Of Innocence” is a powerful and emotional suite that is both beautiful and sinister, reflecting the dark forces at work that day. It guides the listener through the day and touches on the response, to reach a hope that peace and calm may prevail.

As did many millions, Kaye watched the horrors of 9/11 unfold on his TV screen. “The next day I unpacked my keyboards for the first time in a long time,” Kaye recalls. “I didn’t know what I was going to do. It was one of those things that happened, inspiration on a musical level.”

The suite begins the night before 9/11 but, as Kaye’s wife Dani Torchia sings an innocent lullaby, menacing storms are gathering. The beautiful “9/11 Overture” was the first piece Kaye composed, the following day. “I had no recording equipment, just an 8-track cassette recorder and some of those recordings became what you hear now.”

Kaye continues to create vivid images of New York City life and a vibrancy around The World Trade Centre (285 Fulton Street) before the terror begins and captures the fears of those on the planes, “Flight 11” depicting the conversations stewardesses had with the tower. The track includes a powerful drum solo by Kaye’s friend Jay Schellen (CIRCA, YES) reflecting the struggles onboard.

Following the collapse of the towers, Dani Torchia sings her lament “Sweetest Dreams” and the album looks at the “Aftermath” and the “Heroes” before focusing on the response. “I wanted it, musically, to be about that day,” Kaye says, “but I felt compelled to extend it to deal with the repercussions of what happened. Musically, it was quite challenging to do the battle scene and then the 'Hope And Triumph,' a patriotic anthem and the consequences of war. 'Ground Zero' is the hope for the future, the rebuilding.”

The artwork for the album has been created by Roger Dean, known for his work with YES and ASIA, powerful imagery reflecting the journey the music takes.

End Of Innocence” Track Listing:
1. Twinkle Twinkle Little Star/Twilight Time
2. 911 Overture
3. NYC Blues
4. Battle Cry
5. 285 Fulton Street
6. Let’s Roll
7. Tug of War
8. Flight 11
9. Towers Fall
10. Sweetest Dreams
11. Aftermath
12. Heroes
13. The Battle
14. Hope and Triumph
15. Homecoming
16. Ground Zero

Produced by Tony Kaye

All tracks composed by Tony Kaye except “Sweetest Dreams” by Dani Torchia.

Tony Kaye, Spirit of Unicorn Music and Cherry Red Records are donating 10% of all profits from “End of Innocence” to https://www.garysinisefoundation.org/ The charity supports veterans, defenders and first responders in times of hardship.

About Tony Kaye
Tony Kaye is best known as the original keyboard player with prog legends YES, his Hammond organ giving their groundbreaking “The YES Album” it’s most distinctive sound within the YES catalogue. Following his departure from YES in 1971 Kaye was involved with a number of other bands including David Bowie, Badger, Flash and Badfinger before returning to YES for their greatest commercial success “90125” in 1983. Kaye remained with YES for several albums and tours before retiring from the music business in 1996.  

Following the re-awakening of his musical inspiration in 2001, Kaye accepted an invitation from current YES bassist Billy Sherwood to work on projects which led to the formation of CIRCA, in 2007, and has yielded four albums to date.

Tony Kaye – “End of Innocence”
Released on 10th September  through Spirit of Unicorn Music Formats: Standard CD Jewel case

Pre-order here: https://www.cherryred.co.uk/product/tony-kaye-end-of-innocence/
www.yesworld.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Monday, June 14, 2021

Prog Ensemble Dario and the Clear Release New Album “Optic Nerve” Featuring Tony Levin, Jerry Marotta and Trey Gunn


Prog Ensemble Dario and the Clear has released a new album titled “Optic Nerve.” The release features an impressive collaboration of musicians that have worked with Dario on previous recordings and several new musical guests. He was reunited with keyboardists, Jamie Peck and Natt Kerr, as well as his Woodstock friends, Tony Levin (King Crimson, Peter Gabriel) and Jerry Marotta (Orleans, Peter Gabriel & Paul McCartney). Trey Gunn (King Crimson) is on Warr guitar. Music engineer, Eric Dalton, joins Dario for the first time on bass and backing vocals and Robert Kopec on upright and electric bass. Adam Siegel joins on alto sax. “Optic Nerve” is a combination of progressive, ambient and rock.

Says Dario, “The message is to find yourself not just as an artist but a human being. Through all the craziness in the world I had to keep reminding myself that after the Dark Ages came the Renaissance, I really think that will happen. We’ve had so much time to reflect and dig deep into ourselves. For the recording process I was really concentrating on what I call the ‘three I's.’ Instinct, Intuition and Intent. As a result the creative process was so much freer.

Watch the Video for “This Moment”: 

Biography
Dario Saraceno was born in Ripacandida, Italy and moved to London, England during the height of Beatlemania. After his mom took him to see the Beatles at an outdoor concert, he was profoundly influenced and became infatuated with becoming a musician. Fast forward to his teenage years and music became a reality when he purchased his first guitar.

Dario took an unusual approach. When most musicians were aspiring to play covers, Dario was immediately drawn to writing original music and spent time learning multi-track recording.

After graduating Berklee College of Music, Dario toured with his band, Decoy and worked as a session guitarist, touring and teaching. His instructional book, “The Shapes Remain the Same” was published in 2010.

After his Decoy project came to a close, Dario went solo, starting a new band he named Dario and the Clear. Dario and the Clear has released five albums since 2011. His recent album “Optic Nerve” was born out of a creative burst during the coronavirus pandemic when there was time for a great deal of self-reflection.

Track list:
1. Deities and Splendor
2.Smile/Lies
3. Sustained and Distorted
4. Saint Street
5. This Moment
6. Designated Skin
7. Tattooed Prophet.

Amazing variety of timbres and depth.” Steve Ball, Guitar Craft League

Fantastical…Cool and iconic voice…and the mood is great. I see it as a thought-provoking and passionate recording.” Joe Battista, Director, The 13th Street Theater

To purchase:
Apple Music: https://music.apple.com/us/artist/dar...
Spotify: https://open.spotify.com/artist/0CcS9...
darioandtheclear4.bandcamp.com

For more information:
Darioandtheclearfacebook.com
Darioandtheclear.Instagram.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Wednesday, June 9, 2021

Italian Prog Ensemble Syndone To Release New Concept Album “Kāma Sūtra”

Italian Prog ensemble Syndone will be releasing their new concept album “Kāma Sūtra” on June 10th.

The sacred text “Kāma Sūtra” is the “Bible” of how to achieve pleasure in sexual intercourse.

The Kāma Sūtra (aphorisms on pleasure) therefore constitutes for Hindus a compendium on the art of loving and achieving sexual pleasure, in a way consistent with the ancient rural and pastoral origins of their religious culture. This culture still considers love in all its most natural manifestations, from poetry, to singing, dancing, painting, sculpture to enhance its divine sanctity of procreation and the adoration of the principle of life, also through erotic pleasure.

