Guitarists Jon Durant and Robert Jürjendal Release A Vibrant New Musical Collaboration "Across the Evening"

“Across the Evening,” by ambient experimental guitarists Jon Durant and Robert Jürjendal, further extends the ambient/jazz/world crossover music both musicians have traversed throughout their diverse careers. Featuring appearances from Colin Edwin (UK) on bass, Aleksei Saks (Estonia) on trumpet, and Andi Pupato (Switzerland) on percussion, “Across the Evening” is a multi-dimensional, trans continental delight.

With sounds that caress and envelop, rhythms that percolate and inspire, the two guitarists nimbly play off each other and their guests, rarely allowing the listener to imagine that they are hearing guitars.

From the sublime “Reflective Sea” to the deep middle eastern vibe of “Beguiling Eyes,” the album crosses multiple stylistic boundaries. The final two tracks, “Return to Russia” and “Balkan Blue” are live recordings from the ensemble's live performance in Tallin, Estonia in 2019.

Says Jon, “Robert and I had known each others' work for some time - I'm really fond of his group Uma (with Aleksei Saks), and between my collaborations with Tony Levin and Colin Edwin, he'd been following my work as well. But we hadn't connected personally until recently. When the idea of collaborating was floated, we met it with great enthusiasm. We are both very interested in the textural possibilities with guitar but approach it differently, both in terms of tools and techniques. In the end, the two approaches blend wonderfully, and it's often hard to believe that what you’re hearing is guitar. When we began working, we realized that while it's great to be able to work remotely, there was a strong desire to also work together in the same room. I arranged a trip to Tallinn, and Robert organized a concert at Philly Joe's Jazz Club in Tallinn. We were very fortunate to have Aleksei Saks join us on Trumpet, and Inna Kovtun came up from Kiev to sing with us. It was an incredibly inspiring evening, and two tracks on the album are from the recording of that show. The album includes ideas and concepts born out of our few days of rehearsing and improvising together, and flushed out with fantastic performances from Colin Edwin (bass) and Andi Pupato (percussion).”

THE ARTISTS

Jon Durant - Guitars

Jon Durant brings a unique sense of texture and melody to his instrument. His unique “cloud guitar” soundscapes and engaging lead work have graced numerous CD recordings and film soundtracks and his very distinctive use of fretless guitar has been widely admired. He has previously released 9 solo albums and three Burnt Belief records (with Colin Edwin). Durant's acclaimed 2018 solo release “Parting Is” was his first “solo guitar” recording and the follow up solo guitar album “Alternate Landscapes” continue to stretch the boundaries of what a guitar record can sound like. Both solo CDs have been nominated for “Best Ambient Album” in various US new age radio publications, while “Alternate Landscapes” also spent multiple weeks at the top of the NACC Chill Charts.

Robert Jürjendal - Guitars

Robert Jürjendal is an Estonian guitarist and composer who studied classical guitar and composition (Anti Marguste) at Tallinn Georg Ots Music School. In 1992-1997 he participated in Robert Fripp Guitar Craft Courses. He has written music for classical and contemporary guitar, cembalo, mixed ensembles, choirs; documentaries, art exhibitions and theater. His compositions include both traditional and contemporary elements, from folk music to post-rock and ambient-jazz. Robert Jürjendal is working as a freelancer composer / artist / lecturer. He is also the curator of the music program SOOLO at Tallinn Art Hall. Recent albums include “Source Of Joy” (Unsung Records 2013), “Balm Of Light” (iapetus - media 2014) and “Simple Past” (Strangiato Records 2016). “Another World” (with Colin Edwin) (Hard World 2018), “Five Seasons” (Albany Records 2018), With Noya and Godwin, “Samliku” (New Dog Records 2019), with Sandor Szabo “Electric Poetry” (Greydisc 2019).

