Vanderwolf Releases “12 Little Killers” LP As Follow Up To His “Extinction” EP

Following the recent release of his EP “Extinction” which featured musical legends Robert Wyatt and Daevid Allen, Vanderwolf has put forth an album of 12 original tracks available on vinyl and digital download - his first LP under his own name.

Vanderwolf re-emerges with “12 Little Killers” an eclectic collection that includes the deliciously oozing slice of psychedelia of the single “Glisten,” which is heavily-slanted toward melting analogue synthesizers (Sam Sallon) and rich layers of acoustic guitars (Chris Cordoba) and an exquisite vocal by Max Vanderwolf.

Recorded by producer Chris Wyles at his south London studio, the 12 songs were selected, mixed and compiled by keyboardist and co-producer Sam Sallon. It’s available in a limited pressing of 500.

Says Max, “These 12-tracks, present human fallibility in its many forms - greed, anxiety, lust, self-debasement, our seemingly limitless capacity to hurt others – it’s all there. It was important to have a visual identity that carries these themes.”

Vanderwolf’s music spans a wide-range of genres from global beats to hard blues to fragile balladry to prog-rock monstrosities and beyond. With a vast back catalogue of songs to release, Vanderwolf is set to get his wild and restless music out to the world.

Born in NYC, working in London and as of 2020 residing in Los Angeles, Max Vanderwolf has recorded several albums and countless songs. Most of them remain unreleased. Notably, he was vocalist and creative-force behind the semi-legendary London band, Last Man Standing, whose sole album in 2008 received plaudits from many including Mojo and Uncut.

Concurrent to his life in music, Vanderwolf has worked under an assumed name as a music programmer and concert producer in some of the worlds’ most celebrated clubs and venues. He went from overseeing the legendary underground downtown NYC’s Knitting Factory to overseeing London’s Royal Festival Hall, where for 9 years he produced the Meltdown Festival where he worked closely with David Bowie, Patti Smith, Jarvis Cocker, Massive Attack and others. He has produced concerts in Brooklyn, Rome and Paris working closely with John Cale, Sparks and the Residents.

With more music from these London sessions being mixed and an album’s worth of new material being recorded in Los Angeles, Max Vanderwolf is diving headlong into the future.

Vanderwolf “12 Little Killers” will be released on July 20, 2022.

Vanderwolf:
Max Vanderwolf - Vocals
Sam Sallon - Keyboards
Chris Wyles  - Drums
Kevin Petillo - Drums
Chris Cordoba - Guitar
Oli Hannifan - Guitar
Will Muldrew - Bass
Malin-My Nilsson and Amy Langely: strings
Victy Silva - backing vocals

To purchase the new single “Glisten”: https://lnk.to/VanderwolfGlisten

To purchase “12 Little Killers”: https://vanderwolf.lnk.to/12LittleKillers

For more information:
Official website: www.vanderwolfmusic.com
Youtube: https://www.youtube.com/channel/UC5VCMMZZYJ0QKriJy07ZJCg
Facebook: https://www.facebook.com/vanderwolfmusic
Instagram: https://www.instagram.com/vanderwolfmusic/
Twitter: https://twitter.com/Vanderwolfband
Promotional materials: https://www.vanderwolfpromo.com/
Soundcloud link to album, “12 Little Killers”: https://soundcloud.com/vanderwolf-official/sets/12-little-killers

Videos:
“Glisten” from “12 Little Killers”: https://www.youtube.com/watch?v=LE1x25aXIkA
“The Existential Terrier” from “12 Little Killers”:
https://youtu.be/1BhnWCSKoJs (available to watch on the release date)

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

An Evening Of Conversation with Robert Fripp and David Singleton North American Fall Tour 2022

Robert Fripp is a founding member of King Crimson, contributor and collaborator with Brian Eno, David Bowie, Daryl Hall, David Sylvian, Peter Gabriel, Posh Poppers Toyah Willcox and Simon Darlow, and a lot of other totally excellent people. Originating director of the Guitar Craft and Guitar Circle program. Since Covid and lockdown he has been kicking received opinion via social media with Toyah & Robert’s Sunday Lunch.

