Robert Fripp’s Introduction To The Guitar Circle Four-Day-Long Event For Guitar Players and Music-Lovers To Be Held in Saratoga Springs, NY - October 22nd - 26th, 2020

For Immediate Release

Robert Fripp’s Introduction To The Guitar Circle Four-Day-Long Event For Guitar Players and Music-Lovers To Be Held in Saratoga Springs, NY - October 22nd - 26th, 2020  

AN INTRODUCTION TO THE GUITAR CIRCLE

October 22-26th. 2020

If music is to enter our world, the role of the audience is as necessary as the role of the musician.

So, for the first time in the life of Guitar Craft and the Guitar Circle, we are inviting audients to this Intro, to learn the techniques and approaches available to Crafty Guitarists.

Music has its own intelligence, but can music change the world? If so, how? How does a musician become present in the place within them where music lives, or visits for a while? How is an audient present within themself when music visits? How does music come into our lives? What is involved in the process of musical performance?

For those interested in guitar playing, work will be on acoustic guitars in the New Standard Tuning – CGDAEG. Guitar meetings / workshops will be in groups of all sizes, including individual meetings with the Guitar Buddies.

This Introduction to the work of the Guitar Circle will also include classes in Alexander Technique, Orchestral Maneuvers, T’ai Chi, Zen meditation, The Process Of Performance, and Doing Nothing – As Much As You Can!

There is nothing solemn about any of this, and I’m intending to have a good time. This is an approach to play, playing, serious play and playing seriously.

I recommend that everyone come with an aim.

You are invited.

Robert Fripp

Friday 8th. November, 2019;

Middle England.

Click below for full details...
https://robertfrippsguitarcircle.com/

An Introduction to the Guitar Circle with Robert Fripp

4 DAYS AND NIGHTS OF ZEN AND THE ART OF GUITAR!
Robert Fripp’s Introduction To The Guitar Circle is a four-day-long event for guitar players and music-lovers of all levels, interests, and tastes. Whether you are a master player, a beginner, or just an enthusiastic fan, our four-day programs offer activities and workshops for you. The environment is strictly non-competitive and is about immersing oneself in the joys of music and our lovely Fall Foliage surroundings of Saratoga Springs, NY! Robert Fripp’s Introduction To The Guitar Circle will only be open to participants who are 18 or older.

Some of the activities at this event will include:

Introduction to the New Standard Tuning
Working in a Guitar Circle
How to Play Schizoid Man!
The Right Hand
The Left Hand
Fingerboard Exercises
Counting and Rhythm
How to Make and Recover from Mistakes
Proper Posture
The Practice of Doing Nothing
The Alexander Technique
Tai Chi
Meditation and Mindfulness
Walking Meditation
Audience Craft

SCHEDULE & ITINERARY
Our full schedule will be announced in the spring, but every day will be filled with classes, workshops, concerts, and personal instruction led by Robert and his team of coaches and musicians. Listed below is an example of a typical day.

TYPICAL DAY

7:00am – 7:45am
Morning sitting (led by Robert)

8:00am – 9:30am
Breakfast and Q&A (for Robert and staff)

10:00am – 11:00am
Multiple Breakout Sessions #1

11:15am – 12:15pm
Multiple Breakout Sessions #2

12:30pm – 1:00pm
Tai Chi or wellness workshop

1:00pm – 2:30pm
Lunch and Q&A (for Robert and staff)

3:00pm – 4:00pm
Multiple Breakout Sessions #3

4:00pm – 5:00pm
Tea time and Q&A (for Robert and staff)

5:15pm – 6:15pm
Multiple Breakout Sessions #4

6:30pm – 7:00pm
Tai Chi or wellness workshop

7:00pm – 8:30pm
Dinner and Q&A (for Robert and staff)

9:00pm – 11:00pm
House of Guitars, Concert or some other activity involving everyone

During Robert Fripp’s Introduction to the Guitar Circle, nothing is compulsory but some things are necessary. Robert feels strongly that alcohol and drug use are incompatible with this work and are strongly discouraged. Hey, the anticipated polyrhythms* alone are enough to deter anyone from even thinking about drinking! So, any participant who partakes in drugs or alcohol during the event may be asked to forego participating in our activities. Thank you for your cooperation.