To purchase:
Bandcamp: https://jondurant.bandcamp.com/album/across-the-evening

Burning Shed: https://burningshed.com/jon-durant_robert-jurjendal_across-the-evening_cd

Amazon: https://www.amazon.com/Across-Evening-Jon-Durant/dp/B089LYGZKT

Jon Durant's official website: http://www.jondurant.com
Robert Jürjendal's official website: http://robertjyrjendal.com

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com

Be-Bop Deluxe "Axe Victim" 4 Disc Limited Edition Deluxe Boxed Set - Released July 17, 2020

Released July 17, 2020

***LIMITED EDITION SIGNED POSTCARD AVAILABLE WITH PRE ORDERS WHILE STOCKS LAST***

• A DELUXE 4 DISC LIMITED EDITION BOXED SET OF THE CLASSIC 1974 DEBUT ALBUM BY BE BOP DELUXE COMPRISING 3 CDs and A DVD (NTSC / REGION FREE)
• NEWLY REMASTERED FROM THE ORIGINAL MASTER TAPES
• FEATURING AN ADDITIONAL 41 BONUS TRACKS DRAWN FROM NEW 5.1 SURROUND SOUND & STEREO MIXES FROM THE ORIGINAL MULTI-TRACK MASTER TAPES, BBC RADIO SESSIONS FROM 1973 / 1974, INCLUDING THE PREVIOUSLY UNRELEASED “LOST” BBC JOHN PEEL SESSION FROM NOVEMBER 1973, BOTH SIDES OF THE RARE SMILE RECORDS ‘TEENAGE ARCHANGEL’ SINGLE FROM 1973, COMPLETE (& NEWLY RE-MIXED) PREVIOUSLY UNRELEASED BE BOP DELUXE DECCA SESSION FROM DECEMBER 1973 & PREVIOUSLY UNRELEASED OUT-TAKES FROM THE ALBUM SESSIONS
• INCLUDES A LAVISHLY ILLUSTRATED 68 PAGE BOOK WITH MANY PREVIOUSLY UNSEEN PHOTOGRAPHS & NEW ESSAY BY BILL NELSON / ALSO INCLUDES A REPLICA RECORD STORE POSTER & POSTCARDS

Esoteric Recordings is proud to announce the release of a new re-mastered four-disc deluxe expanded boxed set limited edition (comprising 3 CDs and a DVD) of AXE VICTIM the legendary 1974 debut album by BE BOP DELUXE.

Recorded in the Spring of 1974 at several studios in London, AXE VICTIM was released by EMI’s Harvest label in June 1974 to much critical praise and introduced Be Bop Deluxe to the record buying public. The album featured the band’s first line-up of BILL NELSON (vocals, lead guitar, acoustic guitar, piano), IAN PARKIN (rhythm & acoustic guitars, organ), ROB BRYAN (bass guitar, vocals) and NICHOLAS CHATTERTON-DEW (drums).

AXE VICTIM was a fine debut and was championed by DJ John Peel (who had been an advocate of Bill Nelson’s work since the release of the rudimentary self-released album “Northern Dream” in 1971) as one of his favourite releases of 1974. Although Bill Nelson was still finding his creative feet, AXE VICTIM featured some fine material including the classic ‘Adventures in a Yorkshire Landscape’, along with other fine material such as ‘Night Creatures’, ‘Third Floor Heaven’ (which featured Babe Ruth vocalist Jenny Haan guesting), ‘Jets at Dawn’ and the superb ‘Darkness (L’Immoraliste)’.

This expanded reissue has been newly re-mastered from the original master tapes and features an additional 41 bonus tracks drawn from stunning new 5.1 surround sound & stereo mixes of the album from the original multi-track tapes by award winning engineer Stephen W. Tayler, along with two complete BBC Radio One sessions from November 1973 and May 1974 (including the previously unreleased “lost” John Peel session from November 1973), both sides of the rare Smile Records single ‘Teenage Archangel’ b/w ‘Jets at Dawn’ released by the band in 1973 prior to being signed to EMI. Also included is the complete previously unreleased Be Bop Deluxe audition session for Decca Records from December 1973 (mixed from the original 16 track tapes by Stephen W Tayler) & previously unreleased out-takes from the original album sessions.

Another highlight of this limited-edition boxed set is the lavishly illustrated 68-page book with many previously unseen photographs and an essay of recollections by Bill Nelson. Additionally, the set includes a facsimile Record Store poster and postcards. This special deluxe limited edition boxed set of AXE VICTIM is a fitting celebration of a wonderful debut album and a tribute to the creative vision of Bill Nelson.



