Rick Wakeman Releases New Digital Single “ASCRAEUS MONS” From His New Album 'The Red Planet'

Ascraeus Mons /əˈskriːəs ˈmɒnz/ is a large shield volcano located in the Tharsis region of the planet Mars.

CHECK OUT “ASCRAEUS MONS” HERE 

With the release of Rick Wakeman’s new studio album, The Red Planet due on August 28th 2020, described by BBC Radio 2’s Steve Wright as “King of the Prog rock keyboard .. one of our most successful and prolific musicians”, has released the first single to be taken from the album entitled “Ascraeus Mons”.

Inspired by 2021 being the anniversary of mans’ first expeditions to mars plus the fifty since including many landings Wakeman states “the incredible information discovered and of course some astonishing images. You just have to look at the photos online or in books to be inspired, the landscapes are fascinating and the volcanoes are huge …..bigger than anything on earth. It was the perfect subject for me to be inspired musically.”

He explains further “The main themes and ideas were all written on the piano, with photographs of Ascraeus Mons scattered around. I wanted the start of the album to be a statement and I always felt the church organ as an initial solo instrument said it all. This is certainly a track that screams out to be played live.....so I’d better get practising !!”

The Red Planet features 8 newly composed pieces, especially for this project, and harks back to Wakeman's critically acclaimed debut album The Six Wives of Henry VIII where there were 6 heavy keyboard pieces based around a central subject matter. It is a serious return to “Wakeman Prog”...

“It’s all a grand musical gesture ... this record “sizzles” and “melts” with old-time vinyl prog passion” Somethingelsereviews.com

“Rick Wakeman himself is a true visionary, a maestro, and a storyteller that has brought The Red Planet to life.” Echoes And Dust

Rick has blown the dust off his favourite analogue keyboards and along with his with the latest keyboards, has used the same formula he devised when making his legendary albums The Six Wives of Henry VIII and Criminal Record.

Upon being asked about the expectations of his Prog Fans, that they are hoping he will have shoved the “Prog Fader” up to 11, he replied, “That could be a problem.... as it's already at 14!!!”

The album, produced by Rick Wakeman and Erik Jordan, has already garnered high praise and coverage in the worldwide media including Vanity Fair, Billboard, plus making the cover feature in the UK’s Prog Magazine and multiple interviews on BBC radio stations.



Madfish will be releasing worldwide to retail The Red Planet as a CD Digipack with 20 page booklet, a black vinyl 2LP in gatefold sleeve and digitally on 28th August 2020, these are available to pre-order HERE (https://rickwakemanmadfish.lnk.to/TheRedPlanet)

For a limited number of very lucky fans there is (covid-19 dependent) a special launch event to be held at the UK’s National Space Centre in Leicester on Saturday 22nd August – more details on tickets can be found HERE (https://www.musicglue.com/rick-wakeman-the-red-planet/products/star-vice-admiral-star-playback-event-at-the-national-space-centre-with-bag-of-goodies-signed-event-programme-and-signed-cd-slash-dvd)

The English Rock Ensemble (ERE) features:
Rick Wakeman - Keyboards
Dave Colquhoun- Guitars
Lee Pomeroy - Bass
Ash Soan - Drums

Rick Wakeman's official:
www.rwcc.com
@GrumpyOldRick
https://www.facebook.com/RickWakemanMusic

Press inquiries: Glass Onyon PR, Billy James, PH: 828-350-8158, glassonyonpr@gmail.com

NYC Power Trio OGD To Release First Single From Forthcoming Debut Album "The Big Game" Produced By Drum Legend Jerry Marotta

“Young Love” is the first single from NYC based power trio OGD from their forthcoming debut album “The Big Game” produced by master drummer Jerry Marotta (Peter Gabriel, Paul McCartney, John Mayer). The band features Derek Olivero (Guitar, Lead Vocals), Bobby Gavin (Drums, Vocals), and Dave De Ranieri (Bass, Vocals). The band recorded the album in upstate New York at Dreamland Recording Studios. Famed album cover designer Hugh Syme (Rush, Aerosmith, Dream Theater) was recruited to create a package for the CD and vinyl harking back to the pre-digital days of rock-n-roll including a 20-page booklet of Hugh’s art.

The video was produced by Doug Hatley inspired by the album artwork from legendary artist Hugh Syme. Watch the video for “Young Love” here:

Hailing from the ashes of Outland, Olivero and DeRanieri joined forces with Gavin to form OGD creating modern day rock with shades of Rush, Kiss, and even Clutch. “The Big Game” features 10 original compositions co-written by Olivero, Gavin, DeRanieri. The album was mixed by Michael Cozzi who’s worked his sonic magic on releases from Phil Keaggy, Tony Levin, Deep Energy Orchestra, and Security Project, his band with Jerry, Trey Gunn and Happy Rhodes. The album was mastered by world-class mastering engineer Chris Athens with the vinyl cut by Chris Muth.

Get ready to join the game when the album drops on August 25 with a full vinyl package set to release later in the year.

“I was so impressed by the prog-level energy and complexity and how it coexists wonderfully with the accessible and ‘radio-friendly’ aspects of the song structure. ‘The Big Game’... some really big music ... great playing, arrangements, and lead vocal .... and a world class sound overall! And no wonder — with the masterful production by maestro Jerry Marotta and his team!” - Hugh Syme  

Says Derek, “Writing music for me is about a feeling or mood brought on by past or current life events. It could be from a memory, walking away from something or someone, a deserted highway, experiencing unknown, going into the wild, the universe and what is out there or a scene from a movie. Something that sticks out and strikes a chord in me. I'm always exploring and wondering where does the path lead. Most of the songs were written based on life experiences. The meaning is left up to the listeners interpretation. Always searching, The Journey continues with our first studio Album ‘The Big Game’ recorded at Dreamland studios NY. Produced by the legendary Jerry Marotta.”

Says Dave, “I’m thrilled with the OGD album. It was amazing to work with Jerry Marotta who I listened to and admired for so many years. We all did our best to do justice to these songs. I love albums you want to hear without skipping a song. I think we achieved that with ‘The Big Game.’ The album artwork is beautiful. The cover draws you in, and the images inside reflect each song. Hugh Syme did stellar work and that is yet another thrill, as I’ve been admiring his work on all my Rush album covers for years. Now he’s done our album!”

Says Bobby, “We all have added our mark on the music and it shows drive, passion, creativity and anything to anyone with an ear to listen too. There is something for everyone to enjoy and get down with the momentum and drive of OGD.”

The thing that always gets to me when I’m listening to music is sincerity. Neil Young has it. Bruce Springsteen has it. Otis Redding. Steely Dan, Aretha Franklin. Sinatra. The Band. The Beatles. You get it. As time goes by I find it harder and harder to buy into what music is selling these days. It’s fake, manufactured, constructed etc … When Derek Olivero, Bobby Gavin and Dave De Ranieri contacted me looking for a space upstate to set up and jam I sold them on Dreamland Studios which I’ve been running for about 12 years. Large Church built in the late 1800’s. Big sound. Big acoustics. I greet them at the Church entrance and say hi. Okay … he’s gotta be from Brooklyn. This ones gotta be from the Bronx and the 3rd guy sounds either Queens or Brooklyn. They set themselves up. Bobby Gavins drums sound like cannons! Derek’s guitar is screaming at me. Slapping me in the face. Daring me to utter a single sound. Dave Da Ranieri's Bass is enabling me to forego my next colonoscopy. Okay, these guys know how their instruments are supposed to sound. Check. I’m all ears now. They start rocking it. I hear lyrics like ‘Innocence Ran’ next up ‘The Word’ The freaking Word!!! How brazen is that! Does Derek Olivero actually think he knows what ‘The Word’ is? That’s badass if you ask me. Then ‘Setting Sun’ ‘Out In The West’ ‘Scary Night’ ‘Unknown’ and finally … ‘Young Love’ I get my engineer to start rolling tape. Let’s record some of this stuff and listen back later to see if I wasn’t imagining what I’d heard. In the end I told them they had to let me make the record for them and we had to record it at Dreamland with a few guitar overdubs done at Jersville Studios. My studio in my house.