*Polyrhythms: The simultaneous combination of contrasting rhythms in a musical composition. Rhythmic conflicts, or cross-rhythms, may occur within a single metre (e.g., two eighth notes against triplet eighths or worse!) and may even be reinforced by simultaneous combinations of conflicting metres. You will happily experience some of these during Robert’s event!

FEATURED ARTISTS

ROBERT FRIPP
Guitarists and More
Featuring members of the League of Crafty Guitarists, Orchestra of Crafty Guitarists, The California Guitar Trio, a host of wellness and lifestyle coaches and more!

For more information: https://robertfrippsguitarcircle.com/

Progressive Jazz Review: Bill Bruford’s Earthworks-Heavenly Bodies – The Expanded Collection

Release Date: November 15, 2019

Labels: Summerfold Records via Cherry Red

Website

Not to offend anyone, but I am not the biggest fan of jazz music. I usually only put it on for background noise. I don’t like how there aren’t any lyrics, and I think it’s a chore to have to sit through jazz music. With that being said, I know how complicated it is to arrange and play a jazz piece. Based on the artwork alone, I would have no interest in this album. With an album title of Heavenly Bodies, combined with what looks to be a bad collage of different pictures as the art, this album seems like some kind of religious experience. Jazz gets a bad reputation for being the “boring old man” music. Unless I am listening to this genre of music live, I would have to agree with the statement. I like jazz that isn’t your typical jazz classic, so this album should be a good discovery for the person who is new to jazz, or never really liked it to begin with.

Now Bill Bruford and his band called “Earthworks” set out to create a style of jazz that pushes the boundaries of the genre. These incredibly talented musicians showcase their playing skills with complicated techniques and difficult-to-play progressions. The names of the songs are oddly specific, but I guess you get to have fun with them when they’re the only words on the track.

“Stromboli Kicks” is the first track on disc one. It sounds like something that could be released today, in 2019. The synth is very prominent in the intro and throughout. The rhythms and notes being played are complex, and I think you would appreciate everything happening if you know anything about music theory. Otherwise, it’s just a cool jazzy song that will make you feel like you’re traveling through space. The ending is an unexpected percussive section that then builds into a big production with multi-cultural elements.

“Up North” is a milder song from disc one. It has the classic jazz sound to it, with some extra added flair from the percussive instrument that sounds like a fork tapping on a glass jar. Halfway through the song, there seems to be a pick-up in rhythm/tempo, which changes the vibe of the song into something you could dance to. “Pigalle” is named after the French neighborhood. It’s the equivalent of naming a jazz song “New Orleans.”  I would say that this is a fitting title. The accordion is what gives it that French feel. I’m not sure if any production editing was done post-recording, but the intro is very intriguing in this song. Somewhere in the middle of listening to “Nerve,” I found the perfect description for the song. It sounds like something off of an older cartoon. For example, the episodes of Tom and Jerry, where the cartoon takes place in space, is the perfect example of what I feel from this song. The clipping and chirping sounds bring out that strong outer space element. Okay, now that I mentioned this cartoon, I can’t get the idea out of my head when listening to the album.

Moving to disc two, “Dewey Eyed Then Dancing” is a good holiday song. It is romantic and uplifting at the same time. It’s a song that any hopeless romantic would dream of dancing to under a lit-up pavilion at night. I could see this song being a soundtrack in a lot of Valentine's movies. I was curious to know what surprise sounded like, and I think that “The Sound Of Surprise” didn’t do it for me. There weren’t as many fun elements as I would have hoped for. Even listening through to the very end, I still was underwhelmed by the song. "Youth" takes me back to the '20s swing era. I feel like dancing during this track, and I could see it being a good track for a '20s themed New Year's Eve party. "Thud" is cluttered with a bunch of moving melody parts. It takes me to the hustle and bustle of New York City. This song is fresh, and the sax solo is not for the faint of heart. Compared to disc one, I would say that disc two was less interesting.

