Swiss Minimalistic Jazz Ensemble AKKU Quintet Release New “Live” Album

“Live” takes you on a 75-minute long musical journey and leads you into the cosmos of Swiss-based AKKU Quintet led by drummer and composer Manuel Pasquinelli (also known for his work with Sonar & David Torn). It contains five songs from different stages of the group's history, recorded at various locations between 2016 and 2020. You’ll hear the touch and character of each player, acting as a part of the ensemble to create this atmospheric, minimalistic yet livingly driving music.

Says Manuel, “Playing this music live is always an intense and beautiful experience. While not perfect, live versions often have a certain quality and spirit, which are hard to achieve in the studio. We want to share some live moments we captured on different occasions with this album, especially in this challenging time for live music. We didn’t do any editing. So you will hear truly handmade music. This album might be a good introduction to our work, and maybe one gets curious about the four studio albums we released before.”

“They take the Swiss zen maximalist/minimalist approach of Nik Bärtsch’s Ronin, Sonar, Schnellertollermeier to a different, but utterly logical conclusion. Fabulous stuff. Recommended!” - Steve Feigenbaum, Cuneiform Records

AKKU Quintet is based in Berne (Switzerland), from where they dispense a minimalistic jazz groove to great effect. Drummer Manuel Pasquinelli, who is also responsible for the compositions, founded the band in 2010. Their first concert took place in 2011. Since then, the band has released four studio albums and is playing live regularly. Their latest studio album, “Depart,” was the first one released with 7d Media. Manuel Pasquinelli is also known as the drummer of Sonar, who are collaborating with David Torn and Bill Laswell.

Track List:

01 Waves
Recorded live on October 15, 2017 at bee-flat im Progr, Bern
Album version on “Aeon”

02 Polar
Recorded live on May 8, 2019 at bee-flat im Progr, Bern
Album version on “Aeon”

03 Deep Sleep I
Recorded live on February 18, 2020 at City Pub, Bern
Album version on “Stages of Sleep”

04 Schneemann
05 Deep Sleep II
Recorded on April 10, 2016 at Cully Jazz Festival, Cully
Album versions on “Molecules” and “Stages of Sleep”

AKKU Quintet:
Manuel Pasquinelli - Drums
Michael Gilsenan - Sax & Fx
Maja Nydegger - Grand Piano, Keys
Markus Ischer - Guitar
Andi Schnellmann - Bass

Music written by Manuel Pasquinelli
No edits loops or overdubs on this record

Here’s what the press has said about AKKU Quintet:

“The group connect and lock together yet remain constantly in motion, maintaining a balletic poise and grace that skillfully builds and adds line upon line of long, sonorous notes. Though each one on its own might be gossamer-thin, when combined, they create something strong and enduring, something substantial and memorable” - Sid Smith

“There is a spaciousness in these zeros and ones that AKKU Quintet allows to speak for itself. There is no unnecessary noodling to fill the gaps, every note has its place.” - Roger Trenwith, The Progressive Aspect

“I had the great, great pleasure to see them on their final US show in 2018 and they take the ‘Swiss zen maximalist/minimalist approach’ of Ronin, Sonar, Schnellertollermeier to a different, but utterly logical conclusion. Fabulous stuff. Recommended!” - Steve Feigenbaum, Cuneiform Records

“Taking a type of minimalist and mathrock, slowing it down with postrock atmosphere, bringing a tight clean jazz element to it, and creating a set of dreamscape styled equal balance between classical and progressive rock and you have the formula for Switzerland's unique Akku Quintet.” - Lee Henderson, Big Beautiful Noise

“Very beautiful, spacious, minimalist groove.” - Anil Prasad, Innerviews

“Groove becomes a compositional element, beauty an act of concentration, improvisation never a sure-fire success, but a dramaturgical stylistic device.” - Ane Hebeisen

To purchase:
US: https://akkuquintet7d.bandcamp.com/album/live
Europe: www.akkuquintet.bandcamp.com/

For more information:
www.akkuquintet.com
www.facebook.com/akkuquintet
www.instagram.com/manuelpasquinelli_akkuquintet/

www.7dmedia.com

Press inquiries: Glass Onyon PR, Billy James, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Guitar Virtuoso Harvey Valdes’ Novare: J.S. Bach Lute Works on Electric Guitar Breaks New Ground with a Fresh, Ear-Opening Interpretation of Music for the Ages

“Harvey Valdes is a fantastic guitarist” - Andy Summers

Guitar Virtuoso Harvey Valdes’ Novare: J.S. Bach Lute Works on Electric Guitar – to be released by Destiny Records on April 8, 2022 – features sublime scores long performed by the world’s greatest lutenists and classical guitarists, but these pieces sound more timeless than ever in the hands of Valdes on steel-string electric guitar.

“Harvey Valdes is a fantastic guitarist – musical to the nth degree and with chops to spare, as anyone knows who has heard the way he handles standards and ballads with astonishing contrapuntal virtuosity. Now, with this new album, the special logic in his playing of Bach is wonderfully revealed.” - ANDY SUMMERS of The Police

Like the art of Shakespeare or Van Gogh, the music of Johann Sebastian Bach has been recognized the world over as universal and timeless – sounding as moving and miraculous now as the day these Baroque scores were written, some three hundred years ago. The lute works that J.S. Bach composed have been recorded by the world’s greatest lutenists and guitarists across the past century, from Segovia to Julian Bream to John Williams to Hopkinson Smith, among a myriad of others. It would take a stroke of something approaching genius to enable us to hear these pieces truly anew. But that is just what Harvey Valdes has accomplished with Novare: J.S. Bach Lute Works on Electric Guitar.

To be released digitally and on CD by Destiny Records on April 8, 2022, the album presents Valdes playing 10 of Bach’s pieces not on the age-old lute or the nylon-string classical guitar but on the modern steel-string electric guitar. The result is ear-opening; the notes are the same ones Bach put to paper in the 18th century, but Valdes performs them with a tone and texture that sounds extraordinarily fresh and of the moment, without ever trying to unduly “modernize” the music. Over the past few years, Valdes has attracted famous fans among iconic guitarists, including Andy Summers of The Police, ECM luminary David Torn and avant-garde notable Elliott Sharp, who says: “With Novare, Harvey brings Bach’s works into the 21st century with a sensuous tone and an articulation that is simultaneously precise and dynamic, even at breakneck tempi. His playing reveals the contrapuntal lines in all their permutational glory.”

But it isn’t just world-renowned guitarists who have been impressed by Novare. Classical pianist Simone Dinnerstein, celebrated for her playing of Bach on the modern grand piano, says: “Harvey Valdes brings an improviser’s sensibility to this music, which is in so many ways the most authentic approach to Bach. There is an understated quality to his interpretations that allows a listener to hear the architecture of the music, and there is a rhythmic malleability that gives breath and presence. The Prelude and Fugue in D-flat stands out in the way that Valdes enjoys the sustained possibilities of the electric guitar. It’s a beautiful new take on old gems.”

Why Bach on electric guitar? Says Harvey, “Why not?! The electric guitar has a capacity for tone, color and dynamics that moves beyond what the acoustic classical guitar can do. There have been some past recordings of electric guitarists who have played Bach or works by Mozart, Beethoven, etc. These often feature the instrument using high gain and distorted sounds with fast virtuosic playing. I respect this approach, but it’s not the one I wanted to take. I was interested in honoring some of the delicate classical guitar approaches and while also taking advantage of the sonic dimensions of the electric guitar.

“For listeners who are guitar players, I want to share with them how it’s possible to play Bach’s lute works on an electric guitar. You can bring a classical guitar approach to the electric guitar that expands the sonic landscape for this historical music and gives it a space to live in the present. As for everyone else, enjoy! I hope it can soothe a listener’s life. Making it certainly brought some peace into my life during a challenging time that has affected us all.”