David Singleton established DGM with Robert Fripp in 1993 and has reluctantly managed King Crimson since 2018. David is King Crimson’s producer and author of The Vicar Chronicles.

An endless stream of people ask Fripp burning questions, many of which are actually not even quite smoldering. In most cases they would be better answered by David Singleton. This is an opportunity to ask both Fripp and Singleton the questions that get them out of bed in the morning.

Where does Music come from? What does it take to survive the music business? When does the impossible become possible? Can Music change the world? Why did Fripp put on a tutu and dance to Swan Lake at the end of his garden?  Who is The Vicar?

Tour Dates:
September 16 - Toronto, ON - Royal (tickets)
September 17 - Montreal, QC - Club Soda (tickets)
September 18 - Quebec City, QC - Imperial Bell (tickets)
September 19 - Syracuse, NY - Carrier Theater (tickets)
September 21 - Ridgefield, CT - Ridgefield Playhouse (tickets)
September 22 - Boston, MA - City Winery (tickets)
September 23 - New York, NY - City Winery (tickets)
September 24 - Albany, NY - Swyer Room (tickets)
September 27 - Red Bank, NJ - The Vogel (tickets)
September 28 - Philadelphia, PA - City Winery (tickets)
September 30 - Washington, DC - City Winery (tickets)
October 1 - Annapolis, MD - Ram’s Head Live (tickets)
October 2 - Oakmont, PA - Oaks Theater (tickets)
October 5 - Cleveland, OH - Music Box Supper Club (tickets)
October 8 - Milwaukee - Wilson Theater-Marcus Center (tickets)
October 9 - Chicago, IL - City Winery (tickets)

For more information: www.dgmlive.com

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

New Book “Pink Floyd – The Animals Tour – A Visual History” By Glenn Povey Now Available For Pre-order!

Pink Floyd’s 10th studio album “Animals” was released almost 10 years on from their psychedelic debut that launched the band on to the world stage. But this release couldn’t be farther from “The Piper At The Gates Of Dawn” if you tried: It was a hard-hitting politically charged heavy rock album. Its three central pieces, “Pigs (Three Different Ones)”, “Dogs” and “Sheep” each extending to over 10 minutes each drew parallels with George Orwell’s dystopian nightmare “Animal Farm”. Its lyrics continued to project Roger Waters’ eternal themes of life’s struggles where the subservient masses are sheep controlled by tyrannical pigs and authoritarian dogs.

Recorded over the summer of 1976, in the space of time it took punk to both explode and promptly fizzle out, at their own Britannia Row studios in north London, it also marked a shift from their traditional base of EMI at Abbey Road. Arguably one of Pink Floyd’s least well recorded works it does however hold a fond place in many fans hearts and Animals has enjoyed a legacy – Roger Waters in particular reviving those tracks to shoehorn into his own politically charged live solo shows in recent years.

The corresponding tour through the first half of 1977 was also not without compromise and built on the stadium spectacular that had been successfully developed over the previous two years of touring. Creatively, there was no limit to their ambition as large-scale inflatable structures, screen films, special effects and state of the art sound reinforcement were utilized that enveloped the audience in an ever-increasing immersive experience. But, despite all this, as their fan base increased exponentially so too did the rowdy nature of the stadium environment which, coupled with band members personal issues, ultimately led to inter-band rifts and Roger Waters’ increasing intolerance of and disdain towards the adulation of the fans.

This all finally came to a spectacular head during their final show of the “Animals” tour in Montreal in July and the events that unfolded became the lynchpin of Waters’ vision of isolation and madness that eventually led to the creation of “The Wall” two years later.