TRACK LISTING

DISC ONE: CD
AXE VICTIM
THE ORIGINAL ALBUM REMASTERED:

1. AXE VICTIM
2. LOVE IS SWIFT ARROWS
3. JET SILVER & THE DOLLS OF VENUS
4. THIRD FLOOR HEAVEN
5. NIGHT CREATURES
6. ROCKET CATHEDRALS
7. ADVENTURES IN A YORKSHIRE LANDSCAPE
8. JETS AT DAWN
9. NO TRAINS TO HEAVEN
10. DARKNESS (L’IMMORALISTE)
BONUS TRACKS
11. TEENAGE ARCHANGEL (1973 SINGLE)
12. JETS AT DAWN (1973 SINGLE VERSION)
13. NO TRAINS TO HEAVEN
(FIRST MIX) (PREVIOUSLY UNRELEASED)
14. AXE VICTIM (ALBUM VERSION – FIRST MIX)
(PREVIOUSLY UNRELEASED)

DISC TWO: CD
AXE VICTIM
THE NEW STEREO MIX:

1. AXE VICTIM
2. LOVE IS SWIFT ARROWS
3. JET SILVER & THE DOLLS OF VENUS
4. THIRD FLOOR HEAVEN
5. NIGHT CREATURES
6. ROCKET CATHEDRALS
7. ADVENTURES IN A YORKSHIRE LANDSCAPE
8. JETS AT DAWN (FULL VERSION)
9. NO TRAINS TO HEAVEN
10. DARKNESS (L’IMMORALISTE)
BONUS TRACKS
11. AXE VICTIM (FIRST VERSION)
(PREVIOUSLY UNRELEASED)
12. NIGHT CREATURES (SPOKEN WORD VERSION) (PREVIOUSLY UNRELEASED)
13. ROCKET CATHEDRALS (FIRST VERSION) (PREVIOUSLY UNRELEASED)

DISC THREE: CD

BBC RADIO ONE “JOHN PEEL SHOW” SESSION
6th NOVEMBER 1973

1. AXE VICTIM (BBC SESSION NOVEMBER 1973)
(PREVIOUSLY UNRELEASED)
2. BLUESY RUBY (BBC SESSION NOVEMBER 1973)
(PREVIOUSLY UNRELEASED)
3. TOMORROW THE WORLD
(BBC SESSION NOVEMBER 1973)
(PREVIOUSLY UNRELEASED)

THE DECCA SESSION – 13th DECEMBER 1973:

4. AXE VICTIM (DECCA SESSION 1973)
(PREVIOUSLY UNRELEASED)
5. I’LL BE YOUR VAMPIRE (DECCA SESSION 1973)
(PREVIOUSLY UNRELEASED)
6. ADVENTURES IN A YORKSHIRE LANDSCAPE
(DECCA SESSION 1973)
(PREVIOUSLY UNRELEASED)
7. BLUESY RUBY (DECCA SESSION 1973)
(PREVIOUSLY UNRELEASED)

BBC RADIO ONE “JOHN PEEL SHOW” SESSION
9th MAY 1974

8. THIRD FLOOR HEAVEN (BBC SESSION MAY 1974)
9. MILL STREET JUNCTION (BBC SESSION MAY 1974)
10. 15TH OF JULY (INVISIBLES)
(BBC SESSION MAY 1974)
11. ADVENTURES IN A YORKSHIRE LANDSCAPE
(BBC SESSION MAY 1974)

DISC FOUR: DVD
AXE VICTIM
THE NEW 5.1 SURROUND SOUND MIX, NEW 96 KHZ / 24-BIT STEREO MIX AND 96 KHZ / 24-BIT ORIGINAL STEREO MIX