More about Harvey Valdes

A guitarist of searching, sophisticated musicality, Harvey Valdes can traverse styles from avant- jazz and Middle Eastern/Balkan music to improvised film scores and the compositions of Bach. Harvey has an intrepid curiosity about the guitar’s sonic and expressive range; he is also a trained player of the Arabic oud, as well as the Turkish cümbüş. To date, he has released three albums as a soloist/leader: “Solitude Intones Its Echo” (Destiny, 2019), a set of concise, engaging solo improvisations praised by the likes of Guitar Moderne as “18 lyrical solo performances of compositions that hook you”; “Roundabout” (2015), his solo debut featuring lyrically inventive takes on jazz standards; and “PointCounterPoint” (2015), a bristling, Mahavishnu-meets-math-rock trio album with violinist Sana Nagano and drummer Joe Hertenstein. All About Jazz hailed “Pointcounterpoint” as “cosmic,” while the Free Jazz Collective described Roundabout as “sublimely beautiful.” In April 2022, Destiny Records will present Harvey’s newest album: “Novare: J.S. Bach Lute Works on Electric Guitar.” Underscoring his achievements, Harvey’s venturesome work in the studio and on stage has attracted fans among iconic guitarists, including Andy Summers of The Police, ECM luminary David Torn and avant-garde notable Elliott Sharp.

Based in Brooklyn, NY Harvey earned a BFA degree from The New School for Jazz & Contemporary Music. He has worked with artists from Butch Morris, Karl Berger and Rhys Chatham to Daniel Carter, and the Middle Eastern/Balkan ensemble Anistar, among many others. His score for Utopians, which premiered at the 2011 Berlin Film Festival, constituted “one of the longest-lasting guitar improvisations since (Neil Young’s score for) Dead Man.” The Valdes composition “Listen” was chosen as an Editor’s Pick by Guitar Player magazine. Harvey has also performed extensively in New York theater. He held the guitar/oud chair as an onstage musician and cast member for the Tony Award-winning Broadway musical The Band’s Visit, having originated the role Off Broadway at The Atlantic Theater before moving with the ensemble for the hit run at Broadway’s Barrymore Theater. He played on the show’s 2019 Grammy Award-winning cast album, and he received a daytime Emmy Award for his broadcast performance with the ensemble, along with participating in the 10 Tony wins as a cast member. Harvey has also worked with renowned downtown theater ensemble The Wooster Group, including its presentation of Cavalli’s 1640 opera “La Didone”; for that production, which toured the U.S. and Europe, he provided a modern interpretation of the Baroque lute, playing electric guitar and guitar synth within an ensemble that also included harpsichord, theorbo and accordion.

Harvey has played on stages from Radio City Music Hall, Lincoln Center, the Brooklyn Academy of Music and St. Ann’s Warehouse to the New Jersey Performing Arts Center, Chicago Cultural Center, CalArts’ Redcat Theater in Los Angeles, Scotland’s Royal Lyceum Theatre, the United Nations. Harvey has also featured in broadcast performances for The Tonight Show with Jimmy Fallon, NPR’s Tiny Desk Concert, The Today Show and WNYC-FM, as well as the 72nd annual Tony Awards. Additional collaborators over the years have included Noël Akchoté, Gerry Hemingway, Lukas Ligeti, Killick Hinds, Jamshied Sharifi, Sean Sonderegger, Henri Scars Struck and Bern Nix. Harvey has recently featured on multiple compilation albums, including the fifth in Elliott Sharp’s anthology series “Never Meta Guitar,” and “Walk My Way,” a five volume 577 Records set featuring 49 guitarists of 32 different nationalities from six continents and virtually every sort of musical background. He also played on Eight Hands, One Mind by the Dom Minasi Guitar Quartet with Briggan Krauss and Hans Tanmen, as well as recorded the duo album Nueva Guitarra with avant-metal guitarist Alvaro Domene.

About the imaginative virtuosity of Valdes, guitarist extraordinaire David Torn says: “When I first heard Harvey, I thought: ‘Well, here’s another badass mother on the scene – wow.’”

Harvey Valdes record release show at Barbes in Brooklyn, NY on April 9th 2022

For more information:
harveyvaldes.net
destinyrecordsmusic.com
instagram.com/harveyvaldes
facebook.com/harveyvaldesmusic

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Prog Ensemble Star People To Release 20 Year Old Lost 3rd Album With Bonus Reunion 4th Album “Black Tie & Tales”

Album number 3, “Black Tie & Tales” would tie up neatly the heart-rending, while funny, story of the first “Star People” to trace the “SACRED SIGNAL” to its home planet. The new songs (Lorenza, watching “Dream Theater” perform their headline set once in Florida, said to bassist Randy Pratt “We need more gratuitous soloing”.) Dry sarcasm aside, when you’re right, you’re right. There’s more effort to highlight the band’s chops on #3 and some of their most sophisticated songwriting and lyrics. The future looked bright. Then, a series of the classic show biz brick walls were hit; unscrupulous management, personal tragedies and career choices…just like THAT it was over. Members adapted on so quickly, moving to other bands, moving to other states, there was barely any time to contemplate the masterpiece sitting, complete but for mastering, left behind in the studio vaults.

…UNTIL NOW! PEOPLE OF EARTH, BEHOLD! THE RETURN OF “STAR PEOPLE…Black Tie & Tales” a DOUBLE album in the era of singles only, where the hook must appear in 15 seconds or listeners attention drift back to their I-Phones, we give you an epic return to CLASSIC, BRAIN MELTING SCI-FI Progressive rock.

Double CD with turn-of-the-millennium remastered originals plus a whole second CD with new songs for 2021 with award-winning musicians on the roster!

Featuring:
Bill Olland “The Teacher”
Lorenza Ponce “Star Girl”
Paul Gifford “Golden Boy”
Phil Weiss “The Helmsman”
Randy Pratt “The Ambassador”
Robert Dean “The Captain”
Scott Treibitz “The Doctor”

For more information, a beautifully illustrated comic explaining the Star People story, videos, photos and past reviews, like us at Hyperspace Records Facebook page, then take the link to our website to listen to all four Star People albums, FREE!:
www.HyperspaceRecords.com
www.facebook.com/profile.php?id=100063462463840

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Krautrock Legends Guru Guru Release “Made In Switzerland - Official Bootleg”

Krautrock Legends Guru Guru Release “Made In Switzerland - Official Bootleg”

50 years of Guru Guru - that's 50 years of Krautrock!

If you hadn't believed possible that Mani Neumeier (born 1940) and his GURU GURU still rank among Germany's most active and prolific rock bands, well, then you’d be proven wrong!

Founded in 1968, the year of the student's revolt, Guru Guru has reached its 50th anniversary and still maintains its innovative spirit. Where many a musician made it big as a one-hit-wonder just to fade into oblivion soon after, Guru Guru carved its way outside the mainstream and short lived trends by blending experimental rock, avant-garde, jazz and world-music into an unique, original form of Rock 'n' Roll.

No one will deny that there were ups and downs, but nowadays, Mani shares the stage with two long-standing companions. Roland Schaeffer and Peter Kühmstedt have been with Guru Guru for more than 40 years. The passing of Hans Reffert, aged 69 († 21.02.2016), was a severe blow, but Guru Guru overcame this tragedy and proved that they are not in the least tired of creating music. Those four “Krautrockers” are living legends and next to the Rolling Stones among the longest-serving rock bands on this planet. Mani and Mick are in fact standing next to each other in the Tokyo House of Wax! Mani Neumeier and his Gurus are the epitome of a band that defies musical trends and fads and transcends limitations and genres.

When the Covid pandemic struck, all activities came to an abrupt halt and led to guitar player Jan Lindqvist leaving the band. But Guru Guru reinvented themselves yet again by adding a whole new dimension to the band's sound: Zeus B. Held, former keyboard player in Birth Control joined the outfit and gave songs like “Moroso” or the fabled “Elektrolurch” a whole new level by his energetic virtuoso style. To document this milestone in the Guru Guru’s development, a concert in Switzerland was recorded and subsequently released on CD in a small edition to allow rock aficionados worldwide a glimpse into Guru Guru 2022. No overdubs, no digital “cheating” was done on this album “Made In Switzerland - Official Bootleg”. It is a statement of the rock 'n' roll feeling an experienced live act with 4 seasoned musicians at their peak can deliver on stage! This CD will not be available through any distribution channels other than directly from the band. No amazon, no streaming and no distribution company between Guru Guru and their loyal fans

After more than 50 years they continue to go their own way because they've always been - and still are UNIQUE!