 I love the record we made. I love these maniacs. We are now lifelong friends and the record is finally about to hit the airwaves. ‘The Big Game’  watch for the videos. Seek out the music. I mean what I say …

Sincerely,
Jerry Marotta



OGD:
Derek Olivero - Guitar, Lead Vocals
Bobby Gavin - Drums, Vocals
Dave De Ranieri - Bass, Vocals

“Young Love”
Written by Olivero, Gavin, DeRanieri
Audio Produced by Jerry Marotta
Video Production and Animation by Doug Hatley
Band Video by Jerry Marotta
Album Cover Artwork, Direction, and Illustrations by Hugh Syme
Audio Recorded at Dreamland Recording Studios in West Hurley, NY
Additional Recording at Jersville Studios in Woodstock, NY
Audio Engineer - Ken Helmlinger
Assistant Engineer - Ariel Shafir
Mixed by Michael Cozzi at Moscozzi Studio in Seattle, Washington
Mastered by Chris Athens for Chris Athens Masters in Austin, Texas
Band Photography - Natalie De Gennaro & Francis X DeGennaro
Strategic Liaison - A.J. Chippero

To purchase:
https://ogdband.bandcamp.com

For more information:
https://ogdband.com/home
https://www.facebook.com/ogdband
https://www.instagram.com/ogdmusic/
https://twitter.com/ogdmusic
https://www.youtube.com/channel/UCmrYE5i3fcjNuIGtO5vra3Q

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Gentle Giant Reunite Virtually For First Time In 4 Decades For New Video Along With Members of King Crimson, Yes and More!

Prog Legends Gentle Giant reunite for new version of “Proclamation” premiered by PROG Magazine

The classic Gentle Giant line-up have reunited for the first time since 1980 for a unique new video. Pieced together over the last few months, it’s a brand new performance of “Proclamation” (originally from the band’s 1974 album “The Power & The Glory”) including appearances from Gentle Giant alumni Derek, Ray and Phil Shulman, Gary Green, Kerry Minnear, John Weathers and Malcolm Mortimore. There are also guest appearances by numerous notable musicians including Jakko Jakszyk (King Crimson), Billy Sherwood (YES), Lee Pomeroy (ELO/Steve Hackett), Dan Reed (Dan Reed Network), Richard Hilton (Chic) and Mikey Heppner (Priestess).

Watch the video:
https://www.loudersound.com/news/gentle-giant-premiere-fan-video-of-proclamation?fbclid=IwAR2U8vsVwxFedxF0od-nHqFusazMoCZZuhhPhMV3sZOgJ-OxES2_qKIg3Jo

“This terrible pandemic is being felt all over the world and with everyone being stuck at home, I figured now would be the perfect time to bring positivity out in the world, bring everyone together and celebrate our love of music and Gentle Giant,” explains Noah Shulman, son of Derek and mastermind behind this project tp Dom Lawson of PROG Magazine. “Over the years I was always amazed with how many people were filming their renditions of Gentle Giant tracks from all over the world on an array of instruments. So that sparked the idea of wanting to see them all in one place, blending sounds and instruments into a single track.”

Directed and edited by Noah Shulman and mixed by his uncle Ray, the video is likely to be remembered most for the momentous reuniting of the real Gentle Giant, albeit only briefly and via to the wonders of remote communication. Seeing that the band have never seemed likely to reform, this is a significant and exciting moment for Gentle Giant fans everywhere. Says Noah, “It’s a sort of thank you from the band to the fans.”

For more information:
Twitter: @GGIANTMUSIC
Facebook: https://www.facebook.com/gentlegiantband/
Instagram: @gentlegiantband

Press inquiries (North America): Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com

Gazpacho, The Kings of Atmospheric and Affective Rock, Return With New Album 'Fireworker' Due For Release on Kscope on September 18th

(photo credit: Nina Krømer  / www.ninafoto.net / @nina_kroemer)

Gazpacho, The Kings of Atmospheric and Affective Rock, Return With New Album Fireworker Due For Release on Kscope on September 18th

For nearly twenty years, Gazpacho have reigned as the kings of atmospheric and affective art rock. That’s certainly no small feat, as the subgenre is full of wonderfully moody, ornate, and emotional artists; yet, none of them manage to achieve the same level of exquisite baroque resonance and hypnotically introspective weight as the Norwegian sextet. As a result, they never fail to provide awe-inspiring examinations of the human condition, and their latest observation, Fireworker, is no exception. It is undoubtedly among their greatest achievements, as well as one of the most profound pieces of music you’ll hear in 2020.

LISTEN TO THE TITLE TRACK “FIREWORKER” HERE

Conceptually, the album follows the band’s tradition of blending grand philosophical quandaries, stimulating literary leanings, and haunting personal turmoil. In a way, it acts as the culmination of the themes and techniques that’ve decorated earlier collections, combining the fatalistic isolation of Night and Missa Atropos; the ill-fated narrative drama of Tick Tock and Soyuz; and the hefty theological/scientific contemplations of Demon and Molok. Beyond that, its central premise (that humanity has always been controlled by an infallible and omniscient creature determined to propagate at any cost) means that Fireworker comes across like the overarching umbrella under which all of its predecessors occur.

Keyboardist Thomas Andersen elucidates: “There’s an instinctual part of you that lives inside your mind, separate from your consciousness. I call it the ‘Fireworker’ or the ‘Lizard’ or the ‘Space Cowboy.’ It’s an eternal and unbroken lifeforce that’s survived every generation, with a new version in each of us. It’s evolved alongside our consciousness, and it can override us and control all of our actions.” In order to get us to do what it wants, he clarifies, the “Fireworker” will silence the parts of our mind that feel disgust or remorse so that we’re unable to stop it. The conscious part of our mind, Andersen notes, will actually “rationalize and legitimize” those thoughts and actions so that we never discover the beast behind-the-scenes. No matter how we feel about ourselves in terms of identity, accomplishments, and value, we’re all just vessels—or “Sapiens”—that the creature uses until it no longer needs us. “If you play along,” Andersen explains, “It’ll reward you like a puppy and let you feel fantastic; if you don’t, it’ll punish you severely.” 

Like Night, Fireworker is a single “trip” broken into five chapters but meant to be appreciated all at once. This time, however, Gazpacho’s recurring protagonist is investigating the labyrinthian hive of his own psyche to engage in a Bergman-esque confrontation with the “Fireworker.” This journey is even represented by the Wimmelbilder cover, which, as usual, was designed by collaborator Antonio Seijas and depicts “the billions of neurons that create the cave of the mind”.

Fireworker declares its mesmeric dominance right away via “Space Cowboy,” a side-long suite whose ominous lyricism (“The parasite / That lives in me / Murders words / From where I stop / And it breathes in / We’re biting our tail / The cycle begins”) is but one of many reasons why it’s among Gazpacho’s greatest compositions. From its heartbreakingly delicate first movement and chaotic centerpiece, to its mournfully symphonic penultimate phase and thunderous outro, it is a masterpiece onto itself, cementing how vivacious, evocative, and imaginative Gazpacho remain after all these years.

From there, the sequence remains just as seductively eccentric and beautiful. In particular, “Hourglass” is a gorgeous piano ballad that evokes March of Ghosts in its fusion of welcoming melodies and gentle orchestral flourishes. That then make way for the feisty layers and catchy hooks of the band’s first single and title track “Fireworker.” Fittingly, “Antique” takes over with angelic mystery and the album closer “Sapien,” echoes the dynamic range and epic scope of “Space Cowboy,” resulting in an awe-inspiring finale that envelops you in luscious arrangements and poignant existential realizations.