Now, this is an album that you can’t just search for on Spotify. The box set is 24 discs total and will cost $94 on Amazon. It breaks down the cost to less than $4 per disc. That’s an unbeatable deal for the band’s 20 years of work. I think this album is impressive because it puts a new spin on a somewhat boring genre. The holiday season will be here in a week, so take that gift money and get your hands on this album. Any musician would like this album set, and maybe it is just something that you put on in the background, but you’ll have hours of productivity-music with the set. As I said, I wouldn’t have listened to this album, if I wasn’t reviewing it, but I’m glad that I got the opportunity to hear all the greatness contained on it.

Lily Clark – Berklee College of Music Intern

December 14, 2019

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Tracks:
Disc 1:
01. Stromboli Kicks
02. Making A Song And Dance
03. Up North
04. Candles Still Flicker In Romania’s Dark
05. Pigalle
06. My Heart Declares A Holiday
07. Temple Of The Winds
08. Nerve
09. Gentle Persuasion
10. It Needn’t End In Tears
11. Libreville
12. Dancing On Frith Street
13. Bridge Of Inhibition

Disc 2:
01. No Truce With The Furies
02. Dewey Eyed Then Dancing
03. A Part And Yet Apart
04. Reveal Without A Pause
05. The Sound Of Surprise
06. White Knuckle Wedding
07. Youth
08. Rosa Ballerina
09. Thud
10. Blues For Little Joe
 

Various Artists-A Prog Rock Christmas

Release Date: November 1, 2019

Label:  Purple Pyramid

Imagine looking forward to eating at a hyped new restaurant, only to have them lose your reservation, serve you an undercooked entrée, and an overcooked side. Such is the experience of listening to A Prog Rock Christmas. I had hoped this collection would deliver a progressive twist of sonic experimentation to these seasonal standards. What it provides is ordinary fare minus any prog-rock flights of fancy I had anticipated.

Producer Billy Sherwood, currently of Yes, would have been well served with advice to focus on quality over quantity. Six or eight tracks that elevate and push the boundaries of these classics would have been preferable to the thirteen tracks, which offer little to no such exploration. 

Leslie Hunt and Robin McAuley attempting to cover “Fairytale of New York” is either brave or ill-advised. I’d side with the latter as no version will ever come close to the bittersweet growling of the Shane MacGowan & Kirsty MacColl rendition. Malcolm McDowell as the mean one, Mr. Grinch is so pedestrian and dull, I forgot I was even listening to it and walked out of the room. 

While as a whole, the offering is tepid at best, there are a few individual gems hidden in the rough, which would serve the listener well by adding to a holiday playlist. “Carol of the Bells” by Steve Morse is one such track that actually sounds progressive. “Linus & Lucy” by Geoff Downes is a much-needed playful number. The jazz-fused piano bounces in your ears and sounds fresh. “Happy Christmas (War Is Over) by John Wetton” is soulful and hearty, yet comes across as more country-western than progressive. 

All in all, there is very little “prog” in A Prog Rock Christmas. If you’re looking for some standards interpreted by apt musicians for your office holiday party, this album will serve you well. If you’re looking for an envelope-pushing take on these classics, you’d be better served looking elsewhere. One such place might be The Jethro Tull Christmas Album. It is a season’s celebration with original material mixed with Ian Andersen-interpreted traditional arrangements. It will leave you feeling like Scrooge after his journey with the ghosts of Christmas past, present, and future, full of hope and cheer at the promise of redemption and the essence of Christmas itself.

Tom Endyke - MuzikMan.net Staff

December 4, 2019

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Tracks:
01.  Run with the Fox (Jon Davidson)
02.  Christmas Lights (Kasim Sulton
03.  Carol of the Bells (Steve Morse)
04.  The Twelve Days of Christmas (Annie Haslam)
05.  Wonderful Christmastime (Billy Sherwood, Patrick Moraz)
06.  I Believe in Father Christmas (Martin Turner)
07.  Fairytale of New York (Leslie Hunt, Robin McAuley)
08.  O Come All Ye Faithful (Sonja Kristina)
09.  A Christmas Song (Thijs van Leer)
10.  You’re a Mean One, Mr. Grinch (Malcolm Mcdowell)
11.  Linus & Lucy (Charlie Brown Christmas Theme) (Geoff Downs)
12.  Silent Night (Nik Turner, Simon House)
13.  Happy Christmas (War is Over) (John Wetton)