Musicians:
Mani Neumeier - Drums / Percussion / Kaossilator / Vocals
Roland Schaeffer - Guitar / Saxophon / Nadaswaran / Vocals
Peter Kühmstedt - Bass / Vocals
Zeus B. Held - Keyboard / Bluesharp / Vocals

Discography:
1970 UFO
1971 Hinten
1972 Känguru
1973 Guru Guru
1974 Der Elektrolurch
1974 Don’t Call Us, We Call You
1974 More Hot Joice
1974 Dance Of The Flames
1976 Tango Fango
1976 Rattenfänger
1977 Globetrotter
1978 Guru Guru Live
1979 Hey Du!
1979 Giri Fushi
1980 Mani in Germani
1983 Neumeiers neue Abenteuer
1987 Cosmic Hole
1988 Jungle
1988 Guru Guru 88
1988 Guru Guru Live 72
1993 Shake Well
1995 Wah Wah
1997 Moshi Moshi
1999 Live ‘98 - 30 Jahre Finkenbach (3 CDs)
2000 2000 Gurus
2005 In The Guru Lounge
2008 PSY- 40 Jahre Guru Guru
2009 Live On Tour 2008
2011 Doublebind
2013 Electric Cats
2014 45 Years Live (CD & LP)
2016 Live in Heidelberg (DVD & BluRay)
2018 Rotate!
New Releases:
2019 Live in China CD + DVD
2021 Made in Switzerland - official bootleg
2022 “New Album tba”

To purchase:
Digital: https://guruguru1.bandcamp.com/releases
CD: https://www.discogs.com/de/sell/item/1753725982

For more information: http://mani-neumeier.de/guruguru/guru_10_shop.htm

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Guitarist/Composer Alex Anthony Faide To Release Long Awaited Solo Album “Particles of the Infinite” Featuring King Crimson’s Pat Mastelotto On 7d Media March 18, 2022

“AAF plays my guitar parts better than I do.”  - Robert Fripp

Originally from Buenos Aires, Argentina, Guitarist/Composer Alex Anthony Faide has a decades-long international reputation for being the secret weapon in rock recordings, arrangements, and stage productions in Europe and Latin America. Now based in Seattle, WA, Faide will release his long-awaited solo record – “Particles of the Infinite” – a display of guitar pyrotechnics in nine parts, in March 2022 on Trey Gunn’s label 7d Media. Inspired by and developed from concepts found in songs such as King Crimson’s “Fracture” and “Lark’s Tongues in Aspic,” Faide takes the work beyond the stratosphere into the mirror dimension to find something completely his own. In the words of his mentor Robert Fripp, “AAF plays my guitar parts better than I do.”  

Faide spent 2017-19 touring, songwriting, and arranging, with Mexican hard rock heroes Molotov on their MTV Unplugged Show “El Desconecte” and as a sideman for Molotov front man Tito Fuentes’ acclaimed solo record “El Ocaso.” He is currently working on a new project with legendary German producer/songwriter Uwe Fahrenkrog-Petersen, founder and main composer for the band Nena.  

Faide is the co-founder of cherished 3rd wave surf rock band, Los Twang! Marvels, in addition to Los Gauchos Alemanes/Electric Gauchos. He has also worked with artists including Markus Reuter, Namgar, Willie Campins, Crystal Beth, TROOT, Kathy Moore, Tiny Orchestral Moments, Los Primitivos, and Lutz Petersen, among countless others.

Says Alex, “It is difficult to determine the true origin of this work, though it stands undeniably as a tribute to my guitar instructor, life mentor, and friend, Robert Fripp. Ideas and compositions started taking shape in April 2016 in response to a challenge set forth by long-time collaborator and life brother Steve Ball (League of Crafty Guitarists, Electric Gauchos, Prometheus) to come up with my own version of King Crimson’s ‘Fracture’ and ‘Lark’s Tongues in Aspic.’ Mr. Fripp’s writing and guitar work in these monumental pieces strike me as expertly unique blends of influences in contemporary electric guitar repertoire, which inspired me to dive deeply into my own voice and personal practice to accept the challenge issued.

“What sparked my interest the most was the notion of a fierce, heavy rock attitude and sound, executed with pristine precision in a contemporary classical music tradition on an electrified instrument. I am mesmerized by the section of “Fracture” known as “Perpetuum Mobile” and with the guitarist’s capacity to execute intricate parts in an effortless fashion with a triangular plectrum. The challenge to evoke such intricacy seems to me both impossibly fragile and risky.

“Once the embryonic emergence of ‘Particles of the Infinite Parts I through III’ began to take shape, it became clear this was going to be a full-length record and require a full nine parts to complete the body of work I set out to explore. ‘Particles of the Infinite’ sums up 30 years of personal development and research on the guitar, derived and gleaned from direct guitar instruction as part of Guitar Craft, and the live practice of experiencing life as an international touring musician in myriad genres and settings. I traveled almost monthly between Argentina, Mexico, and the US from 2017-2019, developing this work between shows and collaborations, in hotel rooms and airbnb’s, with recordings intermittently in Seattle when the moment allowed.”

The 9 frameworks that make up “Particles of the Infinite” are presented in triptych (Pt. I-III / Pt. IV-VI / Pt. VII – IX) each containing particular techniques (alternate and cross-picking, stamina, release and flow for the left hand, exploration of diminished /symmetric scale relationships, rhythmic displacement & vector harmonization) - and interpretations of various themes, motifs and passages. There are many convergences imprinted in the music, playing style and overall tone.

Says Alex, “Obviously part of the material stands as a tribute to Fripp, however I am always pushing towards my own musical horizon and following the demands of the Muse. I hear it as ‘gold panning’ in musical form. One could arguably call this record “just a fancy collection of chops”…and I would happily agree with that. But I regard these techniques and interpretations as a cross-pollinating and ever-evolving body of work that points to a larger idea in the ever-expanding continuum of the electric guitar. Above all, these techniques are simply a means to an end, the end being the ability to let music speak freely and continually in real time.

“It’s interesting to experience the evolving arc throughout the whole record start to finish, personally it represents a sort of a surprising navigation chart helping me (and hopefully the listener as well) to find a center of gravity amidst the storm. May the Higher Powers grant Us the Patience to endure and the Strength to persevere. As they say: Ad Astra per Aspera.”

photo by Karen Moskowitz

“Particles of the Infinite” Track list:
Pt. I (04:06)
Pt. II (04:31)
Pt. III (05:50)
Pt. IV (04:37)
Pt. V (11:05)
Pt. VI (03:18)
Pt. VII (03:38)
Pt. VIII (06:28)
Pt. IX (06:11)

All tracks composed and performed by Alex Anthony Faide on electric guitar and bass.

Guest drummers:
Matt Chamberlain (Pt. I & VI)
Pat Mastelotto (Pt. II)
Alessandro Inolti (Pt.III, IV, V, VII & VIII)

Recorded at SoundVision Studios (Seattle)
Mixed by Jonathan Plum / London Bridge Studios (Seattle)
Mastered by Brian Lucey / Magic Garden Mastering (LA)

Release Date March 18, 2022

To purchase: https://alexanthonyfaide.bandcamp.com/album/particles-of-the-infinite

For more information:
Official website: www.alexanthonyfaide.com
Facebook: https://www.facebook.com/alex.a.faide
Instagram: https://www.instagram.com/instrofreak/
YouTube: https://www.youtube.com/c/AlexAnthonyFaide

7DMedia: www.7dmedia.com

Press inquiries: Glass Onyon PR, Billy James, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Iona’s Dave Bainbridge Releases 4th Solo Album “To The Far Away”

Despite all the traumas and uncertainties of 2020, it turned out to be a very busy year for Dave Bainbridge. As well as producing the epic 17 CD “Book of Iona” box set celebrating the 30th Anniversary of Iona, Dave contributed in various degrees to new albums by Kimmo Porsti, Cronofonia, Downes Braide Association, Lifesigns, Nick Fletcher, Glass Hammer, Celtish and Strawbs. However, in between all this activity Dave was also taking time out to put together the concept and music for his 4th solo album, “To The Far Away.”

Iona fans might recognize the title as a quote from the lyrics of the song “Edge of the World” from “Beyond These Shores” and there are definitely parallels in the themes of the two albums. “Shores” recounts the ancient story of St Brendan’s epic voyage across the Atlantic ocean, whilst “To The Far Away” tells a more contemporary story of lovers on opposite sides of the Atlantic ocean, separated for many months by the global pandemic. Both albums, however, end on a note of optimism. Brendan finally returns safely home, whilst our contemporary lovers are finally reunited after an epic trip across the same ocean.