Naturally, Gazpacho’s career has been full of great performances and glowing praise. Outside of issuing three superb live LPs (2010’s A Night at the Loreley, 2011’s London, and 2015’s Night of the Demon), they’ve played festivals such as Be Prog! My Friend, Night of the Prog, Midsummer Prog Festival, and Cruise to the Edge, where they delighted audiences alongside exceptional brethren like iamthemorning, Anathema, Pain of Salvation, Caligula’s Horse, Riverside, The Neal Morse Band, and Steve Hackett. Unsurprisingly, their records have been met with similarly enthusiastic reception; for instance, their previous statement, 2018’s Soyuz, earned superlative accolades from publications such as PROG, Echoes and Dust and Louder than War.

Fireworker is truly life-changing experience, so you would be wise to turn off all of the lights, clear your mind as best you can, and prepare to meet the Fireworker.




FIREWORKER tracklisting
1. Space Cowboy [19:43]
2. Hourglass [04:15]
3. Fireworker [04:41]
4. Antique [06:24]
5. Sapien [15:22]

Fireworker will be released on Kscope on 18th September, on CD, a gatefold 2LP on 180g black vinyl  (3 sides audio, 1 side art etching) and digitally (digital pre-orders receive the title track “Fireworker” as an instant download) and is available to pre-order HERE (https://gazpacho.lnk.to/Fireworker)

GAZPACHO LIVE

Sadly, due to the current covid-19 situation the band’s European and UK dates scheduled for October 2020 have been postponed to October 2021, but as the band didn’t want to disappoint their fans Gazpacho are planning to play Fireworker in its entirety via a livestream, alongside a Q&A about the concept plus will play a few favourites from their repertoire. Details of the streaming event and the rescheduled tour will follow soon

In the meantime, they suggest, you should internalize the record as much as possible to eventually “research your own ‘Space Cowboy.’” Anderson adds: “It’s an attempt at a safe way of looking at something highly dangerous because the animal does not understand music or poetry. We’re trying to outsmart it by writing around it, as music can go places words can’t and there’s a magic to it all.”

Gazpacho are:
Thomas Andersen – keyboards, programming
Jan-Henrik Ohme – vocals
Jon-Arne Vibo – guitars
Mikael Krømer – violin, additional guitars
Kristian “Fido” Torp – bass
Robert R Johansen – drums

Follow Gazpacho online:
https://www.facebook.com/Gazpacho.Official.BandPage
https://www.instagram.com/gazpachoband
www.gazpachoworld.com

FOR MORE HI-RES IMAGES TO DOWNLOAD FOR MEDIA USE www.kscopemusic.com/media/gazpacho

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Prog Ensemble DarWin To Release New Single "Nightmare Of My Dreams" Featuring Simon Phillips, Billy Sheehan, Matt Bissonette, Guthrie Govan & Others August 14, 2020

First album track, “Future History”, to be released on Friday 10th July 2020. Video directed by Nigel Dick (Guns N’ Roses, Def Leppard).

Forthcoming new album “DarWin 2: A Frozen War” featuring Simon Phillips (Toto/The Who/Jeff Beck), Matt Bissonette (Elton John, David Lee Roth, Ringo Starr), Billy Sheehan (Mr Big/ Steve Vai/Winery Dogs), Guthrie Govan (Aristocrats/Asia/Hans Zimmer/Steven Wilson), Greg Howe (Michael Jackson/Justin Timberlake), Derek Sherinian (Dream Theater/Alice Cooper/Black Country Communion) 

Following the release of debut album “Origin Of Species” in early 2019, DarWin releases a new single, “Nightmare Of My Dreams”, on the 14th August 2020.

The epic 7 plus minute “Nightmare Of My Dreams” builds on the themes set out by DarWin on “Origin Of Species”.

The announcement of the first single will coincide with the release of the first album track, “Future History”.

Both songs are taken from the forthcoming album, “DarWin 2: A Frozen War”, which will be released later in 2020.

Once more DarWin has assembled a stunning ensemble of musicians. “DarWin 2: A Frozen War” continues the deep collaboration with Simon Phillips (drums, Toto/The Who/Jeff Beck) and Matt Bissonette (Elton John, David Lee Roth, Ringo Starr). Joining them are powerhouse players Billy Sheehan (bass, Mr Big/ Steve Vai/Winery Dogs), Guthrie Govan (guitar, Aristocrats/Asia/Hans Zimmer/Steven Wilson), Greg Howe (guitar, Michael Jackson/Justin Timberlake), Derek Sherinian (keyboards, Dream Theater/Alice Cooper/Black Country Communion) and more…

“Darwin 2: A Frozen War” was produced by DarWin and Simon Phillips and recorded primarily in Iceland and the USA.

DarWin says, “We started working on DarWin 2: A Frozen War while still finishing Origin of Species.  This new album is therefore more like a final chapter to OoS.  The title song “A Frozen War” represents the final battle for the future of Earth.  It has a heavier feel than the first album, and I think represents our best stuff.

“We shifted live recording to Iceland and Billy Sheehan joined us on bass in the studio while Matt was often traveling with Elton John.  We’re also joined on the album by Guthrie Govan, Greg Howe and Derek Sherinian doing killer leads, and many more players that are super exciting.

“This first song we’re releasing, “Future History” is about traveling faster than lightspeed and therefore going back in time.  It’s a real chuggy jam song that should rock hard.  Matt’s thick harmonies soar over the heavy grooves to provide a sensation of flying next to a ray of light and watching your life pass before you.  It was great to jam with Billy and Simon on this and trade licks with Greg in the solo section.  Check it out!”

The first release “Future History” also features a video directed by the legendary Nigel Dick (Guns N Roses/Band Aid/Def Leppard/Britney Spears)

See video HERE

DarWin’s critically acclaimed debut “Origin Of Species” was the first installment in an epic saga that addresses the challenges of mankind in our coming era.  It depicts the role of a changing planet, and the potential, as well as limitations, of technology to help solve mankind’s greatest challenges. A complex project that’s eschews the hollow immediacy of much contemporary art. A story that demands attention and imagination.  With music sweeping in scope, at times evoking hard rock virtuoso shredding, alongside grand orchestral compositions, warm harmonies and soaring choruses. A project that is even more relevant in the strange times we live in.

“At the end of it all, DarWin has saved the concept album as well as the planet.” – Classic Rock review of debut album “Origin Of Species”

“…a smorgasbord of styles, dripping in YES pomp, melodic pop and riffy modern day rock” – Prog Magazine review of debut album “Origin Of Species”

“DarWin 2: A Frozen War” is released later in 2020. “Nightmare Of My Dreams” will be released on the 14th of August 2020. It will feature an exciting narrative video, also directed by Nigel Dick

Darwin photo by Andy Earl

To pre-order “Future History”: https://darwin.fanlink.to/futurehistory

DarWin official website: http://www.darwin.is/

For further Information: Duff Battye / Duff Press duff@duffpress.co.uk + 44 (0)7904 385308

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Prog Ensemble Staring Into Nothing To Release Second Album "Love" With Guest Appearances By King Crimson's Trey Gunn & Zappa's Mike Keneally

Produced by Ronan Chris Murphy (King Crimson, GWAR, Steve Morse, Bozzio/Levin/Stevens)

Southern California based Staring Into Nothing wields a foundation of melodic progressive rock to explore new musical and thematic terrain. Founders Steve Rogers (keys and vocals) and Kurt Barabas (bass, vocals and guitars) take a Steely Dan-esque approach to music creation, using the studio and a revolving cast of world class collaborators to create music that observes and scrutinizes the human experience.