“Pink Floyd – The Animals Tour – A Visual History” By Glenn Povey documents both the history of the recording of the album and the supporting tours which remains one of the most fascinating periods in Pink Floyd’s history.

To pre-order: https://www.musicglue.com/pink-floyd-glenn-povey-a-visual-tour/

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158, glassonyonpr@gmail.com

THE MOODY BLUES’ JOHN LODGE ONE NIGHT ONLY! JULY 25 at OCEAN CITY MUSIC PIER, NJ

‘Keeping All The Moody Blues Music Alive’

John Lodge - legendary bass player, songwriter and vocalist for the iconic rock band, The Moody Blues is to bring his electrifying ‘Performs Classic Moody Blues’ show to the Ocean City Music Pier on July 25 as part of their Summer Concert Series.

Tickets on sale now at: https://www.ticketmaster.com/an-evening-with-the-moody-blues-ocean-city-new-jersey-07-25-2022/event/02005CB49C2E6AA2. Limited Edition VIP ‘add on’ merchandise packages also available https://tickets.onelivemedia.com/events/27501

Check out the tour promo video here! (https://youtu.be/X6Lr2SvoTkk)

Writer and vocalist of such mega Moody Blues hits “Ride My See-Saw”, “I’m Just a Singer (In a Rock and Roll Band)”, “Isn’t Life Strange”, “Gemini Dream”, “Steppin in a Slide Zone” and many many more. Lodge has been performing and recording with The Moody Blues for more than five decades, selling in excess of 70 million albums, and also enjoys a successful solo career.  

With the Moody Blues no longer touring, it’s John’s deeply held desire to continue to bring this music, the music he calls ‘the soundtrack of his life’ - as it is to so many - to the fans who have been on this journey with him for so many years. John and his band perform these classic songs with a new energy, whilst always remaining true to the Moody’s roots and the original iconic sound. They are unique in managing to bring a feeling of nostalgia to the room and the audience to their feet, with songs that are as relevant today as they were when first written and experienced.

As one critic wrote, ‘a brilliant night of classics from start to finish from this living Rock Legend!’, and as John says to the fans at the end of every show, ‘Thank you for Keeping the Faith’… and you can see he means it.  John’s show weaves his own Moodies hits together with special tributes to his bandmates from The Moody Blues, including a very special recording by the late Graeme Edge of his poem ‘Late Lament’.  Jon Davison of YES will be joining him on stage for ‘Nights in White Satin’.  

The show is in support of his latest live album ‘The Royal Affair and After’ released in January this year to critical acclaim. The album was recorded live in Las Vegas on ‘The Royal Affair Tour’, in the Summer of 2019.

John’s mission statement is, after all, “I want to keep all the Moody Blues music alive!”

Joining John are his ‘10,000 Light Years Band’; Alan Hewitt (Music Director and Keyboards), Billy Ashbaugh (Drums), Duffy King (Guitars) and Jason Charboneau (Cello).

“I’m delighted to be bringing my Moody Blues show to the Ocean City Music Pier as part of their Summer Concert Series!  I had a fabulous time on our March tour and on the Flower Power Cruise, and although we are working on dates for later in the year and next year, I was really happy to be asked to be part of this series.  I’ll be bringing my band, and we’ll be doing our full ‘Classic Moody Blues’ show with all my hits and tributes to all my bandmates. These songs really are the soundtrack of my life and I look forward to sharing them with fans, and perhaps even some not so familiar with the Moody Blues.” - John Lodge June 2022.

photo by Dana Grubb

John and his band will also be appearing on ‘The 70s Rock and Romance Cruise’ March 16 – 23, 2023, https://rockandromancecruise.com/lodgefan, and other dates are in the works for Fall 2022 and Spring 2023. His live album, ‘The Royal Affair and After’ is available now everywhere.