The album’s 71 plus minutes of music draws upon the Celtic, progressive, rock and classical influences that have permeated Dave’s music since he started composing at the age of eleven and which he honed during his years with Iona and through his previous solo and many collaborative releases. Featuring his usual array of keyboards, guitars and assorted acoustic instruments, Dave also assembled a fantastic group of supporting musicians to bring the project to life:
Sally Minnear (Lord of the Dance / Celestial Fire) - Vocals  
Iain Hornal (Jeff Lynn’s ELO, 10CC, Three Friends, solo artist) - Vocals
Troy Donockley (Iona / Nightwish / The Enid / Maddy Prior) - Uilleann Pipes, Whistles, Voices Jon Poole (Cardiacs / Lifesigns) - Bass Guitars
Frank van Essen (Iona / Martin Garrix) - Drums, Violins & Violas
Jonas Pap (Epica, Cronofonia) - Cello
Nigel Cameron (Celtish) - Whistles
Julie Cameron-Hall (Celtish) - Violin
Martin Nolan (Iona) - Whistles  

Dave collaborated with acclaimed Canadian/Irish poet Lynn Caldwell on the album’s lyrics. “I’d read some of Lynn’s work and immediately felt that she would be the person to help me organize and bring an emotional focus to my thematic and lyrical ideas for the project. It was a hunch that paid off and I’m absolutely thrilled with what she came up with. Lynn, her husband Martin Nolan and friend Una Ní Cheallaigh were also able to put together the haunting Irish Gaelic lyrics, sung by Sally, which I’d wanted to include on several tracks.”  

Dave continues: “As with many artists and composers I know, 2020 was a bittersweet year. The complete shutdown of venues left us without places to play and income, but also paradoxically gave us the time and space to write, record and bring to fruition projects we may not have otherwise got around to finishing. For me it was especially bittersweet as I was due to be married at the end of March 2020 to Sharon, my fiance from Baltimore, on Cruise to the Edge, with my friends Neal Morse officiating and John Young (Asia/ Scorpions/Lifesigns) as best man. Not only was that plan put on hold, the abrupt shutdown of flights into the USA meant that Sharon and I were torn apart for 8 1/2 months. The thematic ideas behind ‘To The Far Away’ encompass thoughts, feelings and ideas I experienced, largely when I was doing my daily runs and walks on the rural country lane on which I spent so much time between March and October 2020.”

“As the music for this album evolved, I realized that the main emphasis was firmly on melody. Melodic lines and riffs that will hopefully stay with the listener, reflecting the emotions and sense of place in which I was immersed, as the seasons moved through spring, to summer and finally the rich colors of autumn under the vast skies of the Lincolnshire landscape. In some ways this is probably my most personal album to date and I hope that, as well as capturing some of the heartache of the time, it also leaves the listener with a sense of hope and optimism, that in the end, love will triumph.”

Despite being released late in 2021, “To The Far Away” still sneaked into a number of Best of 2021 Polls: No. 1 Best Album, Album of the Month, Cover Feature, iO Pages Magazine (Netherlands) No. 2 Best Album of 2021 Progressive Rock Central
No. 2 Best Album of 2021 Esther’s Rock Blog
No. 2 Best Album of 2021 Scotland Rocks Radio
No. 6 Best Album of 2021 Amarok Magazine (France)
No. 13 Best Album of 2021 Sonic Perspectives
Album of the Month Radio Xymphonia
In addition, Dave was voted 3rd in Prog Magazine Readers Poll Best Guitarist of 2021

Here’s what the press has raved about Dave Bainbridge’s “To The Far Away”:

“In my opinion, this is his best work ever! I hear great, uplifting, melodies, wonderful playing and excellent singing.” - Paul Rijkens iO Pages

“Absolute sonic perfection!!!” - Chris MacIntosh WCWP Radio New York

“If you remember the band 'Iona' you will love this album. It's a masterpiece of Celtic Prog Rock.” - Nigel Cameron - Celtish

“To The Far Away, just might be, well - the best thing he’s ever done – and with his years of output that’s saying a lot… A brilliant balance of vocal and instrumental tracks, To The Far Away will thrill and delight fans of both Celtic and ‘traditional’ prog-rock, and anyone open to more adventurous realms of music in general…If you’re a fan of Iona, Dave Bainbridge’s solo work, Celtic prog, classic prog-rock – whatever!  You need this.” - Bert Saraco - tollbooth.org

“‘To the Far Away’ is a wonderful journey of the mind, full of captivating music throughout. This album is one of the best albums of 2021. It is definitely in the top ten progressive rock albums of the year…Please get this album, relax and enjoy the journey. Every song is captivating and full of the kind of music that made Iona famous.” - Professor Mark, Progressive Rock Central  

“To get straight to the point, the music is of great, if not exceptional, class…the melodies Bainbridge presents us on this album are of very great, I repeat, very great beauty…It seems as if Dave has found the balance between say Celestial Fire (the symphonic) and the Celtic influences...There are not only great guitar solos on this record, but also wonderful keyboard moments...the more you play ‘To The Far Away,’ the better it gets. I could go on and on, but I think it is clear that lovers of atmospheric symphonic music have a pearl in their hands with this album. This is hashtag #heavenly.” - Jacco Stijkel - www.progwereld.org

Dave Bainbridge “To The Far Away” was released on Dave’s Open Sky Records label & distributed by Gonzo Multimedia, the album is available in 5 formats:
*DIGITAL DOWNLOAD 24 bit wav files
*SINGLE CD
*2CD WITH BONUS DISK featuring over an hour’s worth of alternate mixes, demos and previously unreleased tracks recorded exclusively for this release
*2CD AS ABOVE, SIGNED BY DAVE
*LIMITED EDITION DELUXE PHOTO BOOK featuring the 2CD version, accompanying A4 size hardback book of 123 of Dave’s evocative landscape photos, 6 postcards of Dave’s photos & a signed and numbered certificate.

To purchase: www.musicglue.com/iona

For more information: www.davebainbridgemusic.com

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

OLIVER WAKEMAN Announces “Collaborations” 3CD Box Set Including Re-issues of “The 3 Ages of Magick” with Steve Howe & “Ravens & Lullabies” with Gordon Giltrap

Release April 11, 2022 – available to pre order now from Burning Shed!

Oliver Wakeman has the honour of being one of the few musicians to have performed and recorded with some of Prog Rock’s most respected guitarists.

Back in 2001, many years before he became a member of YES, Oliver and guitarist Steve Howe worked together on the “The 3 Ages of Magick” album. Supplemented by an array of talented musicians, this album became a hidden gem in the YES family tree of recordings.

Following his tenure in the keyboard seat for YES in from 2008 to 2011, Oliver teamed up with another British guitar legend, Gordon Giltrap, to record their award winning “Ravens & Lullabies” album, a collection of rock and acoustic tracks featuring the singers Paul Manzi (SWEET) and Benoit David (YES).

20 years following its original release, “The 3 Ages of Magick” is teamed with the album “Ravens & Lullabies” in the new “Collaborations” 3CD Box Set. Including remastered versions of both albums along with the previously unreleased acoustic live album, “From a Stage” features music from Wakeman & Giltrap’s many years of performing together across the UK.

The “Collaborations” box set, comprising 3CDs each with a 16-page booklet and individual art prints of the sleeves, will be released by Burning Shed on 11th April.

“The 3 Ages of Magick”, released in 2001, is an instrumental album based in the style of the great 70’s prog solo records. Featuring Steve Howe across 11 of its 13 tracks, the album is both gentle and outlandish in equal measure. The album, based on stories from British folklore, utilises traditional instruments to help tell each story. This remastered version also includes 3 bonus tracks not available on the original release.

10 years later, Oliver and another legendary guitarist, Gordon Giltrap, joined forces after meeting at one of his father’s (Rick Wakeman) Christmas concerts in which they both performed.

“Ravens & Lullabies” allowed Oliver and Gordon to intertwine their acoustic musical abilities in the Lullabies section of the record. The Ravens aspect of the album allowed Gordon to be re-introduced to the Prog community in which he had been a leading figure during his heyday when releasing albums such as “Fear Of The Dark” and “Perilous Journey” (which contained his hit song “Heartsong”). This remastered version also features the bonus studio tracks, “The Forgotten King”, “Bach’s Praeludium” and a new version of Gordon’s classic “Roots” which were only included on the limited-edition double disc release of the original. Also included is a new recording, a piano and classical guitar version of Oliver’s track “The Wedding Approaches”.