Staring into Nothing’s latest album “Love” probes the multiplicity and evolution of romantic love. The album was produced and mixed by Ronan Chris Murphy (King Crimson, Steve Morse, Ulver) and features an awesome line up of collaborators including Gregg Bissonette (David Lee Roth, Santana, Ringo Starr) on drums, Victor Bisetti (Los Lobos) on percussion, Mike Keneally (Zappa, Steve Vai, Joe Satriani) on guitars, Trey Gunn (King Crimson, John Paul Jones) on Warr Guitar, Dave Nachmanoff (Al Stewart) on background vocals/acoustic guitar and Danny T. Levin (Iggy Pop, Twenty One Pilots, Vampire Weekend) on horns. With this album, Murphy and the band sought to refine the melodies and structure of the songs even further than the previous album and provide ample room for the various collaborators to bring their voices to the album. While the compositions by Rogers and Barabas make up the core of the music on “Love,” the music was completely transformed by all the collaborators. The creative process allowed everyone involved to mold its final sound and spirit, and created space for stunning contributions, most notably several remarkable solos by Keneally and Gunn.

Says Steve, “We were trying to explore the varieties of romantic experience from a mature perspective that recognizes its not all good and not all bad, but its all we have. In the end, the message is uplifting because over time love endures and transitions into something even more fulfilling when it becomes legacy and a common set of memories and values. We recorded this album differently than our first one. We worked more closely with the producer, Ronan Chris-Murphy, during the actual arrangement of the songs and benefited from his insights, ideas and contributions. Ronan also brought a commitment to making the best album we could by bringing top shelf musicians to the project like Mike Keneally, Trey Gunn, Gregg Bisonette and Dave Nachmanoff. Also most of this album was recorded in our own studio in Costa Mesa California.”

Watch the video for “Ashes”: 

“It was a real pleasure to be involved with this project, working with the band and Ronan to find ways to tastefully enhance the impact of these beautifully melodic, emotionally charged songs. I found the songs inspired and inspiring, and I loved the experience of playing on the album.” - Mike Keneally

“Super day and a half of recording. I loved being in the room with these guys stretching out on these songs. Great to hear it all come together.” - Trey Gunn

“A project like this is really exciting as a producer. The band already had strong material with a lot of emotional depth before I got on board, so we had a lot of great raw material to work with. The fact that the band is just two guys, that are open to new ideas, meant we were able to have a lot of fun developing the material and bringing in the right players to explore those ideas. I very intentionally brought in guest musicians that are more known as artists in their own right than being session guys. I knew from working with all of them before, that if I gave them a platform to explore they would bring great things to the project. They did not disappoint. They all brought the musicality we were all hoping for, while enhancing the emotional aspects of Steve and Kurt’s compositions.” - Ronan Chris Murphy, Producer-Engineer (King Crimson, GWAR, Steve Morse, Bozzio/Levin/Stevens)

Staring Into Nothing have crafted their own sound, but their love of strong melody and virtuosic musicianship has drawn comparisons to artists such as Marillion, Porcupine Tree, Flying Colors, early Genesis, Pink Floyd and Rush. Bassist Kurt Barabas is a veteran of the progressive rock scene. He was a founding member of Magna Carta Records artist Under the Sun as well as Amaran’s Plight with Nick D’Virgilio (Genesis, Peter Gabriel, Spock’s Beard). Kurt was also a founding member of Roswell 6, who recorded the album “Terra Incognita” that accompanied a science fiction novel of the same name written by Kevin J. Anderson. “Terra Incognita” featured a who’s who of musicians, including James LaBrie (Dream Theater), Michael Sadler (Saga), John Payne (Asia), and David Ragsdale (Kansas).

Following the break-up of Under the Sun, Barabas starting wring new material with longtime Under the Sun fan Steve Rogers. The two found they had instant and synergistic creative chemistry and set to work creating a trilogy of concept albums that delve into the complex facets of the human experience.  They released their first album “Power” in 2017, which explores the many ways power is used to manipulate, control and subjugate people. It was produced and mixed by Mark Needham (The Killers, Elton John) and features drumming by Matt Chamberlin (A Perfect Circle, David Bowie, John Mayer).

Here's what the press has said about Staring into Nothing:

“Staring into Nothing melds the epic structure of prog rock with the tuneful moodiness of new wave.” - Huffington Post

“With, perhaps, a little further polish or fine-tuning, many of these songs wouldn’t be out of place on an album like Pink Floyd’s The Wall.” - The Big Takeover

“The nice blend of melody and atmosphere will please fans of prog classics like Rush and Yes, as well as modern titans like Steven Wilson and Opeth” - Alternative Nation

“...should appeal to anyone with an interest in prog rock and even casual fans of the genre could find things here to love about it.” - Sputnik Music 

“Staring Into Nothing is a trio from California who have a very modern prog sound. Musically, they remind me a bit of a mix of Steven Wilson and Roger Waters.” - Progressive Music Planet

“The Prog-Rock-esque powerhouse brings down the house with an eclectic and unique record that will blow your mind.” - Modern Mystery Blog

In support of their new album, Staring Into Nothing has budgeted four videos for the album and have completed the first two. They continue to work on the final two, but they got caught up in the virus lock-down that shut down the video shoots in March.

In closing Steve has this to impart, “That relationships matter even though they can be hard to maintain at times. Also that there is redemption for any of us who stray from the past. That redemption often comes to us through the people we love.”

To purchase Staring Into Nothing's “Love”: 
https://staringintonothing.bandcamp.com/merch



For more information: https://www.staringintonothing.com/

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Todd Rundgren To Launch Live Virtual Television Series "The Todd's Honest Truth"

Todd Rundgren, dubbed “Rock's Renaissance Man” in 1972 by Rolling Stone, will be premiering his bi-weekly live interactive virtual television series “The Todd's Honest Truth” on his 72nd birthday, June 22, 2020 at 6pm PDT/9PM EDT. A new episode will then go live every other Friday beginning July 3 in the same time slot.

Famously outspoken and opinionated (he was among one of Bill Maher's most frequent guests on the original “Politically Incorrect”), Rundgren will host the show live from his Kauai property, interlaced with his throwing to pre-recorded packages shot in front of a green screen to provide mood-appropriate settings (a recurring segment dubbed “The Word of Todd”, in which he will be waxing eloquent on any number of topics). He will also be answering audience questions in real time, there will be a live chat window open for viewers to interact, and Todd will encourage audience members to submit content which he will curate in between shows and select standouts for inclusion on upcoming episodes.

“Forty years ago I reserved a transponder on a satellite, hoping to broadcast to homes across the world. Apparently, that satellite got lost or blew up or something so a dream was put on hold… until now! And I don't even have to leave my house!!!”, Rundgren explained.

The virtual box office to purchase tickets for “The Todd's Honest Truth” episodes is open as of today: https://onlocationlive.com/category/honesttruth . 

The series is being produced in partnership with Future Beat, the leading company producing VIP package experiences for concert tours — futurebeat.com. Todd's longtime manager, Panacea Entertainment chairman Eric Gardner, is executive producing. In addition to an unlimited number of “general admission” tickets priced at $15 per episode (which includes access via VOD for anyone who missed a live stream), forty virtual one-on-one meet & greet packages will be available for $95 per episode, which will include shipping of an item of exclusive series-related merchandise. 

In other news, Todd Rundgren and some well known guest artists are re-recording his 1973 anthem “Just One Victory” and giving it away for free to the Democratic National Committee for use by candidates throughout the US running for public office this fall. Participants include Joe Walsh and Paul Shaffer, along with Don Was, who is co-producing with Todd.

Born and raised in Philadelphia, Rundgren began playing guitar as a teenager, going on to found and front Nazz, the quintessential '60s psychedelic group. In 1969, he left the band to pursue a solo career, recording his debut offering, Runt. But it was 1972's seminal Something/Anything?, on which he played all the instruments, sang all the vocal parts, and acted as his own producer, that catapulted Todd into the superstar limelight, prompting the press to unanimously dub him “Rock's New Wunderkind.” It was followed by such landmark LPs as The Hermit of Mink Hollow and A Wizard, A True Star;  evergreen hit singles include “I Saw The Light,” “Hello It's Me,” “Can We Still Be Friends,” and “Bang The Drum.”