Even in modern India, as in ancient India, the dominant impression offered by Hindu culture is still that of a world in contact with all the natural forces that transfer the richness of life into an existence permeated by tenderness, by pleasure and beauty in all its manifestations.

Like the movements of sex, music and lyrics go in and out of the different variations of the concept of Kāma Sūtra in history and in the contemporary; Kāma Sūtra is here intended only as the sound of a word already heard from which people begins to wonder.

For Syndone it becomes text and pretext to sink the nails with passion in the love between two people, in today’s real prostitutes, in provocation. Images, symbols, roles and people; among all a true story, the one of Giorgio Perlasca, hero against Nazism and many other common stories, among which, maybe, the ours, with invented characters, divinities, erotic symbols and much, much love.

“Kāma Sūtra,” the eighth album of Syndone, is a key to unhinging the menageries of progressive doctrine. In fact, it is the least progressive album of Syndone, but the news is not bad for this at all: the forays into more rock material are interspersed here and there by the scratches and sweeps of the Hammond that refer to Brian Auger and John Lord, from choral fragments where you can feel the smell of Queen. If “Mysoginia” was Géricault's Raft of the Medusa, “Kāma Sūtra” is a painting by Kandinsky. To be fascinated, the wonderful “We Are the World We Created” is enough. Finally, David Jackson’s saxes and the beautiful vocal duet with the singer Annie Barbazza are a certificate of authenticity of a new masterpiece.

Syndone’s music, supported by the analytical and deeply cerebral texts of Riccardo Ruggeri - a front-man with great theatrical and an amazing voice - is something truly surprising: next to small jewels that shine with joy and pain, sweetness and of bitterness, it burns the fuel of the most genuine rock.

Watch the making of the album teaser: 

BIO

Born in 1989, in the wake of the second progressive wave, Syndone – led by Nik Comoglio – have delved into every aspect of niche music during their first quarter of a century.

Seven excellent albums (Spleen/1990, Inca/1992, Melapesante/2010, La Bella è la Bestia/2012 and Odysséas/2014, Eros & Thanatos/2016 and the new Mysoginia/2018) have come out of this collaboration, contaminated with tones that, more often than not, have gone beyond all codes and frontiers.

Their sound – which reflects the moods of Emerson Lake & Palmer to a certain extent – is not restricted to a slavish reading of the British band though. It tends to revitalize their spirit with formulas that have little to do with the style per se and move towards new shores, new sounds characterized by a rock background with extensive classical openings (sometimes played on strings), all tied together by a very expressive, sometimes theatrical, voice which brings everything together in an original, cultural and innovative product.

While their name might elicit thoughts of the Holy Shroud or Sindon (and all the rules and regulations surrounding it) kept in Turin, we could say that, in the meantime, it also brings to mind the provocative magic of this subalpine capital. Nik explains, “We wanted a name that would evoke all together ‘Sacredness,’ ‘Turin,’ ‘Spirituality’ and ‘Scored Grooves’ (like an old vinyl LP) so I thought of Syndone, with the ‘Y’ to distinguish it from the famous relic and make it International at the same time, without being blasphemous. This name in fact immediately evokes Turin in any part of the world... and I liked this!”


Syndone
Riccardo Ruggeri: composition, vocal, lyricist
Gigi Rivetti: composition, acoustic and electric pianos, clavinet, keyboards
Marta Caldara: composition, vibraphone, timpani, keyboards
Simone Rubinato: composition bass, taurus bass e keyboards
Eddy Franco: drums and percussions
Nik Comoglio: composition, orchestration, arrangements,  Hammond, Moog, Juno dist., Mellotron and keyboards

To purchase: https://www.manticorerecords.com/syndone-kama-sutra?fbclid=IwAR344YhX_jfNot5l-mJoMm0cSDotpg6iDIkfWE5QvoiTR8Fquf9tT8HQnCA

For more information:
Website: www.syndone.it
Facebook: https://m.facebook.com/profile.php?id=188463544523800&ref=content_filter

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Thursday, June 3, 2021

Prog Ensemble Potter’s Daughter Join Forces With Drum Legend Simon Phillips For Their explosive New Full-Length Album “Close to Nearby” To Be Released On September 30, 2021!

The album will be available digitally, CD, and limited-edition vinyl with accompanying Art Book!

Prog ensemble Potter's Daughter will be releasing their second full-length album “Close to Nearby” featuring legendary drummer, Simon Phillips, on September 30, 2021! The album will be available digitally, CD, and limited-edition vinyl with accompanying Art Book!

The album features 8 tracks, 3 virtuosic instrumentals and 5 captivating vocal songs. All compositions arranged and Produced by Jan-Christian Vögtlin.
1. Movement I (Ginastera)
2. Rosewind (DPV + JCV)
3. Night Sky (DPV + JCV, lyrics by DPV and Ronda Dubiel)
4. The Mask (DPV +JCV)
5. 5 and 5 (DPV + JCV)
6. Midnight (DPV + JCV, based on the poem by Edgar Allen Poe)
7. Seven Meets Five (Julia Schwartz)
8. Hold (DPV + JCV, lyrics by Ronda Dubiel and DPV)


Potter’s Daughter (MRR) was formed in NYC while Dyanne was studying classical piano performance at the Manhattan School of Music. The group performed regularly in NYC, as well as in northeastern PA. Potter’s Daughter has been featured on radio, TV, and in national and international magazines and blogs. Potter’s Daughter released their debut album, “The Blind Side,” in August 2018. In 2019 they released two singles; “Blood and Water,” featuring Annie Haslam (Renaissance) as guest artist, and the holiday single, “This Winter’s Child,” which was composed for the MRR Holiday album.

In March 2020 they went on tour with MRR labelmate Joe Deninzon & Stratospheerius, and Dark Beauty. They were also invited to participate in several online festivals, including The Uncancelled Music Festival (April), The WorldWide Prog and Rock Virtual Festival (May), and the ProgStock Presents Festival. (August).

In October 2020, Potter’s Daughter released their Covid Quarantine EP, “Casually Containing Rage.” The single from the EP, “We Could Be,” was released as a video, directed by filmmaker Serena Kunzler.

In December 2020, Potter’s Daughter was featured in the Limelight section of Prog Magazine, and in the same edition, voted #2 in the Reader’s Poll Unsigned Band Category.

In February 2021, Potter’s Daughter enjoyed the privilege of participating in the debut release (Pyrrha’s Song) for Nick Katona’s “Troubleshooting Pandora’s Box,” together with drummer Jimmy Keegan.

In April 2021, Potter’s Daughter’s music video, “We Could Be,” was chosen as a finalist to compete in the annual American Golden Picture International Film Festival.

They are scheduled to open the prestigious music festival, Prog On the Ranch, (Florida) this October.

Now, joining forces with the world-renowned drummer, Simon Phillips, they plan to release their heaviest work to date. The Artwork for the album cover was created especially for this project by the master artist, Armand Cabrera.