This box set package also includes a third disc, “From a Stage”. During the lockdown, Oliver was approached by the sound engineer from one of the Giltrap/Wakeman concerts to say he had found a multitrack recording from a Christmas concert Oliver and Gordon had performed at along with special guest Paul Manzi (SWEET). This allowed a great opportunity to put together the live album “From a Stage” featuring Oliver and Gordon’s interpretations of songs from their collective 20+ years of back catalogues. Including the warmth and musical interplay that became a trademark for their often sold out shows, the recording features songs such as “Heartsong”, “Glimmer of Light” & “Roots”.

The “Collaborations” box set contains 3 CDs each with 16-page booklets including lyrics, previously unseen artwork and many stories behind the creativity of Wakeman and Giltrap. The first 250 box sets will also include the 4th art print of the box set cover numbered and signed by Oliver Wakeman.

A lyric video “Moneyfacturing” from the box set, is now available to view on YouTube.  The track is taken from the Wakeman/Giltrap “Ravens & Lullabies” record in the box set and features Paul Manzi (SWEET)

Oliver says: “This is one of my personal favourite band tracks I have ever written and recorded, allowing me to make use of a lot of my collection of keyboards. It is a radio-friendly song which also reminds people what a great electric guitar player Gordon is!”

Watch the video here: 

“Collaborations” will be released by Burning Shed on 11th April.

You can pre-order the set here: https://burningshed.com/store/oliverwakeman

About Oliver Wakeman
Eldest son of prog legend Rick, Wakeman filled the keyboard role, once held by his father, with YES from 2008 to 2011. His work with YES includes the triple live album in “In The Present – Live From Lyon,” “Fly From Here” and the “From A Page” box set featuring recordings from his time in the band released in 2019. During his tenure with YES, Wakeman also toured and recorded as a member of The Strawbs. Wakeman’s debut album (1997) “Heaven’s Isle” was inspired by the island of Lundy, and he has since released a number of solo and Oliver Wakeman Band albums.  He has also released several collaborations with renowned musicians, including Clive Nolan, Steve Howe, band mate to both Oliver and his father in YES, as well as writing and recording with guitar legend Gordon Giltrap. Oliver is currently working on his latest album ‘Anam Cara’ due for release in late 2022.

For more information:
Website: www.oliverwakeman.co.uk
Facebook: www.facebook.com/OliverWakeman/
Twitter: @OliverWakeman
Instagram: www.instagram.com/oliverwakemanmusic/

Press inquiries: Glass Onyon PR, Billy James, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Art-Rock Ensemble Time Horizon To Release Third Album “Power of Three” Feat. Guest Appearance By Saga’s Michael Sadler

Time Horizon is a Northern California-based melodic art-rock influenced band with two highly acclaimed previously released albums the band has returned with a third album titled “Power of Three” on the Melodic Revolution Records label and is ready for distribution. The album is now available for pre-order in both CD & Digital formats and will be released in early 2022 with Vinyl to follow.

In early Spring, Time Horizon gave fans a sneak peek into “Power of Three” with the release of their first single; “Living for a Better Day” featuring a special guest appearance by legendary SAGA frontman Michael Sadler on vocals.

The band has added two permanent members to the roster since the release of Transitions in 2015, namely David Bradley Mau and Michael Gregory. Their contribution to the music can be heard in the evolving sound that is Time Horizon.

Founding members Ralph Otteson and Bruce Gaetke had brought on Allen White and Dave Miller to be able to tour the first release “Living Water”. Those two ended up staying for the next project “Transitions” and now again with “Power of Three”.

Power of Three line up:
David Bradley Mau: Lead vocals, supporting Keys
Ralph Otteson: Keyboards, Piano, Hammond Organ, and support vocals
Bruce Gaetke: Drums, support vocals, and lead vocals for “Razors Edge”
Allen White: Electric fretted and fretless bass guitars
@Dave Miller: Electric and acoustic guitars
@Michael Gregory: electric lead guitar and acoustic guitars.

Time Horizon Online:
Website: https://www.timehorizonmusic.com/
Facebook: https://www.facebook.com/TimeHorizon/
Bandcamp: https://timehorizon.bandcamp.com/
Melodic Revolution: https://mrrmusic.com/project/time-horizon/

Melodic Revolution Records Online:
Website: https://mrrmusic.com/
Facebook: https://www.facebook.com/MelodicRevolutionRecords/
YouTube: https://www.youtube.com/c/MelodicRevolutionRecordsMusic
Twiter: https://twitter.com/MusicIsOurVoice
Instagram: https://www.instagram.com/melodicrevolutionrecords/

Album art Ed Unitsky

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Prog Ensemble Vast Conduit To Release Debut Album “Always Be There” February 16, 2022

Prog ensemble Vast Conduit featuring keyboardist/vocalist Bill Jenkins, best known for his work with Enchant and Thought Chamber, will be releasing their debut album “Always Be There” on February 16, 2022.

This album is dedicated to the notion of doing whatever we can to build and cherish all parent/child relationships, regardless of circumstance. There are so many different ways these can suffer – death, divorce, illness, self-centeredness, etc. – yet they are so vital to our happiness and well-being. Every moment we have to support each other and make each other's lives better is precious.

Says Bill, “The songs ‘Always Be There’ and also ‘Early Eclipse’ convey the main message of the album. The release date is the 40th anniversary of my father’s passing, which set in motion a path through life and philosophy described by the songs on the album. I had the basic song ideas in place for almost all of these songs sitting around for years and it was simply time to finally make it all happen.”

The Fates conspired and a fortuitous set of circumstances created a vast conduit, galvanizing what might have otherwise been a run-of-the-mill progressive rock project with an abundance of musical talent and prowess. Keyboardist Bill Jenkins (Enchant, Thought Chamber), musing over some material near to heart, enlisted the talents of these amazing musicians to bring that material to light: Adding everything from scorching leads to subtle emoting is virtuosic guitarist Michael Harris (Arch Rival, Thought Chamber, Darkology, Michael Harris Tranz-Fusion). Laying the foundation with solid grooves and making odd time signatures seem effortless and feel natural is drummer Will Jenkins (Ghost and the City, Great Wall). The venerable Jeff Plant solidifies that foundation with electric and fretless bass (also from Thought Chamber and whose pedigree otherwise is too long to list here and whose amazing bass playing simply speaks for itself). Adding just the right amount of smoke and fire off his rosined bow is violinist Jim Hurley (who has performed with the likes of Ritchie Blackmore, Trans Siberian Orchestra, Ancient Future, and Queen Ida’s Grammy-winning Bon Temps Zydeco Band, among many others). Rounding out the list are the satiny vocals of Friel (a truly rare gem of vocal talent to have somehow, somewhere, out of the blue, been found for this project).

With the players in place, a cross-country recording project began, finishing with Vast Conduit’s initial studio album release “Always Be There” - a centrally themed album that explores several musical genres. Although progressive rock in nature, when pressed for a singular genre, Michael jokingly suggested “smooth prog.” After the requisite laughter, the recognition of how apropos of a description it was settled in, and laughter shifted to nods of approval as it was fully embraced by the band.

The album started as just an EP project, and recording of 3 of the songs with demo vocals started several years ago. Then covid happened and opened up the opportunity and availability to expand it to a full album.

Along with the core ensemble, the album features some guest artists. Having known the California Guitar Trio guys for some time, and loving their sound, Bill had always hoped to get them involved in a song. Bert Lams agreed to add his acoustic guitar to “Early Eclipse,” and helped in adjusting the arrangement to work even better with the addition of his parts.

Bill’s brother Tom Abraira plays the lead on trumpet on the track “Philly Etymology.” There were two spots for a female voice on this album. Says Bill, “I heard Manon’s singing in High Hopes Acapella, and invited her to sing the female part in ‘Barrier.’ Having worked with Betsy Walter previously, I already had an earlier demo of ‘Early Eclipse’ with her voice in it and used her part from under the solo in that song and it fit perfectly.”

Finally, there was an old recording of the instrumental idea that became “Wesley Save Us” that had Jessica Jenkins’ voice when they were a toddler. “With Jess’s voice being my association with that song for so many years, and given the theme of the album, working a few of those samples in just had to happen.”

Work has already begun on writing for the next album. After the release, the band will look into opportunities for live performances. In closing Bill has this to say, “If our listeners enjoy the music even half as much as we enjoyed creating it, that would be amazing!”