“The Royal Affair and After”
Track Listing (CD and Digital)
1. Steppin’ in a Slide Zone
2. Saved by the Music
3. Legend of a Mind
4. Sunset
5. Late Lament (with Graeme Edge)
6. Nights in White Satin (with Jon Davison)
7. Gemini Dream
8. Isn’t Life Strange
9. I’m Just a Singer (In a Rock and Roll Band)
10. Ride My See-Saw (with Jon Davison)

For further information:
https://www.johnlodge.com/
https://www.facebook.com/johnlodgemusic/
https://twitter.com/johnlodgemusic
https://www.instagram.com/johnlodgemusic/
https://www.youtube.com/c/johnlodgemusic

Top photo by Frank Piercy

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

The Guitar Circle With Robert Fripp August 22-26, 2022 at The Mansion at Glen Cove, NY

Four Immersive Days of Work in the Guitar Circle. Guitar & Audience Craft Techniques and Exercises for Audients and Guitarists.

An Introduction to the Guitar Circle with Robert Fripp will begin at 3pm on August 22nd, 2022, and ends at 12pm on August 26th, 2022.

Each day’s schedule is intense, beginning in the early morning and running through to the night with activities in small and large groups. The exact detailed schedule will be decided at the course itself, responding to the needs of the group.

House of Guitars: everyone welcome to join, with or without guitars (led by RF)

During Robert Fripp’s Introduction to the Guitar Circle, nothing is compulsory but some things are necessary. Robert feels strongly that alcohol and drug use are incompatible with this work and are strongly discouraged. Hey, the anticipated polyrhythms* alone are enough to deter anyone from even thinking about drinking! So, any participant who partakes in drugs or alcohol during the event may be asked to forego participating in our activities. Thank you for your cooperation.

*Polyrhythms: The simultaneous combination of contrasting rhythms in a musical composition. Rhythmic conflicts, or cross-rhythms, may occur within a single metre (e.g., two eighth notes against triplet eighths or worse!) and may even be reinforced by simultaneous combinations of conflicting metres. You will happily experience some of these during Robert’s event!

The Guitar Circle welcomes players and audients of all ages and levels of experience, from absolute beginners to professionals.

The art of craft is universal. The artful craft of Guitar Craft is also specific.

Guitar Craft is a way of developing a relationship with guitar, music, and with ourselves. Guitar and Audience Craft techniques and exercises provide a foundation for taking the performance event to a higher level.

The Guitar Circle is a way of working which strengthens community. We also rock out!

If performing music is to enter our world, the role of the audience is as necessary as the role of the musician.

So, for the first time in the life of Guitar Craft and the Guitar Circle, we are inviting audients to this Intro, to learn the performance techniques and approaches available to Crafty Guitarists.

Performing music has its own intelligence, but can music change the world? If so, how? How does a musician become present in the place within them where music lives, or visits for a while? How is an audient present within themself when music visits? How does music come into our lives? What is involved in the process of musical performance?

For those interested in guitar playing, work will be on acoustic guitars in the New Standard Tuning – CGDAEG. Guitar meetings / workshops will be in groups of all sizes, including individual meetings with the Guitar Buddies.

This Introduction to the work of the Guitar Circle will also include classes in Alexander Technique, Orchestral Maneuvers, T’ai Chi, Zen meditation, The Process Of Performance, and Doing Nothing – As Much As You Can!

There is nothing solemn about any of this, and I’m intending to have a good time. This is an approach to perform, performing, serious performing and performing seriously.

I recommend that everyone come with an aim.

You are invited.

Robert Fripp

STAFF

ROBERT FRIPP - Guitarists and More
DEV RAY - Guitarists and More
JACQUELINE BINDER - Guitarists and More
CURT GOLDEN - Guitar Buddies
TOM REDMOND - Guitarists and More
TONY GEBALLE - Guitar Buddies
SANDRA BAIN CUSHMAN - Orchestral Maneuvers
KIM CARY - Orchestral Maneuvers
ERIN WIGGER - Alexander Technique
CHRIS DOERING - The Process of Performance
CHRISTINA FLEMING - Orchestral Maneuvers

PRICING AND REGISTRATION
Robert Fripp, Guitar Circle, and Dreamcatcher Events all respectfully ask that everyone attending be fully vaccinated and/or tested for Covid.