1. AXE VICTIM (5.1 SURROUND MIX)
2. LOVE IS SWIFT ARROWS (5.1 SURROUND MIX)
3. JET SILVER & THE DOLLS OF VENUS (5.1 SURROUND MIX)
4. THIRD FLOOR HEAVEN (5.1 SURROUND MIX)
5. NIGHT CREATURES (5.1 SURROUND MIX)
6. ROCKET CATHEDRALS (5.1 SURROUND MIX)
7. ADVENTURES IN A YORKSHIRE LANDSCAPE
(5.1 SURROUND MIX)
8. JETS AT DAWN (FULL VERSION) (5.1 SURROUND MIX)
9. NO TRAINS TO HEAVEN (5.1 SURROUND MIX)
10. DARKNESS (L’IMMORALISTE) (5.1 SURROUND MIX)
BONUS TRACKS
11. AXE VICTIM (FIRST VERSION)
(PREVIOUSLY UNRELEASED) (5.1 SURROUND MIX)
12. NIGHT CREATURES (SPOKEN WORD VERSION) (PREVIOUSLY UNRELEASED) (5.1 SURROUND MIX)
13. ROCKET CATHEDRALS (FIRST VERSION)
(PREVIOUSLY UNRELEASED) (5.1 SURROUND MIX)

Also available Be-Bop Deluxe Axe Victim, 2CD Expanded & Remastered Edition


To pre-order: https://www.cherryred.co.uk/product/be-bop-deluxe-axe-victim-3cd-1dvd-limited-edition-deluxe-boxset/?fbclid=IwAR3DgTCW-ziS4j0xYz9bP9K0rsYimz9C_WMFu55Uxzu5qHJZp0EDhWcSivI

Press inquiries (North America): Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com

10cc/Godley & Creme Legend Kevin Godley To Release Very First Solo Album MUSCLE MEMORY December 17, 2020

LEGENDARY SONGWRITER / SINGER / DRUMMER AND MUSIC VIDEO PIONEER RELEASES CROWDSOURCED ALBUM. 

ALBUM RELEASED - 17.12.2020 SINGLES RELEASED - 16.07.2020 - 03.12.2020

In July 2017 Kevin Godley - formerly of 10cc and Godley & Creme - posted an invitation on the site PledgeMusic: “Write and record with me.”

PledgeMusic was a platform for musicians to connect directly with fans who could pay for music in advance to support the creation of albums. Kevin's project took the potential of this remote, socially distanced collaboration further.

He explained: “Recently something happened that eclipsed any songwriting techniques I'd learned in 10cc or Godley & Creme. Out of the blue, I was sent 2 recorded instrumental tracks with requests to write melodies and lyrics and turn them into songs. Both tracks came from people I'd never met and still haven't. Experiencing this kind of remote collaboration and its results has been transformative for me, as I believe I've recorded 2 of my best ever songs and MUSCLE MEMORY, as I'm calling the album, will be about opening this collaborative door a lot wider.”  

Kevin received 286 instrumentals, choosing to conceal the names of submitters so as not to focus on high profile artists. Of these 11 were chosen for the final tracklisting. The instrumentals vary wildly, from jarring electronic beats to Gotye's dreamlike balladic contribution, “Song of Hate.”

In May 2019, before any money pledged had arrived to support the album, PledgeMusic declared bankruptcy. With the lists of pledgers gone and the project stalled, The state51 Conspiracy contacted Kevin and funded the project so that those who had paid would still be able to listen to the record they were helping to make.

The album marks Kevin's first time fronting a project. His lyricism is cutting, political and provides a mood similar to film dialogue over classic pop lyricism. Gun control, societal unrest, racism and questions regarding political correctness make for some of the most striking lyrical content likely heard on an alternative pop record. This is a dark record from someone not known for dark themes.

Kevin's career features numerous exceptional albums and sees him as one of the most important pioneers of the pop music video. MUSCLE MEMORY is a fitting addition to this body of work, offering a provoking, daring new insight into Godley's creative practice. Tracks from the album will be released in order every two weeks until the album's release on the 17th of December 2020.