Watch the trailer for Vast Conduit’s “Always Be There”: 

Track List:
1. Barrier 6:22 B. Jenkins, S. Spring (with lyrics)
2. Soul Tuck 5:10 B. Jenkins (instrumental)
3. Always Be There 5:49 B. Jenkins (with lyrics)
4. Endless Days 6:40 B. Jenkins, D. Ott (with lyrics)
5. Too Busy 5:45 B. Jenkins (instrumental)
6. Odessa 5:56 B. Jenkins (with lyrics)
7. 500 Miles 4:44 B. Jenkins, B. Walter (with lyrics)
8. Philly Etymology 5:39 B. Jenkins (instrumental)
9. Early Eclipse 6:59 B. Jenkins (with lyrics)
10. Of A Feather 5:01 B. Jenkins (instrumental)
11. Wesley Save Us 4:31 B. Jenkins (with lyrics)

Band Members:
Friel: Vocals
Bill Jenkins: Keys, backing vocals
Will Jenkins: Drums
Michael Harris: Guitars
Jeff Plant: Bass
Jim Hurley: Violin

Guest Artists:
Tom Abraira - Trumpet on “Philly Etymology”
Bert Lams - Acoustic Guitar on “Early Eclipse”
Manon Roem -Vocals on “Barrier”  
Betsy Walter - Vocals on “Early Eclipse”
Recorded at: The Zircon Cube, The Beige Area, and Psycho Sound East Mixed by: Bill Jenkins and Will Jenkins
Produced by: Bill Jenkins and Will Jenkins
Mastered by: Michael Romanowski at Coast Mastering, Berkeley CA
Artwork by: Jessica Jenkins

To purchase:
https://vastconduit.bandcamp.com/releases
https://www.vastconduit.com

For more information:
www.vastconduit.com
www.facebook.com/VastConduit/

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Talk Talk, Pink Floyd, Dire Straits, Blur Veterans Unite on Debut Album By Held By Trees Titled ‘Solace’

Held By Trees is a new instrumental project featuring some of the most respected musicians in the British rock fraternity. Sitting between post-rock and prog, the outfit led by David Joseph announces their debut album, ‘Solace’, which will be released in April 2022.

Boasting seven veterans of the seminal latter Talk Talk and Mark Hollis solo albums, other contributors include Tim Renwick (Guitar - Pink Floyd, David Bowie, Eric Clapton), Mike Smith (Sax - Blur, Damon Albarn, Gorillaz), David Knopfler (Guitar - Dire Straits founding member), Gary Alesbrook (Trumpet - Noel Gallagher, Kasabian, Super Furry Animals) as well as parts from blues/roots legend, Eric Bibb, Dutch rising-star, Just, and ambient composer, Unknown Replica.

After establishing themselves with pop hits such as ‘It’s My Life’ and ‘Life’s What You Make It’, Talk Talk, led by Mark Hollis and producer, Tim Friese-Greene, broke new musical ground, defining what would later be termed as ‘post-rock’ with their seminal album, ‘Spirit of Eden’ (1988). Three years later they returned with ‘Laughing Stock’. Part of that creative process was to invite musicians they respected in to improvise on their arrangements. Guitarist Robbie McIntosh (Paul McCartney, The Pretenders, John Mayer), drummer/percussionist Martin Ditcham (Chris Rea, The Waterboys, Nik Kershaw), bassist Simon Edwards (Michael Jackson, Billy Bragg, Fairground Attraction) all took part in those sessions, and have now contributed to ’Solace’. A solo record from Mark Hollis followed in 1998 which featured pianist Lawrence Pendrous, and flautist/Clarinettist Andy Panayi, both of whom have also now played for Held By Trees. Engineering all of these albums, as well as classics like John Martyn’s 'One World’, is Phill Brown, with Denis Blackham mastering them. Phill and Denis have kindly come out of retirement to mix and master this debut album from Held By Trees.

‘Solace’ was made using a similar approach to ‘Spirit of Eden’ and ‘Laughing Stock’, with David Joseph inviting musicians to improvise over his rhythm patterns and chord progressions. Blending in his own spontaneous compositions and field recordings made in Dorset, Wiltshire and Somerset, the result is a unique album that carries the DNA of the seminal Talk Talk records, and yet stands in its own identity.

‘Solace’ is a work that revels in the natural world. At once both melancholic and hopeful, the album is purposefully full of space, tension and release, and music that demands patient listening. The project celebrates nature, not just through the music and artwork (including a motif from Talk Talk’s artistic partner, James Marsh), but by partnering with Play It Green, a real tree is planted for each album sold. Held By Trees thereby removes more carbon from the atmosphere than it produces.

All told, Held By Trees begins its career with an impressive first album project with unique claims and a tantalizing cast of contributors.

‘Solace’ is released on 22nd April 2022 on Tweed Jacket Music through Nova/Plastic Head Distribution

Pre-order: https://mellotone.net/products/held-by-trees-pre-order

Social Media links:
https://www.facebook.com/heldbytrees
https://www.instagram.com/heldbytrees/
https://twitter.com/heldbytrees

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

MAGMA “MDK” Limited Edition Vinyl of 2000 Numbered Copies Available January 28th

Limited edition of 2000 individually numbered copies on copper-colored vinyl. The album is housed in a gatefold sleeve with a copper foil finish on the front of the sleeve.

The only survivors of the previous formation, Christian VANDER and Klaus BLASQUIZ, surrounded by a renewed team of musicians, invested in the studios of the Manor in Oxford in 1973, to record their “MEKANIK DESTRUKTIW KOMMANDOH,” the album considered by many to be the conductor of work of MAGMA. A long piece articulated in seven movements, “MDK” went through a long gestation period before reaching its final state of achievement. The progress made between the short 45rpm version of the previous formation, where brass work predominated, and the one presented on this album, is considerable. All the credit goes to Christian VANDER who, now alone, will irreversibly take charge of MAGMA’s artistic destiny.

If the group’s instrumental performance has gained even more power, notably with the arrival at the bass of Jannick TOP, whose playing is revealed in perfect symbiosis with the spirit of the music of Christian VANDER, what strikes above all on “MDK” is the epic breath that emerges from the masterful work accomplished by the section vocal. Propelled by an inexorable rhythm and reinforced by a female choir where Stella VANDER appears for the first time, the voices of Klaus and Christian come to haunt our minds with these magnificent songs that seem straight from our collective memory, giving MAGMA’s music a timeless and universal character.

Christian VANDER drums, vocals, organ, percussions
Jannick TOP bass
Klaus BLASQUIZ vocals, percussions
Jean-Luc MANDERLIER piano, organ
René GARBER clarinet, bass, vocals
Claude OLMOS guitar
Teddy LASRY saxophone, flute
Stella VANDER vocals, choirs
Muriel STREISFELD, Evelyne RAZYMOVSKI, Michèle SAULNIER, Doris REIHNARDT choirs

To pre-order: https://www.seventhrecords.com/en/magma-19/m-d-k-limited-edition-of-2000-numbered-1312.html

For more information:
Magma's official website: www.magmamusic.org
Seventh Records: www.seventhrecords.com

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Eclectic Music Duo The Gong Farmers Release New Album “Guano Junction”

Featuring Mark Graham and Andrew Keeling (Robert Fripp, David Cross, Tim Bowness) with Guests David Jackson (Van der Graaf Generator), Alex Che (Modern Eon, Che), Cliff Hewitt (Modern Eon, Apollo 440) and others!

The Gong Farmers are principally two musicians, Mark Graham (vocals, synths and guitar) and Andrew Keeling (classical guitar, piano, organ and flute), along with friends and colleagues. Formed in 2018 following a visit to an Irish Castle, the band name was suggested by reading about the activities of the medieval gong farmers.

From 2020 to 2021 the band worked on a second album, “Guano Junction”. Continuing both the connective thematic elements and themes of love and loss found on the first album, “Ship of Fools”, released in 2019, “Guano Junction” explores darker areas of musical and human experience. Alongside Mark Graham and Andrew Keeling (Robert Fripp, David Cross, Tim Bowness) it features David Jackson (Van der Graaf Generator), Alex Che (Modern Eon, Che), Cliff Hewitt (Modern Eon, Apollo 440), Noko (Apollo 440), Martin Walker (Nth Ascension, Thruaglas Darkly), Brian Taylor (This Is Awkward, Thruaglas Darkly), Ricardo Odriozola (Judge Smith), Dutch percussionist Rene Van Commenee and guitarist Ben Keeling.

As far as the meaning behind the Gong Farmers new album, Andrew Keeling has this to say, “There is little actually visible but, as in ‘Ship of Fools,’ there are allusions to love and loss lying just beneath the surface. The title was conceived by Mark mainly in response to Sue Keeling’s cover painting.” Mark Graham also commented, “The title came in a flash. It’s perfect for a band of disparate and physically distanced musicians bringing all kinds of musical influences and trading as the Gong Farmers.”