Musicians and music fans of all styles and levels are welcome to attend Introduction To The Guitar Circle – but we do recommend that everyone who plans on playing bring a steel-stringed acoustic guitar!

For more information: https://robertfrippsguitarcircle.com/

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com

World’s Largest Prog Rock Supergroup THE PROG COLLECTIVE Revisit Folk & Rock Masterpieces On New Album SONGS WE WERE TAUGHT, Release First Single!

Album features performances by David Clayton-Thomas (Blood Sweat & Tears), Rod Argent (The Zombies), Sonja Kristina (Curved Air), Candice Night (Blackmore's Night), Dweezil Zappa, Ron "Bumblefoot" Thal (Guns N' Roses/Asia), Steve Morse (Deep Purple/Dixie Dregs), Martin Barre (Jethro Tull), Steve Hillage (Gong) and more!

Los Angeles, CA – Producer Billy Sherwood has helmed the massive prog rock supergroup The Prog Collective through an astonishing 10 years and 3 studio albums with an ever-evolving cast of 50+ elite-level musicians, vocalists, and creative minds. Through it all, one thing has remained constant: the project has always brought some of the most innovative musical arrangements, unique performances and cutting-edge production techniques, all in service of creating the most engaging, enthralling listening experience to the listener. The same holds true for the band’s newest effort, the gorgeous and sublime Songs We Were Taught.

As the title suggests, Sherwood and his cohort travel back in time to revisit some of the most formative and influential songs of the ‘60s & ‘70s. From Bob Dylan’s massively important “The Times They Are A-Changin’” to Simon & Garfunkel’s unforgettable classic “Sound Of Silence” to the folk standard-turned-chart-topping-rock-dirge “House Of The Rising Sun,” the compositions included here are not ones that would immediately be associated with the kind of progressive /art-rock players featured on Prog Collective albums. But just one listen to the astonishing musicianship Wishbone Ash’s Martin Turner and electric violinist Jerry Goodman bring to Dylan’s song or the mix of soul and atmosphere that David Clayton-Thomas and Steve Hillage add to “House Of The Rising Sun” and you’ll know why this album exists. Thankfully, the band has released “House Of The Rising Sun” as the album’s first single!

Check out the single: https://orcd.co/house_of_the_rising_sun

Watch for the whole of Songs We Were Taught to be released on all formats, including CD, vinyl and digital, starting July 1.

Pre-order the CD/vinyl: https://cleorecs.com/store/?s=songs+we+were+taught&post_type=product

Pre-order/pre-save the digital: https://orcd.co/songs_we_were_taught

Track List:
1. The Sound Of Silence - Jon Davison (Yes) & Geoff Downes (Yes/Asia)
2. Year Of The Cat - Billy Sherwood (Yes/Circa) & David Sancious (Bruce Springsteen's E Street Band)
3. House Of The Rising Sun - David Clayton-Thomas (Blood Sweat & Tears) & Steve Hillage (Gong)
4. In The Land Of Grey And Pink - Ron "Bumblefoot" Thal (Guns N' Roses)
5. Summer Breeze - Roine Stolt (The Flower Kings) & Steve Morse (Dixie Dregs)
6. Fire And Rain - Sonja Kristina (Curved Air) & Martin Barre (Jethro Tull)
7. The Weight - Rod Argent (The Zombies) & Jeff "Skunk" Baxter (The Doobie Brothers)
8. Wild World - Rosalie Cunningham (Ipso Facto) & Patrick Moraz (The Moody Blues)
9. It's Too Late - Candice Night (Blackmore's Night) & Dweezil Zappa
10. The Times They Are A-Changin' - Martin Turner (Wishbone Ash) & Jerry Goodman (The Flock)