Album tracklisting / release timeline:  

1) Expecting a Message: 16/07/2020
2) The Ghosts of the Living: 30/07/2020
3) Hit the Street: 13/08/2020
4) The Bang Bang Theory: 27/08/2020
5) 5 Minutes Alone: 10/09/2020
6) Cut to the Cat: 24/09/2020
7) One Day: 08/10/2020
8) All Bones are White: 22/10/2020
9) Periscope: 5/11/2020
10) Song of Hate: 19/11/2020
11) Bulletholes in the Sky: 03/12/2020
12) Muscle Memory - CD, Vinyl and Digital: 17/12/2020

Listening link: https://soundcloud.com/state51/sets/kevin-godley-muscle-memory/s-A3ZMG64gPyX

Kevin Godley social media: 
Official website: http://www.kevin-godley.com/
Instagram: https://www.instagram.com/p/BvcGX_ZgN22/
Twitter: @kevingodley9

Subscribe to Kevin Godley's mailing list: 
https://kevingodley.greedbag.com/subscribe/

For more information please contact The state51 Conspiracy: support@strate51.com

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

Eclectic Prog Review: Fren-Where Do You Want Ghosts To Reside?

Release Date: March 6 2020

Label: Independent

Website

Where Do You Want Ghosts To Reside? is the debut album released by the Polish band, Fren. Hailing from Krakow, they are classed as an eclectic prog band and were formed in 2017. The band is a quartet, comprising Oscar Cenkier (keyboards), Michal Chalota (guitars), Andrew Shamanov (bass) and Oleksii Federov (drums).

These guys are creating a few waves for being newcomers, as I have seen a couple of reviews which have extolled the virtues of this band, as well as hinting that they have a few older bands to thank for their sound. Having listened to this release, which was sent to me by Michal, many times, what we have here is an excellent set of musicians who give “nods” to various areas of “older, classic” prog, but masterfully incorporate these retro-style sound excursions into the sound of Fren. At this point, I should also mention that Fren is an instrumental band, and they have successfully circumvented my normal apprehension of such entities, as at no time during Where Do You Want Ghosts To Reside? did I think “what a difference a vocalist could have made at this point.”

Where Do You Wants Ghosts To Reside? is a 6 track album with a total playing time of just under 45 minutes (44:29), with track 3, “Goraca Linia”, being the shortest at 2:59 minutes and the fourth track, “Pleonasm,” the longest on offer at just over 12 minutes (12:02).

“Pleonasm” is a majestic track dominated by the superb piano passages. After a gentle piano passage starts the track, with the rest of the band almost unobtrusive in the background, the piece moves into a more jazzy sequence with all the players playing their parts very well, as the piece unfolds, the tempo, and the intensity shifts several times with the piano leading the way for the most part. The interplay between the four very skilled musicians is nudging perfection. Little forays, again into a more jazz-based style, this time led by guitar, ebb and flow, as the music returns to the piano lead before entering into a majestic full band passage around the midpoint of the track. The listener is drawn into the atmospheric piece by the shifting points of emphasis and the revisiting of the superb piano sections. At times this track is very minimalistic before building into a thunderous full band section, then the sound is stripped away to simply piano with the other instruments underpinning the track. The last 1-2 minutes are hugely atmospheric as the track moves to the finale. This is a stunning track that is different musically from the 3 prior tracks but maintains the high bar set by those tracks.

The final track on the album is track 6, “Time To Take The Stones Away” (8:41), and starts with another majestic repeating riff, before settling into a guitar-led passage which pushes along, giving Michal the chance to shine. A simply lovely piano passage at 2:00 minutes is backed by tempered bass and drums with the piano again the main instrument of the piece. Just after 4:00 minutes, the sound clears away to leave a stunning bass sequence with sporadic drum inputs before the guitar almost stealthily enters proceedings. Prior to the 6:00 minute point, the sound moves more aggressively before the piano comes in over the top and with the band now playing with such skill, the track is escorted to its completion.

This is a stunning debut release by Fren, performed by musicians who share a similar goal, that is, to aim for perfection in their music. Where Do You Want Ghosts To Reside? is an album that simply shouts out “Buy Me!”. From the simplest of passages to the multi-layered passages, this is an enthralling album to listen to. You will marvel at the points where you just about have time to think “that sounds like….” before another passage whisks you deep into the sound of Fren. This, in my opinion, is a must-have purchase in any true prog fan’s collection and will be listened to many, many times generating real musical enjoyment.