“Guano Junction” came from songs and pieces which had lain dormant for some period of time. For example, before leaving the UK for Ireland, Andrew wrote and recorded several small-scale classical guitar loops and piano pieces. Unlike some of his longer classical pieces, these small-scale pieces were difficult to place because, in effect, they were sonic sketches for something unknown. When Mark suggested that they might consider a second album, these pieces were some of the first to be utilized.

Says Andrew, “Mark usually writes the songs and I concentrate on the pieces but, unlike ‘Ship of Fools’, here there was an inversion. Also, we were most fortunate to have input from friends. Alex Che and Cliff Hewitt – both formerly with Modern Eon – did a huge amount to make the album what it is. Noko 440 wrote a splendid string arrangement for ‘Pip, Squeak and Wilfred’ – a song inspired by Mark’s chance discovery of his father’s war medals – and David Jackson, who’d played on ‘Ship of Fools’, provided fine sax playing. My former band colleagues from Thruaglas Darkly, Martin Walker and Brian Taylor, gave their time selflessly and Ricardo Odriozola, Rene Van Commenee and my grandson, Ben Keeling, wrote and played on other pieces. As previously implied, nor is it just Mark and I who are the writers: we encourage all those collaborating at any one time to have a free hand in the writing process.” In the end, the duo had more songs/music than they used.

In closing Andrew has this to say about the album, “Beyond the general concepts of love and loss, each listener is likely to project their own meaning onto the music. Besides, each song concerns itself with a different subject.” Mark adds, “I’d like to thank listeners for their time and attention and I hope our music rewards repeated listening and finds a place in their hearts.”

Mark is currently writing new songs with a view to recording demos to present to the others for a possible third album.

Videos
“Dark Skies” - https://youtu.be/KRfohysX-gM
“Drive” - https://youtu.be/V9gupqpkbhk
“Vista de Toledo” - https://youtu.be/LcppI6xEl3M
“Strangeland” - https://youtu.be/eDZ8p7Au2vw

“Fluid and literate music, conjuring orchestral textures from small-group formats…it’s forging own definition of a strangeland of (the band’s) own design. Scarily impressive, Gong Farmers are heads ahead of most.” (RnR Magazine)

“A beautifully put-together and subtly varied album.” (Roots & Fusion)

Release date: December, 2021

To purchase CD:
spaceward.co.uk/product-page/guano-junction-the-gong-farmers
burningshed.com/the-gong-farmers_guano-junction_cd

To purchase Downloads:
gong-farmers.co.uk/guano-junction
thegongfarmers.bandcamp.com/album/guano-junction  

Website, FB pages, social media links:
gong-farmers.co.uk
facebook.com/GongFarmers  
andrewkeeling.co.uk
facebook.com/Andrew-Keeling-Music-373118492715410
facebook.com/UnquietEarth

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Craft, a Post-Enid Band Project From the Early 1980s, Has Their Sole Album 'First Signs' Re-Released with 8 Bonus Tracks as a Definitive Edition. OUT NOW!

Long deleted sole album by three prog ambassadors from The Enid, William Gilmour, Martin Russell (who would go on to form Afro Celt Sound System) and Pride of Passion’s Grant Gilmour.

Including eight bonus tracks, four of which are remixes from the original set along with two previously unreleased tracks ‘Despina’ and ‘Dmitri’s Lament’.

With artwork by Willie Gilmour and liner notes by Martin Russell detailing the history of the band and the making of the album.

Featuring pieces inspired by signs of the Zodiac, the album has been out of print since the mid-1990s, this definitive edition has been remastered from the original master tapes by Martin Russell, this definitive re-release a labour of love for everyone involved.

Of the definitive re-release, Martin Russell said “I'm so happy that this body of music (from half our lives ago!) is getting a carefully-curated release befitting this century's listeners, whether they've previously heard the 1984 vinyl, the 1991 CD or are coming fresh to what we did back then. Reconnecting with Willie and Grant and recollecting our ambition and our collective bond has been an unexpected and joyful by-product of preparing this definitive edition. I'm very grateful for the opportunity we've been given to revisit our musical past and to provide a glimpse into 'what might have been' via the additional content.”

Craft’s First Signs – The Definitive Edition is available on CD, Download, High-Res Download and Streaming Platforms:
Amazon CD: https://geni.us/CraftCD
Apple Music: https://geni.us/CraftA
Spotify: https://geni.us/CraftS
HDtracks: https://geni.us/CraftHD

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Prog Ensemble Oxygene8 Featuring Linda Cushma To Re-release Two Songs In Honor of Emmett Chapman

Oxygene8 will re-release two tracks from the 2003 album, POETICA, in honor of Emmett Chapman, inventor of the Chapman Stick. The tracks selected are ‘heavy on the rhythm section’ featuring Linda Cushma on Chapman Stick and Tim Alexander on drums. After hearing tracks from the POETICA album, Emmett had once mentioned that it was the way he intended the Chapman Stick to be played & heard. This is for you, Emmett.

“STAND” is a timely track and was the first song written and performed by O8 with the Chapman Stick. “FUNKERNICKEL” is a fun little track played live in the studio with co-writers of the album, Tim Alexander on drums, Frank D’Angelo on guitar and Linda Cushma on vocals & bass/Chapman Stick.  

“STAND”: 

“FUNKERNICKEL”: 

For more information:
INSTAGRAM: www.instagram.com/lindacushma
FACEBOOK Fan Page: www.facebook.com/LindaCushmaOxygene8-101821658005127

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Guthrie Govan To Be Featured Guest Artist On Prog Ensemble Potter’s Daughter’s Explosive New Full-Length Album “Close to Nearby” To Be Released On September 30, 2021!

The album will be available digitally and on CD. Limited-edition vinyl with accompanying Art Book will be released later this Fall!

Prog ensemble Potter's Daughter will be releasing their second full-length album “Close to Nearby” featuring guest guitarist, Guthrie Govan, on September 30, 2021!  Also appearing on the album is the legendary drummer, Simon Phillips! The album will be available digitally and on CD, with limited-edition vinyl and accompanying Art Book being released later this Fall!

The album features 8 tracks, 3 virtuosic instrumentals and 5 captivating vocal songs. All compositions arranged and produced by Jan Christiana.

1. One (Ginastera)
2. Rosewind (DPV + JC)
3. Night Sky/Into the Dream (DPV + JC, lyrics by DPV and Ronda Dubiel)
4. The Mask (DPV +JC)
5. 5 (DPV + JC)
6. Midnight (DPV + JC, based on the poem by Edgar Allen Poe)
7. VII (Julia Schwartz)
8. Hold (DPV + JC, lyrics by Ronda Dubiel and DPV)

Potter’s Daughter (MRR) was formed in NYC while Dyanne was studying classical piano performance at the Manhattan School of Music. The group performed regularly in NYC, as well as in northeastern PA. Potter’s Daughter has been featured on radio, TV, and in national and international magazines and blogs. Potter’s Daughter released their debut album, “The Blind Side,” in August 2018. In 2019 they released two singles; “Blood and Water,” featuring Annie Haslam (Renaissance) as guest artist, and the holiday single, “This Winter’s Child,” which was composed for the MRR Holiday album.

In March 2020 they went on tour with MRR labelmate Joe Deninzon & Stratospheerius, and Dark Beauty. They were also invited to participate in several online festivals, including The Uncancelled Music Festival (April), The WorldWide Prog and Rock Virtual Festival (May), and the ProgStock Presents Festival. (August).

In October 2020, Potter’s Daughter released their Covid Quarantine EP, “Casually Containing Rage.” The single from the EP, “We Could Be,” was released as a video, directed by filmmaker Serena Kunzler.

In December 2020, Potter’s Daughter was featured in the Limelight section of Prog Magazine, and in the same edition, voted #2 in the Reader’s Poll Unsigned Band Category.

In February 2021, Potter’s Daughter enjoyed the privilege of participating in the debut release (Pyrrha’s Song) for Nick Katona’s “Troubleshooting Pandora’s Box,” together with drummer Jimmy Keegan.

In April 2021, Potter’s Daughter’s music video, “We Could Be,” was chosen as a finalist to compete in the annual American Golden Picture International Film Festival.