It has been an absolute pleasure to play on your music. Very challenging and ever so much fun.” - Simon Phillips (drummer with Protocol, Toto, Hiromi, Mike Oldfield, The Who, Jeff Beck etc)

Say Dyanne and Jan-Christian of Potter’s Daughter, “The huge contribution of Simon’s playing to our music, together with the depth of his artistry and vision simply cannot be understated or exaggerated. He added a completely new dimension to each song. He is also down to earth, such a joy to work with!”

“…just beautiful...I love your voice, and chord progressions are sublime” - Jon Anderson (lead singer of progressive rock band, Yes)

On first hearing of Blood and Water I was struck by its unusual and haunting melody and Dyanne's exquisite voice. To be a part of it was truly a wonderful experience.” -  Annie Haslam (Lead singer of progressive rock band, Renaissance)

For more information:
Facebook: https://www.facebook.com/PottersDaughterBand/
Instagram: https://www.instagram.com/pottersdaughterband
Twitter: https://www.twitter.com/PottersDtrBand

Purchasing:
Amazon: https://amzn.to/2qsUdKn
Bandcamp: https://bit.ly/2Mqk1PM
iTunes: https://apple.co/2P1hTQm
Spotify: https://spoti.fi/35O57uo

YouTube: 

Press inquiries: Glass Onyon PR, Billy James, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Friday, May 28, 2021

DREAM THEATER’S JAMES LABRIE Voices The Role Of Evil Record Executive On New Version Of PINK FLOYD’s “HAVE A CIGAR” From The New STILL WISH YOU WERE HERE - A TRIBUTE TO PINK FLOYD Album!

Album features performances by Rick Wakeman, Ian Paice, Todd Rundgren, Geoff Tate, Joe Satriani, Rod Argent, Steve Stevens, Bootsy Collins, Geoff Downes, Rat Scabies, Jah Wobble and more!

Los Angeles, CA - One of the most iconic characters ever created in song - the smarmy, nefarious record executive dreamt up by Roger Waters for Pink Floyd’s 1975 single “Have A Cigar,” who infamously asked “Which one’s Pink?” - is being brought to life in a whole new way, courtesy of the legendary voice of prog metal superstars Dream Theater, James LaBrie, and a spectacular new concept video from award-winning director Vicente Cordero of Industrialism Films. LaBrie’s superb rendition of the song, taken from the just released album Still Wish You Were Here - A Tribute To Pink Floyd, gives the lyrics a far more sinister edge than the original recording, as does the razor-sharp guitar work from Steve Stevens, which contrasts nicely with the laid-back rhythm section composed of The Damned’s Rat Scabies and Public Image Ltd.’s Jah Wobble and some supremely tasteful keyboard work from The Moody Blues’ Patrick Moraz. This fantastic new version of the song inspired the first-ever dramatic portrayal of this character, performed by seasoned character actor Noel Jason Scott for Cordero’s video, as a stylish Mephistopheles who casually tempts a young, naive musician into a malevolent Faustian bargain that grants him all the riches and rewards of rock superstardom before exacting a treacherous toll.

Watch the video: 

LaBrie’s performance is a major highlight of Still Wish You Were Here but there is plenty more where that came from. The album also features awe-inspiring performances from a whole host of rock, metal & pop music legends such as keyboard wizard Rick Wakeman, Deep Purple drummer Ian Paice, recent Rock Hall of Fame inductee Todd Rundgren, ex-Queensrÿche vocalist Geoff Tate, guitar god Joe Satriani, Zombies/Argent vocalist Rod Argent, spacebass super genius Bootsy Collins, and lots more! Still Wish You Were Here is available on both CD in a beautiful 6-panel deluxe digipak and a stunningly gorgeous gatefold vinyl in a variety of colors!

Order the album: https://orcd.co/still_wish_you_were

Track List:
1. Shine On You Crazy Diamond (Parts 1-5) - Geoff Tate, Steve Hackett, Billy Sheehan, Mel Collins, Geoff Downes, Ian Paice
2. Welcome To The Machine - Todd Rundgren, Rick Wakeman, Tony Levin
3. Have A Cigar - James LaBrie, Steve Stevens, Patrick Moraz, Rat Scabies, Jah Wobble
4. Wish You Were Here - Rik Emmett, Joe Satriani, Edgar Froese, David Ellefson, Carmine Appice
5. Shine On You Crazy Diamond (Parts 6-9) - Rod Argent, Steve Hillage, Ian Paice, Bootsy Collins

Press inquiries:
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com


CLEOPATRA RECORDS, Inc.
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Los Angeles CA 90025
www.CleopatraRecords.com

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Thursday, May 27, 2021

Recent Rock Hall Of Fame Inductee TODD RUNDGREN Announces First Release Of His 2005 Live Recording With JOE JACKSON & String Quartet ETHEL!

Los Angeles, CA - Two of the most masterful crafters of sophisticated art rock united on stage for a series of special live engagements in 2005, Joe Jackson and Todd Rundgren. Those who were able to attend in person quickly began to spread the word about the uniquely exquisite performances from these two musical geniuses, along with the incredible NY-based string quartet Ethel, and the shows promptly became one of the hottest tickets of the year. Well, if you missed your chance to see the concert in person, here's your opportunity to experience the magic on this extravagant multimedia concert album, recorded at New Jersey's State Theater!

The show features solo performances from both Jackson and Rundgren who turn in some of the most intimate and lush versions of their biggest hits including “Steppin' Out,” “Hello, It's Me,” “Is She Really Goin' Out With Him,” “Bang The Drum All Day,” “It's Different For Girls,” “I Don't Want To Tie You Down” and more! Then, for the ultimate finale, the two legends step on the stage together, backed by Ethel, for epic versions of “While My Guitar Gently Weeps” and “Black Maria.”

Joe Jackson & Todd Rundgren's State Theater New Jersey 2005 will be released everywhere June 18 on both digital and in a gorgeous 8-panel digipak that includes 2 audio discs and a DVD!

Pre-order/pre-save the digital: https://orcd.co/joe_jackson_todd_rundgren

Pre-order the CD/DVD: https://cleorecs.com/store/shop/joe-jackson-todd-rundgren-state-theater-new-jersey-2005-2cd-dvd/

Press inquiries:
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com


CLEOPATRA RECORDS, Inc.
11041 Santa Monica Blvd #703
Los Angeles CA 90025
www.CleopatraRecords.com
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Wednesday, May 26, 2021

Bassist Mick Paul To Release New Album “Parallel Lives” Featuring David Cross (King Crimson) & David Jackson (Van Der Graaf Generator)

Bassist Mick Paul, best known for his work with the David Cross Band, is releasing his new album “Parallel Lives” on June 9th. The album features guest appearances by David Cross (King Crimson) and David Jackson (Van Der Graaf Generator).