Press inquiries:
Glass Onyon PR
Billy James
PH: 828-350-8158
glassonyonpr@gmail.com

CLEOPATRA RECORDS, Inc.
11041 Santa Monica Blvd #703
Los Angeles CA 90025
www.CleopatraRecords.com

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Bill Nelson’s Red Noise “Art/Empire/Industry – The Complete Red Noise” 6CD Remastered Box Set Available August 26, 2022

• A NEW SIX DISC BOXED SET OF THE COMPLETE RECORDINGS MADE BY BILL NELSON’S RED NOISE – COMPRISING FOUR CDs AND TWO DVDs (NTSC/REGION FREE).

• FEATURING A NEWLY REMASTERED EDITION OF THE ALBUM ‘SOUND ON SOUND’, ALONG WITH NEW 5.1 SURROUND SOUND AND NEW STEREO MIXES BY STEVEN WILSON.

• INCLUDES A PREVIOUSLY UNRELEASED CONCERT RECORDED IN LEICESTER IN FEBRUARY 1979 NEWLY MIXED FROM THE ORIGINAL MULTI-TRACK TAPES, PLUS BILL NELSON’S HOME DEMOS, ADDITIONAL SESSION TRACKS AND A BBC RADIO SESSION FROM 1979.

• WITH BONUS VIDEO CONTENT OF THE PROMOTIONAL VIDEO OF ‘REVOLT INTO STYLE’ AND A SESSION FILMED FOR BBC TV’S OLD GREY WHISTLE TEST IN 1979.

• INCLUDES A LAVISHLY-ILLUSTRATED BOOK WITH EXTENSIVE ESSAY BY BILL NELSON AND A FOREWORD BY STEVE WILSON, A FACSIMILE TOUR PROGRAMME, POSTER AND FOUR POSTCARDS.

Following the release of the album “Drastic Plastic” and tour, Bill Nelson disbanded Be-Bop Deluxe. Aware of the emergence of the New Wave artists and out of a desire to continually evolve, he announced the formation of Red Noise.

Working with co-producer John Leckie, Bill recorded a new wave masterpiece, a record that would influence a new generation of musicians with its intelligent and punchy material. “Sound On Sound” and the subsequent live shows would divide opinion of both fans and critics, but with the passage of time, the album is now regarded as one of Bill Nelson’s finest works.

This boxed set features the complete Red Noise recordings; the original album newly remastered by Steven Wilson from the original master tapes, along with stunning new stereo and 5.1 Surround Sound mixes.

The set also includes an outstanding complete live concert recorded in Leicester in 1979, newly mixed from the original 24-track tapes, a session recorded for BBC Radio One and a further Red Noise studio session from May 1979 plus a bonus CD of Bill Nelson’s home demos. The set also includes video material, including the video for “Revolt Into Style” and the band’s session for the BBC TV show “The Old Grey Whistle Test” from February 1979.

Track Listing:

DISC ONE
SOUND ON SOUND REMASTERED
1 Don’t Touch Me (I’m Electric)
2 For Young Moderns
3 Stop / Go / Stop
4 Furniture Music
5 Radar in My Heart
6 Stay Young
7 Out of Touch
8 A Better Home in the Phantom Zone
9 Substitute Flesh
10 The Atom Age
11 Art / Empire / Industry
12 Revolt into Style Bonus tracks
13 Wonder Toys That Last Forever
14 Acquitted by Mirrors (B-side of ‘Furniture Music’ EP)
15 Stay Young (BBC session 17.02.1979)
16 Furniture Music (BBC session 17.02.1979)
17 Don’t Touch Me (I’m Electric) (BBC session 17.02.1979)
18 Out of Touch (BBC session 17.02.1979)