Book Review: The Ballad of Jethro Tull

Product Details

Title: The Ballad of Jethro Tull (Hardcover)

Release Date: November 15, 2019

Hardcover: 224 pages

Publisher: Rocket 88

Language: English

ISBN-10: 1910978426

ISBN-13: 978-1910978429

Product Dimensions: 9.7 x 1 x 11.3 inches

Website: https://jethrotullbook.com/

The iconic prog-rock band Jethro Tull is immortalized through their music. There are other ways to achieve that status if you have been around for over 50 years. One way is to provide your fan base with a lavishly bounded hardcover book covering the history of the band. 

We now have The Ballad of Jethro Tull. It is quite an overview from Ian Anderson the band’s originator and leader, and other members of the band over the years.

I had the opportunity to speak to Ian about the book but unfortunately, the audio for my podcast did not transfer over. It was a sad day for this music fan and lifetime JT fan. But such is life and I did retain what was said. What I garnered from our conversation was that Ian was approached by the folks at Rocket 88. It was not his idea nor was he thinking of such a project. 

It all turned out wonderfully as the book is a beautiful documentation of the band with some colorful commentary from Ian and the band members that were involved with the albums that were covered to the point when Ian cut his ties with band and went solo then subsequently got a lineup capable of covering all of the JT catalog and his solo projects. I was amongst the many that saw him and that band on the 2018 50th anniversary tour.

I have to say I have never received anything quite like this book covering a band. The quality of the cover and all the pages and photos are superb! And it is definitely worth the price of $50 on the book’s website. It is going for $70 on Amazon so the choice is yours depending on what shipping costs add up to. Now that is for the classic version. If you want to go with signature version at $350 and claim one of the 500 limited edition copies, Ian’s autograph, a 7” single created by Ian for the book’s title b/w “Marmion,” original art prints by cover illustrator Peter Klucik, all in a clamshell box, then go for it. But you better make your move now as I am sure it will sell out quite quickly. That is quite the gift to put under the tree for your Jethro Tull superfan. 

I had a lot of fun reading all the stories and viewing all the pictures. If you are a fan you will go through this book quickly compared to others you may have hanging around in a box somewhere collecting dust. I admit I am one of those people. If I find a book I have a great interest in like this one, then it is a complete joy taking in every visual and every word and varying viewpoints of all the different band members.

The Ballad of Jethro Tull is an up-close look inside one of the most successful band’s in the world. I think what is so incredible was how it all started and where it all went. It is an amazing story of determination, wit, and persistence getting to the top of the heap in the world of prog-rock and music in general. From the humblest beginnings to superstardom and multi-millionaires is always a great story!

Keith “MuzikMan” Hannaleck

December 3, 2019

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Crossover Prog Review: Be-Bop Deluxe-Modern Music Reissue (4 CD/1 DVD)

Release Date:  December 6, 2019

Label:  Esoteric Recordings

Website

Born out of the blues-based British rock scene of the late 1960s, Be-Bop Deluxe are part glam, part pop, part punk, and part prog. This limited five disk (4 CD/1 DVD) reissue of their 1976 classic Modern Music is a complete remaster from the original tapes. The box set contains unreleased out-takes, a BBC Radio concert performance, A TV session from BBC’s Old Grey Whistle Test, and a previously unreleased bootleg of a performance at the Riviera Theater in Chicago. These recordings were all captured during the height of the band’s creativity in 1976.

Founder Bill Nelson’s vocals conjure the earthiness of Billy Joel mixed with the gravitas of David Bowie. Lyrically, the album was inspired by the disillusionment Nelson felt toward the music business after touring the U.S. and a longing for home. Far ahead of their time, one doesn’t have to listen too carefully to hear the influence they had on post-punk English bands such as The Jam, XTC & Joy Division.