Full bio and Producer Discography below.

photo credit: © Lynn Goldsmith

TODD RUNDGREN

A Wizard, A True Star. The title of Todd Rundgren's 1973 solo album aptly sums up the contributions of this multi-faceted artist to state-of-the-art music. As a songwriter, video pioneer, producer, recording artist, computer software developer, conceptualist, and interactive artist (re-designated TR-i), Rundgren has made a lasting impact on both the form and content of popular music.

Born and raised in Philadelphia, Rundgren began playing guitar as a teenager, going on to found and front The Nazz, the quintessential '60s psychedelic group. In 1969, he left the band to pursue a solo career, recording his debut offering, the legendary Runt. But it was 1972's seminal Something/Anything?, on which he played all the instruments, sang all the vocal parts, and acted as his own producer, that catapulted Todd into the superstar limelight, prompting the press to unanimously dub him “Rock's New Wunderkind.” It was followed by such landmark LPs as The Hermit of Mink Hollow and the above mentioned A Wizard, A True Star, as well as such hit singles as “I Saw The Light,” “Hello It's Me,” “Can We Still Be Friends,” and “Bang The Drum.”

In 1974, Todd formed Todd Rundgren's Utopia (renamed and reconfigured in 1976 as Utopia), an entirely new approach to the concept of interactive musicianship, and embarked on an extensive round of touring and recording. Standout Utopia offerings included Oops! Wrong Planet, Adventures in Utopia, and Oblivion. Along the way, Todd Rundgren's Utopia combined technical virtuosity and creative passion to create music that initially, for millions, defined the term “progressive rock,” and subsequently, as Utopia, the term “powerpop.”

Rundgren's myriad production projects include albums by Patti Smith, Cheap Trick, Psychedelic Furs, Meat Loaf, XTC, Grand Funk Railroad, and Hall And Oates. Rounding out his reputation as rock's Renaissance Man, Rundgren composed all the music and lyrics for Joe Papp's 1989 Off-Broadway production of Joe Orton's Up Against It (the screenplay commissioned by The Beatles for what was meant to have been their third motion picture). He also has composed the music for the hit film Dumb and Dumber, as well as a number of television series, including Pee Wee's Playhouse and Crime Story.

In 2009 Rundgren performed his iconic 1973 album A Wizard, A True Star in concert in its entirety for the first time ever, and several years later did the same with a double bill: Todd & Healing. He has toured with Ringo Starr as an erstwhile member of the AllStarr Band since 1989, and continues to perform with symphony orchestras both domestically and internationally. In 2018 he toured North America with original Utopians Kasim Sulton and Willie Wilcox for the first time in 33 years. His long-awaited autobiography The Individualist, was recently released; he's currently in the second year of the world's first hybrid concert/book tour highlighting music across his 50-plus year career.

In 2017 on successive weekends he was awarded honorary doctorates from both the Berklee School of Music and DePauw University.

In 1998 Todd debuted his new PatroNet technology which for the first time allowed fans of a musical artist to subscribe directly to the artist’s musical output via the Internet. This caps a long history of groundbreaking early multimedia “firsts,” including:

• 1978: The first interactive television concert, broadcast live over the Warner/QUBE system in Columbus, Ohio (the home audience chose each song in real time during the concert by voting via QUBE's 2-way operating system).
• 1978: The first live nationally broadcast stereo radio rock concert (by microwave), linking 40 cities around the country.
• 1979: The opening of Utopia Video Studios, a multi-million dollar state-of-the-art facility. The first project produced by Todd there is Gustav Holst's The Planets, commissioned by RCA Selecta Vision as the first demonstration software for their new videodisc format.
• 1980: Creation of the first color graphics tablet, which was licensed to Apple and commercially released as The Utopia Graphics Tablet.
• 1981: Time Heals, the first music video to utilize state-of-the-art compositing of live action and computer graphics (produced and directed by Todd), becomes the eighth video to be played during the launch of MTV on August 1, 1981.
• 1982: The first live national cablecast of a rock concert (on the USA Network), simulcast in stereo to over 120 radio stations.
• 1982: The first two commercially released music videos, one of which was nominated for the first-ever Grammy awarded for “Best Short Form Video” in 1983.
• 1992: The first commercially available music downloads via CompuServe.
• 1993: The release of No World Order, the world's first interactive record album on CD-i.
• 1994: The release of The Individualist, the world's first full-length Enhanced CD.
• 1994: The world's first interactive concert tour.
• 1998: Launches PatroNet, the world's first direct artist subscription service - predicts that someday “music will be sold by the pound.”
• 2016: The production of the world's first full length concert shot with multiple Virtual Reality 360º cameras.

TODD RUNDGREN PRODUCTION DISCOGRAPHY

ARTIST	ALBUM TITLE	YEAR
The American Dream	The American Dream	1969
Great Speckled Bird	Great Speckled Bird	1969
The Band	Stage Fright	1970
The Butterfield Blues Band	Live	1970
The Butterfield Blues Band	Sometimes I Feel Like Smiling	1971
Jericho	Jericho	1971
Half Nelson	Half Nelson	1971
James Cotton Blues Band	Taking Care Of Business	1971
Jesse Winchester	Third Down, 110 To Go	1972
Mark “Moogy” Klingman	Moogy	1972
Badfinger	Straight Up	1972
The New York Dolls	The New York Dolls	1973
Grand Funk	We're An American Band	1973
Fanny	Mother's Pride	1973
Grand Funk	Shinin' On	1974
Felix Cavaliere	Felix Cavaliere	1974
Daryl Hall & John Oates	War Babies	1974
Hello People	The Handsome Devils	1974
Hello People	Brick	1975
Steve Hillage	L	1976
Meat Loaf	Bat Out Of Hell	1977
Mark “Moogy” Klingman	Moogy II	1978
Tom Robinson Band	TRB2	1979
Rick Derringer	Guitars and Women	1979
The Tubes	Remote Control	1979
Patti Smith	Group Wave	1979
Shaun Cassidy	Wasp	1980
New England	Walking Wild	1981
Jim Steinman	Bad For Good	1981
Psychedelic Furs	Forever Now	1982
The Rubinoos	Party of Two	1983
Cheap Trick	Next Position Please	1983
Jules Shear	Watch Dog	1983
Will Powers	Dancing For Mental Health	1983
The Lords Of The New Church	Live For Today	1983
Zerra	Zerra I	1984
The Tubes	Love Bomb	1985
What Is This	What Is This	1985
XTC	Skylarking	1986
Hunter	Dreams Of Ordinary Men	1987
Bourgeois Tagg	Yoyo	1987
The Pursuit Of Happiness	Love Junk	1988
La Ppisch	Karakuri House	1989
Jill Sobule	Things Here Are Different	1990
Hiroshi Takano	Cue	1990
The Pursuit Of Happiness	One Sided Story	1990
Hiroshi Takano	Awakening	1992
Paul Shaffer	World’s Most Dangerous Party	1993
Splender	Splender (Mar '99 release)	1998
12 Rods	Separation Anxiety	2000
Bad Religion	The New America	2000
New York Dolls	untitled	2009
Lindstrom	untitled	2012
Tame Impala	Elephant remix	2012
Nine Inch Nails	All Time Low remix	2013
Andy Bull	Baby I Am Nobody Now	2013

CONTACT: paul@panacea-ent.com (805) 491 9400

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Intelligent Music Project V "Life Motion" Featuring Members of Rainbow, Toto, Asia and River Hounds

Featuring Simon Phillips (Toto /Protocol), Ronnie Romero (Rainbow), John Payne (Asia) and Richard Grisman (River Hounds)

In these interesting times, when life puts a forced pause on us, most of all we need to lift our spirits, to feel alive. “Life Motion” is the fifth studio album of “Intelligent Music Project.” And this time in the band led by Milen Vrabevski, MD (author and producer) there are big world names - the drummer and co-producer of the release Simon Phillips, as well as the vocalists John Payne (ex-Asia) and Richard Grisman (River Hounds). Ronnie Romero, a singer who became famous for joining Rainbow in 2015, made his debut in it. And when we add respected Bulgarian musicians to this stellar team, it becomes quite clear that high class is being pursued at IMP.