Says Mick about the new album, “I’m interested in the way our lives tend to mirror each other without us realising it, hence the title ‘Parallel Lives’. Two of the songs relate to my children who are now grown up, I can see how their lives echo mine and of course how my life has parallels with my parents and the way they saw things and reacted to events- and how it goes on through the generations. It is not a concept album in the traditional sense of having a story as such but I think there is cohesiveness to the overall content of the lyrics that tell some of my story. I also feel that the moods and general feel of the album very much reflect how I felt when I was writing it.”

Initially Mick sent Craig Blundell the first couple of tracks for him to start working on. He was working a lot on tour with Steven Wilson at the time so recorded the tracks at his own studio and sent the audio files back and Mick worked closely around these to develop the rest of the parts. The next to get involved was Sheila Maloney, the original keyboard player from the David Cross Band, who has been instrumental in not just creating piano and synth parts but with overall production values and mixing decisions.

Most of Jim Wilde's vocals were done fairly early on in the recording process but he also contributed further ideas throughout as new songs were ready. “His harmonic work is very complex and I find that it complements what the bass and the keyboards are doing completely and works like another instrument within the mix,” says Mick.

With all the basic basses, keyboards and some of the drums completed Mick then worked with Steve Roberts to complete all the rest of the drum parts (and of course a fine selection of gongs). These were recorded at Mill Hill recording complex in London, with the help of the great engineer Fil Ross. Steve was able to put down all the tracks in two days which was truly amazing.

Mick then sent the files out to David Cross, David Jackson and Paul Clark for violin, flutes/whistles and guitars respectively. Says Mick, “Both Davids sent me at least three different versions of each solo and each part and allowed me to choose the ones that I liked the best. This worked really well and was such an interesting way to work editing the parts together so that their best ideas were retained. They have all added their own personal slant to the songs they play on to great effect and I really like the way that these tracks have turned out.”

The last person to be recorded was Dennis Mahon who lives in California. Mick met him at Cruise to the Edge and was so impressed with his singing on John Wetton covers that he wanted to work with him and see what he would do with an original song. His vocals were recorded by Fernando Perdomo at Reseda Ranch Studios CA USA.

The album was then mastered by 360 Mastering here in the UK.

During a career going back to the 1970’s Mick Paul has played with many established artists and done numerous tours and TV sessions

In the early eighties he was was produced by Mike Ratledge and Carl Jenkins from Soft Machine, then became an in house session bassist for a studio in London, around 1983 started writing his own material with mixed success, it wasn’t until 1995 when Mick joined the David Cross band that he found his feet as a writer, working with David Cross, Robert Fripp, John Wetton and Peter Hammill.

In 2015 whilst recording the album “Another Day” for Cherry Red records with David Cross, David Jackson and Craig Blundell that he found there was a lot of  material that was very personal to him that felt more cohesive as a solo project rather than as band ideas, Mick worked closely on these with Paul Clark and Craig Blundell on the initial tracks and later on as the album developed found that Sheila Maloney, the original keyboard player from the David Cross band was instrumental in setting the ambience for later tracks.

Mick has also toured Europe with Mr. Big vocalist ‘Eric Martin’ and is also part of the recently formed ‘Fae’.

In closing Mick has this to say, “I would be very happy if everyone who listens to the album finds it a positive experience. Although the album goes through many different moods and styles, I hope the overall experience is one of exploration and hope. What I also hope is that they find out that the bass itself is such a flexible and interesting instrument and not just there for the low notes. There are some very different ways of playing the bass heard on the album that include melodies, tapping, solos, and textural accompaniments as well as all the low stuff!”

To pre-order:
https://www.cd-services.com/product_info.aspx?id=17804&qry=2205344&key=&genre=0&pi=0&status=0
https://burningshed.com/mick-paul_parallel-lives_cd?filter_tag=Mick%20Paul

For more information:
https://www.mickpaulbassist.com

Press inquiries (North America): Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com

Monday, May 17, 2021

Prog Trio Trifecta To Release New Album “Fragments” On Kscope on August 20, 2021!

First Track & Video Premiered “Pavlov’s Dog Killed Schrodinger’s Cat”

Trifecta, a new addition to the Kscope roster, features 3 of the contemporary music scene’s most lauded and revered musicians – bassist and songwriter Nick Beggs, keyboardist extraordinaire Adam Holzman and completing the line-up, Craig Blundell – one of the world’s most celebrated drummers.

Having performed together as part of Steven Wilson’s band, the three would jam together after soundchecks, forming what they referred to as “jazz club” and from these sessions the fledgling ideas for “Fragments” were born, Nick Beggs comments “after the last tour with Steven finished, we had a handful of tracks ready to work on and as we moved through our various separate projects we agreed to work on Trifecta.”

The record primarily leans toward a fusion of jazz rock, imaginatively described by Beggs as “Fission! It’s like Fusion but less efficient and more dangerous with fall out.” and being mainly instrumental with the exception of one track, the wonderfully titled and first single “Pavlov’s Dog Killed Schrodinger’s Cat”. The lyrics of which, Beggs states “are written from the perspective of a layman trying to understand quantum mechanics…and failing”. The track also features drum programming from Russell Holzman.

WATCH THE VIDEO FOR “PAVLOV’S DOG KILLED SCHRODINGER’S CAT” HERE

The brilliantly animated video was devised and created by Beggs himself – he comments “The film clip is a new take on the lyric video concept I guess? I made it one afternoon in my home studio using my i-phone and a writing pad!”

Each band member completed the recording and engineering of their own contributions in their various home studios which helped in bringing their individual production ideas to each track. Adam Holzman mixed the record at his New York home studio and the mastering was handled by Andy VanDette (Rush, David Bowie, Deep Purple, Porcupine Tree, Beastie Boys) in New York.

The title for the debut came about as Nick Beggs explains “We discussed early on, the idea of each piece having a Fragment number and track title, for example – ‘Fragment 10 - Pavlov’s Dog Killed Schrodinger’s Cat’.  As all the compositions were written as jams or in our home studios this idea seemed even more prescient. So, we titled the album ‘Fragments’”.

“Fragments” will be released on 20th August via Kscope on CD, black vinyl LP, ltd edition neon orange vinyl LP (exclusive to www.kscopemusic.com/store) and digitally.

Pre-orders are available now HERE (https://TrifectaKscope.lnk.to/Fragments)

Track List
1. Clean Up On Aisle Five [03:07]
2. Check Engine Light [02:55]
3. Proto Molecule [02:20]
4. Auntie [02:57]
5. Venn Diagram [02:42]
6. The Enigma Of Mr. Fripp [02:44]
7. Sally Doo-Dally [02:54]
8. Have You Seen What The Neighbours Are Doing? [02:58]
9. The Mute Gospel [03:16]
10. Pavlov`s Dog Killed Schrodinger`s Cat [04:12]
11. Voyage Of Discovery [03:02]
12. Nightmare In Shining Armor [02:00]
13. Dry Martini [03:13]
14. Lie 2 Me And Take My Money [03:13]
15. Hold It Like That[03:28]

Can’t wait until 20th August? Curious to know more now? Fans can check out an album teaser HERE

The band have new social media – for updates & news follow them here:
https://www.instagram.com/trifectahq/
https://www.facebook.com/Trifecta-Blundell-Holzman-Beggs-104063678455805
www.kscopemusic.com/artist/trifecta

Press inquiries (North America): Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

Monday, May 10, 2021

Italian Composer, Multi-instrumentalist & Visual Artist Giancarlo Erra Returns With Spellbinding New Album “Departure Tapes”

First single & video for track “Departure Tape” premiered

UK based Italian composer, multi-instrumentalist and visual artist Giancarlo Erra will release his new album “Departure Tapes” on July 2, 2021 through Kscope.