Jim “The Ancient One” Lawson   ProgRockMusicTalk Staff
June 16, 2022

Tracks:
1. Twin Peaks (4:41)
2. Surge (9:43)
3. Goraca Linia (2:59)
4. Pleonasm (12:02)
5. Heavy Matter (6:23)
6. Time To Take Stones Away (8:41)
 

Art Rock Supergroup MANDOKI SOULMATES Release Full-Length Album Feat. Ian Anderson, Jack Bruce, Al Di Meola and Others In Partnership With U.S. Label CLEOPATRA RECORDS!

Features performances by Jethro Tull's Ian Anderson, Supertramp’s John Helliwell & John Siebenberg, Toto's Bobby Kimball Manfred Mann's Chris Thompson, Cream's Jack Bruce PLUS Jazz-Rock giants Al Di Meola, Cory Henry, Mike Stern, Randy Brecker, Bill Evans, Richard Bona and many more!

Los Angeles, CA - L.A.-based indie label Cleopatra Records and Hungarian-born songwriter/producer/musician Leslie Mandoki, the mastermind behind the living, breathing art rock project Mandoki Soulmates, are proud to announce the release of the first full-length album since the two entities joined forces earlier this year. Coming out on Cleopatra’s venerated progressive rock imprint, Purple Pyramid, home to such artists as Nektar, Tangerine Dream, Hawkwind-alumni project Hawkestrel, and Rick Wakeman, the album entitled Living In The Gap + Hungarian Pictures is actually a double album adding the 45-minute Prog Rock suite Hungarian Pictures, based on a musical concept by Deep Purple’s Jon Lord & ELP’s Greg Lake, to the original Living In The Gap album. Having already topped the Amazon Classic Rock Charts in Germany, Living In The Gap + Hungarian Pictures is poised to bring a whole new audience in North America, South America, the UK and beyond into the Soulmates’ family of fanatics.

As with his other projects under the Mandoki Soulmates banner, Leslie Mandoki has brought together a Murderer’s Row of rock icons and musicians from some of the biggest names in prog and classic rock including Jethro Tull’s Ian Anderson plus current and former members of Toto, Cream, Supertramp, ELP, Blood, Sweat & Tears, Manfred Mann’s Earth Band and this list goes on and on! The coming together of such a diverse cast perfectly expresses the album’s lyrical theme of unity, which couldn’t be a more timely message for today’s world. Mandoki explains in the album’s video trailer, “We know that music is the greatest unifier…[These are] songs against division, from the old rebels to the young rebels. This is our time to take a breath for a better world.”

Watch the entire album trailer here:

Stream Living In The Gap + Hungarian Pictures here: https://orcd.co/mandoki_soulmates_living_in_the_gap

For additional information about this release, including press clippings, photos and more videos, visit: https://promo.mandoki-soulmates.com/ When entering the site, check out the newly developed Soulmates Weekly short-film series, providing exclusive and private insights behind the scenes of the Mandoki Soulmates who share their stories of performing with their legendary companions both on and off stage!

Also be sure to check out Mandoki Soulmates and Ian Anderson’s special tribute to the heroes of the COVID-19 pandemic - hospital workers, grocery store clerks, food delivery drivers, and others - on the digital EP We Say Thank You! Proceeds from the EP will be donated to The United Nations Foundation’s COVID-19 Solidarity Response Fund in support of the WHO (World Health Organization) and The Mayor's Fund to Advance New York City.

Stream the We Say Thank You EP here: https://orcd.co/mandoki-soulmates-with-ian-anderson

Press inquiries: 
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com


CLEOPATRA RECORDS, Inc.
11041 Santa Monica Blvd #703
Los Angeles CA 90025
www.CleopatraRecords.com


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Genesis Guitar Legend Anthony Phillips THE LIVING ROOM CONCERT Remastered & Expanded Digipak Edition To Be Released July 24, 2020

• A NEW REMASTERED & EXPANDED EDITION OF THIS ALBUM OF A LIVE RADIO PERFORMANCE 

• WITH THREE PREVIOUSLY UNRELEASED BONUS TRACKS

• FULLY RESTORED ARTWORK & NEW ESSAY BY JON DANN

Esoteric Recordings are pleased to announce the release of a new re-mastered and expanded edition of THE LIVING ROOM CONCERT by original Genesis guitarist and celebrated solo artist and composer ANTHONY PHILLIPS.