“Epidemic, crisis, contagion.” Not a day goes by without hearing these words for more than a month. Indeed, the current situation is a test for everyone, but it also brings some positives - such as the opportunity to spend more time on (rediscovering) art.

Milen Vrabevski, MD says: “I would like my children to grow up with the ideas I share in my albums, and instead of teaching them lectures about those ideas, I use the language of music, which is very universal and easy to understand.”

Legendary drummer Simon Phillips (Toto, Protocol, Mike Oldfield, The Who) gave two solos for the songs “Reflecting” and “Rising” on “Life Motion,” with music co-producers Dr. Vrabevski, Simon Phillips and Ivo Stefanov.

Read the recent interview with Milen Vrabevski, MD: https://bit.ly/2XIS3mA


Milen Vrabevski, MD

“An unexpected album that reminds of a mix of Alan Parsons Project, Christopher Cross, Toto and The Night Flight Orchestra.” - Music In Belgium

Watch the new video for the song “Every Time”:
Facebook: https://www.facebook.com/451542284956185/videos/180540773220643/
YouTube:

Intelligent Music Project IV “Sorcery Inside” is another entirely Bulgarian music project of the creator of “Intelligent Music Project” - Milen Vrabevski, MD. It includes legendary musicians such as Simon Phillips (Toto), Carl Sentans (Nazareth), Richard Grisman (River Hounds), John Payne (ex-Asia) and Joseph Williams (Toto), who have left their incomparable handwriting on the 12 compositions by Milen Vrabevski, MD.

Simon Phillips participated in the recordings not only on drums, but also as a music co-producer, together with Milen and Ivo Stefanov. The recordings were made in the fall of 2018 at Brotheryn Studios, California, by Simon Phillips and Ernest Tibbs (drums and percussion), Jesse Siebenberg (guitars, vocals) and Dave Palmer (pianos).

“Indeed, the cast of the Intelligent Music Project resembles an ensemble of the elder statesmen of rock, featuring a collection of decorated artists like Toto drummer Simon Phillips and Asia lead vocalist John Payne. The evident talent of each individual member of the band shines through at various points during the album Throughout it all, the production stands out for its silky smoothness, stitching together each aspect of the band’s throwback sound with commendable dexterity. 'Sorcery Inside' clearly attempts to be a modern-day alternative rock album, at times trading the traditional electrical-guitar driven sound for more experimental substitutes.” - The Stanford Daily



The European tour of Intelligent Music Project and Milen Vrabevski, MD with the participation of Simon Phillips (Toto), Ronnie Romero (Rainbow) and Richard Grisman (River Hounds) started on February 21 from Bulgaria. The first concert of the tour was held in Varna, followed by Plovdiv and Sofia, and the tickets completely sold out. As part of Dr. Milen Vrabevski's Intelligent Music Project, Phillips, Romero and Grisman presented their latest albums, “Sorcery Inside,” as well as the album “Life Motion.” The star trio were joined by some of the best Bulgarian musicians in the person of Stoyan Yankulov - Stundzhi, Biser Ivanov, Bobi Kosatkata, Ivo Stefanov, Ivaylo Zvezdomirov, Slavin Slavchev, Lina Nikol, Samuel Eftimov.

Intelligent Music Project's first online concert: https://www.facebook.com/watch/live/?v=2659255330960351

“Working on this project with Milen Vrabevski was so much fun and I find his enthusiasm for music is so uplifting.” - Simon Phillips

“The chemistry and magic is bound to happen when you have great players and great songs.” - John Payne

“Working with Milen was pretty exciting, he is a great professional and composer and I will be back for the next album for sure!” - Ronnie Romero

To purchase: 
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Nick D'Virgilio Releases New Video & Single "Money (That’s What I Want)" From Forthcoming Album "Invisible"

Album special guests include Jordan Rudess (Dream Theater) / Paul Gilbert (Mr Big, Racer X) / Tony Levin (King Crimson, Peter Gabriel) / Carl Verheyen (Supertramp) / Rick Nielsen (Cheap Trick) / Jonas Reingold (The Flower Kings / Steve Hackett) / Jem Godfrey (Frost*) and more 

A distinctive cover version of “Money (That’s What I Want)” has been made available as the second single from Invisible, the forthcoming new solo album by the American drummer, vocalist and multi-instrumentalist Nick D'Virgilio (NDV). The first ever hit on the Tamla Motown label in 1959 has seen notable covers in the past by the likes of The Beatles and The Flying Lizards, with NDV stating: “I've always liked this song, with the original version by Barrett Strong being my favorite. I wanted my take on it to be dark and brooding with a cinematic sound, so I came up with a way to build an end with chords that kept climbing until a nice climax, while parts for orchestra were arranged that built a great sound on top. One of my favorite parts of the song is when I'm whispering a bunch of slang terms for money. I sang the whole song like a person that is going a little crazy and that section was a perfect fit.”

In regard to how the song fits into the narrative flow of Invisible, he explains: “Lyrically, the words fit perfectly. The song comes at the point in the story where the protagonist has decided to leave his dead end job and venture out into the world to try and discover the meaning of his life. He wanders into a shop and sees the person behind the counter looking dishevelled and depressed, prompting him to ask 'is everything OK? Why are you here? If it's that bad, why don’t you go home?' Those questions prompt the response that they need money. They are stuck in life’s trap just like him, and he swiftly realizes that he is not alone in feeling alone.”



Invisible is the second solo album by the California born but Indiana based NDV and comes almost two decades after his debut solo offering. He describes his new record as “a collection of songs that make up the story of a man who is unhappy with where his life has ended up. He finally decides to take the scary step of leaving everything behind so he can go and find the meaning of his life.” He continues: “Throughout my career I have been in many different places. Over time the word 'invisible' kept coming to mind and it got me thinking of people that truly have the hardest jobs in the world, or no job at all. The outliers. The ones we all take for granted. The ones we will never know but if they were not there then our lives would not be the nearly the same. Over time I amassed lyric and song ideas with the idea of writing a concept record on the subject.”

Keen to establish that “this is not your typical drummer record,” NDV states that “'Invisible’ is a rock album with various musical flavors thrown in because the songs were formed with the story in mind. A classical prelude that uses various themes from the whole piece sets the stage. From there comes a mellow ballad outlining the story and then it is on to the adventures of the central character. The main thing making this record did for me was to reaffirm my strong belief that we are all here for something. We all have a purpose.”

With the recording process split between the legendary Abbey Road Studios in London (including full string and brass sections) and the world class Sweetwater Studios in Fort Wayne, Indiana, Invisible boasts star turns from luminaries such as guitarists Paul Gilbert (Mr. Big, Racer X), Rick Nielsen (Cheap Trick) and Carl Verheyen (Supertramp), bassists Tony Levin (King Crimson, Peter Gabriel) and Jonas Reingold (The Flower Kings, Steve Hackett), plus keyboard players Jordan Rudess (Dream Theater) and Jem Godfrey (Frost*).