“Departure Tapes” is an album consisting of 6 contemplative recordings, written while travelling between the UK and Italy. The majority of these 6 tracks were improvised in the studio by Erra, so for the most part, are totally unique and hold a sincerity which cannot be replicated. It is the follow up to 2019’s acclaimed album “Ends I-VII”, with the new recordings reflecting what has been an extremely difficult year for Giancarlo, with the loss of his father to cancer. Erra comments “In 2019 my first solo album was just being released, and I already had the view that I wanted to be more experimental with the second one, but no precise idea how at that point. Then my father suddenly got ill with cancer, and everything changed.”

Erra, having had a fractured and conflicted relationship with his father since his early teenage years found a way to turn this distressing time into a cathartic experience, “He left when I was 14 and since then he wasn't really part of my life. Then I received the news of his terminal illness and somehow, I found myself in a situation where I was taking care of this man, someone who I have been distanced from for so long.  During this period, I realized it had become a time for both of us to come to terms with many things. I wanted to get closure, but a positive one, for him and for me, and I think he was the same even though he maybe didn't know it; this was hard but at the same time 'healing' and in a painful twist, it was possibly the most close and positive few months I had with him since I was a small child.” He explains the influence this had on him creatively “It's the first album I have created without realizing I was actually writing it, as it is so intrinsically linked to one of the hardest and yet more healing parts of my life. The end result is the most experimental, and at times, the darkest material I have ever written, without compromise or set plan. It contains all the elements of my music in a very unconscious free flowing way.”

WATCH THE VIDEO FOR THE NEW SINGLE “DEPARTURE TAPE” HERE

The first single to be taken from the new album is the extremely poignant and personal “Departure Tape” with the video dedicated to Erra’s father, he explains “This track was written I think when I came back from my first visit to Italy to see my father after he had been diagnosed. It really just began as a live experiment - born and finished within one afternoon. I remember I didn't really want to do anything; I was exhausted and down, but then, when I started playing the track took shape. I discovered there was much more going on inside my head that needed to be faced. For me, music has always been the only way I can do that, and from this introspection ‘Departure Tape’ was born. It's almost like a free subconscious stream of thoughts and feelings while recording everything that was happening.”

Giancarlo Erra began his musical career in 2005 with one man studio project Nosound. 2008 saw him signing with Kscope and released a string of albums under the Nosound banner before recording his debut solo “Ends I-VII”. “Departure Tapes” sees Erra play and record every instrument himself along with taking on full production responsibilities at his own studio (https://widescreen.studio).
Max Richter, Olafur Arnalds, Nils Frahm and the more electronic / ambient recordings of Brian Eno may offer a reference point by which to enter Erra’s world, but the depth within his recordings is truly original.

Departure Tapes” track list:

1. Dawn Tape [06:15]
2. Previous Tape [01:48]
3. 169th Tape [02:51]
4. Unwound Tape [08:24]
5. Departure Tape [16:51]
6. A Blues For My Father [07:31]

Departure Tapes” will be released on the following formats and is available to pre-order HERE (https://GiancarloErra.lnk.to/DepartureTapes)
• A gatefold LP on oxblood coloured 180g vinyl
• 2-disc CD/DVD with the DVD-A/V including high resolution stereo & 5.1 mix:
DVD-V: stereo 24/48 LPCM lossless mixes, Dolby Digital 5.1 Surround, DTS 96/24 5.1 Surround and DVD-A: 5.1 Surround 24/48 LPCM lossless mixes
• Digitally (with digital pre-orders receiving the single “Departure Tape” as an instant download from 22nd April)

Follow Giancarlo Erra:
https://facebook.com/giancarloerramusic
https://twitter.com/giancarloerra
https://www.instagram.com/giancarloerra/
https://www.youtube.com/channel/UC8aXOIiw7HiVfCdZ6r66bKA
https://soundcloud.com/giancarloerra

All artist photography by Caroline Traitler www.carolinetraitler.net
Album artwork by Giancarlo Erra

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Slightly Stoopid’s Drummer RYMO Releases New Solo Album “Kinetic” Out Now!

WITH FEATURED GUESTS TONY LEVIN, MARTY SCHWARTZ, PAUL WOLSTENCROFT, TOM GRIESGRABER, AND FARZAM SALAMI

Slightly Stoopid drummer Rymo (Ryan Moran) has released his new solo album “Kinetic” out now on all digital platforms here via Controlled Substance Sound Labs. Featured guests include progressive rock legend Tony Levin (Peter Gabriel, ABWH, Pink Floyd, King Crimson), YouTube guitar sensation Marty Schwartz, Tom Griesgraber, Paul Wolstencroft (Slightly Stoopid), and film composer Farzam Salami. The album “Kinetic” arrives on the heels of his two singles “Kinetic” and “Skooby Snax” previously released this Spring.

“‘Kinetic’ represents some of the many influences and musical genres that I enjoy. Most of the songs were written and refined in a studio setting over a period of time. I was fortunate to have a bunch of great guests join me and add their talent to this project.” - Rymo

Rymo’s bandmates from Slightly Stoopid, OG, Dela, Paulie and AG all contributed to the album, playing multiple parts on songs and solos. Farzam Salami contributed tasteful Middle Eastern percussion and stringed instruments on several tracks. Tom Griesgraber helped record, produce, perform and engineer the album. The entire album was recorded at his studio with the exception of a few guest artists that recorded remotely.

This album is a sonic journey. The music touches down in various sounding regions around the globe and takes the listener on a ride.” - Rymo

KINETIC TRACK LISTING
1. Symmetry 7 (feat. Farzam Salami)
2. Kinetic (feat. Paul Wolstencroft, Tom Griesgraber)
3. Palindrome
4. Spy Theme (feat. Tony Levin)
5. Bembé Rumba
6. Skooby Snax (feat. Marty Schwartz)
7. Mr. Roboto Visits The Outback
8. Nebula
9. Influx (feat. Marty Schwartz)
10. Megalodon
11. Cubism
12. Changó
13. Symmetry 5
14. Hearin’ Everywhere (feat. Paul Wolstencroft)
15. Didg-y-tar (feat. Farzam Salami)
16. Dream Flight

Kinetic” is available everywhere on all digital platforms here: (https://cssl.fanlink.to/rymo-kinetic)

For more information: https://rymodrums.com/.

photo by Sterling Munksgard

ABOUT RYMO:
Born in San Francisco and raised in San Rafael, Ryan was bitten by the music bug shortly after his 10th birthday. He had two older sisters that provided a wide range of listening opportunities. One sister was full on punk rock and the other, a Deadhead. Sprinkle in generous amounts of 80’s top 40 radio and you have Ryan’s musical recipe. As far as early influences go, Ryan chooses Led Zeppelin and their drummer, John Bonham and Rush’s Neil Peart as particularly influential.