Disc 1 contains the remastered album in its entirety. “Kiss of Light” is chockfull of catchy hooks amplified by screaming guitar. It is but one side of the band as they switch gears with a softer, multi-textured beauty in “The Gold at the End of My Rainbow.” “Shine” is an extended seven-minute rock and funk jam initially released as the B side to “Kiss of Light” and this reviewer’s personal favorite.

Disc 2 is the real gem of the collection with “First Versions” and “New Stereo Mixes” of the entire album.  Those that stand out are: “The Bird Charmer’s Destiny” and “Forbidden Lovers.” Free from the sanitization of heavy production, these tracks are sharp, organic renditions, and the heart and soul of the collection. The “New Stereo Mixes” give the listener a feel for how alternative arrangements may have affected the final song.

Disc 3 gives the listener a taste of Modern Music live, with select tracks from a live show at the Hammersmith Odeon in London. “Blazing Apostles” is an extended twelve-minute sojourn where the progressive runs of Nelson’s concise guitar work are met with Simon Fox’s deep rhythms and Andrew Clark’s dancing piano riffs. This respite rings a bell in the harbor of your mind, clearing the fog and guiding you safely to shore.

While Disc 3 constrains itself to Modern Music, Disc 4 reaches back with music from the band’s first three albums, Axe Victim (1974), Futurama (1975), and Sunburst (1976) live from Riviera Theater in Chicago. Previously unreleased, the live guitar work of Bill Nelson on this disk is exceptional and will leave you wondering how he flew under the radar for so long and never reached the commercial success he so deserves. On this disc, you’ll hear the unrestrained sounds of the band breathing new life into their most popular hits at the time.

Be-Bop Deluxe is a sound you’ll feel you’ve heard before, yet it is unlike anything you’ve heard before. Textures, even within the same songs, are interspersed to produce a profound effect. You’ll hear T-Rex-like rock riffs followed by Genesis-like playful explorations followed by Jeff Buckley-like resonant vocals. If you’re discovering Be-Bop Deluxe for the first time, you’ll be pleasantly surprised and feel as if you’ve unearthed a real gem.  If you’ve known them all along, this reissue, especially Disc 2 and 4, will take your appreciation to new heights.
 
Tom Endyke - MuzikMan.net Staff
November 22, 2019

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TRACKS:
Disc 1: CD
Modern Music
The Original Stereo Mix:

01. Orphans of Babylon
02. Twilight Capers
03. Kiss of Light
04. The Bird Charmers Destiny
05. The Gold at the End of My Rainbow
06. Bring Back the Spark
07. Modern Music
08. Dancing in the Moonlight (All Alone)
09. Honeymoon on Mars
10. Lost in the Neon World
11. Dance of the Uncle Sam Humanoids
12. Modern Music (Reprise)
13. Forbidden Lovers
14. Down on Terminal Street
15. Make the Music Magic
16. Shine (B-Side of Single)

Disc 2: CD
Modern Music
The New Stereo Mix:

01. Orphans of Babylon (New Stereo Mix)
02. Twilight Capers (New Stereo Mix)
03. Kiss of Light (New Stereo Mix)
04. The Bird Charmers Destiny (New Stereo Mix)
05. The Gold at the End of My Rainbow (New Stereo Mix)
06. Bring Back the Spark (New Stereo Mix)
07. Modern Music (New Stereo Mix)
08. Dancing in the Moonlight (New Stereo Mix)
09. Honeymoon on Mars (New Stereo Mix)
10. Lost in the Neon World (New Stereo Mix)
11. Dance of the Uncle Sam Humanoids (New Stereo Mix)
12. Modern Music (Reprise) (New Stereo Mix)
13. Forbidden Lovers (New Stereo Mix)
14. Down on Terminal Street (New Stereo Mix)
15. Make the Music Magic (New Stereo Mix)
16. Shining (New Stereo Mix)
17. Forbidden Lovers (First Version)
18. The Bird Charmer’s Destiny (First Version)

Disk 3: CD
BBC Radio One “In Concert” October 2, 1976 at Hammersmith Odeon London

01. Made in Heaven
02. Bring Back the Spark
03. Kiss of Light
04. Adventures in a Yorkshire Landscape
05. Fair Exchange
06. Ships in the Night
07. Twilight Capers
08. Modern Music
09. Blazing Apostles

Disk 4: CD
Live at the Riviera Theatre, Chicago, March 1976.