NDV's debut solo album, Karma (2001), had appeared midway through his tenure with US progressive rock titans Spock's Beard, with whom he started out as drummer upon their inception in the early 1990's before taking on additional lead singer and live frontman duties in 2002 for four studio albums prior to his departure in 2011. At the time, this was partly in order to continue touring as drummer, singer and assistant bandleader with Cirque du Soleil, with whom he played over 1400 shows over a five year period until 2014. He has also been the drummer with the award winning UK band Big Big Train since 2007 and performed with world renowned acts such as Genesis (appearing on the Calling All Stations album) and Tears For Fears (with whom he toured for over a decade).

Upon ending his stint with Cirque du Soleil, NDV relocated to Fort Wayne to become the face of the drum division of world leading music technology and instrument retailer Sweetwater Sound, explaining that “it has exploded and I have had the opportunity to meet a lot of interesting people while building new lifelong relationships. I've also had the chance to play on so much great drum gear – it is Disneyland in that regard! Many of my old bands and music compatriots have been there to record or do workshops, which is icing on the cake.”

The release of Invisible now begins yet another fascinating chapter in NDV's multi-faceted career, which he concludes “has taken many twists and turns. I have been able to live out some major musical fantasies, seeing some of the highest highs as well as some of the lowest lows. It has been a wild ride that is not over yet!”

A full biography of Nick D’Virgilio can be downloaded here: bit.ly/3cJvX9N

NICK D’VIRGILIO (NDV) : photography by Erick Anderson (eafoto)

Nick D'Virgilio's Invisible will be released on June 26, 2020.



To purchase: 
www.nickdvirgilio.com/shop/
burningshed.com/store/english-electric-recordings/nick-dvirgilio_invisible_cd

For more information: nickdvirgilio.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

TOYAH WILLCOX & ROBERT FRIPP - CELEBRATING VE DAY HEROES

The two VE Day Heroes being celebrated within the Fripp and Willcox families:
Uncle Bill, aka RAF Flight Sergeant Alfie Fripp https://en.wikipedia.org/wiki/Alfie_Fripp, who helped in planning The Great Escape.
Beric Willcox of the Royal Navy, based in Alexandria, who guarded convoys in the Mediterranean.

Watch the video:

The guitar used in the video is RF’s Les Paul serial no. 9-1986; used on all KC albums 1969-74; and on the Heroes session in Berlin with David Bowie, Tony Visconti & Brian Eno at the Hansa Studios, July 1977.

Backing track: King Crimson Live In Berlin on September 12th. 2016.

Personnel: Gavin Harrison, Jeremy Stacey, Pat Mastelotto, Mel Collins, Tony Levin, Jakko Jakszyk  & Robert Fripp.
Fairy dustings provided by Bill Rieflin.

Recorded and mixed by Chris Porter.
Produced by Chris Porter with Robert Fripp & David Singleton.

Used by permission.

Vocal track & video: Toyah Willcox, at home in the kitchen, Middle England;
May 5th. 2020 on iPhone.

For more information: www.dgmlive.com

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com

Jethro Tull's Ian Anderson Joins Leslie Mandoki for "WeSayThankYou" to Our First Responders

“We all thank the brave, hardworking front-line medics and care workers around the world. Leslie managed to put into the lyrics references to the police, grocery clerks, supermarket workers too. I would like to add those essential worker folks who it was impossible to squeeze into a three-minute song. To all, we say, thank you.” - Ian Anderson on singing and playing flute on Leslie Mandoki’s “WeSayThankYou.”

Los Angeles, CA - As the world continues to be consumed by the COVID-19 pandemic, Jethro Tull’s Ian Anderson sings and plays flute with Mandoki Soulmates leader Leslie Mandoki. Mandoki has found inspiration and a new spark of hope amidst the chaos. He has penned a powerful new song in appreciation for the heroes who have emerged in this global crisis, the nurses, doctors, and other health care providers as well as the grocery store clerks and food delivery personnel who have stepped up to serve their communities. The new song, entitled simply “#WeSayThankYou,” expresses so clearly the feelings of gratitude many of us have felt in these troubled times.

Mandoki explains, “As an artist, I feel it is my duty to contemplate ideas for a better world. Now, like so many of us, I suddenly have the time. Let us grab this uncommon moment of pause together and take a new approach to the problems of the world. And let’s take a hard look at who this crisis is casting in a heroic light, and who comes out the villain.”

The duet is being released as an EP on Thursday, May 7, 2020, through the Purple Pyramid imprint of indie giant Cleopatra Records, Inc. and is Mandoki Soulmate’s first release in the recently inked partnership with the L.A.-based label. Additional Mandoki releases are set to follow later this year.

There are three different versions of the song on the EP:

1. Duet with Ian Anderson.
2. New Version with Ian Anderson and Leslie Mandoki featuring Soulmates: Supertramp saxophonist John Helliwell, multi Grammy Winner Randy Brecker (on trumpet), Chair of Berklee´s Bass Department Steve Bailey, Simon Phillips (drums, along with Leslie),and backup singers: Bobby Kimball (Toto) and Chris Thompson (Manfred Mann´s Earth Band).
3. Unplugged, Acoustic, Living-Room-Concert, with Ian & Leslie, Randy, Steve, John.

Leslie will be donating the royalties from the sales, syncs, and airplay of “#WeSayThankYou” to a To-Be-Announced Charity.

“#WeSayThankYou” was written in the context of Leslie’s own isolation in Germany, where his doctor wife, Eva, is a first contact physician.

Ian and Leslie have worked together for over 25 years on various collaborations with his jazz-rock band Soulmates featuring the good and great of classic rock and jazz. Mandoki’s Soulmates toured North America in 2018.

VIDEOS
Ian Anderson & Leslie Mandoki #WeSayThankYou

Statements of the Mandoki Soulmates on the crisis: Leslie, Ian, Randy, Al DiMeola, Bill Evans, Jesse Siebenberg, Nick Van Eede, Steve, John, Simon, Chris talking about the “#WeSayThankYou”’ mission.

Ian Anderson & Leslie Mandoki with the Mandoki Soulmates #WeSayThankYou with John Helliwell of Supertramp, Chris Thompson of Manfred Mann, Bobby Kimball & Simon Phillips of Toto, Jazz-Icon and Grammy-Winner Randy Brecker, Chair of Berklee´s Bass Department Steve Bailey

Landing Page with Advance Music and Digital Media Links   https://orcd.co/mandoki-soulmates-with-ian-anderson

Social Media, including Hashtags
#WeSayThankYou #TogetherAtHome

http://www.twitter.com/lesliemandoki
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https://www.facebook.com/mandoki.soulmates

Mandoki Soulmates – Album & Concerts
https://youtu.be/qpR_G7nniV4

Photos of Leslie, and Leslie & Ian mid-page at: https://www.dropbox.com/sh/tx7x779mmcjskpz/AACMigdAgFzXTLaYFKamu6Ika?dl=0

Press inquiries: 
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com

Ian Anderson contact: 
Leighton Media
leightonmedia@aol.com

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Legendary Electric Violinist & Vocalist L. SHANKAR Debuts New Single & Video From His Star-Studded New Album!

Album features guest appearances by Korn’s Jonathan Davis, world renowned vedic chanter P.N. Sivarama Krishnan, Tony Levin, Chester Thompson, Scott Page of Supertramp & Pink Floyd, Jane’s Addiction drummer Stephen Perkins, Norwood Fisher of Fishbone, and others!

Los Angeles, CA - Lakshminarayana Shankar, professionally known as L. Shankar, is widely considered a living legend, a pioneer, and a musical genius who has collaborated with giants such as Frank Zappa, Peter Gabriel, U2, Bruce Springsteen, Madonna and many, many more. His solo albums have always drawn not only enormous interest from fans and critics alike but also showcase the collaborative spirit that is integral to Shankar’s art. Musicians, singers, visionaries, both known and obscure, have all come to pay tribute to this uniquely talented musician and perhaps even find new inspiration for themselves by performing on his recordings. That tradition continues on Shankar’s new single “In My Heart,” which features the talents of groundbreaking artist Jonathan Davis, lead singer of alt-metal icons Korn, as well as Jane’s Addiction drummer Stephen Perkins, Fishbone’s Norwood Fisher, Scott Page renowned saxophonist from Supertramp and Pink Floyd and others. The song’s meditative pace sets the perfect vibe for Shankar’s mantra-like lyrics and melody while an ethereal musical bed transports the listener on a spiritual journey.