Inspired by his High School music teacher, Mark Peabody, Ryan continued his pursuit of knowledge by earning a scholarship to the Berklee College of Music in 1993 for their 5 week Summer program. There he met musicians from all over the U.S. His continuing education led him to apply to several different colleges, but San Diego State University had all the right factors. Ryan attended SDSU beginning in late 1994 until 2000, when he earned his BA in Music. Since his graduation, he has continued his pursuit of the groove, which has led to involvement in several projects.

Ryan Moran has been a full-time member of the stylistically diverse band, Slightly Stoopid since 2003 and has recorded 7 albums with the band. They have toured internationally, and shared the stage with many legendary artists. Described by themselves as “a fusion of funk, rock, reggae and ska with hip-hop, metal and punk,” Slightly Stoopid gives Ryan a wide palette to paint his percussive contributions. “It’s been an incredible ride…We have done things I could only have dreamed of as a kid.” The band has all types of content on every major social media channel, and has achieved many landmark goals, such as headlining a sold-out show at Red Rocks Amphitheater in Colorado, 10 years in a row.

In the studio, Moran has contributed to over 40 albums playing drums primarily, but also vibraphone, piano, didgeridoo, and world percussion. He has worked with various producers in a wide range of styles and projects. This has led him to recording studios all across the U.S., from sessions in New York City to Circle House in Ft. Lauderdale, FL, to the legendary Sound City in Hollywood, CA.

In addition to his performing and recording credits Ryan is also an educator, being active in giving lessons as a private teacher both online and in person. His YouTube channel ‘rymostoopid’ has over 60 drum lessons posted and has over a million views. Ryan has also been involved in The Rios Music Project, a private music school in Carlsbad, CA. In the past, he has also taught at the A.R.T.S. music non-profit organization, also in San Diego. He has appeared several times at Notes for Notes music non-profit organization in Nashville, TN and Santa Barbara, CA.

In August of 2015 Moran was featured in DRUM! Magazine and was also included in the book, “Sticks ‘N’ Skins” by Jules Follett.

Some of Rymo’s personal influences include John Bonham, Danny Carey, Dennis Chambers, Vinnie Colaiuta, Tony Williams, Elvin Jones, Stewart Copeland, Peter Erskine, David Garibaldi, Neil Peart, Simon Phillips, Thomas Pridgen, Steve Smith, and many more.

Slightly Stoopid has performed live with many guest artists, ranging from Snoop Dogg and Chali 2na to Barrington Levy, Don Carlos and Stephen Marley, to Fishbone’s Angelo Moore and Dumpstaphunk’s Ian and Ivan Neville, to name just a few.

OFFICIAL WEBSITES:
Website: https://rymodrums.com/
Twitter: https://twitter.com/Rymodrums
Facebook: https://www.facebook.com/RyMo76  
Instagram: https://www.instagram.com/rymostoopid/
Spotify: https://open.spotify.com/artist/6NZVIVrjl7TLOQ2Ysshc36
YouTube: https://www.youtube.com/channel/UCfrhEdAB9vBmkPOCEOqa71A

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Monday, May 3, 2021

Robert Fripp and Electronic Duo The Grid (Dave Ball of Soft Cell & Richard Norris) Release New Album “Leviathan” June 25, 2021

• New collaborative album from electronic duo The Grid (aka Richard Norris & Dave Ball of Soft Cell) and Robert Fripp
• Combining Fripp Soundscapes with synth, drums, programming and effects by The Grid
• Available on Double disc CD/DVD-a, 2LP 200 gram super-heavyweight vinyl and Digital album

Robert (Fripp) turned up with a truck load of amps and effects, two great big stacks including delay units with a 76 second delay and played and played and played.”

Though not intended as such, in some respects Leviathan and its creators represent between them one version of the history of British electronic music. In 1973, the curiosity of a significant chunk of the King Crimson and Roxy Music fan bases, along with an attractive price, propelled Fripp & Eno’s “No Pussyfooting” into many thousands of homes where no such recording had previously registered a single sleeve, much less a gatefold. By the early 80s Dave Ball & Marc Almond’s Soft Cell were at the forefront of a wave of synth based bands who dominated the singles and albums charts. In the 1990s, The Grid – Dave Ball (again) & Richard Norris formed a key act in what was sometimes referred to as Electronica, sometimes herded under the (almost meaningless) “Dance music” category, occasionally (equally inaccurately/narrowly) described as “ambient” music, the struggles of music industry name-taggers never quite catching either the breadth of the music involved, nor recognizing – until much later – the scope of its influence.

The Grid’s success - a number of hit singles and albums, including the million selling “Swamp Thing”, world tours, remixes for Eno, Pet Shop Boys, Yello, Sylvian/Fripp – could find a ready audience among those for whom, by now, electronic music was part of the everyday musical fabric and commonality of experience, even as it continued to evolve and develop as a form in itself.

The Grid were managed at the time (1992) by David Enthoven who had also managed King Crimson and Roxy Music from inception for many years and by now with a Sylvian/Fripp remix among their producing credits, it is no surprise that the duo and Fripp were keen to see if mutual recordings would produce interesting results – hence the arrival of the equipment described by Richard Norris above at Eastcote Studios in West London.

As Norris further notes: “Robert’s craft and musicianship was slightly daunting to us at first, being from a more DIY, post punk electronic background, but we soon worked out a language to communicate in. ‘Make it sound like a thunderstorm…’, ‘I’m going to make a sound like a bomb’, that kind of thing. After every track, Robert would say ‘Have you got any more?’ and seemed to be greatly enjoying himself. He was a very generous guest”.

The resulting Fripp recordings provided material for much of The Grid’s second album “456” and their Top 20 follow-up album “Evolver”.  

But there was more, much more….

A few years ago, The Grid rediscovered tapes from these sessions, including unreleased tracks they’d worked up but never completed or mixed. A set of long solo drone pieces from Fripp was discovered along with a lost track that was then remixed to become “A Cabala Sky” by The Grid / Fripp and released as part of Bill Brewster’s acclaimed “Late Night Tales” compilation series in 2014.

Further Fripp Soundscapes from the same period were added to the mix by DGM’s David Singleton, which inspired The Grid to add new synths, drums, programming and effects to create the album “Leviathan” a 2LP and CD/DVD-a set.