01. Fair Exchange
02. Stage Whispers
03. Life in the Air Age
04. Sister Seagull
05. Adventures in a Yorkshire Landscape
06. Maid in Heaven
07. Ships in the Night
08. Bill’s Blues
09. Blazing Apostles

Disk 4: DVD

Modern Prog Artist Dave Kerzner Releases "Breakdown A Compilation 1995-2019" - OUT NOW!

Dave Kerzner is a progressive rock artist and producer who has been making music since the mid-90s with artists such as Kevin Gilbert of Toy Matinee and others. In 2010 he co-founded the award-winning band Sound of Contact with Simon Collins and co-wrote/produced their debut album “Dimensionaut.”

Since then, Kerzner has released two highly acclaimed studio solo albums “New World” and “Static” as well as several live albums and a lot of music made with an array of collaborative projects such as his band In Continuum featuring special guests Steve Hackett of Genesis and more, Mantra Vega, a transatlantic project with former Mostly Autumn singer Heather Findlay, Lo-Fi Resistance with Randy McStine and star-studded tribute albums with his side project Sonic Elements.

“Because a lot of my songs have ended up on albums from different bands and projects, as opposed to being easily found on my solo albums, I thought it would be nice to bring a taste of each together in one double CD package at an attractive price to introduce a body of my work to new listeners,” says Kerzner. “While doing this compilation, I also wanted to include previously unreleased outtakes, alternate studio tracks and live versions of songs from these albums so this collection would appeal to those who already have my albums and want more.”

Kerzner's new album “Breakdown” coming out on Cherry Red Records is a collection of 21 songs on 2 CDs with over 2 hours of music produced by Kerzner including brand new versions of songs like “Only Breathing Out” which he originally wrote and recorded with Sound of Contact, as well as the song “All That Is” from the soon to be released sophomore “In Continuum” album. “Acceleration Theory Part 2: Annihilation,” a song that features guest vocalist Jon Davison of Yes and was co-written between Kerzner and Yes co-founder Jon Anderson. The title track of the album,”Breakdown,” is an outtake from Kerzner's solo album “Static.”

In addition to this, the collection offers alternate versions of songs from LoFi Reistance's “Chalk Lines” and Mantra Vega's “The Illusion's Reckoning” with a special trip back to 1995 when he played with Kevin Gilbert's band Thud in the form of a new live tribute performing Kevin's song “Joytown.”

To purchase Dave Kerzner's “Breakdown A Compilation 1995-2019”: https://geni.us/Breakdown

For more information: https://davekerzner.com/

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com

TODD RUNDGREN & L. SHANKAR Join HAWKESTREL For A Cover Of POST MALONE’s "CIRCLES!"

Los Angeles, CA - Hot on the heels of their debut release, The Future Is Us, the Hawkwind-themed supergroup returns with a brand new single, “Circles” featuring the extraordinary guitar work of legend Todd Rundgren and gorgeous violin soloing by musical genius Lakshminarayana Shankar (L. Shankar) who has worked with Frank Zappa, U2, Peter Gabriel, Jeff Beck, Pete Townsend and many, many others! The song, which will be featured on the forthcoming Hawkestrel album (coming in 2020), is an historic first for Prog Rock as it is the first Prog Rock-style cover version of a song originally performed by a hip hop artist!

Check out the new single and its accompanying video (directed by Jared Cohn): 

To listen: https://open.spotify.com/album/1ZOvsOSciGDK7hIUoNASWo?si=9hEBADvkQNahkJGIhdiHAA

To purchase: https://music.apple.com/us/album/circles-feat-todd-rundgren-l-shankar-single/1485894376

To purchase the full-length Hawkestrel album, The Future Is Us, on CD, go here: https://cleorecs.com/store/shop/hawkestrel-the-future-is-us-cd/

Buy the vinyl here: https://cleorecs.com/store/shop/hawkestrel-the-future-is-us-limited-edition-blue-vinyl/

Buy the digital here: https://orcd.co/hawkestrelthefutureisus

Press inquiries: 
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com


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