A gorgeously animated music video captures the song’s essence perfectly and can be viewed here:

Stream the single: https://orcd.co/l-shankar-in-my-heart

This is the first single from Shankar's newest full-length album Chepleeri Dream that also features guest performances from King Crimson’s Tony Levin, Chester Thompson (Phil Collins / Genesis / Frank Zappa), Dileep Palakkad, and more! Shankar shares this about the album, “I was so inspired to work on this album and to have many great musicians involved with this project. The songs reflect upon my experience living at Chepleeri Temple in Kerala when there was a major disaster, floods which destroyed Kerala and I had to over come all the obstacles to get this project finished. It was truly a challenge and I love challenges. It gives me strength.” 



“My friend Shankar is an exceptional musician, and it’s been a pleasure to work with him both on his own music and Peter Gabriel’s.” - Tony Levin

“Working with L. Shankar on this project has been a great experience. His compositions are very enjoyable to play and his arrangements are always very interesting. I am very grateful and humbled to be part of this.” - Chester Thompson

The album is set for release on July 31 and will be available on both CD and limited edition red vinyl courtesy of Cleopatra Records, Inc.

Track List:
1. In My Heart
2. Faith
3. Spreading All Over
4. Can't Wait
5. Chepleeri Dream
6. Suppose
7. Knowing You
8. Ocean Waves
9. New World
10. Patience
11. Emotions

To purchase the album: https://orcd.co/l-shankar-chepleeri-dream

For more info: lshankar.com

Press inquiries: 
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com


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Nick D’Virgilio to Release New Solo Album 'Invisible' Featuring Members of Dream Theater, King Crimson, Supertramp, Cheap Trick, The Flower Kings & Others!

Special guests Jordan Rudess (Dream Theater) / Paul Gilbert (Mr Big, Racer X) / Tony Levin (King Crimson, Peter Gabriel) / Carl Verheyen (Supertramp) / Rick Nielsen (Cheap Trick) / Jonas Reingold (The Flower Kings / Steve Hackett) / Jem Godfrey (Frost*) and more 

Invisible is the second solo album by California born but Indiana based drummer, vocalist and multi-instrumentalist Nick D’Virgilio and comes almost two decades after his debut solo offering. D’Virgilio describes his new record as: “a collection of songs that make up the story of a man who is unhappy with where his life has ended up. He finally decides to take the scary step of leaving everything behind so he can go and find the meaning of his life,” before continuing: “Throughout my career I have been in many different places. Over time the word ‘invisible’ kept coming to mind and it got me thinking of people that truly had the hardest jobs in the world, or no job at all. The outliers. The ones we all take for granted. The ones we will never know but if they were not there then our lives would not be the nearly the same. Over time I amassed lyric and song ideas with the idea of writing a concept record on the subject.”

Keen to establish that: “This is not your typical drummer record,” D’Virgilio describes Invisible as “a rock record with various musical flavours thrown in because the songs were formed with the story in mind. A classical prelude that uses various themes from the whole piece sets the stage. From there comes a mellow ballad outlining the story and then it is onto the adventures of the central character. The main thing making this record did for me was to reaffirm my strong belief that we are all here for something. We all have a purpose.”

With the recording process split between the legendary Abbey Road Studios in London (including full string and brass sections) and the world class Sweetwater Studios in Fort Wayne, Indiana, Invisible boasts star turns from luminaries such as guitarists Paul Gilbert (Mr. Big), Rick Nielsen (Cheap Trick) and Carl Verheyen (Supertramp), bassists Tony Levin (King Crimson, Peter Gabriel) and Jonas Reingold (The Flower Kings, Steve Hackett), plus keyboard players Jordan Rudess (Dream Theater) and Jem Godfrey (Frost*).

Watch “Where’s the Passion” lyric video:

Nick D’Virgilio’s “Where’s the Passion” lyric video and NDV’s new website are both scheduled to go live on Friday May 1st at 9am PST / noon EST, 5pm UK, 6pm central European.



D’Virgilio’s debut solo album, Karma (2001), had appeared midway through his tenure with US progressive rock titans Spock’s Beard, with whom he started out as drummer upon their inception in the early 1990’s before taking on additional lead singer and live frontman duties in 2002 for four studio albums prior to his departure in 2011. At the time, this was partly in order to continue touring as drummer, singer and assistant bandleader with Cirque du Soleil, with whom he performed over 1400 shows over a five year period until 2014. He has also been the drummer with the award winning UK band Big Big Train since 2007 and performed with world renowned acts such as Genesis (appearing on the Calling All Stations album) and Tears For Fears (with whom he toured for over a decade).

Upon ending his stint with Cirque du Soleil, D’Virgilio relocated to Fort Wayne to become the face of the drum division of world leading music technology and instrument retailer Sweetwater Sound and states: “The drum division at Sweetwater has exploded and I have had the opportunity to meet a lot of very interesting people while building some new life-long relationships. I’ve also had the chance to play on so much great drum gear – it really is Disneyland in that regard! Many of my old bands and music compatriots have been there to record or do workshops, which is icing on the cake.”

The release of Invisible now begins yet another fascinating chapter in D’Virgilio’s multi-faceted career, which he concludes “has taken many twists and turns. I have been able to live out some major musical fantasies. I have seen some of the highest highs as well as some of the lowest lows. It has been a wild ride that is not over yet!”

Nick D’Virgilio’s Invisible will be released on June 26, 2020.

To purchase: www.nickdvirgilio.com/shop/

For more information: nickdvirgilio.com

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Gentle Giant Release New Promotional Video For Vinyl Reissues

To all Gentle Giant friends, fans and followers:Here is the YouTube link to pre-order the vinyl albums!

Enjoy the short video!

Amazon USA:

Gentle Giant: https://www.amazon.com/dp/B084DFZS6S

Acquiring The Taste: https://www.amazon.com/dp/B084DF7NZW

Three Friends: https://www.amazon.com/dp/B084DH64RW

Octopus: https://www.amazon.com/dp/B084DH5TZ9

Amazon Canada:

Gentle Giant: https://www.amazon.ca/dp/B084DFZS6S

Acquiring The Taste: https://www.amazon.ca/dp/B084DF7NZW

Three Friends: https://www.amazon.ca/dp/B084DH64RW

Octopus: https://www.amazon.ca/dp/B084DH5TZ9

Gentle Giant is happy to announce the release of the first 4 albums on vinyl April 3rd.

After the positive response to the box set “Unburied Treasure” many fans asked whether the vinyl albums would ever be available. The band has responded and decided to make these albums officially available for the first time in decades.

The band’s first album “Gentle Giant” was first released in October 1970. Produced by Tony Visconti it marks the 50th Anniversary of the recording and live appearances of the band. Tony Visconti produced the follow up album “Acquiring The Taste” in 1971.

The band oversaw the production of the third album “Three Friends” in 1972 and was the first official release in North America. Strangely the N.A. version featured the artwork from the U.K. “Gentle Giant” album.

This album was followed up with their milestone album “Octopus” in 1972. Once again the North American artwork was different to the Roger Dean U.K. version and featured a dye cut Octopus in a jar.

Released on the Alucard label, the albums will be manufactured in 180 gram vinyl with the original gatefold artwork from the U.K.

The band hopes that their friends, followers and fans will enjoy these albums in their original form 50 years later!

For more information:
Twitter: @GGIANTMUSIC
Facebook: https://www.facebook.com/gentlegiantband/
Instagram: @gentlegiantband

Press inquiries (North America): Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com