Inspired by the mythical whale ‘Leviathan’, the biggest prehistoric whale that ever lived, Norris adds “I like Philip Hoare’s book ‘Leviathan’, which is about his obsession with whales and whale watching and the awe of coming into contact with such massive creatures. They are quite mysterious. Their brains are enormous, and we don’t quite know what all the brain power is doing… A bit like Robert, really”.

Having completed the album’s stereo mixes, DGM suggested the music as ideal for a full 5.1 surround mix by The Vicar. Electronic music lends itself very well to Surround Sound mixing as the listener has no fixed notion as to where any sound should emerge from. This mix features on the CD/DVD-a edition (alongside the stereo mix) and while Surround Sound is sometimes regarded as “niche” in terms of audience, the same would have been said about any form of electronic music when Fripp turned up, guitar in hand, at Eno’s place in 1972.

But then inquisitive musicians, even (perhaps especially) when they approach music from very different perspectives, often arrive at places that are as intriguing to an audience as they were to the participants.

Leviathan” Tracklist:

1. Empire
2. Milkwood
3. Pulse Detected
4. Loom
5. Leviathan
6. After The Rain
7. Fire Tower
8. Zhora
9. Sympatico

The Grid / Fripp “Leviathan” Released 25th June 2021 and Distributed by AMPED Distribution

To pre-order: https://shop.schizoidshop.com/cd---the-gridfripp---leviathan-p1882.aspx

For more information: www.dgmlive.com

The Grid Management - Chris Smith @ Renegade Music chris@renegademusic.co.uk

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Friday, April 30, 2021

Members Of YES, GENESIS, DEEP PURPLE, PARLIAMENT, KING CRIMSON, DREAM THEATER, THE DAMNED, PUBLIC IMAGE LTD, TANGERINE DREAM Perform Pink Floyd’s 1975 Masterpiece WISH YOU WERE HERE In Its Entirety!

Album features performances by Rick Wakeman, Ian Paice, Todd Rundgren, Geoff Tate, Joe Satriani, Steve Hackett, Steve Hillage, Edgar Froese, Tony Levin, James LaBrie, Bootsy Collins, Rat Scabies, Jah Wobble, Carmine Appice and more!

Los Angeles, CA - Pink Floyd’s 1975 album, Wish You Were Here, surely counts as one of the greatest rock albums of the 20th century. A musically and emotionally complex tribute to the band’s former leader, vocalist Syd Barrett, whose deteriorating mental health had caused the band to oust him in 1968, the album has become a touchstone for a generation of artists who sought to achieve the synthesis of brilliant, multi-part suites, poignant ballads, and heady melodic rockers that Roger Waters, David Gilmour, Richard Wright, & Nick Mason realized on this album.

And now, a stunning all-star line-up of rock and metal royalty have gathered to recreate this epic masterpiece as a testament to its long-enduring legacy. Still Wish You Were Here includes awe-inspiring performances from keyboard wizard Rick Wakeman, Deep Purple drummer Ian Paice, Rock Hall of Fame nominee Todd Rundgren, ex-Queensrÿche vocalist Geoff Tate, guitar god Joe Satriani, Dream Theater vocalist James LaBrie, spacebass super genius Bootsy Collins, The Damned’s Rat Scabies, PiL’s Jah Wobble and lots more! Get ready to fall in love with this classic record all over again.

Still Wish You Were Here will be available on both CD in a beautiful 6-panel deluxe digipak and a stunningly gorgeous gatefold vinyl in a variety of colors!

Pre-order the album: https://orcd.co/still_wish_you_were

Track List:
1. Shine On You Crazy Diamond (Parts 1-5) - Geoff Tate, Steve Hackett, Billy Sheehan, Mel Collins, Geoff Downes, Ian Paice
2. Welcome To The Machine - Todd Rundgren, Rick Wakeman, Tony Levin
3. Have A Cigar - James LaBrie, Steve Stevens, Patrick Moraz, Rat Scabies, Jah Wobble
4. Wish You Were Here - Rik Emmett, Joe Satriani, Edgar Froese, David Ellefson, Carmine Appice
5. Shine On You Crazy Diamond (Parts 6-9) - Rod Argent, Steve Hillage, Ian Paice, Bootsy Collins

Press inquiries:
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com


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Los Angeles CA 90025
www.CleopatraRecords.com

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Wednesday, April 28, 2021

Legendary Violinist Darryl Way to Release “Destinations 2” on Spirit of Unicorn Music, May 28th 2021

“Destinations 2” is a follow up to his critically acclaimed album “Destinations”, which was voted number 3 in Goldmine Magazine’s top 100 albums of 2020. Prog Rock said of this album: “This is ‘Guitar Hero’ as arch-melody maker, putting his chops in service of each song’s mood. This is an artist searching for and finding a fresh way to express his unquestionable talent.”

Talking about his new album Darryl says:

Like ‘Destinations’, ‘Destinations 2’ sets out to take the listener on a journey to far off and exotic locations, something that in reality is very difficult for us to do at the moment. These tracks are journeys of the mind and are my interpretation of the atmosphere's and music of each different location, from Sun Baked Mexico to Bohemian Budapest.  

Set mostly in a ‘Rock’ format, the tracks are tempered by my new found love of playing the Guitar and my continuing love for playing the Violin. So the pieces themselves lean towards genres where the Guitar and Violin are features of that particular style. However, when the music needs to be more expansive, I have not been able to resist orchestrating it for full orchestra, giving the piece more cinematic depth.

As this music is essentially ‘Program Music’, I've also included in the sleeve notes of this album my descriptions of the pieces. As with works like Vivaldi’s ‘Four Seasons’ and Berlioz’s ‘Symphonie Fantastique’, it's sometimes helpful for the listener to know what the composer’s original intentions were.

Having said that, I’m just as happy for the listener to make up their own stories for the music.

Finally, I hope you enjoy this album as much as I did creating it.”

Darryl Way. 2021

To pre-order Darryl WaysDestinations 2”: https://geni.us/DWdestination2

Watch excerpts from Darryl Way's “Destinations 2”: 

Darryl Way’s official website: www.darrylway.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Thursday, April 22, 2021

Laura Meade of Prog Ensemble IZZ to Release New Solo Album 'The Most Dangerous Woman in America' on May 21, 2021

Laura Meade’s new studio album, The Most Dangerous Woman in America, due on May 21, 2021 on Doone Records, marks Meade’s follow up to her solo debut, 2018’s Remedium and 2019’s Don’t Panic with New York progressive rock septet IZZ.

The Most Dangerous Woman in America, co-written with IZZ bandmate John Galgano between March and December of 2020, explores the story of a woman whose voice was silenced and whose story was all but forgotten by her own country.

“As we wrote the music and lyrics for this album, John and I realized that the concept and story that inspired us was not just the story of one woman, but also the story of all of those who stay true to themselves regardless of the cost,” says Meade.

“There have been so many people throughout history – many of them women – who stand up for themselves, stand up for what they believe in, and experience great pain and suffering for doing so, their memories and voices lost along the way to gossip and rumor. I hope that this album, in some small way, honors and gives voice to the forgotten.”