DISC TWO
LIVE AT THE DE MONTFORT HALL, LEICESTER 1979
PREVIOUSLY UNRELEASED
1 Don’t Touch Me (I’m Electric) (live)
2 For Young Moderns (live)
3 Furniture Music (live)
4 Out of Touch (live)
5 Stop-Go-Stop (live)
6 Atom Age (live)
7 Possession (live)
8 Superenigmatix (live)
9 Substitute Flesh (live)
10 Phantom Zone (live)
11 Radar in My Heart (live)
12 Art / Empire / Industry (live)
13 Revolt into Style (live)
14 Stay Young (live)
15 For Young Moderns (Encore) (live)

DISC THREE
SOUND ON SOUND NEW STEREO MIX
1 Don’t Touch Me (I’m Electric)
2 For Young Moderns
3 Stop / Go / Stop
4 Furniture Music
5 Radar in My Heart
6 Stay Young
7 Out of Touch
8 A Better Home in the Phantom Zone
9 Substitute Flesh
10 The Atom Age
11 Art / Empire / Industry
12 Revolt into Style Bonus tracks
13 Wonder Toys That Last Forever
14 Acquitted by Mirrors
15 My Light (previously unreleased) Recorded for the “Sound on Sound” sessions
16 Instantly Yours
17 Ideal Homes
18 Disposable

DISC FOUR
SOUND ON SOUND
96 kHz/24-BIT 5.1 SURROUND SOUND MIX
NEW STEREO MIX ORIGINAL STEREO MIX
1 Don’t Touch Me (I’m Electric) (5.1 mix)
2 For Young Moderns (5.1 mix)
3 Stop / Go / Stop (5.1 mix)
4 Furniture Music (5.1 mix)
5 Radar in My Heart (5.1 mix)
6 Stay Young (5.1 mix)
7 Out of Touch (5.1 mix)
8 A Better Home in the Phantom Zone (5.1 mix)
9 Substitute Flesh (5.1 mix)
10 The Atom Age (5.1 mix)
11 Art / Empire / Industry (5.1 mix)
12 Revolt into Style (5.1 mix)

DISC FIVE
ADDITIONAL RED NOISE SESSIONS
96 kHz/24-BIT 5.1 SURROUND SOUND MIXES
NEW STEREO MIXES ORIGINAL STEREO MIXES
1 Wonder Toys That Last Forever (5.1 mix)
2 Acquitted by Mirrors (5.1 mix)
3 My Light (5.1 mix) Recorded for the “Sound on Sound” sessions
4 Instantly Yours (5.1 mix)
5 Ideal Homes (5.1 mix)
6 Disposable (5.1 mix)
RAK Studios, London May 1979

VIDEO CONTENT
PREVIOUSLY UNRELEASED
1 Revolt into Style (Promotional video 1979)
2 Don’t Touch Me (I’m Electric) (BBC TV Old Grey Whistle Test – 1979)
3 Furniture Music (BBC TV Old Grey Whistle Test 1979)
4 Stay Young (BBC TV Old Grey Whistle Test 1979)

DISC SIX
BILL NELSON RED NOISE DEMOS 1978 – PREVIOUSLY UNRELEASED
1 Acquitted by Mirrors (demo)
2 For Young Moderns (demo) 3 Stop Go Stop (demo)
4 Furniture Music (demo)
5 Radar in My Heart (demo)
6 Stay Young (demo)
7 Out of Touch (demo)
8 A Better Home in the Phantom Zone (demo)
9 Substitute Flesh (demo)
10 The Atom Age (demo)
11 Revolt into Style (demo)
12 Waiting for the Night (demo)
13 My Light (demo)

To pre-order: https://www.cherryred.co.uk/product/bill-nelsons-red-noise-art-empire-industry-the-complete-red-noise-6cd-remastered-box-set/

Bill Nelson’s Dreamsville official website: https://www.billnelson.com/

Press inquiries: Glass Onyon PR, PH: 1-828-350-8158 (US), glassonyonpr@gmail.com