They are scheduled to close the prestigious music festival, ProgStock (NJ), on Oct. 3rd, and open the music festival, Prog on the Ranch, (FL) October 30th.

Now, with the addition of virtuoso guitarist Guthrie Govan adding his fire to the mix, they plan to release their heaviest work to date. The Artwork for the album cover was created especially for this project by the master artist, Armand Cabrera.

“Jan and Dyanne are evidently partial to doing interesting and unique things in their music so I was very happy to contribute to the record – it was a lot of fun!” – Guthrie Govan (guitarist currently playing with The Aristocrats and Hans Zimmer)

Photo by Victor Peters

Say Dyanne and Jan of Potter’s Daughter, “There really is no one who plays guitar like Guthrie - truly a pinch-me moment to have him play on our record. He more than deserves his spot in the pantheon of the all-time Greats!”

“It has been an absolute pleasure to play on your music. Very challenging and ever so much fun.” - Simon Phillips (drummer with Protocol, Toto, Hiromi, Mike Oldfield, The Who, Jeff Beck etc)

“…just beautiful...I love your voice, and chord progressions are sublime” - Jon Anderson (lead singer of progressive rock band, Yes)

“On first hearing of Blood and Water I was struck by its unusual and haunting melody and Dyanne's exquisite voice. To be a part of it was truly a wonderful experience.” -  Annie Haslam (Lead singer of progressive rock band, Renaissance)

For more information:
Facebook: https://www.facebook.com/PottersDaughterBand/
Instagram: https://www.instagram.com/pottersdaughterband
Twitter: https://www.twitter.com/PottersDtrBand

Purchasing:
Amazon: https://amzn.to/2qsUdKn
Bandcamp: https://bit.ly/2Mqk1PM
iTunes: https://apple.co/2P1hTQm
Spotify: https://spoti.fi/35O57uo

YouTube: 

Press inquiries: Glass Onyon PR, Billy James, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Prog Ensemble The Far Cry Releases Debut Album “If Only”

Prog ensemble The Far Cry has released their debut album “If Only.” Though not intended in any way to be a “concept” album, “If Only” very much exhibits a connecting common thread of human emotion and perspective meeting real human conditions.

Apparently, some people just won’t give up on long held goals and aspirations. Jeff Brewer and Robert Hutchinson, co-conspirators behind the inception of what was to become The Far Cry, can vividly recall the musical awakening that occurred in their younger days when The Beatles landed and with all that followed. Soon thereafter, they each were even more deeply moved by the emergence of the Progressive Rock bands of the early 70’s, most notably King Crimson, Yes, Emerson, Lake & Palmer, Genesis and Gentle Giant.

Jeff and Hutch first crossed paths around 1976 with the formation of a short-lived rock covers band. Common ground occurred later, though not simultaneously, when both were members of Connecticut prog-rock band Holding Pattern, Hutch as co-founder from 1980-83 and, after Hutch left the band, Jeff joined as lead vocalist & percussionist from 1984 to 1993 when the band ceased operations.

Fast forward to 2013 when Hutch purchased a speaker cabinet Jeff had for sale. In the attendant dialogue, the pursuit of the likely impossible was quickly broached and a decision was made to chase the dream just one more time. Thus the seeds for The Far Cry were sown.

Unfortunately, due to the ambitious and stylistic nature of the music they were pursuing, connecting with suitable personnel to complete the band lineup was met with recurring difficulty and disappointment.

Eventually, the duo decided to enter the recording studio to get the material up and running. Guitarist Bryan Collin had already been in contact, having answered a Craigslist ad, and was amenable to playing on the recordings. As he did so, he became intrigued and more strongly connected to the music and the band concept. Certainly his stellar contributions and playing on the “If Only” CD demonstrate that. Bryan Collin was now The Far Cry guitarist.

Still, a highly competent keyboardist was required. Studio owner and master engineer John Bolduc was asked if he knew of any keyboard man who could properly interpret and perform the music he was hearing.

John responded instantaneously: Chris Dabbo. No time was wasted in contacting him. At first, Chris came on as a session man but very quickly demonstrated his impressive skill set as well as a connection to and understanding of the music. All involved were highly enthused and Chris was drafted in as keyboardist for The Far Cry.

Hence, the “If Only” CD is a result of a step by step evolution by what has now become a fully formed membership. Robert Hutchinson, Jeff Brewer, Bryan Collin and Chris Dabbo are the artists that comprise The Far Cry. The future awaits

Says the band, “Our fondest wish and recommendation is that this music should be listened to from beginning to end uninterrupted through a great set of headphones.”

The Far Cry is now formulating plans for the creation of videos to support the music from the CD. Certainly, live performance will be part of the near future and into 2022. Also, work on the next CD to follow “If Only” will begin within the next couple of months.

The Far Cry:
Chris Dabbo: piano. keyboards, vocals
Robert Hutchinson: drums, percussion, bells, spoken word
Jeff Brewer: lead vocals, bass, bass synth, bass pedals, guitar.
Bryan Collin: lead guitar, Electric and acoustic guitars.

To purchase The Far Cry “If Only.”:
https://music.apple.com/us/album/if-only/1574868556?uo=4&app=itunes
https://music.apple.com/us/album/if-only/1574868556?uo=4&app=apple+music
https://open.spotify.com/album/1Lm9OsAksc7miRffkvEpe2
https://www.amazon.com/gp/product/B098JRGWF4
To purchase physical CD from outside the USA.
https://www.lasercd.com/

For more information:
www.thefarcrygroup.com
www.facebook.com/thefarcry

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

New Atomic Rooster Tribute Nuclear Bird “Tyrannical Megalomaniac” Now Available!

Nuclear Bird was inspired by the 70’s band, Atomic Rooster which was led by extraordinary keyboardist Vincent Crane who is also known for his signature organ work on The Crazy World of Arthur Brown’s “FIRE.” Tyrannical Megalomaniac was Vincent Crane’s nickname.

Drummer/songwriter, Mark Murdock was influenced by Atomic Rooster and other early 70’s progressive-psychedelic bands from England, recently composed a batch of original songs with the intent of capturing Atomic Rooster’s spirit musically, but also telling an interpretation of the band’s story.

Mark invited Atomic Rooster drummer, Ric Parnell to the recordings. “Ric gave the music that authentic Atomic Rooster feel with his exceptional drumming on five of the eight songs. Thrilled to have him on board,” says Mark. Ric shared some of those interesting stories of the band which were incorporated into the lyrics. Also, lyricist/music reviewer, Dmitry M. Epstein contributed on a few of the songs.

“There was also an attempt to invite other former Atomic Rooster cast onboard; Peter French, Steve Bolten, Carl Palmer, Arthur Brown and Preston Heyman to participate but unfortunately could not participate for various reasons - scheduling, conflict of interest and lack of studio access, to name a few. “Perhaps I’ll try knocking on their door on the next Nuclear Bird works,’’ laughs Mark.

Vocalist Tim Pepper not only captured a flowing vocal on the songs but did the concept cover art of a Quetzalcothus (dinosaur bird) playing a Hammond organ with a nuclear power plant burning in the background. Thus, the title Nuclear Bird, not to be confused with Brand X’s “Nuclear Burn.” Speaking of which, former guitarist John Goodsall played on two of Mark’s Cymbalic Encounters works.

Additional musicians who contributed to the tracks are guitarist, Ken Hall who played with Mark in Phoenix, Arizona from the 70’s who captured an authentic 70’s era guitar and Broadway drummer, Jon Berger who guested on drums for two songs.

Nuclear Bird “Tyrannical Megalomaniac” Track List:
1. Exposition of Fools
2. Tyrannical Megalomaniac
3. Addicted to the Water
4. Fascination with the Afterlife
5. The Revolving Door
6. The Harvester of Organs
7. Haunted Chords
8. Locked in a Graveyard

Music and Lyrics by Mark Murdock
*Lyrics on songs 6 & 8 by Dmitry M. Epstein

Mark Murdock - organ and drums
Ric Parnell - drums and percussion on songs 1, 2, 3,  7 and 8
Tim Pepper - vocal
Ken Hall - guitar
Jon Berger - drums on songs 6 & 8 *Ric Parnell- percussion on song 6

All compositions by Mark Murdock
Produced by Mark Murdock
Mixed and Mastered by Mark Murdock
Recorded at Off-Shore Studios, Tokyo and various remote locations
Artwork by Tim Pepper

Available as digital download: https://nuclearbird.bandcamp.com/album/tyrannical-megalomaniac

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com