From the pulsing forward-momentum of “Leaving” to the majesty of “Iconoclast” to the mystery and passion of “Forgive Me,” The Most Dangerous Woman in America explores the sincerity, emotion, and authenticity that so often lie beyond the gossip and sensationalism of fame and celebrity.

“This album was written to honor the forgotten: those whose stories remain untold, whose lives have been neutralized by those with unchecked power,” says Meade.

Meade’s new album features the songs “Burned at the Stake” and the title track, both available on April 23, 2021 for purchase by pre-ordering the full album at izzmusic.bandcamp.com and for streaming on Spotify.

Meade is joined on the album by IZZ members Tom Galgano (Keyboards, Production), Brian Coralian (V-Drums), John Galgano (Bass).

Laura Meade’s The Most Dangerous Woman in America is available for pre-order now on the IZZ Bandcamp page: izzmusic.bandcamp.com (download) and will be available for streaming on all platforms on May 21, 2021. CD and Vinyl versions of the album are also available for pre-order now.

Watch the video for “Burned at the Stake” here: 

Track Listing:
1.   On the Shores of the Seine
2.   Leaving
3.   Burned at the Stake
4.   Iconoclast
5.   End of the Road in Hollywood
6.   Doesn’t Change a Thing
7.   The Most Dangerous Woman in America
8.   The Shape of Shock
9.   Forgive Me
10. Tell Me, Love

Press inquiries: Glass Onyon PR, Billy James, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

For all other inquiries, contact Doone Records at: info@doonerecords.com
izzmusic.bandcamp.com
www.laurameademusic.com
www.facebook.com/laurameademusic
Twitter and Instagram: @laurameademusic

Monday, March 22, 2021

Alberto Rigoni’s “For The Love Of Bass” Features All-Star Bass Player Line-up

Out on April 2nd - preorder available!

Featuring Nathan East, Leland Sklar, Michael Manring, Tony Franklin, Doug Wimbish, Adam Nitti, Lars Lehmann, Cody Wright, Mohini Dey, David Pastorius

Alberto Rigoni's “For The Love of Bass,” simply put, it’s bass heaven.

After the success of his latest prog rock album “Odd Times,” Italian bassist & composer Alberto Rigoni (BAD As, Natural Born Machine, The Italians, Vivaldi Metal Project), now releases his 10th solo album. As the title suggests, the instrumentation is exclusively electric bass, spanning ambient, fusion, jazz and new age styles.

“It has been really challenging but the special guests contributed some gorgeous playing and we are all proud of the result,” says Alberto. “For The Love of Bass” is an all-star bassists album featuring some of the best players anywhere: Nathan East, Leland Sklar, Michael Manring, Tony Franklin, Doug Wimbish, Adam Nitti, Lars Lehmann, Cody Wright, Mohini Dey, David Pastorius,

Are you ready to face a new bass experience?!

Watch Alberto Rigoni's new video for “Masked Souls” feat. Nathan East & Michael Manring: 



To purchase Alberto Rigoni's “For The Love of Bass” (Digipack CD & Digital): http://albertorigoni.bandcamp.com

Other distributors: Disk Union (Japan), MVD (USA), Burning Shed (UK), Plastic Head (UK), Digital Platforms (Apple Music, Spotify etc.)

Tracklist:
1. Drops of Memories (feat. Tony Franklin)
2. In the Loop (feat. David Pastorius)
3. Dreamers (feat. Michael Manring)
4. Alone in the Dark (feat. Doug Wimbish)
5. Paranoia (feat. Cody Wright)
6. The Maze (feat. Mohini Dey)
7. Masked Souls (feat. Nathan East & Michael Manring)
8. Social Distortion (feat. Adam Nitti)
9. Mad World bass cover (feat. Leland Sklar)
10. Killers (feat. Lars Lehmann)
11. Misirlou bass cover (feat. Lars Lehmann)
12. Lost (feat. Adam Nitti)

Biography

Born in 1981, Alberto Rigoni is an Italian bass player and composer, internationally known for his career as a solo artist and as a member of the metal band BAD As, The Italians, Natural Born Machines  Lady & THE BASS,  co-producer of the Vivaldi Metal Project and member of progressive rock band TwinSpirits (no more active).

Between 2008 and 2020 Alberto has released worldwide 9 solo album (Something Different, Rebirth, Three Wise Monkeys, Overloaded, BASSORAMA, Duality, EvoRevolution, Prog Injection, Odd Times), spanning from progressive rock metal to fusion. His albums also featured legendary musicians such as Kevin Moore (ex Dream Theater), Gavin Harrison (Porcupine Tree, King Crimson), Marco Minnemann (the Aristocrats), Göran Edman (ex Yngwie Malmsteen), Michael Manring and many others.

Alberto has been featured on the cover of magazines such as Bass Magazine (Japan), Bass Musician Magazine (USA), Bajos Y Bajistas (Spain), Basistas (Poland), TOP BASS (Poland). Moreover, in March 2015 the prestigious Bass Guitar Magazine (UK) released Alberto’s CD anthology called “Into THE BASS.”

Alberto has also recorded for several international artists such as Italian pop singer Alexia and he is also playing bass for Canadian rock singer and songwriter Kim Bingham (ex-Nelly Furtado) and The Italians, sharing stages with artists such as Alan Parson, Suzanne Vega, Jørn Lande, Paul Gilbert, Vinnie Moore and others.

In 2016 founded a new metal band called BADASS (now called BAD As) which released three albums (More Pain More Gain, Midnight Curse and Crucified Society.

On December 15th 2017, Rigoni together with bassist Jeff Hughell (Six Feet Under) released a new studio project called Bassists Alliance. The first album “Crush” featured top notch bassists such as Michael Manring, Adam Nitti, Steve di Giorgio, Colin Edwin, Mark Mitchell, Scott Reeder, Dmitry Lisenko, Brandino BassMaster, Ryan Martini, Leonid Maksimov, Tony Grey.

In 2019 founded a new AOR band called “Natural Born Machine” featuring famous Pink Cream 69 singer David Readman. Their debut album “Human” was released on February 19th 2021 by Pride and Joy Music.

Currently he is also collaborating with famous producer Hiro Furuya (Elton John, Eric Clapton, etc.) as session bassist.

His tenth album “For The Love of Bass” feat. all star bassists such as Nathan East, Lee Sklar, Michael Manring, Doug Wimbish and many others will be released on April 2nd 2021.


For more information:
http://www.albertorigoni.net
http://www.facebook.com/albertorigonimusic
http://albertorigoni.bandcamp.com
http://www.youtube.com/albertorigoni
http://www.twitter.com/albertorigoni
http://www.vivaldimetalproject.com
http://www.badas.rocks
http://www.theitaliansband.com
http://bassistsallianceproject.bandcamp.com

Press inquiries: Glass Onyon PR, Billy James, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com