Originally released in May 1995, the album featured highlights of a live solo performance by Anthony which was recorded on March 21st 1993 as part of the Living Room Concert Series for the US Radio program Echoes, a daily program of contemporary instrumental music. The show was broadcast on 120 public radio stations in America on 25th June 1993.

For the performance Anthony selected a number of acoustic guitar and piano pieces for the performance, drawing mainly on tracks originally released on the albums The Geese and The Ghost, Private Parts and Pieces and A Catch at The Tables, along with two pieces from New England, the eighth volume in the Private Parts & Pieces series and a solo 12-string version of the first movement of a Guitar Quintet that he had composed in 1976, which had subsequently been scored with parts for strings and wind instruments; “Conversation Piece.”

Unavailable on CD for many years, THE LIVING ROOM CONCERT has been remastered and expanded to include three previously unreleased tracks recorded for the original broadcast, “Jaunty Roads,” “Let Us Now Make Love” and “Lucy: An Illusion.”

This Esoteric Recordings edition restores the original artwork and includes new liner notes by Anthony Phillips archivist Jon Dann.

TRACK LISTING

1. REAPER
2. WHICH WAY THE WIND BLOWS
3. HENRY: PORTRAITS FROM TUDOR TIMES
4. CONVERSATION PIECE
5. FLAMINGO
6. FIELD OF ETERNITY
7. SISTINE
8. LIGHTS ON THE HILL
9. LAST GOODBYES
10. COLLECTIONS
11. SLEEPFALL
BONUS TRACKS
12. JAUNTY ROADS
13. LET US NOW MAKE LOVE
14. LUCY: AN ILLUSION

Released July 24, 2020.


To purchase: https://www.cherryred.co.uk/product/anthony-phillips-the-living-room-concert-remastered-expanded-digipak-edition/

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (USA), glassonyonpr@gmail.com

Prog Ensemble Staring Into Nothing To Release Second Album "Love" With Guest Appearances By King Crimson's Trey Gunn & Zappa's Mike Keneally

Produced by Ronan Chris Murphy (King Crimson, GWAR, Steve Morse, Bozzio/Levin/Stevens)

Southern California based Staring Into Nothing wields a foundation of melodic progressive rock to explore new musical and thematic terrain. Founders Steve Rogers (keys and vocals) and Kurt Barabas (bass, vocals and guitars) take a Steely Dan-esque approach to music creation, using the studio and a revolving cast of world class collaborators to create music that observes and scrutinizes the human experience.

Staring into Nothing’s latest album “Love” probes the multiplicity and evolution of romantic love. The album was produced and mixed by Ronan Chris Murphy (King Crimson, Steve Morse, Ulver) and features an awesome line up of collaborators including Gregg Bissonette (David Lee Roth, Santana, Ringo Starr) on drums, Victor Bisetti (Los Lobos) on percussion, Mike Keneally (Zappa, Steve Vai, Joe Satriani) on guitars, Trey Gunn (King Crimson, John Paul Jones) on Warr Guitar, Dave Nachmanoff (Al Stewart) on background vocals/acoustic guitar and Danny T. Levin (Iggy Pop, Twenty One Pilots, Vampire Weekend) on horns. With this album, Murphy and the band sought to refine the melodies and structure of the songs even further than the previous album and provide ample room for the various collaborators to bring their voices to the album. While the compositions by Rogers and Barabas make up the core of the music on “Love,” the music was completely transformed by all the collaborators. The creative process allowed everyone involved to mold its final sound and spirit, and created space for stunning contributions, most notably several remarkable solos by Keneally and Gunn.

Says Steve, “We were trying to explore the varieties of romantic experience from a mature perspective that recognizes its not all good and not all bad, but its all we have. In the end, the message is uplifting because over time love endures and transitions into something even more fulfilling when it becomes legacy and a common set of memories and values. We recorded this album differently than our first one. We worked more closely with the producer, Ronan Chris-Murphy, during the actual arrangement of the songs and benefited from his insights, ideas and contributions. Ronan also brought a commitment to making the best album we could by bringing top shelf musicians to the project like Mike Keneally, Trey Gunn, Gregg Bisonette and Dave Nachmanoff. Also most of this album was recorded in our own studio in Costa Mesa California.”

Watch the video for “Ashes”: 

“It was a real pleasure to be involved with this project, working with the band and Ronan to find ways to tastefully enhance the impact of these beautifully melodic, emotionally charged songs. I found the songs inspired and inspiring, and I loved the experience of playing on the album.” - Mike Keneally

“Super day and a half of recording. I loved being in the room with these guys stretching out on these songs. Great to hear it all come together.” - Trey Gunn

“A project like this is really exciting as a producer. The band already had strong material with a lot of emotional depth before I got on board, so we had a lot of great raw material to work with. The fact that the band is just two guys, that are open to new ideas, meant we were able to have a lot of fun developing the material and bringing in the right players to explore those ideas. I very intentionally brought in guest musicians that are more known as artists in their own right than being session guys. I knew from working with all of them before, that if I gave them a platform to explore they would bring great things to the project. They did not disappoint. They all brought the musicality we were all hoping for, while enhancing the emotional aspects of Steve and Kurt’s compositions.” - Ronan Chris Murphy, Producer-Engineer (King Crimson, GWAR, Steve Morse, Bozzio/Levin/Stevens)

Staring Into Nothing have crafted their own sound, but their love of strong melody and virtuosic musicianship has drawn comparisons to artists such as Marillion, Porcupine Tree, Flying Colors, early Genesis, Pink Floyd and Rush. Bassist Kurt Barabas is a veteran of the progressive rock scene. He was a founding member of Magna Carta Records artist Under the Sun as well as Amaran’s Plight with Nick D’Virgilio (Genesis, Peter Gabriel, Spock’s Beard). Kurt was also a founding member of Roswell 6, who recorded the album “Terra Incognita” that accompanied a science fiction novel of the same name written by Kevin J. Anderson. “Terra Incognita” featured a who’s who of musicians, including James LaBrie (Dream Theater), Michael Sadler (Saga), John Payne (Asia), and David Ragsdale (Kansas).

Following the break-up of Under the Sun, Barabas starting wring new material with longtime Under the Sun fan Steve Rogers. The two found they had instant and synergistic creative chemistry and set to work creating a trilogy of concept albums that delve into the complex facets of the human experience.  They released their first album “Power” in 2017, which explores the many ways power is used to manipulate, control and subjugate people. It was produced and mixed by Mark Needham (The Killers, Elton John) and features drumming by Matt Chamberlin (A Perfect Circle, David Bowie, John Mayer).

Here's what the press has said about Staring into Nothing:

“Staring into Nothing melds the epic structure of prog rock with the tuneful moodiness of new wave.” - Huffington Post

“With, perhaps, a little further polish or fine-tuning, many of these songs wouldn’t be out of place on an album like Pink Floyd’s The Wall.” - The Big Takeover

“The nice blend of melody and atmosphere will please fans of prog classics like Rush and Yes, as well as modern titans like Steven Wilson and Opeth” - Alternative Nation

“...should appeal to anyone with an interest in prog rock and even casual fans of the genre could find things here to love about it.” - Sputnik Music 

“Staring Into Nothing is a trio from California who have a very modern prog sound. Musically, they remind me a bit of a mix of Steven Wilson and Roger Waters.” - Progressive Music Planet

“The Prog-Rock-esque powerhouse brings down the house with an eclectic and unique record that will blow your mind.” - Modern Mystery Blog

In support of their new album, Staring Into Nothing has budgeted four videos for the album and have completed the first two. They continue to work on the final two, but they got caught up in the virus lock-down that shut down the video shoots in March.

In closing Steve has this to impart, “That relationships matter even though they can be hard to maintain at times. Also that there is redemption for any of us who stray from the past. That redemption often comes to us through the people we love.”

To purchase Staring Into Nothing's “Love”: 
https://staringintonothing.bandcamp.com/merch



For more information: https://www.staringintonothing.com/

Press inquiries: Glass Onyon PR, PH: 828-350-8158 (USA), glassonyonpr@gmail.com